Power Lines Color Photography

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid. Artis...

Transmission lines, Atacama Desert, Chile, 17 July, 2017, limited edition, Ariel color photograph, limited edition, signed ATACAMA: Renewable Energy and Mining in the High Desert of Chile CHANGING PERSPECTIVES: Renewable Energy and the Shifting Human Landscape is a long-term aerial and ground-based photography project documenting global renewable energy development. Chile is the world's leading copper exporter and the second-largest lithium producer. We use Chilean copper...

'Totem’ 2017, 21 x 20 cm, Edition 1/10. Digital C-Print based on a Polaroid. Numbered and signed on the back by the artist. Not mounted. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

Highway One (Zuma Beach) - 1999 20x24cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 201. Not ...

Skyway (The Last Picture Show) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist I...

Untitled (City of Industry) - 2004 38x36cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signatur...

Untitled (City of Industry) - 2004 38x36cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signatur...

Highway One (Zuma Beach) - 1997 43x59cm, Edition of 4/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificat...

Industrial Wasteland (American Depression) - 2017 “How can we live without our lives? How will we know it's us without our past?” ― John Steinbeck, The Grapes of Wrath 24x20cm, Edi...

An open road in Amboy, California, featuring telephone poles disappearing into the mountainous distance. This classic and timeless landscape photograph is part of Richard Heeps' 'Dre...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

"Loblolly Pine #1, Decatur, GA" is a nocturne photograph of an urban tree featuring hues of blue, green, orange and purple. This listing is for a framed print. Additional unframed si...

Limited Edition Fine Art Prints, series of 10 per each size: Each print comes with a hand signed and numbered certificate of authenticity (will be sent separately). Each certific...

Michael Falco takes his photographs using film. He built this image- a triple exposure and then prints after digitally correcting. This is printed on aluminum and is frameless. We can have the image printed on paper and matted and framed if you prefer. It says American Summer Fun- every state has an amusement park! Michael Falco is a freelance photographer who has worked for a number of publications including, the National Geographic, The New York Times, Harper's Bazaar, and W Magazines. His first book, “Along Martin Luther King Travels on Black America’s Main Street”, published by Random House in 2003, is a collection of photographs spanning two years documenting life along streets named after Dr. Martin Luther King in America. The Museum of Modern Art purchased one of his panoramic images of the Fresh Kills Landfill for its exhibit, “Groundswell: Constructing the Contemporary Landscape” 2005. Selected by the New York City Art Commission, he installed a 10 x28 foot glass mural...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns...