Crane Color Photography

In the Fog (San Francisco) - 2023 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signed on back with Certificate. Not mounted. The City...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in perfect condition from a limited edition of 12 ex- Composition from an assembly of 4 shots digitaly edited and made in 2012 The bridge, commemorating Vittorio Emanuele II of Italy, consists of three arches spanning a distance of 108 meters. It is decorated at the ends with high plinths supporting statues of...

The photographers note regarding this work is "Shell oil barrell being loaded at Hamburg freight port, Germany 1930s." This work comes to you as a new Fine Art Print on Hahnemühle W...

A salt quarry and tracks – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a road trip is not the arriving but all the crazy stuff that happens along the way”. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 150cm and up to 230cm on the longest side. Please contact us for further details. Edition of 12 Presentation: Photographic print with acrylic face mount...

A salt quarry and tracks – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a road trip is not the arriving but all the crazy stuff that happens along the way”. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 150cm and up to 230cm on the longest side. Please contact us for further details. Edition of 12 Presentation: Photographic print...

A salt quarry and tracks – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a...

A salt quarry and tracks – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a...

A salt quarry and tracks – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a...

A salt quarry and tracks – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – oft...

David Burdeny Spanish Steps, Rome, Italy, 2017 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Photograph, 2016. Ultra HD, printed on Fuji Crystal DP I II. 1 of 30 prints behind acrylic glass. Framed. Signed, titled, dated and numbered on the back. It comes directly from the s...

40"x60" c-print photograph, limited edition of 5 (unframed). This photograph depicts a New York City Subway Train Car as it is lifted onto a barge as it makes its way to a drop site ...

Jun AHN (*1981, South Korea) Self-Portrait (Hong Kong), 2011 Archival pigment print, , face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 101.6 x 76....

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète – Port n°4, 2018 Cibachrome, framed to artist's specification 69 x 52 cm (27 1/8 x 20 1/2 in.) Edition of 4; Ed. no. 2/4 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. – Les Nouveaux Constructeurs At the invitation of Julie Gutierrez, curator of the Musée Fernand Léger in Biot (France), Stéphane Couturier intensively studied the work of Fernand Léger, one of the Master of Modern painting in France in the early 20th century. Léger paid particular attention to the upheavals of his time. Alongside the city, the transformation of man through machine and mass production was the central theme of his works, which, starting from the formal experiments of the Cubists, found their own artistic expression, combining Cubist avant-garde with Communist commitment. ‘I have become aware of the many elements that bring me closer to him - his fascination for the city, for industrial elements, for architecture, for the geometry of forms...’, comments Stéphane Couturier on his examination of Léger's work. When photographs of cityscapes and industrial architecture are combined with the painter's compositions, the principle of superimposing two images, which the photographer has developed into an essential element of his art in recent years, is taken to a new level. The encounter of two different and yet closely related, because architectural structures, leads to works that are both painterly photographs and photographic paintings. Constructively and constructively, these works depict the reality as seen, yet go beyond the merely visible. Not images, but pictures that have their own reality. Photographed as cibachromes and fitted into a black object...

New York City Skyscraper Super Tall in Angelic Light Signed and dated on lower right, numbered 3 of 15. Unframed. Other size available, Printed later - Printed on Hahnemühle Fine...

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète – Port n°3, 2018 Cibachrome, framed to artist's specification 69 x 52 cm (27 1/8 x 20 1/2 in.) Edition of 4; Ed. no. 2/4 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. – Les Nouveaux Constructeurs At the invitation of Julie Gutierrez, curator of the Musée Fernand Léger in Biot (France), Stéphane Couturier intensively studied the work of Fernand Léger, one of the Master of Modern painting in France in the early 20th century. Léger paid particular attention to the upheavals of his time. Alongside the city, the transformation of man through machine and mass production was the central theme of his works, which, starting from the formal experiments of the Cubists, found their own artistic expression, combining Cubist avant-garde with Communist commitment. ‘I have become aware of the many elements that bring me closer to him - his fascination for the city, for industrial elements, for architecture, for the geometry of forms...’, comments Stéphane Couturier on his examination of Léger's work. When photographs of cityscapes and industrial architecture are combined with the painter's compositions, the principle of superimposing two images, which the photographer has developed into an essential element of his art in recent years, is taken to a new level. The encounter of two different and yet closely related, because architectural structures, leads to works that are both painterly photographs and photographic paintings. Constructively and constructively, these works depict the reality as seen, yet go beyond the merely visible. Not images, but pictures that have their own reality. Photographed as cibachromes and fitted into a black object...

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs Sète Port-01, 2018 Cibachrome Sheet: 69 x 51.5 cm (27 1/8 x 20 1/4 in.) Frame: 73 x 55.5 x 4 cm (28 3/4 x 21 7/8 x 1 5/8...