Metal Color Photography

Rebecca Skinner’s “Pink Piano II” is a 16 x 24 inch contemporary metal print of the keys on an abandoned pink piano located in the remnants of an auditorium...

Dye sublimation print on aluminum, polished chrome float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered...

Dye sublimation print on aluminum, polished brass float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered ...

Dye sublimation print on aluminum, polished chrome float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered...

Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. From Elemen...

Rebecca Skinner’s “Break” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photo with satin...

Rebecca Skinner’s “To Dust” was photographed in an interior of an abandoned building in New York. The 30 x 20 inch color photo is of decaying architecture with colors of brown and gr...

"Echoes 5" Abstract Photography 40" x 40" inch Edition 3/20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist This artwork printe...

Ed. of 10 Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. ...

A magical evening on Isla Holbox, Mexico. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety of custom sizes, pri...

The beach at dusk in Tulum is an endlessly changing palette of pastels. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon request.

Rebecca Skinner’s “Exist” is a 18 x 12 inch color photograph of an old chair sitting in lush green grass growing in the interior of an abandoned building. The blue sky can be seen th...

Shot at Trout Pond outside of Sag Harbor, for me this photo embodies the fresh promise of spring. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing option...

Rebecca Skinner’s “Inward” is a 12 x 18 inch color photograph of vines growing through a window into the interior of an abandoned building. Layers of peeling paint in green, pink and...

Ed. of 5 Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. F...

Rebecca Skinner’s “Wait” is a 17 x 11 inch color photograph of a red highchair against yellow vintage wallpaper in an abandoned farmhouse. With satin finish, the image is infused dir...

Rebecca Skinner’s “Blue Room” is a 17 x 11 inch color photograph of a wallpapered door in a blue room at an abandoned farmhouse. Paint has worn off the walls and ceilings portraying ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

'8.31.15_4:45:54' 2017 by Susan Wides. Dye sublimation aluminum, Ed. of 5, 60 x 40 in. / Frame: 60.75 x 41 in. This color photo features a clo...

Ed. of 5 Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. From Elements (2007) to Microscripts (2011), he has refined an in camera double exposure technique, where a sudden swivelling motion triggers the transfiguration of the visible. He travels in quest of familiar images in order to expose their hidden architecture: his sculptural compositions, crystallised in monumental stainless steel...

Ed. of 10 Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. ...

Nicolas Ruel has been working, for the last several years, on an ambitious body of work, 8 seconds, where he attempts to revisit the image of the world’s greatest cities. From Elemen...

An impressionistic photo of the ocean at dusk in Tulum, Mexico. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing opti...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Gallagher's Red is a limited edition photograph by Nancy C. Woodward. It is a photographic print on archival paper, 24x20 framed to 32x28. It is $1,400. This is an edition of 30. It was originally photographed in 2013. Also available printed directly onto Aluminum in a 30x30 size Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits...

Rebecca Skinner’s “Unaccompanied” was photographed in an abandoned train repair yard. A rusty hose reel leaves a black shadow along the graffiti filled wall ...

Providence XV consists of 5 individual panels. The images are archival dye sublimation prints which are heat-transferred to an aluminum substrate, backed with sintra, and channelled ...

Rebecca Skinner’s “Rise” was photographed in an abandoned home in New York. Nature is reclaiming this room full of peeling paint in greens, pinks and beiges. The 24 x 16 inch color p...

Rebecca Skinner’s “Life Finds a Way” is a 16 x 24 inch metal print and is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The color photo of moss...

Rebecca Skinner’s “Silk Mill” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The 16 x 24 inch color photograph with satin ...

Rebecca Skinner’s “Home” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage living room with yellows and whites at an abandoned...

"Karl Lagerfeld in Times Square, Editorial for Harper's Bazaar 2006, NYC" color C-print by fine art fashion photographer Simon Procter depicts Karl Lagerfeld and models. Shot for a "...

