1990s Color Photography

On the Road (The Last Picture Show) - 1999 44x75cm including the white frame, image areas: 30x29cm each. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the 2 ori...

Depeche Mode 1990 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists a...

Cadiz Valley - Mindscreen 15 (Night on Earth) - 1999 40x40cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. A...

Construction Site Drive By (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. ...

'Sitting Bull' (Immaculate Springs), 1998, starring Udo Kier Edition of 5, 58x57cm, analog C-Print, hand-printed by the artist, based on the Polaroid. Not mounted, signature Lab...

Wolff Buchholz Title: Manhattan in the evening Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Max by the Fence (29 Palms, CA) Proof Before Printing / 2005 Analog C-Print, hand-printed by the artist from a Polaroid, signed on the front. 128 × 125 cm The white border is for ha...

Stoya Running Photo by Markus Klinko Limited Estate Edition Stoya, nude on the roof of the Rosslyn Hotel at night. C Print Produced from the original transparency Certificate of...

Radha Screaming (29 Palms, CA) - 1999 58x57cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and si...

Fabulous American landscape photography of a rural school house. from small hand signed edition of 20 Large Chromogenic print on Kodak Professional Paper The sheets are approximatel...

Tupac Shakur in Harlem. New York flashing his “Thug Life tatyoo, 1994. Photo by Globe Archives Paper size 40 x 40" / 101 x 101cm Unframed Archival Pigment Print Certificate of auth...

Maplewood Township Homestead, Winter, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barns and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the open jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 35 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

'10525' part 3 (Stranger than Paradise) - 1999 20x20cm, Edition 4/10, Archival C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 388_3.54 Not mou...

Burning Field V (The Last Picture Show) - 2004 20x20cm, Edition 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

Bekins (Stranger than Paradise) 1999, 60x70cm, Edition 1/10, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, mounted on Aluminu...

Levelland, TX by Peter Brown is a color photograph of a plowed dirt field, stretching out into the horizon to a dusty blue sky. C-Print 18 x 22 in. Ed. 11/25 Title, signature, date ...

Marilyn Manson by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and mo...

Unknown Girl, Venice Beach (California Blue Screen) Edition of 10, 44x59 cm. Archival hand-printed by the artist, based on a Polaroid. Certificate and Signature label. Artist ...

Argentinian dancer Julio Bocca, one of the most important ballet dancers of the later part of the 20th century, photographed in 1991. One of Mitchell's mo...

Death Valley Junction (The Last Picture Show) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature labe...

Silo (The Last Picture Show) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist inven...

Burning Field IV (The Last Picture Show) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. ...

The leading cast members of "Guys and Dolls" on Broadway in 1992. One of Mitchell's most beautiful color photographs. This exhibition print is 17 x 22". Comes direct from the Jack M...

This image, circa 1991, Bedford-Stuyvesant, Brooklyn, New York, is from the first professional photo shoot for the late Biggie Smalls aka The Notorios B.I.G (May 21, 1972 – March 9, ...

Ice Hockey, Switzerland, Estate Edition, Landscape Photograph This early 1990s winter photograph, captured by society photographer Slim Aarons, features a group of people play an im...

'Porto Rotondo' Pleasure yachts moored in a sandy cove at Porto Rotondo, Sardinia, July 1990. Paper size 48 x 72 inches / 122 x 183 cm Estate Stamped Collection Edition to 150 ...

Richard Ashcroft 1999 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images ...

OK Corral (Stranger than Paradise), triptych - 1999 Edition of 10, each 58 x 56 cm, together with gaps 58x185cm, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Arch...

Robert Smith 1993 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists an...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

Stoya Smoking Photo by Markus Klinko Limited Estate Edition C Print Produced from the original transparency Certificate of authenticity supplied Paper size 20 × 24 inches/ 51 x ...

Michael Stipe Spaceman Stipe by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying im...

'Penelope' from the movie Immaculate Springs - 1998 58x57cm, Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature Label ...

This 1990 winter landscape photograph, captured by society photographer Slim Aarons, features Andreas Kirche and Liebfrauen Kirche in Kitzbuhel in the Austrian Tyrol, 1990. This is ...

'Lily Safra' Lily Safra, wife of Lebanese born banker Edmond Safra, at home in La Leopolda, Southern France, July 1991. Paper Size 24x20 inches / 60 x ...

Motorcycling Lord 1990 - Slim Aarons Estate Stamped 1990: Lord Hesketh, Minister of State at the Department of Trade and Industry, by the lake in the grounds of his family estate Ea...

