Miniature Color Photography

Photographed and printed by William Wegman in 1995, the aptly named "Three for One" is a chromogenic print on photo paper, signed by the photographer, titled, dated and numbered (ver...

This museum-quality photographic print on handmade paper by Carleigh Thomas measures 9 x 6”, and is on a mat that measures 14 x 11”. The photograph was taken in Tainan, Taiwan and is...

Dreams 2018, Edition of 10, 30x30 cm-Digital C-Print based on a 35mm analog film, not mounted. Signed on back and certificate. Clare's work is presented in the permanent collection ...

Heather Hollis Sunset Palms Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) C...

Antique Hand Colored Photo - Waiānuenue, or Rainbow Falls, Hawaii Hand colored silver gelatin print by an unknown artist, likely 1920s or 30s. The photo features Waiānuenue, or Rain...

Untitled Flower # 88 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Roquebrune-Cap-Martin 1981 - Slim Aarons Estate Stamped The Monte-Carlo Beach Hotel on the Pointe de la Vieille in Roquebrune-Cap-Martin, southeastern France, August 1981. 16 x 12"...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Slim Aarons' Rowing Off Sicily, an Estate Edition photograph, is a vintage scene of two couples out rowing off the coast of Sicily, Italy, near Taorm...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Plea...

My Darling come to me (Till Death do us Part) - 2016 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sony Walkman Radio. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

This mid-1980s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing on the terrace at the villa of Umberto and Pucci Nordio, Portofino This i...

Penny Lane (Chicks and Chicks and sometimes Cocks) - 2019 - 20x24cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 19141. Signature label and Certificate. N...

This photograph is from among Vincent Dixon's series created in Paris, Pushkar, Myanmar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid, São Pau...

Origins, 2017, Edition 1/7 plus 2 Artist Proofs Based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-366 Kir...

Chromogenic print Signed and numbered, verso 11 x 14 inches (Edition of 5) 16 x 20 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please no...

Rebecca Skinner’s “Still” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage meat grinder sits on a...

Carpoolers X (From the series Carpoolers), Mexico, 2011-2012 2011/2012-2023 Signed in black ink, verso Archival pigment print 6 x 6 inches, sheet 5.5 x 5.5 inches, image This wor...

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of s...

Juliet is an original artwork realized by the Italian photographer Angelo Cricchi. Digital print from negative film 6x6. Hand-signed, dated, and numbered on the back. The artist's st...

Falling Stars - 2020 Edition 1/10 plus 2 Artist Proof, 20x25cm Digital Print based on an original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mounte...

This work is unique, Provenance: From the estate of the artist, to The Andy Warhol Foundation for the Visual Arts, to private collector, to private collector, to current owner Exh...

Rebecca Skinner’s “The Race is Over” is a 11.25 x 17 inch metal print of weathered stadium seating at an abandoned race track. The vintage brown wooden...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in New York City.

This chromogenic chemical photograph of the sun is mounted onto plexiglass with hanging mechanism on the back. Artist Betsy Kenyon traveled to different parts of the US, using a pinh...

Beautiful landscape photograph of the Oregon coast, mounted on a heavy white mat by an unknown artist (American, 20th Century). Signed "CJB" in the lower ...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

Family 20x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Medium format Negative. Signed on back with Certificate. Not mounted.

Ellen VON UNWERTH (*1954, Germany) Ellen’s angel II, Miami, 1993 Unique Polaroid Image 7.5 x 9.5 cm (3 x 3 3/4 in.) Sheet 8.6 x 10.7 cm (3 3/8 x 4 1/4 in.) Frame 29 x 24.5 x 4 cm (11...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Bubbles (2019) 20x25cm, Edition of 10 Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mounted). Signed on back with Certifi...

Art Edition (No. 101–200) with the signed print Jerry Hall and Jacques Henri Lartigue, Nice, France, 1983 and the book Eighties in a clamshell box, also signed by David Bailey. Inkje...

Photographer Art Shay was able to get up close and personal in this intimate portrait of John F. Kennedy. Being devoid of any background interference adds to the power of this portrait. It is matted and framed in a black metal frame measuring 18h x 13.75w x 1.25d inches. Art Shay JFK in Profile, 1960 archival pigment print 14h x 11w in 35.56h x 27.94w cm ASY15013 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart...

Detroit, Michigan has many photogenic spots in its urban area. This photo was taken in an old Corktown neighborhood that is currently becoming quite chic. Framing options are availa...

