Photographic Paper Landscape Photography
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Medium: Photographic Paper
Landscapes of Seto Islands, Japan - Albumen Print 1870/1890
Located in Roma, IT
Landscapes of Seto Islands is a lot of four hand-inked Albumen print with aniline applied on a single cardboard.
Very good conditions. Cardboard cm 26 x 34; Print cm 9 x 13.5
Yokohama School print (Yokohama Shashin), realized during the Meiji dinasty (1868-1912). From a collection printed in the Shin-E-Do studio, as evidenced by the ink stamp on some copies. These prints does not show visible stamps on the front. On the lower margin of the prints some hand-written captions in black ink Italian on the cardboard.
In the lot, four landscapes...
Category
1880s Photographic Paper Landscape Photography
Materials
Photographic Paper
Palazzo dei Diamanti, Ferrara - Vintage Photo - Early 20th century
Located in Roma, IT
Palazzo dei Diamanti, Ferrara- Vintage Photo is a black and white photograph of the early 20th century realized by Alinari.
Good conditions, aged with foxing.
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Ceylon - Descent from Dambool Temple -Vintage Photo - 1893
Located in Roma, IT
Ceylon - Descent from Dambool Temple (Abstieg vom Dambooltempel) - January 7th 1893 - is an original vintage black and white photo realized during a journey throughout the world perf...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Mauve Earth Shine Photo Mosaic Collage Photograph, Female Aviator Feminist Art
By Vera Simons
Located in Surfside, FL
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and photo collage artist. She played a very important role in balloon development...
Category
1980s Assemblage Photographic Paper Landscape Photography
Materials
Photographic Paper
Lighthouse with Beach Cruiser - Black & White Landscape Photograph
Located in Soquel, CA
"Lighthouse & Bicycle", black and white photograph on Fujicolor professional paper of the Santa Cruz Yacht Harbor Breakwater Lighthouse by Richard Francis Singer (American, 20th Cent...
Category
2010s Realist Photographic Paper Landscape Photography
Materials
Photographic Paper
Lure of Lamu, 1987 - Limited Edition Estate Stamped Digital C-Type Photograph
By Slim Aarons
Located in Brighton, GB
Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection.
Please bear in mind that all prints are produced t...
Category
20th Century American Modern Photographic Paper Landscape Photography
Materials
C Print, Photographic Paper, Color, Digital
Indian Summer VII (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer VII (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Arti...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Indian Summer VI (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer VI (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Artis...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Indian Summer II (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer II (The Last Picture Show) - 2005
50x50cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, matte surface, based on the original Polaroid.
Signature label and...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Crime and Punishment in Canton, Vintage ethnographic photographs - 1880s/90s
Located in Roma, IT
Crime and Punishment in Canton, ethnographic photographs, is a set of 6 original vintage albumen prints on single cardboard: 26 x 34 cm.
They wer...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Chinese Historical and Ethnic Photographs - Albumen Prints - 1890s
Located in Roma, IT
Chinese historical and ethnic photographs is a set of eleven original vintage albumen prints on single cardboard: 34 x 26 cm.
Six Images 8 x 10.5 cm on the front and five in various...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
India. Ulwar - Maharadscha - Palast - Original Vintage Photo - 1893
Located in Roma, IT
India. Ulwar - Maharadscha - Palast - 20 Feber 1893 - is an original vintage black and white photo realized during a journey throughout the world performed by Prince Franz Ferdinand ...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Portrait of Anna Magnani - Vintage Photograph - 1960s
Located in Roma, IT
Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in 1960s
Good conditions.
Anna Magnani was born in Rome, Italy (not in Egypt,...
Category
1960s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Rodeo Grounds (Till Death..)- including the book 'A Half Forgotten Dream'
Located in Morongo Valley, CA
Rodeo Grounds (Till Death Do Us Part) - 2010
including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024. ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Precious (29 Palms, CA)- including the book 'A Half Forgotten Dream'
Located in Morongo Valley, CA
Precious (Stage of Consciousness) - 2008
including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024.
20...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Between Words (29 Palms, CA)- including the book 'A Half Forgotten Dream'
Located in Morongo Valley, CA
Between Words (Stage of Consciousness) - 2008
including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024....
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Because I Am (29 Palms, CA)- including the book 'A Half Forgotten Dream'
Located in Morongo Valley, CA
Because I Am (Stage of Consciousness) - 2008
including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024. ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Views of Shan-Hai-Kuan Fortress - Albumen Prints - 1890's
Located in Roma, IT
Ancient Views of Shan-Hai-Kuan fortress is a set of 6 vintage albumen prints on single cardboard: 34 x 26 cm.
