Landscape Photography

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

This incredibly rare photograph, attributed to Ansel Adams due to the Best's Studio stamp on the print verso, was likely printed in the 1930s. This print was originally included in a...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

This is a vintage Ted Spiegel photo of a Benedictine Nun, Mount of Olives, Jerusalem. Hand signed and editioned A/P. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The red title sheet is just here for provenance and reference and is not included in this sale. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. An accomplished photojournalist with more than 50 years of experience, Ted Spiegel has covered assignments across the globe, but like the 19th-century artists of the famed Hudson River School, he's made the Hudson River Valley the focus of much of his life's work. Spiegel's love of the landscape and positive attitude infuse all his images. His January 1978 assignment for National Geographic magazine was a color photo essay on the Hudson River Valley. He has produced 15 other photo essays for National Geographic magazine on a variety of subjects, and has also produced several picture books on such topics as the Hudson River Valley, Saratoga and West Point. He also did a celebrated series of photos of John F Kennedy one of which was selected for the JFK USA postal stamp. Speigel’s biography on the National Geographic website espouses his zest for his home: “He’s covered assignments across the globe, but like the 19th-century artists of the famed Hudson River School, he’s made the Hudson River Valley the focus of much of his life’s work.” It also notes that he uses photography as a medium to encourage appreciation and respect for the environment’s beauty: “Spiegel’s love of the landscape and positive attitude infuse all his images, [and he] sees his landscape photography as a way to make people aware of the beauty in nature and a way to, in turn, encourage people to help protect and save the environment.” Photographers, like seeds in a rich environment, take root, grow and prosper. For Ansel Adams, the place was the West Coast -- Carmel, Calif., and Yosemite National Park. For Ted Spiegel, it is the Hudson River Valley -- Bear Mountain...

Crushing - 2017, 80x80cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-792. Not mount...

Joshua Tree American Desert photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues of the dese...

'Jimi Hendrix Palm Trees' (Stranger than Paradise) - 2016 20x20cm, Edition of 10, Archival C-Print, based on a Polaroid, Certificate and Signature label, Not mounted. "Jimi He...

Slim Aarons Estate Print - Having A Topping Time - Oversize Socialite Alice Topping relaxing at a poolside in Palm Beach. A Wonderful Time – Slim Aarons (Photo by Slim Aarons) Chromogenic print paper size 20 x 20" inches / 51 x 51 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. palm palms dog dogs...

A unique original silver gelatin black and white photography. The International Decorative Arts Exhibition in Paris, in October 1925. By the river Seine, access to the Department Sto...

Black and white fine art landscape photography. Crooked tree in fairy forest in foggy mood, Fanal, Portugal. Archival pigment ink print as part of a limited edition of 7. All Gerald ...

A beach day is a black and white vintage photo, realized in Mid-20th century. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments,...

Aerial Views, Tulip Fields 05 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions: - 60 x 75 cm: edition of 10 - 96 x 120 ...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

El Venero 1971 (printed later) Chromogenic Lambda print Printed Later Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. El Venero, th...

'Spring Flood' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 2/10. Richard Skoonberg is inspired by the work of Eliot Porter...

Slim Aarons Lake Tahoe Trip 1959 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Young women canoeing at Zephyr Cove on th...

A contemporary black-and-white photograph by Roberta Fineberg that captures the San Remo building and New York City skyline after dark from the urban oasis of Central Park. Focusing on the beaux-arts building towers or twin Greek temples...

Madison Square Garden (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Madison Square Garden marquee night, west 49th street, Manhattan, New York, USA, circa 1953 Additional Information: Unframed Paper Size: 40x60'' Printed Later Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' 40 x 60'' FRAMING AVAILABLE ON REQUEST About the Artist: H. Armstrong ROBERTS (1883-1947) is an artist born in 1883 The oldest auction result ever registered on the website for an artwork by this artist is a photography sold in 2012. ACTORS ON SET, Bette Davis, Ladies Fashion...

'Woman with ice Cream' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, '...

Black and White Fine Art Landscape Photography. Row of trees on the rapeseed field with great cloud mood, France. Archival pigment ink print, edition of 7. Signed, titled, dated and ...

Venaria Reale VII, 2016 C print Edition of 5 180 x 225 cm mounted on aluminum (production, framing, and shipping takes approximately 4 weeks) Total edi...

Man walking - Limited edition pigment print - Limited Editions of 5 France, 2003 Signed + numbered by artist with certificate of authenticity. Free delivery Archival pigment pri...

San Francisco #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that began in 2015. This ongoing internat...

Crushing - 2017, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-792. Not mount...

This rare photograph #28, taken during The Central Park Gates Project in 2005 by Christo and Jeanne-Claude, was never released to the public as the couple were not satisfied with the image. Every initial photograph, numbered #25 to #30, had to be retaken by their primary photographer, Wolfgang Volz. This copy is from the unpublished edition, making it a unique and highly collectible piece. The project, which consisted of 7,503 gates along 23 miles of pathways, transformed the park into a vibrant, immersive art...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

A unique original silver gelatin black and white photography. Street musicians, and singers in Lyon, France, circa 1930. Street musicians playing accordion with singers in Lyon, Fra...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 40 x 60 inches Signed and numbered edition of 10 with certificate of authenticity Steve McCurry (American, b.1950) is ...

