Manufacturing Color Photography
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Art Subject: Manufacturing
The Letter P of HOPE ( 27 x 40" / 68 x 102cm )
Located in San Francisco, CA
LETTER P by Christian Stoll
large scale conceptual photography playing with viewer's perspective
incredible details in this body of work, a series of environmental stills playing w...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Letter E ( 27 x 40" / 68 x 102cm )
Located in San Francisco, CA
LETTER E by Christian Stoll
large scale conceptual photography playing with viewer's perspective
incredible details in this body of work, a series of environmental stills playing w...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment
"Silk Mill", abandoned, machinery, factory, industrial, color photograph
Located in Natick, MA
Rebecca Skinner’s “Silk Mill” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The 20 x 30 inch acid-free, archival, color p...
Category
2010s Contemporary Color Photography
Materials
Color, Archival Pigment, Giclée
Usine Toyota n°15 (Valenciennes) – Stéphane Couturier, Toyota, Factory, Car Art
Located in Zurich, CH
Stéphane COUTURIER (*1957, France)
Usine Toyota n°15 (Valenciennes), 2005
Sheet 182 x 236 cm ( 71 5/8 x 92 7/8 in.)
Frame 189 x 243 cm (74 3/8 x 95 5/8 in...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
Usine Toyota n°1 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, Art
Located in Zurich, CH
SStéphane COUTURIER (*1957, France)
Usine Toyota n°1 (Valenciennes), 2005
C-Print with Diasec Face in Artist's Frame
Sheet 182 x 240.5 cm (71 5/8 x 94 5/8 in.)
Frame 189 x 247.5 cm (74 3/8 x 97 1/2 in.)
Edition of 5; Ed. no. 2/5
Framed
Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris.
In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject.
In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction.
WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony.
– Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
Usine Toyota n°5 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, Art
Located in Zurich, CH
Stéphane COUTURIER (*1957, France)
Usine Toyota n°9 (Valenciennes), 2005
Sheet 180 x 248.2 cm (70 7/8 x 97 3/4 in.)
Frame 187 x 255.2 c (73 7/8 x 100 1/2 in.)
Edition of 5; Ed. no. 4/5
Framed
Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris.
In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject.
In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction.
WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony.
– Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
Letter E large scale conceptual Photograph( 48 x 71" / 122 x 188cm )
Located in San Francisco, CA
LETTER E by Christian Stoll
large scale conceptual photography playing with viewer's perspective
incredible details in this body of work, a series of environmental stills playing w...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Letter P ( 48 x 71" / 122 x 188cm )
Located in San Francisco, CA
LETTER P by Christian Stoll
large scale conceptual photography playing with viewer's perspective
incredible details in this body of work, a series of environmental stills playing w...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Letter H ( 27 x 40" / 68 x 102cm )
Located in San Francisco, CA
LETTER H by Christian Stoll
large scale conceptual photography playing with viewer's perspective
incredible details in this body of work, a series of environmental stills playing w...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
HOPE - 4 conceptual still life photographs spelling motivational word
Located in San Francisco, CA
large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE
H-O-P-E by Christian Stoll
Focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet.
Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation.
_________________________
Artwork can be installed vertically or horizontally and across multiple walls
4 individual photographs
individual artwork size
24 x 24 inches (61 x 61cm)
horizontal artwork...
Category
21st Century and Contemporary Contemporary Still-life Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Turbine - monumental scale photograph of iconic aerospace location
Located in San Francisco, CA
Turbine by Christian Stoll
48 x 57 inches (122 x 145cm)
signed edition of 7
34 x 40 inches (86 x 102cm)
signed edition of 25
archival fine art pigment print
signed + numbered...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Miscellany Doddington Hall 1990 Signed Limited Edition
Located in London, GB
Miscellany
circa 1990
by Christopher Simon Sykes
A wall of discarded implements, including a large scythe, in the attics at
Doddington Hall, Lincolnshire circa 1990
This beautiful...