Polo People 1990 - Slim Aarons Estate Stamped Spectators and a competitor in a polo match, Argentina, December 1990. 20 x 30" inches / 51 x 61 cm paper size Estate Stamped Collec...

Polo Gear 1990 - Slim Aarons Estate Stamped A group of polo players with their equipment, Argentina, December 1990. 12 x 16" inches / 30 x 41 cm paper size Estate Stamped Collect...

Caracalla Therme 1990 - Slim Aarons Estate Stamped A woman experiences the Caracalla Therme spa in Baden-Baden, September 1990 24 x 20" inches / 61 x 51 cm paper size Estate Stam...

Airstream (29 Palms, CA) - 1999 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 280. Not mounted. A Germ...

Michael Stipe Michael Stipe, R.E.M. by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrif...

Earl Levy’s Castle 1993 - Slim Aarons Estate Stamped Trident Castle, the home of Earl Levy in Port Antonio, Jamaica, March 1993 20 x 30" inches / 51 x 61 cm paper size Estate Sta...

View From Il Pellicano 1991 - Slim Aarons Estate Stamped Aerial view with sunbathers and parasols and, dotted with yachts and small boats, the waters off the coast of Porto Ercole, ...

View From Il Pellicano 1991 - Slim Aarons Estate Stamped Aerial view with sunbathers and parasols and, dotted with yachts and small boats, the waters off the coast of Porto Ercole, ...

Porto Ercole Beach A quiet stretch of coastline in Porto Ercole, Tuscany, July 1991. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 Photo by Sl...

Whispers in the Sun - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory ...

This 1990 winter landscape photograph, captured by society photographer Slim Aarons, features Andreas Kirche and Liebfrauen Kirche in Kitzbuhel in the Austrian Tyrol, 1990. This is ...

Caracalla Therme 1990 - Slim Aarons Estate Stamped A woman experiences the Caracalla Therme spa in Baden-Baden, September 1990. 20 x 24" inches / 51 x 61 cm paper size Estate Sta...

High Noon - The Getaway (The Last Picture Show) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #348. Sig...

'Porto Rotondo' Pleasure yachts moored in a sandy cove at Porto Rotondo, Sardinia, July 1990. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped C...

The Hideout - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #726. S...

The Hideout - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #725. S...

Ice Hockey, Switzerland, Estate Edition, Landscape Photograph This early 1990s winter photograph, captured by society photographer Slim Aarons, features a group of people play an im...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inches (sheet) Presents well. Framed Dimensions 36.25 X 42.5 From series The Writing on the Wall. Attie projected found pre-war images of Jewish street-life in Berlin onto the same or nearby addresses in 1992/1993. Through this intervention, fragments of the past were introduced into the visual field of the present; long destroyed Jewish community life were visually simulated, momentarily recreated. The Writing on the Wall project was realized in Berlin’s former Jewish quarter, the Scheunenviertel, located in the Eastern part of the city, close to the Alexanderplatz. At the heart of Berlin, the Scheunenviertel was a center for eastern European Jewish immigrants from the turn of the century. The few historical photographs which remained after the Holocaust reflect the world of the Jewish working class rather than that of the more affluent and assimilated German Jews who lived mostly in the western part of the city.The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. Judaica subject matter. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

'Porto Rotondo' Pleasure yachts moored in a sandy cove at Porto Rotondo, Sardinia, July 1990. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 ...

Miss UK Nude Photo by Markus Klinko Limited Estate Edition C Print Produced from the original transparency Certificate of authenticity supplied Paper size 20×24 inches/ 51 x 61 ...

Moonsuit Photo by Markus Klinko Limited Estate Edition C Print Produced from the original transparency Certificate of authenticity supplied Paper size 20×24 inches/ 51 x 61 cm Printed 2020 Edition sizes are : 20×24 inches edition of 50 + 8 Artist’s proofs 40×30 inches edition of 25 + 6 Artist’s proofs 60×40 inches edition of 12 + 4 Artist’s proofs   FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. international fashion/celebrity director iconic stars of film music fashion photographer nude fire water ice astronaut moon space...

Jane Calvin (American, b. 1938) Untitled, 1990 Photograph Sight: 19 1/2 x 15 1/2 in. Framed: 26 7/8 x 22 1/2 x 1 1/4 in. Edition 2/10 Provenance: Collection of Robert Burge, New Y...

Hillview Motel (Stranger than Paradise) - triptych, 2003 Edition of 10, plus 2 Artist Proofs. 20x66cm installed, 20x20cm each. 3 archival C-Prints, based on the 3 original Polar...