Slim Aarons' Cat-Shaped Pool, a newly available Estate Edition photograph, features a charming swimming pool in the shape of a cat at the Fontainebleau Hotel, Miami, circa 1955. This historic shot of the pool was captured just after the the Fontainebleau's opening in 1954. Visual Description: Guests enjoying the newly opened turquoise cat-shaped pool at the Fontainebleu Hotel, designed by Morris Lapidus. The deck features sunny, graphic yellow and black umbrellas, as well as red, yellow and blue striped umbrellas and loungers. The cat's tail is a vintage wooden diving board, its ears are stairs, and its nose is a slide. Designed by Morris Lapidus. Slim Aarons Chromogenic Lambda print Slim Aarons Estate Edition Printed Later Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Internal: vintage '50s florida, 50's Miami, vintage poolside, vintage swim fashion, vintage slim aarons, Fontainebleau Hotel, vintage Miami beach, Miami architecture...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Victoria Goldman’s twenty-year-long fascination with Tarot has created a series of photographs based on the imagery and the mythology behind the ancient Tarot cards. Each image in the collection is inspired by and named after one of the 22 major archetypes of the Tarot. While photographing and teaching yoga and meditation in India, Hawaii, and throughout Europe, Goldman always made sure to carry a Tarot deck in her backpack. She views Tarot as a tool for personal elevation, helping her direct her focus and better understand her psyche. The collection’s soft focus and figurative emphasis is reminiscent of the work of Francesca Woodman or Julia Margaret Cameron, whom Goldman cites as personal artistic inspirations. The concept behind the exhibition was long thought-out; while some pieces date as recently as two months prior to the exhibition opening, others date as far back as 1999 or 2000. Shot primarily with vintage Polaroid and film with a twin lens Rolleiflex camera, the dark, moody, mythological images recall a classical tone that mirrors the timelessness of the cards themselves. The invitational image, entitled “Wheel of Fortune”, depicts a young woman in a glittering gown, her backside facing the viewer and her body positioned to spin a large carnival wheel hidden in the darkness of the photograph. The high-contrast nature of the image abstracts the gown, morphing the glitter on the dress into drops of light that shine through the dark air. The slender young woman in “Fortune” can be found in several of the collection’s photographs, depicting not just Lady Luck, as in the invitational image, but also the Emperor, the Devil...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Marfa 2019, 20x24cm, Edition 1/7 plus 2 Artist Proof. Digital C-print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-704. Kirste...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This artwork is offered by ClampArt, ...

Sakura Bloom, 2024 Signed, titled, dated and numbered in ink on artist label Archival pigments on Kozo paper Image/Paper: 11-3/4" x 7-3/4", Framed: 16-1/4" x 12" Edition 2 of 10

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

Sunbathing in Capri, Catherine Wilke, Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity fr...

By hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activi...

Patty deGrandpre’s “Passing Through” is a one of a kind eloquent 13 x 11.5 inch abstract monoprint . Striations and fields of warm pinks and oranges are inkjet printed in layers onto...

Patty deGrandpre’s “Church Supper” is one of a series of dynamic abstract unique digital inkjet prints composed of multiple layers of digitally manipulated photographs of architectur...

Patty deGrandpre’s “Broken Television 9” is a unique abstract 5 x 9 inch inkjet print on 11 x 14 inch photo paper in predominately blue hues and incorporates a picture taken of a bro...

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Chromogenic print Signed and numbered, verso 11 x 14 inches (Edition of 5) 20 x 24 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please no...

Signed on archival label Archival pigment print Accompanied by Magnum Photos COA Available in three sizes: Paper size: 16 x 20 inches, edition of 8 Paper size: 24 x 30 inches, edit...

Total edition of 7 Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “Sailboats and Swans” is a series of portraits of prisoners in Russia ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Carla Vuccino, wearing a blue swimming cap, and a sunbathing Marina Rava in green. Both wear vintage bikinis as they sit on the rear of a boat, on the deep marine blue waters off the coast of the island of Capri, Italy, 1958. Slim Aarons La Dolce Vita: Vuccino & Rava Capri, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * From a recent Vogue article on the photography of Slim Aarons: "The iconic Capri is always teeming with a variety of hotels, each more beautiful than the last. A stone's throw from the Villa Malaparte from Jean-Luc Godard's movie Contempt, the Faraglioni cliffs plunging into the turquoise of the Tyrrhenian Sea, and the colorful houses that climb the bay. The Hotel Punta Tragara was one of Slim Aarons' favorite spots in Italy." # Vintage Capri, Vintage dolce vita, Vintage Slim Aarons, Vintage Poolside...

11 x 14 inch image is an edition of 45. Four other sizes are available. Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression to freedom....

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new...