Nature Color Photography

Pile Up (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1955. Not mounted. Stefanie Schn...

Hudson (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1575. Not mounted. Stefanie Schne...

Blue Sky Palm Trees (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024. 20x...

Brooklyn Bridge 09 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1571. Not mounted. St...

Traffic passing by the Hotel Krone in Lech, Austria, 1960. Gorgeous print measuring 20 x 20" inches / ca 50.8 x 50.8 cm’s paper size. Estate Stamped Collection Edition to 150 P...

Apres Ski A party of skiers adjourn for drinks at Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing (1913 – 2006), who ...

Slim Aarons Estate Stamped Edition A helicopter arrives at a mountaintop resort in Gstaad, 1961 (Photo by Slim Aarons). Gorgeous print measuring...

Color photography printed in high quality on matte photographic paper. The dimensions are 30 x 45 cm. Claudia Ferreiro (Santiago de Compostela, 1996) explores memory and identity l...

Archival photo print under acrylic glass. Edition of 5 Dimensions: 3x 48 x 48 in. Depth: 1/4 in. RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his ...

Brooklyn Bridge 06 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1568. Not mounted. St...

"Azul" Jardines de la Reina, Cuba, 2017 Available sizes: 20 x 30 in / Edition of 6 32 x 48 in / Edition of 6 40 x 60 in / Edition of 6 50 x 75 in / Edition of 6 "Suspended alone i...

Lure of Lamu, 1987 - Palm Trees on Lamu Archipelago near Kenya in Indian Ocean, features a yacht gliding past the hotel resort on the island of Lamu in the Indian Ocean 16 x 20" pri...

This is an original Ektacolor print (aka Kodak Chromogenic Print) and is number 16/25. The edition was print in 2000. It is signed, titled, dated and numbered on the back of the prin...

Squaw Valley Snow Snow covers the deserted cafe in Squaw Valley, California, January 1961. 40 x 60" inches / 101 x 152 cm paper size Estate Stamped Collection Edition to 150 P...

'Night Rider' Rainer W. Schlegelmilch Archive Limited Edition Fantastic, fabulous and fantastical, many of the top car manufacturers like Ferrari, Porsche, Lamborghini etc launched concept cars...

New York City Skyline With Clouds 2022 by Orbon Alija C print Oversize 30x20" inches / 76 x 51 cm Unframed Framing & different Sizes availabl...

Florida Palms A view of palm trees at a beach resort in Boca Raton, Florida, April 1978. 40x40” / 101x101 cm - paper size Estate Stamped Collection Edition to 150 Photo by Sl...

Stowe Ski Slope 1955 Cars parked at the foot of a ski slope at the Stowe Mountain resort, Vermont, USA, 1955. by Toni Frissell Very large 60 x 40" inche...

Ski Lift 1951 People gathered at a mountain top cable car station, Klosters, Switzerland, 1951. by Toni Frissell 40 x 40" inches / 101 x 101 cm paper size Archival pigment pr...

Four 1959 A group of golfers and caddies prepare for a shot, Hong Kong, 1959. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing...

Loneliness - Signed limited edition archival pigment print, 2011 - Edition of 8 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes : 42 x 90 cm/ 16.53 x 35.43 in- Edition of 8 56 x 120 cm / 22.04 x 47.24 in- Edition of 8 Laurent Campus is an Italian freelance producer and photographer. In addition to an academic training in international trade, he has forged a solid musical, pictorial and cinematographic culture which led him gradually and naturally to the photography he has been practicing for more than twenty years full-time professionally. Its customers are brands that have supported the film industry for many years ( L'Oréal, Renault, DIOR, GENERAL MOTORS, FranckProvost, FranceTV, Canal +, EPSON, CANON, FESTIVAL DE CANNES, HFPA, VUELING, CARL F. BUCHERER , IWC, ParisMatch,…) as artists (filmmakers, actors, musicians) or producers and distributors. He has gravitated for more than 20 years at the heart of French and international cinema. Cinema photographer and reporter, making of : “Cannes Film Festival official” photographer "Official Golden Globes ceremony” photographer SONY Spain Photo...

Hammerhead into the sky - Signed limited edition archival pigment print, 2020 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryt...

Eight Man Crew 1960 An eight man crew race their boat along a river. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing availa...

Jhelum River A luxury boat trip on the Jhelum River near Srinagar, in Jammu and Kashmir, India, 1961. The boat is called the ‘HB Cutty Sark’. 60x60” / 152 x 152 cm - paper size ...