Category
1970s Modern Color Photography
Materials
C Print, Color
Glenn Ligon, Gowanus, Brooklyn
By Marco Anelli
Located in New York, NY
Signed and numbered, verso
“Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene.
Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...
Category
2010s Color Photography
Materials
Archival Pigment
"Disorder", contemporary, industrial, file cabinets, green, color photograph
Located in Natick, MA
Rebecca Skinner’s “Disorder” is a 17 x 11 inch color photograph of chaos in an abandoned industrial space. Green file cabinets have fallen every w...
Category
2010s Contemporary Color Photography
Materials
Metal
Jack Pierson, Ridgewood, Brooklyn
By Marco Anelli
Located in New York, NY
Signed and numbered, verso
“Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene.
Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...
Category
2010s Color Photography
Materials
Archival Pigment
Violin Repair Shop
Located in New York, NY
Archival pigment print
Signed and numbered, verso
30 x 40 inches
40 x 53 inches
48 x 65 inches
(Total edition of 15)
This artwork is offered by ClampArt, located in New York City.
...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Living Room
Located in New York, NY
Archival pigment print
Signed and numbered, verso
30 x 50 inches
40 x 67 inches
48 x 80.5 inches
(Total edition of 15)
This artwork is offered by ClampArt, located in New York City...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Letter H ( 48 x 71" / 122 x 188cm )
Located in San Francisco, CA
LETTER H by Christian Stoll
large scale conceptual photography playing with viewer's perspective
incredible details in this body of work, a series of environmental stills playing w...
Category
21st Century and Contemporary Conceptual Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Turbine - large scale photograph of iconic aerospace location
Located in San Francisco, CA
Turbine by Christian Stoll
34 x 40 inches (86 x 102cm)
edition of 25
signed
48 x 57 inches (122 x 145cm)
edition of 7
signed
archival fine art pigment print
signed + numbered...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment
"Carts", contemporary, abandoned, mill, industrial, vintage, color photograph
Located in Natick, MA
Rebecca Skinner’s “Carts” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photograph, with ric...
Category
2010s Contemporary Color Photography
Materials
Metal
Food Storage Test
Located in Sante Fe, NM
Greg Mac Gregor's artwork incorporates official, declassified photographs from the Los Alamos National Laboratory Photographic Archives produced in the early 1950s at the Nevada Test...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Morning Ritual I by Barry Cawston. 90 x 75cm C-type photographic print Only
Located in Coltishall, GB
Day breaks and the morning ritual of making bread begins
–
Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel the leng...
Category
21st Century and Contemporary Other Art Style Color Photography
Materials
C Print
Morning Ritual I by Barry Cawston. 120 x 100cm C-type photographic print Only
Located in Coltishall, GB
Day breaks and the morning ritual of making bread begins
–
Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel the leng...
Category
21st Century and Contemporary Other Art Style Color Photography
Materials
C Print
Morning Ritual I by Barry Cawston. 120 x 100cm photo with Acrylic Face Mount
Located in Coltishall, GB
Day breaks and the morning ritual of making bread begins
–
Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel the leng...
Category
21st Century and Contemporary Other Art Style Color Photography
Materials
C Print, Photographic Film
Morning Ritual I by Barry Cawston. 90 x 75cm photograph with Acrylic Face Mount
Located in Coltishall, GB
Day breaks and the morning ritual of making bread begins
–
Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel the leng...
Category
21st Century and Contemporary Other Art Style Color Photography
Materials
Photographic Paper, C Print
Chinese Chess (China)
Located in MADRID, ES
China - Manipulated photography.
A series of photographs manipulated with oil paint in which the artist Wei Chiang shows us different aspects of life in China, some of them surprisin...
Category
2010s Photorealist Black and White Photography
Materials
Mixed Media, Oil, Cardboard
Alitalia - Historical Photos - 1970s
Located in Roma, IT
Alitalia - Historical Photos is a vintage photograph realized in the 1970s.
This photo belongs to a precious testament album of Italian airline.
