Soccer Color Photography

large scale original photograph of vintage TV set with iconic western movie in American wild west landscape Cowboy TV by Frank Schott 30 x 40...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

Limited edition graphic on Archival Canson Platine Fibre Rag paper. Signed and numbered by the artist. Edition size: 25 16" x 20" Print Please inquire for framing options BIO...

GOLDEN by Frank Schott from a series of photographic observances - environmental still life capturing found objects in urban cityscapes 40 x 32 inches (102 x 81cm) signed edition ...

Nautical color still life photograph of colorful fishing bobbers on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size ...

This striking underwater fine art photograph captures a figure draped in flowing white fabric, suspended between worlds with vibrant red blossoms and yellow spherical elements. The r...

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

Redwoods by Erik Pawassar 42 x 117 inches (107 x 298cm) signed edition of 7 48 x 135 inches (122 x 343cm) six panels of 48 x 22.5 inches signed edition of 7 31 x 88 inches (79 x 224cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request _________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

mesmerizing baroque details in a long forgotten Mediterranean architecture masterpiece discovered in baroque Sicily, Italy 50 x 44 inches /...

In this evocative underwater photograph, a crimson dress billows like a delicate flower petal beneath the surface, creating a powerful contrast against a serene aqua backdrop. The mi...

Crater (The Desert in Sepia) - 2019 Where once there was water there is no more, the Oasis is gone. 20x24cm, Edition of 7, plus 2 Artist proofs. Archival C-Print based on a Polar...

For X-Ray, New York City, 2012 by Roberta Fineberg, the artist uses long-exposure photography and light trails for the color photograph of a woman crossing Park Avenue in New York City. The image shot at night is in the photographer's Cities series. A 20" x 16", signed, titled, dated archival pigment print in an edition of 5. Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art...