Rebecca Skinner’s “Disorderly” is a 17 x 11 inch metal print of a graffiti covered chalkboard in a classroom at an abandoned school. The color photograph is mostly earth toned with a...

Rebecca Skinner’s “Book Beauty 6” is a 11 x 17 inch metal print of a gymnasium full of discarded books left to decay in a deserted school. The color photograph with hues of green and...

Dye Sublimation Print 20"x30" Dye-sublimation printing is a computer printing technique which uses heat to transfer dye onto paper. 16x24 on metal - $650 20x30 on metal - $900 Abou...

Rebecca Skinner’s “Stacked” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. Green ferns grow out of a spilled pile...

Rebecca Skinner’s “Simple Chair” was photographed at an abandoned state hospital and is part of her “Forgotten” series raising mental health awareness. Bl...

Rebecca Skinner’s “Reflection” is part of her "On and Off the Trail" series documenting the beautiful landscapes of New England. The 18 x 12 inch color photo with satin finish is inf...

Rebecca Skinner’s “Aged” was photographed in an abandoned nursing home in rural Pennsylvania. A vintage lamp is the subject with a background of yellow, peeling paint. The 18 x 12 in...

Rebecca Skinner’s “Worn 2” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of yellow wallpaper in a state...

Rebecca Skinner’s “Walk This Way” is part of her "On and Off the Trail" series documenting the beautiful landscapes of New England. A well worn boardwalk flanked by green sea grass d...

Rebecca Skinner’s “Passing Time” was photographed at an abandoned paper mill and is part of a series documenting the loss of industry in America. The 24 x 1...

Rebecca Skinner’s “Exhausted” is a 24 x 36 inch metal print and is part of her “Transient” series. The color photograph of a bedroom in an abandoned home gives the viewer a sense of ...

Rebecca Skinner’s “Dirty Film” was photographed at an abandoned theater. An open red door offers a view of coffee cups spilling movie film into a dirty sink with a broom conveniently...

Rebecca Skinner’s “Faded Footsteps” is a 20 x 30 inch color metal print of a blue wrought iron staircase in an abandoned school. With satin fini...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Rebecca Skinner’s “Discarded” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 20 x 30 inch color photo of a yel...

Rebecca Skinner’s “The Piano” was photographed in an abandoned train repair yard. The 16 x 24 inch color metal print is of a piano in a state of decay in an industrial landscape with...

Rebecca Skinner’s “Finished Business” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. T...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Paul Dempsey - Pan-dining on 8th Street - 20x30 - Dye sublimation print - 16x24 on metal - $650 20x30 on metal - $900 about the artist A computer program...

Rebecca Skinner’s “Worn" is part of a her "Texture" series taking an up close look rusted and/or weathered metal. The 18 x 12 inch color photo with satin finish is infused directly i...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Rebecca Skinner’s “Left” is a 18 x 12 inch color photograph of a vintage chair and table in an abandoned hospital. With satin finish, the image is infused directly into metal making ...

Rebecca Skinner’s “Book Beauty IV” is a 20 x 30 inch metal print of plant life growing on books left to decay in a deserted school. The contemporary color photograph with hues of gre...

Rebecca Skinner’s “Book Beauty I” is a 20 x 30 inch metal print of plant life growing on books left to decay in a deserted school. The color photograph with hues of green and blue is...

Rebecca Skinner’s “Divine” is a 16 x 24 inch metal print of an abandoned church in Gary, Indiana. The color photograph has a satin finish and is infus...

Rebecca Skinner’s “Still” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a meat grinder with a vintage wa...

Rebecca Skinner’s “Showtime #2” was photographed in an abandoned mansion in the Catskill Mountains of New York. A vintage television set sits o...

Rebecca Skinner’s “Time” was photographed in an abandoned home in rural Pennsylvania. The 18 x 12 inch abstract color photo of yellow peeling paint has a satin finish is infused dire...