Andrew Moore

Andrew Moore - Rotunda, University of Hanoi, Photography 2006, Printed After

Archival Pigment Print Palazzo in Noto, Sicily All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 +...

Archival Pigment Print All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist Proofs 50" X 60"...

Archival Pigment Print Lower East side, NYC All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 + 2 ...

Archival Pigment Print Classic cubano style from 19th century All available sizes & editions for each size of this photograph: 60" X 50"- Edition of 5 + 2 Artist Proofs 90" X 70"- ...

Kaplica by Gina Soden [2014] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 9 Image size: H:70.02 cm x W:105 cm Complete Size of...

Signed on reverse Archival pigment print Available in three sizes: 50 x 40 inches, from an edition of 5 60 x 50 inches, from an edition of 5 90 x 70 inches, from an edition of 5 Ac...

Reggia by Gina Soden [2013] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 4 Image size: H:70.02 cm x W:105 cm Complete Size of ...

Reinhard Görner Colored Columns New Museum, Berlin 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 5 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Paper is trimmed to the image: actual image size listed Internal: The Neues Museum...