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Chad KleitschChad Kleitsch - Flower 84 (Black Series), Photography 2003, Printed After
About the Item
Untitled Flower # 156
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
10" x 10”
18" x 18”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects, which to me is not surprising. For some primordial reason when a new image making process or technique is created we innocently throw nature onto its surface, as some kind of ongoing test. Perhaps looking to see if it can match our own perceptual abilities and/or move beyond it. Scanography, to my estimation has come the closest to fulfilling this goal.
This photograph will be printed once payment has been received and will ship directly from the printer the artist works with. Your certificate of authenticity will be shipped separately from your print and in most cases will ship directly from the gallery.
The Gallery is more than happy to provide clients with the next available edition number, however, the Gallery can only guarantee the specific edition number the client will receive once payment has been received.
- Creator:
- Dimensions:Height: 10 in (25.4 cm)Width: 10 in (25.4 cm)
- More Editions & Sizes:18" x 18”, Edition of 25Price: $2,80030" x 30”, Edition of 25Price: $3,50048" x 60”, Edition of 25Price: $7,00060" x 60”, Edition of 25Price: $9,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU25116292532
Chad Kleitsch
Chad Kleitsch began using a scanner as a camera in 1997 while living at a Zen monastery and began a botanical series in 2001. Using the scanner as the camera, is a rediscovery of image-making. It's reminiscent of mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes. Compare it with William Henry Fox Talbot’s 1840 photogram of a Byron poem or the cyanotypes of Anna Atkins. This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. It’s most prevalent use is in the recording of botanical objects, which to him is not surprising. For some primordial reason when a new image-making process or technique is created they innocently throw nature onto its surface, as some kind of ongoing test. Perhaps looking to see if it can match their perceptual abilities and/or move beyond it. Scanography, to his estimation, has come the closest to fulfilling the goal. To create these images, Kleitsch uses the digital flatbed scanner as a camera and treat the objects as if they were film. In some images (the white background) the object is backlit during the scanning process just as a sheet of film or a slide would be. What results is a translucent image of the object. Something similar to the experience of viewing stain glass windows. To articulate the detail, character and topography of each subject, Rather than a still life or photographic documentation, through this process, are transformed into portraits. In a sense, it depicts their humanity. Many years ago, Kleitsch lived near a very large garden. Kleitsch would see them all in their unique stages of life. They were always open, innocent and beautiful.
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