This rare photograph #26, taken during The Central Park Gates Project in 2005 by Christo and Jeanne-Claude, was never released to the public as the couple were not satisfied with the image. Every initial photograph, numbered #25 to #30, had to be retaken by their primary photographer, Wolfgang Volz. This copy is from the unpublished edition, making it a unique and highly collectible piece. The project, which consisted of 7,503 gates along 23 miles of pathways, transformed the park into a vibrant, immersive art...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

Megachess A giant game of chess in Saint Lucia, in the Lesser Antilles, February 1993. Paper size 30 x 40" inches / 76 x 101 cm Estate Stamped Collection Edition to 150 Photo b...

Outback Dreams - 29 Palms, CA - 2010 50x130cm. Archival C-Print, based on the 3 original Polaroids. Signature label and certificate. Artist Inventory # 1933. Not mounted. THE G...

This early 1960s winter landscape photograph, captured by society photographer Slim Aarons, features people ice skating at the Palace Hotel, St. Moritz, Switzerland, 1963. This is a...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Currency fluctuations may cause the price to change. This is a contemporary print from the Getty Archive using Slim Aarons negatives. All prints feature a Slim Aarons blindstamp, and are accompanied by a Slim Aarons Certificate of Authentication issued by Getty. 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Blue Seas, 1984" is a beautiful Limited Edition Estate Stamped Digital C-Type print from 20th Century photographer Slim Aarons. A view of the crystal clear waters off the Mediterranean island of Cavallo, Corsica. From August 1984. The world of Aarons’s photographs...

A contemporary color photograph by Roberta Fineberg is a nod to photo secessionist Edward Steichen. The subject for the artist's night photography is a Central Park West building (th...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

In his beach series, Pardo is taking the viewers into a journey. A journey that goes on the line between surreal and real. His photos, straight shots that he manipulates, are sometim...

Deep Mirroring Forest 007 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 5 dimens...

"Diver in a Lost Paradise" Photography 39 x 29.5 in Edition of 4 by Lukas Dvorak 39" x 29.5" inch Pigment print on Epson Fine ART paper 2016 Ships rolled in a tube ABOUT THE ART...

'Porto Venere No.3' Lerici, Italy 2024 Limited edition of 20. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to with...

Ground Control (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inv...

'The Carlton Hotel' A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Gorgeous print measuring a very large 30 x 30" inches / approx 76 ...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Dayworker (American Depression), diptych - 1999 Edition of 10, plus 2 Artist Proofs. 58x57cm each, 58x122cm installed including an 8cm gap in between both pieces. 2 analog C-Prin...

Limited Edition series of Classic a couple Porsche Targa within Palm Springs California. Mid Century Modern Design Architecture. Photography by Tom Blachford. What began for Tom Bla...

MASSIMO LISTRI Palazzo Real II, Amsterdam (From the series Perspectives), 1992 C-print Edition of 5 120 x 150 cm 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x...

Lake Superior near Grand Marais, Michigan-- taken from a bluff. Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.

'Towards Your Heart' Limited edition archival photographic triptych. Unframed, hand signed and numbered (Edition number 3 of 25) _________________ It is not the size Nor power from which you fly But towards your heart The wild Atlantic explodes in raw abandon, given scale in this daring dance by the graceful flight of the sea bird. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in chaos and harmony; in the enduring and the effervescent. They are a contemplation of the awareness that everything in existence is temporary, they speak of the ephemeral nature of all things. Moments, feelings, experiences cherished and appreciated in their impermanence, for that is where the beauty comes from. 'I work in a balancing act of control and freedom; of discipline and guidance, whilst simultaneously relinquishing all authority and throwing the odds to the winds, to chance encounters and the unexpected'. Photographic triptych: each of three parts measuring 30 x 20 inches. Each printing is bespoke to order and can be printed on a single paper 30 x 60 inches. Please contact me for further information, or send a message with your order. Limited edition of 25 Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Other sizes available * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. ________________________________ About The Artist Sophia Milligan...

Strips of colour from a rusting building in the Hudson Valley, New York. – Cawston’s search for these lost spaces of distressed beauty have taken him from Bristol to Burma, Mexico to...

California Dusk by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x 40 inches /...

The Rolling Stones 1963 (printed later) Silver gelatin print Estate stamped and numbered edition of 50 with certificate of authenticity from he Terry O'Neill estate Terry O’Neill CB...

Ancient Views of Pei-ho River is a set of ten original vintage Albumen prints on single cardboard: 26 x 34 cm. Four same dimension images on the rear and six ones in various sizes o...

Desert House Party A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designe...

Actor George Hamilton (in blue) takes off in a speedboat with friends Ruth Luthi, Sabine Korte and Mike Belami, during a stay in St Tropez. September 1968. The High Life 1968 C prin...

Ancient View of the Port of Ensenada is a silver salt photograph realized by unknown photographer of the end of 19th Century. Very good condition, applied on a single cardboard. Ca...

Schoeman's Drift, landscape photograph from Richard Heeps South Africa series, The New Lantern. Richard Heeps' work takes you on a journey, the road is a reoccurring theme, often the...