Vertical Color Photography

This mid-1955s portrait photograph, captured by society photographer Slim Aarons, features Rita Aarons, wife of photographer Slim Aarons, during the filming of 'Mister Roberts' in Ha...

ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...

Ballerina Mary Drage in taffeta evening dress by Rappi, the MET gallery 1950, printed later C print Estate stamped and numbered edition of 21 on verso Norman Parkinson (1913-1990) ...

Disco Queen (Oxana's 30th Birthday) - 2007 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist I...

"Omens Drift" Nude Photography 36" x 24" in Ed. 1/7 by Aaron Mcpolin Archival Giclee Print NOT framed. Ships in a tube. OTHER SIZES AVAILABLE: Edition of 15: 24 x 16 in Edition of...

Saint-Tropez 1971 - Slim Aarons Estate Stamped Two young women, one wearing a kaftan, stepping onto a yacht on the waterfront at Saint-Tropez, France, August 1971. 30 x 20" inches ...

Amusements, seaside typography photography from Richard Heeps' On-Sea series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is pres...

Yellow Corridor (Day), from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwor...

"The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod al...

Prize Bingo, Norfolk, Richard Heeps' typography sign photography centrally framed in the Kodak rebate border, against an expansive, vivid blue sky, isolating the subject and emphasiz...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of famous American sing...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

PETER BEARD (1938–2020, USA) Elui with World Record Cow Elephant Tusk, 47 lbs., Marsabit Forest, Kenya, 1962/2006 Color print with gelatin silver print collage, watercolor, tempera paint, ink Sheet 141 x 108,6 cm (55 1/2 x 42 3/4 in.) Unique Signed recto and verso in ink Peter Beard (1938–2020) was an American artist who lived and worked in New York and Kenya. In Africa Peter Beard found the central theme of his life, the destruction of the natural animal world by man and civilization. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s. Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his iconic book, “The End of the Game...

'Porto Ercole' Italy (Slim Aarons Estate Edition) A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Beautiful greens of th...

"The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod al...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

"Contract" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31" i...

O'brian's staged photographs masterfully balance organic forms with the geometric structure of books, vases, and other objects. The simplicity of the setting highlights the vibrant s...

The Rolling Stones are photographed outside the Tin Pan Alley Club in London in 1963. From left to right, Mick Jagger, Keith Richards, Bill Wyman, Brian Jones (1942 – 1969) and Charl...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

'George Hamilton' American actor George Hamilton holidays in Saint-Tropez, on the French Riviera, August 1977. 40 x 30" / 101 x 76 cm paper size Estate Stamped Collection Edi...

Curling At St. Moritz 1963 - Slim Aarons Estate Stamped Curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. 20 x 16" inches / 51 x 41 cm paper size Estate...

This vintage lobby card features a classic scene from Alfred Hitchcock’s The Birds (1963), the suspenseful thriller that redefined the horror genre. The image showcases Tippi Hedren ...

A Colourful Crew 1970 - Slim Aarons Estate Stamped A group of colourfully dressed friends on board the Calypso clothing store owned boat, Bermuda, June 1970. 40 x 30" inches / 102 ...

Fom the series Guerreros Unique Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Castr...

Original large format still life photograph of purple anemone from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works explor...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is...

Marrying an Apple Tree (Negative) - 2020 60x50cm, Edition of 10. Giclée Print on Hahnemühle Fine Art Baryta (glossy), based on a Peel Apart Polaroid Film (not mounted). Signed on...

ABOUT THIS ARTIST: Jordan Tiberio is a photographic artist based in Brooklyn, NY. Long fascinated by the genre of hyperrealism painting, she began to explore the idea of creating the...

