1980s Photography

Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

“Torso with Blowing Shirt” (3/5) is a captivating 1988 black-and-white nude photograph by acclaimed American photographer Mark Sink (b. 1958). Known for his ...

Diane Sawyer Archival pigment print image size: 24 x 24 inches Signed and numbered edition of 25 William Coupon is an American photographer, born in New York City, known principally...

President Jimmy Carter Archival pigment print 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American photographer, born in New York City, known principally...

Printed in 1991 for the Portafolio de las Mujeres by Mother Jones. Excellent conditon Portfolio #88 SIgned in pencil on verso

Jack and GeeGee Entz beneath the rose-canopied steps which lead to the entrance of the tennis courts at the Villa d'Este at Tivoli, near Rome, Italy, ...

Norman Parkinson Jerry Hall & Antonio Lopez at Dunn's River Falls 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Antonio Lopez is photographed filming Jerr...

Jo - Limited edition archival pigment print, 1982 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printe...

A rest from skiing at Cortina d'Ampezzo, March 1982. Slim Aarons Cortina d'Ampezzo 1982 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of auth...

Slim Aarons Paola Mussetti, 1982 C print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Norina Pisciotto poses at the v...

The Girl In Union Square by Fernando Natalici Manhattan, 1984. The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print on 310gsm Paper 13 x 19 inches (image: 12 x 18 inches) Hand signed from an edition of 20 Obtained directly from artist Excellent condition New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories William Klein. Henri Cartier Bresson. Saul Leiter...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘FlowerHead 1 ‘ who was captured on film ...

This 1987 print features an iconic fashion shot captured by legend photographer, John Stoddart, from John Galliano’s (then, Britain’s most famous fashion stylist) first ever collecti...

Donald Trump, Businessman 1985 Archival pigment print 48 x 48 inches, edition of 10, $12,000 36 x 36 inches, edition of 15, $7,000 24 x 24 inches, e...

Donna Fabrizia Lanza di Mazzarino relaxing in a boat on a small lake in the grounds of the Villa Tasca d'Almerita in Sicily, Italy, in October 1984. Slim Aarons Fabrizia Lanza di Ma...

Shot on a 20x24 Polaroid camera, "Suzanne Bent with Curl" is a one-of-a-kind print made only rarer by the limited availability of the device’s large-format film. Includes silver fram...

This late 1980s portrait photograph, captured by society photographer Slim Aarons, features British rock star Mick Jagger holidays on the island of Mustique in the Grenadines. This ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and photo collage artist. She played a very important role in balloon development...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "A course in miracles"" The title, taken from the 1976 book on New Age spiritual guidance encourages speculation about each element in this still life. The amount of roses--three--is a significant number in many religions and mythologies. Besides Jesus and Albert Einstein, Flack included the silent mystic Hindu philanthropist Shree Krishnaji, also known as Baba. Flack used the detail of his face with the roses, hovering above the ocean, in her monumental painting, Baba. Following an illness, she turned to mysticism, framing Christian and Hindu images with Jewish ones in A Course of Miracles of 1983: On the “west” side, a photograph of Albert Einstein and a European Jewish candlestick...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Orchids‘ who was captured on film in 198...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Bird (in flight). This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Slim Aarons Pool On Amalfi Coast (Slim Aarons Estate Edition), 1984 Chromogenic lambda print Est...

Slim Aarons Pool At Porto Rotondo 1982 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A sw...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting conditions as 19th-century photographs by the likes of seminal surveyors William Henry Jackson...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting conditions as 19th-century photographs by the likes of seminal surveyors William Henry Jackson and Timothy O’Sullivan. These photos consider changes in landscape, history, culture, aesthetics, technology, representation, and perception. Klett has collaborated with several artists, including Byron Wolfe...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting conditions as 19th-century photographs by the likes of seminal surveyors William Henry Jackson...

Dust Storm (Vertical) by Steve McCurry is a 30 x 24 inch Digital C-Print on FujiFlex Crystal Archive Supergloss Paper, available in an edition of 75. This photograph features a group...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Woman (with Chinese Fan). This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fruits. This one is hand signed and dated verso. Seasons explores the seasons ...

Stockings - Signed limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Leaf. This one is hand signed and dated verso. Seasons explores the seasons of...