Good conditions.
Category
20th Century Modern Figurative Photography
Materials
Photographic Paper
Alitalia - Historical Photos - 1970s
Located in Roma, IT
Alitalia - Historical Photos is a vintage photograph realized in the 1970s.
This photo belongs to a precious testament album of Italian airline.
Good conditions
Category
20th Century Modern Figurative Photography
Materials
Photographic Paper
"Silk Mill", contemporary, industrial, machines, metal print, color photograph
Located in Natick, MA
Rebecca Skinner’s “Silk Mill” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The 16 x 24 inch color photograph with satin ...
Category
2010s Contemporary Color Photography
Materials
Metal
Dennis Oppenheim’s sculpture: Final Stroke-Project for a Glass Factory
By Bob Blackwell
Located in Denton, TX
Unsigned.
Category
Late 20th Century Contemporary Color Photography
Materials
C Print
Usine Toyota n°9 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, Art
Located in Zurich, CH
Stéphane COUTURIER (*1957, France)
Usine Toyota n°9 (Valenciennes), 2005
Sheet 182 x 241 cm (71 5/8 x 94 7/8 in.)
Frame 189 x 241 cm (74 3/8 x 97 5/8 in.)
Edition of 5; Ed. no. 3/5
Framed
Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris.
In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject.
In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction.
WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony.
– Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
Typewriter
Located in New York, NY
24"x30" edition of 5 photograph
available unframed
Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
Usine Toyota n°18 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, Art
Located in Zurich, CH
Stéphane COUTURIER (*1957, France)
Usine Toyota n°18 (Valenciennes), 2005
C-Print with Diasec Face in Artist's Frame
Sheet 182 x 246.4 cm (71 5/8 x 97 in.)
Frame 189 x 253.4 cm (74 3/8 x 99 3/4 in.)
Edition of 5; Ed. no. 2/5
Framed
Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris.
In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject.
In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction.
WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony.
– Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
240, 000
Located in New York, NY
30"x45" C-Print photograph, available unframed
edition of 5, signed on reverse
Still holding the record that it set in 1952 for the fastest crossing of the Atlantic (fewer than 4 days from New York to La Havre, France), the USS United States...
Category
2010s Contemporary Color Photography
Materials
C Print
"Bin Distributor", Domino Sugar Refinery, Williamsburg, Brooklyn, New York
Located in New York, NY
40"x60" edition of 10, available unframed for $4200, or framed (as shown) for $5400. (mounted, framed with hardwood, shadowbox frame with spacers, signed on reverse)
This photogra...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
Bin Distributor
Located in New York, NY
27 3/8"x40" (edition of 10)
available unframed
Paul Raphaelson's photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of continuing contro...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
Gold Scales, Federal Reserve Bank of New York
By Ormond Gigli
Located in New York, NY
Ormond Gigli
Gold Scales, Federal Reserve Bank of New York, 1959
Archival pigment print
Signed and numbered edition of 10
Ormond Gigli (American, b.1925), famous in the 1950s for his photographs of theater, celebrities, dance, and exotic people and places, was born in New York City. His photographs were featured in prominent magazines, such as LIFE, Time, Paris Match, Saturday Evening Post, Colliers, and many others. He has created portraits of Sophia Loren, Anita Ekberg, John F. Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini...
Category
1950s Modern Color Photography
Materials
C Print
Life Savers Factory, Port Chester, NY
By Ezra Stoller
Located in New York, NY
Ezra Stoller (American, 1915-2004) is known as one of the most influential photographers of modern architecture. He created iconic photographs of mid-century buildings that help defi...
Category
1960s Modern Color Photography
Heinz Factory, Skidmore Owings & Merrill, Pittsburgh, PA
By Ezra Stoller
Located in New York, NY
Ezra Stoller (American, 1915-2004) is known as one of the most influential photographers of modern architecture. He created iconic photographs of mid-century buildings that help defi...
Category
1950s Color Photography
Materials
C Print
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