Four Images 10 x 15 cm on the front and two 12 x 17 on the rear.
They...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Ancient View of Puerto La Unión, El Salvador - Vintage Photo - 1880s
Located in Roma, IT
Ancient Views of Puerto La Unión (El Salvador) is a set of two original albumen prints made by unknown photographer.
Prints in excellent condition, applie...
Category
1880s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Baths of Caracalla - Vintage Photo by Ludovico Tuminello - Early 20th Century
Located in Roma, IT
Baths of Caracalla is a vintage photograph realized by Ludovico Tuminello in the early 20th Century.
Titled on the lower.
Good conditions except for some foxing.
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Rock Panorama - Photographic Print by Michael Burgess - 2019
Located in Roma, IT
Rock Panorama: Pioneer Construction of a Boulder Fence, Located on the Niagara Escarpment - Photographic Print
"Early settlers arrived on the Niagara Escarpment in the 1780s. Thes...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Baths of Caracalla - Vintage Photo by Ludovico Tuminello - Early 20th Century
Located in Roma, IT
Baths of Caracalla is a vintage sepia photograph realized by Ludovico Tuminello in the early 20th Century.
Titled on the lower.
Good condit...
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Indian Summer V (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer V (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Artist...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Tobacco Sheds, Vintage C-Print Abstract Color Landscape Photograph
By Alex MacLean
Located in Surfside, FL
This is an aerial view photograph. As an aerial photographer, MacLean aims to portray the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes.
Alex S. MacLean (born 1947) is an American photographic artist who is best known for his aerial photographs. His photographs have portrayed the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes.
MacLean graduated from Harvard College...
Category
20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper, C Print
Vancouver - Canada - Vintage Photo 1893
Located in Roma, IT
View of Vancouver, Canada - September 6, 1893 - is an original vintage black and white photo realized as part of a journey throughout the world performed by Prince Franz Ferdinand vo...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Ancient Views of Colombo, Sri Lanka - Original Albumen Prints - 1880s/90s
Located in Roma, IT
Views of Colombo -Sri Lanka- is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm.
Size of photos: 21.5 x 27.5
Very good conditions.
Caption in Italian, ...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Buddha - Ceylon Photo Reportage - Vintage Photograph by Folco Quilici - 1960s
Located in Roma, IT
Buddha - Ceylon Photo Reportage is a Vintage b/w Photo realized in the 1960s by Folco Quilici.
Good conditions.
Stamped on the rear.
Category
1960s Contemporary Photographic Paper Landscape Photography
Materials
Photographic Paper
Reportage from Albania - Vintage Photograph - Late 1970s
Located in Roma, IT
Reportage from Albania - Photograph is a black and white photograph realized in the Late 1980s.
Good conditions.
the landscape of Albania through the art of photography is captured...
Category
1970s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Beverly Hills Hotel Pool - Limited Edition Estate Stamped Digital C-Type Print
By Slim Aarons
Located in Brighton, GB
Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection.
Please bear in mind that all prints are produced t...
Category
20th Century American Modern Photographic Paper Landscape Photography
Materials
C Print, Photographic Paper, Color, Digital
The End (Sidewinder) - based on a Polaroid
Located in Morongo Valley, CA
The End (Sidewinder) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs,
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No. 3447.
...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Out Islands - Limited Edition Estate Stamped Digital C-Type Photograph
By Slim Aarons
Located in Brighton, GB
Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection.
Please bear in mind that all prints are produced t...
Category
20th Century American Modern Photographic Paper Landscape Photography
Materials
Digital, Color, Photographic Paper, C Print
Photograph of an open tree, matte, red writing, natural language
Located in Carballo, ES
Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...
Category
21st Century and Contemporary Post-Minimalist Photographic Paper Landscape Photography
Materials
Photographic Paper
Photograph of an open tree, book, nature, green and yellow, freedom.
Located in Carballo, ES
Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...
Category
21st Century and Contemporary Post-Minimalist Photographic Paper Landscape Photography
Materials
Photographic Paper
Road to Davenport Landscape Photograph
Located in Soquel, CA
"Road to Davenport 2", a serene color photograph on Fujicolor professional paper by Richard F. Singer (American, 20th Century). Signed "Richard Singer" and dated "16" lower right. Ti...
Category
2010s Impressionist Photographic Paper Landscape Photography
Materials
Photographic Paper
S.Paolo House - Disappeared Rome - b/w Photograph - Early 1900
Located in Roma, IT
Vintage photo representing San Paolo house, on via degli Strengari, an famous street in the historical centre of Rome.
Photos of Alinari editions.