Edition of 10 Signed and numbered in black ink on print verso. Series: Suburbia Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up phot...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Globe. This one is hand signed and dated verso. Seasons explores the seasons o...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Jewels. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Leopards. This one is hand signed and dated verso. Seasons explores the season...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Column. This one is hand signed and dated verso. Seasons explores the seasons ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: TV Gyroscope. This one is hand signed and dated verso. Seasons explores the se...

Ed. 6/25, includes white frame. A Long Island native, von Hohenberg has always been a world traveler and took an interest in photography at the young age of fourteen. He was raised ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Clock. This one is not hand signed although the rest in the portfolio were. (i...

Rare 1979 Photograph of Jean Michel Basquiat: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basq...

Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman's parents in Palm Beach, Florida, 1985. Complimentary dealer sh...

Lisa Jack Barack Obama, Occidental College, No. 15, 1980 Signed, dated, and numbered on the reverse Gelatin silver print Sight 21 1/2 x 14 1/2 inches Edition 7/50 Provenance: M&B, L...

HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produced his large-scale prints, I was at first flabbergasted, not only by their size, but by their seamless perfection. Technique appeared to be everything but then technique as technique simply vanished. After the first moment, tech­nique was no longer an issue, but rather a passageway to the imagery. Suffice it to say about Harry Bowers' working style that he is an obsessive man. Trained as an engineer, he has turned that discipline to art. His lenses, equipment and darkroom, much of it exactingly manu­factured by himself to answer certain needs, serve the desire of the artist to take photographic tech­nique to its ultimate perfection in invisibility and transparency. I respect obsession in art, and particularly in photography, because obsession in photography passes beyond the easy, middle ground of image making to a more demanding, more difficult, yet more rewarding end. Bowers' obsession is to eliminate "photography as technique." No grain, no decisive moments, no journalism, or, seemingly, direct auto­biographical endeavors appear in his work. Bowers is an artist of synthesis who controls his environment if only in the studio exactly to his liking. The images he creates are formal structures, saucy stories on occasion, which may offer hints of a darker, more frightening sexuality, but what you see is the end product of an experiment in which nothing save the original insight perhaps is left to chance. We seem fascinated with the idea of replication of reality in art. Popular painting frequently reproduces a scene "with the accuracy of a photograph," and photographs may "make you feel as though you were right there." The very invisibility of the photographic medium is important to Bowers, in that it allows him to maneuver his subject matter without concern for rendering it in an obvious art medium which would interfere with the nature of the materials he uses. The formal subtleties of Bowers' recent work are as delicious and ambiguous in their interrelationships as the best Cubist collages, yet while those col­lages always suggest their parts through edge and texture, these photographs present a structure through a surface purity. Bowers' earlier works, for example, the Skirts I Have Known series, were formed of bits of clothing belong­ing to Bowers and his wife or found at local thrift shops. These works fused an elegance of pattern and texture, reminiscent of Miriam Shapiro...

Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Estate stamped and hand numbered edition of 150 with certificate of authenticity ...

Mathew - Signed limited edition archival pigment print - Edition of 10 Will be part of Ian Sanderson's future Brighton 1980s retrospective exhibition This image was captured o...

Sarah 2 - Signed limited edition archival pigment print - Edition of 5 Photographed in Brighton, England in 1989 This image was captured on film. The negative was scanned creati...

Size is without frame. French Burgundy wine country farmhouse yard scene with flowers. Frank Gohlke (born April 3, 1942) is an American landscape photographer. He has been awarded ...

Hotel Il Pellicano 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Holidaymakers relax beside the swimming pool of...

Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...

Flower - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality Archival Pigment...

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, 1987 Slim Aarons Il Pellicano Pool, 1987 Lambda Print 4 sizes available Slim Aarons Esta...

Paul Butler, patriarch of one of America’s foremost polo families, with his son, daughter, grandchildren and son-in-law, Palm Beach, April 1981. Left to right: Adam Butler, Reutie Bu...

Roberta Droulers sitting with her daughters, Nathalie and Virginie, in the lobby of the Villa D'Este on Lake Como, Tivoli, near Rome, Italy, circa 1984. Estate stamped and hand numb...

Norman Parkinson Antonio Lopez draws Jerry Hall 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Antonio Lopez draws model Jerry Hall as she poses with a lif...

Artist: Stuart Klipper, American (1941 - ) Title: Bearing South, Antarctica Year: 1988 Medium: Color Coupler Photographic Print Size: 18 x 56 in. (45.72 x 142.24 cm) Frame Size:...

Porto Ercole 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A jetty juts out from a rocky shoreline in Porto Erco...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...