Miniature Color Photography

Digital C-print Signed and numbered on label, verso 14 x 11 inches (Edition of 5) 24 x 20 inches (Edition of 5) 40 x 30 inches (Edition of 5) This photograph is offered by ClampAr...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Total edition of 7 Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “Sailboats and Swans” is a series of portraits of prisoners in Russia ...

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

Rebecca Skinner’s “Still” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage meat grinder sits on a...

Absence (makes the heart grow fonder), 2020 26x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. ...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Ophelia is an original digital photograph realized by Angelo Cricchi in 2008. Hand-signed, dated, numbered by the artist on the back of the photo. The stamp of the photographer is ...

Rebecca Skinner’s “Run” is part of a her texture series taking an up-close look at rusted and/or weathered metal. With tones of blue and purple, this 12 x 18 inch abstract color phot...

A party of skiers adjourn for drinks at the bar on top of peak KT-22, Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing ...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Plea...

Rebecca Skinner’s “Broken” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photo of shattere...

Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in New York City.

'Side Kick' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-684. K...

'A breath of fresh air' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory P...

Rebecca Skinner’s “The Race is Over” is a 11.25 x 17 inch metal print of weathered stadium seating at an abandoned race track. The vintage brown wooden...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

Christo and Jeanne-Claude Wrapped Reichstag (I) (German Parliament, Blue Sky) Color Photograph on Archival Paper Year: 1995 Size: 11.81 x 15.74 inches (30 x 40 cm) Photographer: Wolf...

Patty deGrandpre’s “Church Supper” is one of a series of dynamic abstract unique digital inkjet prints composed of multiple layers of digitally manipulated photographs of architectur...

1959: Young women canoeing on the Nevada side of Lake Tahoe, a large freshwater lake in the Sierra Nevada Mountains, straddling the border of California and Nevada. Three young woman are pictured in their red, turquoise and white canoes in the sunshine. Zephyr Cove. Lake Tahoe Canoes / Lake Tahoe Trip Slim Aarons Estate Edition Printed Later Framing options available Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Lake Tahoe is a large freshwater lake in the Sierra Nevada Mountains, straddling the border of California and Nevada. It’s known for its beaches and ski resorts. On the southwest shore, Emerald Bay State Park contains the 1929 Nordic-style mansion Vikingsholm. Along the lake’s northeast side, Lake Tahoe Nevada State Park includes Sand Harbor Beach and Spooner Lake, a gateway to the long-distance Tahoe Rim Trail. Internal Vintage Canoeing, Vintage Sport, Midcentury Modern, Vintage Lake Tahoe, Vintage Glamour, Vintage Slim Aarons, Vintage Zephyr Cove, American Realist, Vintage Sport, Midcentury sport, Midcentury Glamour, California Nevada State Line, Midcentury Tahoe, Lake Tahoe Trip, Vintage Watersports...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

Archival pigment print Signed, titled, dated, and numbered, verso 13.5 x 13.5 inches (Edition of 10) 30 x 30 inches (Edition of 5) This photograph is offered by ClampArt, located ...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Signed and numbered, verso Archival pigment print (Edition of 25) 11 x 14 inches A portion of the proceeds will done to benefit COVID-19 relief efforts. This artwork is offered by ...

New York Street Art photograph 2012: Chelsea Manhattan Street Art photographed in 2012 at the famed Comme Des Garcons, New York flagship store, b...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Evžen Sobek...

Rebecca Skinner’s “White” is part of her "Simplicity" series taking an up close look at flowers and other botanical subjects. The soft focus alters the image of a white rose into a b...

Archival pigment print (Edition of 5 + 2 APs) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny writes: “During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8​th​ great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10t​h​ great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now? “Major Arcana: Witches in America​ is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people. “Major Arcana​ explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for ​Major Arcana​ (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...

Archival pigment print Signed and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. Pl...

Total edition of 7 Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “Sailboats and Swans” is a series of portraits of prisoners in Russia ...

Bermuda View (1957) Limited Estate Stamped (Photo By Slim Aarons) View from the Bermudiana Hotel looking towards Paget, in the foreground the Royal Bermuda Yacht club, 1957. ...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Hand-signed on verso. Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ra...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

New York V - Framed Contemporary Original Polaroid Photograph Like much of Pia Clodi's work, 'New York V' leaves a trace of the fast, nomadic life she leads. This work is represen...

A poolside party at Phil Richards' home in Fort Lauderdale, Florida, May 1970. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aar...

Slim Aarons' Rowing Off Sicily, an Estate Edition photograph, is a vintage scene of two couples out rowing off the coast of Sicily, Italy, near Taormina,...

Daydream believer - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1029....

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Socialite Alice Topping by a swimming pool in Palm Beach, Florida. This is an estate stam...

Patty deGrandpre’s “Everyone & Everything (rainbow)” is a unique abstract 5.5 x 5.5 inch polychromatic inkjet print on 8.5 x 11 inch inch photo paper with three contrasting bands of ...

This 1660 winter landscape photograph, captured by society photographer Slim Aarons, features an individual skiing at Sugarbush, a mountain resort in Vermont, April 1960. This is an...

Happy Days (Till Death do Us part) - 2005 20x20cm, sold out Edition of 10, this is Artist Proof 2/2. Archival C-Print based on the Polaroid. Certificate and signature label. Arti...

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Arrivederci (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numbe...

The apres-ski in Zermatt, Switzerland, March 1968. Zermatt Skiing Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by...

Carla Vuccino, wearing a blue swimming cap, and a sunbathing Marina Rava in green. Both wear vintage bikinis as they sit on the rear of a boat, on the deep marine blue waters off the coast of the island of Capri, Italy, 1958. Slim Aarons La Dolce Vita: Vuccino & Rava Capri, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * From a recent Vogue article on the photography of Slim Aarons: "The iconic Capri is always teeming with a variety of hotels, each more beautiful than the last. A stone's throw from the Villa Malaparte from Jean-Luc Godard's movie Contempt, the Faraglioni cliffs plunging into the turquoise of the Tyrrhenian Sea, and the colorful houses that climb the bay. The Hotel Punta Tragara was one of Slim Aarons' favorite spots in Italy." # Vintage Capri, Vintage dolce vita, Vintage Slim Aarons, Vintage Poolside...

Apres Ski, Gstaad, Switzerland, Estate Edition, Portrait Photography This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a group of women r...

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

Klosters (1963) Limited Estate Stamped (Photo By Slim Aarons) Skiers pass by the Hotel Chesa Grischuna. Klosters, 1963. Additional Information: Unfr...

You, the desert, and me II (The Girl behind the White Picket Fence) - 2013 20x24cm, Edition of 10 plus 2 Artist Proofs. digital C-Print, based on the Polaroid. Certificate and Sig...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Unsigned, Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ranging from f...

The Fullers (1970) Limited Estate Stamped (Photo By Slim Aarons) May 1970 Alvin and Lilly Fuller outside their new home in Palm Beach, Florida, pose with their fashionable Europ...

Hatay is a visual artist, photographer, healer and a former Rock and Roll photojournalist. the yellow photocopied poster/info sheet is not included. Born in Scotland of a Hungarian...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sea Fan. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

This piece is a triptych of three original color photographs from the original negatives, shot by George Barris in 1962, and printed at a later date. These photographs of Marilyn Mon...

This is an original unsigned print for selection to the 1994 Pirelli Calendar, shot by Herb Ritts. Certificate of Authenticity and provenance will be provided. It's a very rare and ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...