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Castello di Paraggi - Limited Edition Estate Stamped Digital C-Type Print
By Slim Aarons
Located in Brighton, GB
Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection.
Please bear in mind that all prints are produced t...
Category
20th Century American Modern Photographic Paper Landscape Photography
Materials
C Print, Photographic Paper, Color, Digital
Cathedral of Santa Maria Assunta - Vintage Photo - Early 20th Century
Located in Roma, IT
Cathedral of Santa Maria Assunta - Vintage Photo is a black and white photograph of the early 20th century.
Good conditions, aged.
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Myanmar 2: street photograph of men and bicycle in Southeast Asia landscape
Located in Bryn Mawr, PA
This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...
Category
2010s Realist Photographic Paper Landscape Photography
Materials
Photographic Paper, Archival Pigment
Horizon line, trees, green and yellow, sky nature, old analogue photograph
Located in Carballo, ES
Color photography printed in high quality on matte photographic paper. The dimensions are 30 x 45 cm.
Claudia Ferreiro (Santiago de Compostela, 1996) explores memory and identity l...
Category
21st Century and Contemporary Impressionist Photographic Paper Landscape Photography
Materials
Photographic Paper
Portrait of Christopher Lambert - Vintage Photograph - 1980s
Located in Roma, IT
Christopher Lambert - Vintage Photo is a vintage black and white photograph realized in the 1980s
Good conditions.
Category
1980s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Xtreme (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Xtreme (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid photograph.
Artist inventory Number 909.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
View of Rome - Vintage Photograph - Early 20th Century
Located in Roma, IT
View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century.With the hand-note in pencil on the rear.
Goo...
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Love Bridge - Photograph by Amanda Ludovisi - 2018
Located in Roma, IT
Love Bridge is a photograph taken by Amanda Ludovisi in 2018.
It represents a dreamlike landscape in Iceland, with dark tones. This is a giclée print ...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Photographic Paper
Time Traveller (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Time Traveller (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory N...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
View of Rome - Vintage Photograph - Early 20th Century
Located in Roma, IT
View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. With the hand-note in pencil on the rear.
Go...
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Without You (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Without You (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 934.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
North Star Trail (The Girl behind the White Picket Fence) - Polaroid, Color
Located in Morongo Valley, CA
Lone Star Trail (The Girl behind the White Picket Fence) - 2013 -
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and certificate.
Artist Inventory No. 13840.
Not mounted.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Kiss (Sidewinder) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
The Kiss (Sidewinder) - 2005
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Artist Inventory N...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Views of Colombo - Sri Lanka - Original Albumen Prints - 1890s
Located in Roma, IT
Views of Colombo photograph is a set of 2 wonderful original vintage albumen prints on single cardboard: 25 x 34 cm.
Size of photos: 21.5 x 27.5 cm.
Very good conditions.
Caption...
Category
1990s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Wonder Valley (Till Death Do Us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
Wonder Valley (Till Death Do Us Part) - 2005
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Art...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Borneo 1: stilt house architecture in water landscape at sunrise, Southeast Asia
Located in Bryn Mawr, PA
This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...
Category
2010s Realist Photographic Paper Landscape Photography
Materials
Photographic Paper, Archival Pigment
Ancient View of Guatemala City - Original Vintage Photos - 1880s
Located in Roma, IT
Ancient Views of Guatemala City is a set of two original albumen prints made in 1880s.
Prints in very good condition, applied on a single cardboard.
Caption in Italian ink hand-wri...
Category
1880s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Into Eternity (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Into Eternity (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 893.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Chinese Historical and Ethnic Photographs - Albumen Prints - 1890s
Located in Roma, IT
Chinese historical and ethnic photograph is a set of eight original vintage albumen prints on single cardboard: 34 x 26 cm.
Six Images 8 x 11 cm on the front and six on the rear.
T...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Leaving Town (Sidewinder) - based on a Polaroid
Located in Morongo Valley, CA
Leaving Town (Sidewinder) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs,
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No. 345...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dreamscene on Salt Lake (29 Palms, CA) - Polaroid, Figurative, Landscape, Desert
Located in Morongo Valley, CA
Dreamscene on Salt Lake - 2007
from the 29 Palms, CA project
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist Inventory #968...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Valley Vista (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Valley Vista (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 864.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Rodeo Grounds (Till Death du us Part)
Located in Morongo Valley, CA
Rodeo Grounds (Till Death do us Part) - 2010
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Arti...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Photographic Paper landscape photography for sale on 1stDibs.
Find a wide variety of authentic Photographic Paper landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, David Burdeny, Richard Heeps, and Mitchell Funk. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photographic Paper landscape photography, so small editions measuring 0.4 inches across are also available
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