Beachside At The Mill Reef 1959 Visitors enjoy the sea and sun at the Mill Reef Club, Antigua, 1959. by Toni Frissell 20 x 24" inches / 51 x 60 cm paper size Archival pigment p...

House up in the Mountains (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1235. Signat...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

Palm Blue House A tall palm tree stretches above the shell of a blue coloured house near Galle, Sri Lanka, 2013. by Stuart Möller Born in Kabul, part German and Anglo-Indian and ...

Blue Day (Wastelands) - 2003 38x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Artist inventory Number 837. Signature label and c...

Train Crosses Plain (Wastelands) - 2003 20x25cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 544. Signature labe...

The Perfect Piste 1960 Two downhill skiers on powder snow, Zermatt, Switzerland, 1960. by Toni Frissell 48 x 72" inches / 121 x 182 cm paper size Archival pigment print unframe...

Apres Ski Time 1959 A couple enjoy an après-ski fondue with the Matterhorn in the background, 1959. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment pr...

Classic Retro Ski Scene 1955 Classic retro skiwear, the Stowe Mountain resort, Vermont, USA, 1955. by Toni Frissell 12 x 16" inches / 30 x 41 cm paper s...

Cadini di Misurina, Dolomite Alps, Italy, Europa By Achim Thomae C print Oversize 20 x 30" inches / 50 x 76 cm Unframed Framing & Different Sizes Available - Please Ask. By Ach...

St. Anton In Winter 1955 Mountains tower over the St. Anton ski resort in Austria, 1955. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframe...

Garden Way (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory #211. Not mo...

This work is offered by CLAMP in New York City. Signed on label, verso

Digital C-print Signed and numbered on label, verso 14 x 11 inches (Edition of 5) 24 x 20 inches (Edition of 5) 40 x 30 inches (Edition of 5) This photograph is offered by ClampAr...

Higher Ground South Georgia, 2007 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $3,500 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Edition of 10 "A...

Jaquelin Carioscia Golden Maze I Archival Pigment Print Year: 2024 Visible Size: 11.5 x 17.5 inches Framed: 15 x 21 x 0.75 inches Signed: On Label COA provided *Ready to hang; frame...

Massachusetts Hero A heron in his chosen hunting spot on a New England summer morning in Marion, Massachusetts USA. by Stuart Möller Born in Kabul, part German and Anglo-Indian an...

A Walk In The Snow 1951 Skiers walk through Klosters in the early morning, Switzerland, 1951. by Toni Frissell 12 x 12" inches / 30 x 30 cm paper size Archival pigment print un...

Shore Line (Zuma Beach) - 1999 20x24cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 1230. Not ...

Seagulls (Zuma Beach) - 1999 20x24cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 198. Not mou...

Hawaiian Scenes 1957 Surfers riding waves, Hawaii, 1957 by Toni Frissell 20 x 24" inches / 51 x 60 cm paper size Archival pigment print unframed (framing available see example...

Star Ship (Zuma Beach) - 1999 20x24cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 926. Not mo...

Apres Ski Time 1959 A couple enjoy an après-ski fondue with the Matterhorn in the background, 1959. by Toni Frissell 12 x 16" inches / 30 x 41 cm paper size Archival pigment ...

Sunset (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 119. Not mount...

"Aspens" Color Nature Photography by Alexandra Steedman Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by art...

Highway One (Zuma Beach) - 1999 20x24cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 201. Not ...

Eight Man Crew An eight man crew race their boat along a river. by Toni Frissell 12 x 16" inches / 30 x 41 cm paper size Archival pigment print unframed (framing available see...

Side Effects (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13303. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Downhill Racers 1955 Two skiers on a piste go under a ski lift at the Stowe Mountain resort, Vermont, USA, 1955 by Toni Frissell 12 x 16" inches / 30 x 41 cm paper size Archiva...

Digital C-print Signed and numbered, verso 24 x 30 inches (Edition of 10) 30 x 40 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please no...

Archival pigment print Signed and numbered, verso 30 x 49 inches 40 x 65.5 inches 48 x 78.5 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York Ci...

Memory Gaps (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13359. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

'Pool On Amalfi Coast' by Slim Aarons A beautiful and classic Slim Aarons C-type photograph, limited edition to 150 only, numbered and stamped by The Slim Aarons Estate on verso. S...

A skier sets off on the easy loop at Cannon Mountain, New Hampshire, 1955. Gorgeous print measuring a huge Oversize 60 x 40" inches / ca 152 x 101 cm’s paper size. Estate Stamp...