One of Steve McCurry's most iconic images, this portrait features a young Afghan girl with piercing green eyes wearing a red head scarf. Afghan Girl by Steve McCurry is a 24 x 20 i...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

As an artist, He is fascinated by the opulence and richness of still life of the golden age of Dutch painting in the 17th c. These works, of course, symbolize mortality and the temporal nature of material goods. In his still life, He built these images with the same symbolic references but with the best quality, you can get. By playing with light and dark, He captures the beauty of every flower and each object down to the smallest detail. In addition to photography, he uses high-resolution scans to achieve extreme detail. He use photography as a base, but in the end, he arrive at an image that nobody could actually shoot as a photograph.He is not a photographer in the traditional sense, but he does take many pictures and he needs a lot of layers. In his still life of flowers and objects, he creates a balance between objects and living materials with light and shadow and the best quality. He created the photographic illusion of a painting from the golden age in a new tech way by scanning every object individually and combining these with photographs that he took. The construction takes a lot of time and months of post-production. In his work, everything has to be perfect. It’s like a movie. The light and color have to be right. (It is quite obsessive work.) He loves the idea of “the impossible image” – the idea of there being no limits and of using the photograph as the basis for an image that’s in his head. Zoltan Gerliczki...

"Radiance II" Figurative Nude Photography 30" x 24" in Ed. 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 20 x 16 inch Edition of 7 30 x 24 inch ...

'Wanderlust Goes South', a selection of vintage fiction book spines. Photographed by Richard Heeps in a secondhand bookshop in the traditional North Norfol...

Villa Libertà Rossa is a limited-edition photograph by British contemporary artist Gina Soden. This photograph is sold unframed as a print only. It is available in 2 dimensions: *54...

Full Moon, Chrysler Building, New York City, 2012 by Roberta Fineberg is a 24" x 18" signed archival pigment print in an edition of 5 and 2 artist proofs (a/p I, a/p II). The contemporary color landscape photograph was shot on 42nd St and captures the art-deco Chrysler Building -- one of New York City's beloved buildings -- beneath a full moon. Available: Ed 2/5 Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, the development of ideas and color fields for her mixed media works. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary), play, timelessness, the enduring, and the significance of matter. RF’s selected exhibitions: Women of Spirit Zurcher Gallery New York (2025); Sojourner Gallery New York (2022); Phyllis Harriman Gallery New York studio shows (2020, 2022); CADAF online art fair (2020); Gallery122 New York pop-up group...

ABOUT THIS ARTIST: Karol Malecki is a fine art photographer living in Warsaw. He uses film and loves a cinematic feel paired with minimalism. The purpose...

Trickle (Stage of Consciousness) - 2007 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist In...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

This contemporary minimalist seaside photo, "Evening Light, Endless Sea," was captured by French artist and photographer Natalya Mougenot during her travels in Italy. With this work,...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Ballerina Mary Drage in taffeta evening dress by Rappi, the MET gallery, 1950 C print Estate stamped and numbered edition of 21 on verso with certificate of authenticity Norman Park...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

BANNED Finished Dimensions: 43.5''x33.5''x1.5" Grease Pencil on 40"x30" Photograph mounted on acid-free foamboard Unique Very hard to photograph due to paper shine & grease pencil s...

Primula, botanical pressed flower photograph by Martin Parker. Martin's innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A ...

N°14, Illusions is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is a limited edition of 10 copies, it is sold framed with a white shadow box...

Signed large scale original photograph with "frameless" glass face mounting of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and ...

As an artist, He is fascinated by the opulence and richness of still life of the golden age of Dutch painting in the 17th c. These works, of course, symbolize mortality and the tempo...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...

O'brian's staged photographs masterfully balance organic forms with the geometric structure of books, vases, and other objects. The simplicity of the setting highlights the vibrant s...

From The series Guerreros Unique Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Cast...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dreamy-nostalgia into her work. She has created work for Prada, Miu Miu, and 24 Sèvres, and...

ABOUT THIS ARTIST: Andrew Zhao is a student of his experiences. Hailing from Washington to Suzhou, China to Washington again, his fascination with art blossomed under the quaint mini...

This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a ...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

'Brutalist Symphony', photograph by Richard Heeps from the London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of t...

Archival Pigment Print All available sizes & editions for each size of this photograph: 50" X 40"- Edition of 5 + 2 Artist Proofs 60" X 50"- Edition of 5 + 2 Artist Proofs 90" X 70"-...