Milk Black and White Photography

Many of the depicted scenes were inspired by moments where Fahnestock was astonished by something that was equal parts mesmerizing and distressing. “Seeing my first wildfire in person, or the images of San Francisco covered in an orange haze, all the while recognizing that these things were in fact terrible. They signified disasters and ecological shifts. The increase in wildfire events is due in part to the encroachment of larger, developed communities onto lands that were previously maintained for fire season by natural means or by the Forest Service...

Greta Garbo - Black and White Photograph by Clarence Sinclair Bull, 1930 1930 Black and white portrait photograph of Swedish/American actress Greta Garbo (Swedish, 1905-1990) by Clarence Sinclair Bull (American, 1896-1979). Greta Garbo poses in a top hat and collard shirt while gazing away from the camera. Printed by the artist circa 1970's. A black and white photograph, matte finish, double-weight paper, depicting a 1931 shot of the star titled 'Mata Hari,' printed decades later from the original negative, pencilled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," verso with the photographer's black ink credit stamp, verso further with two "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western painter...

Hand printed by the artist. Signed in pencil. Printed 1999 Framed in gun metal frame. Mint Condition

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Albumen print on thin photographic paper (printed out from glass plate); 8 1/2 x 7 inches (217 x 178 mm). Marked by the photographer in pencil on verso "Courtyard 29 Rue Broca 1394."...

Greta Garbo "Mata Hari" Film Photograph by Clarence Sinclair Bull, 1931 A black and white photograph, matte finish, double-weight paper, depicting a 1931 shot of the star titled 'Mata Hari,' printed decades later from the original negative, penciled in the lower left corner "A.P.," Estate stamped and blind embossed in the lower right corner "Clarence Sinclair Bull," further blind embossed in same corner "The Kobal / Collection," verso with the photographer's black ink credit stamp, verso further with two "Edward Weston" black ink credit stamps dated "1981" and "1992," originally from the John Kobal Collection. Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Clarence Sinclair Bull was born in Sun River, Montana, in 1896. His career began when Samuel Goldwyn hired him in 1920 to photograph publicity stills of the Metro-Goldwyn-Mayer film studio's stars. He is most famous for his photographs of Greta Garbo, taken between 1926 and 1941. Bull's first portrait of Garbo was a costume study for the silent romantic drama film Flesh and the Devil in September 1926. Bull was able to study with the great Western...

A limited edition (out of 25) black and white photographic print. Framed with a black or white box frame and floated to the backboard. The dimensions of 33.5 x 45 cm is that of the p...

Jean-Michel Basquiat first attracted attention for with graffiti work on the Lower East Side of Manhattan in the late 1970s. Basquiat first met Andy Warhol in 1980. At this point, Pat Hackett had been working for Warhol for about a decade already. This was also the year Hackett and Warhol published Popism: The Warhol Sixties. As two valuable additions to The Factory, Hackett and Basquiat most likely spent a good amount of time together. Henry Geldzahler...

Kenn Duncan (1928-1986). Woman with Turban and Feathers, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita Rivera...

Terry O'Neill's photograph of Brigitte Bardot in Spain is a timeless portrayal of the iconic actress exuding effortless allure. Captured in black and white, Bardot is depicted from t...

Line of Trees by Michael Kenna is a black and white photograph featuring 13 trees standing in a row against a white background. Most of the trees are smaller, with dense branches, cr...

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awful Scenes." This still depicts a ...