1980s Photography

A large scale Cibachrome photograph. An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was created through by placing diaphanous fashion garments onto photo-sensitive paper, embellishing them with objects, paper bits, and flora, and layering in painterly surfaces with scratches, completely covering the image. The series won a prize in the BCibachrome competition (1985), sponsored by BC Space Gallery (Laguna Beach, CA), and was exhibited at "Robin Valle: From Darkroom to Digital, Works from 1974-2009," posthumously presented August 2009 at El Camino College Gallery (Torrance, CA). Work presented under plexiglass in a custom wood frame. Work Size: 39.5 x 29.5 in. Framed Dimensions: 43.5 X 33.5 X 2 in. Valle, Robin Joy (1953-2009) After receiving her BA from SMU and an MFA in Photo/Cinematography from the University of Illinois in 1977, she moved to Los Angeles. Valle exhibited her one-of-a-kind Cibachrome photographs at galleries and museums locally and nationally. In 1982, she was selected for the NEA funded, "Life in LA" project, sponsored by the Los Angeles Women's Building. Valle taught photography at many Southland colleges as well as the LA County High School for the Arts. She was one of the first LA based photographers to explore digital media, receiving an Innovative Instruction Grant from Chaffee College in 1989 to create their first photography class in digital media. In 1998 she became a member of the full-time faculty at El Camino College, where she was instrumental in developing the Digital Arts program. Her work ranged from Black and white photographs to colorful, intricately layered patterns that command the gallery walls. It isn’t surprising that she, along with fellow art instructor, Joyce Dalal, contributed largely to the ECC art department’s merge towards digital art. As one of the first local photographers to explore digital media, she was crucial to the development of the Digital Arts Program. Before computers became commonplace, Valle’s techniques show a digital influence. “Her work was always inventive”, said ECC art curator, Susanna Meiers. An effect that can easily be done now with a few mouse clicks on Adobe Photoshop, required a long process of rubbing dye into the actual photograph in the ’70s. Her methods of illustrating were just as unique as the topics themselves. Photographs of the violent Chinese protest at Tiananmen Square in 1989 where military response murdered protestors in large numbers included photographing images from her television screen. “Crime Stats/ Hollywood” was a theme she dedicated to the gang violence around her neighborhood in the early ’90s. With washed out gang members as the focal point, and graffiti as well as mapped out grids of Los Angeles as the backdrop, Valle’s layering, collage-like technique is continued on and more developed. “There is a fanciful, imaginary quality of her work,” said Meiers. From her quirky pieces of birds, zebras, and even dinosaurs enveloped in patterned, colorful, designs to her more serious themed feminist pieces, her eclectic, colorful style breaks through. Her feminism is on display in “Expectations” which illustrates women’s ability to “look good and produce children.” A bright human embryo steals your attention dead center, with a “June Cleaver” type 1950’s woman smirking at you from either side of it. A mustard yellow backdrop, brings the entire piece together illustrating society’s views of women as well as her playfulness as an artist. “Robin was terribly funny and had a laugh that would just set people off,” Meiers said. The art curator designed a section of the gallery similar to Valle’s apartment. A bright pink shelf...

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

Table top - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1985. The negative was scanned creating a digital file which was then...

Romantic Couple - Signed limited edition archival pigment print, Edition of 10 This image was captured on film in Paris in 1988, on the 'Carrous...

MIKE + MECHANICS - Signed limited edition archival pigment print - Edition of 5 Record cover for Mike + The Mechanics 'Living Years’ 1988 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes ( Image size , the white margin is not counted) : 45 x 40 cm / 18,89 x 15,75 in. - Edition of 5 70 x 63 cm / 27,56 x 24,80 in. - Edition of 5 90 x 100 cm / 35,43 x 39,37 in. - Edition of 5 Geoff Halpin...

Sorry for the reflection on the plexi. In the early 1980s, the Polaroid Foundation invited Hungarian-born painter and photographer György Kepes (1906-2001) to use the 20x24 Polaroid camera. The resulting carefully staged compositions summarize many of his artistic concerns, employing such objects as prisms, flowers, and graphic papers to manipulate the effects of light and form. György Kepes 1906-2001 was a Hungarian-born painter, photographer, designer, educator, and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1967 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974. Kepes was born in Selyp, Hungary. His younger brother was Imre Kepes, ambassador in Argentina, father of András Kepes journalist, documentary filmmaker and author. At age 18, he enrolled at the Royal Academy of Fine Arts in Budapest, where he studied for four years with Istvan Csok, a Hungarian impressionist painter. In the same period, he was also influenced by the socialist avant-garde poet and painter Lajos Kassak. Kepes gave up painting temporarily and turned instead to filmmaking. In 1930, he settled in Berlin, where he worked as a publication, exhibition and stage designer. Around this time, he designed the dust jacket for Gestalt psychologist Rudolf Arnheim's famous book, Film als Kunst (Film as Art), one of the first published books on film theory. In Berlin, he was also invited to join the design studio of Laszlo Moholy-Nagy, the Hungarian photographer who had taught at the Dessau Bauhaus. When, in 1936, Moholy relocated his design studio to London, Kepes joined him there as well. Kepes was lured to Brooklyn College by Russian-born architect Serge Chermayeff, who had been appointed chair of the Art Department in 1942. There he taught graphic artists such as Saul Bass. In 1944, he published Language of Vision, an influential book about design and design education. In part, the book was important because it predated three other influential texts on the same subject: Paul Rand, Thoughts on Design (1946), László Moholy-Nagy, Vision in Motion (1947), and Rudolf Arnheim, Art and Visual Perception (1954). In 1947, Kepes accepted an invitation from the School of Architecture and Planning at MIT to initiate a program there in visual design, a division that later became the Center for Advanced Visual Studies (c1968). Some of the Center's early fellows included artists Otto Piene, Vassilakis Takis, Jack Burnham, Wen-Ying Tsai, Stan Vanderbeek, Maryanne Amacher, Joan Brigham, Lowry Burgess, Peter Campus, Muriel Cooper, Douglas Davis, Susan Gamble, Dieter Jung, Piotr Kowalski, Charlotte Moorman, Antoni Muntadas, Yvonne Rainer, Keiko Prince, Alan Sonfist, Aldo Tambellini, Joe Davis, Bill Seaman, Tamiko Thiel, Alejandro Sina, Don Ritter, Luc Courchesne, and Bill Parker...

' Sabre ' - Signed limited edition archival pigment print, 1984 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then...

Keith Haring Tony Shafrazi Gallery New York circa 1983: Rare original Keith Haring artist biography sheet & timeline produced by Ton...

Slim Aarons Contessa Giuppi Petromarchi 1987 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Contessa Giuppi Petromarchi...

Porto Ercole 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A jetty juts out from a rocky shoreline in Porto Erco...

Moumtain Buffet, 1987 Chromogenic Lambda Print Estate edition of 150 Courchevel restaurant chefs Jean Jacob (left) of ‘Le Bateau Ivre’, Michel Rochedy (centre) of ‘Le Chabichou’, an...

Prof. Hans Haacke, Cooper Union, 1980 Vintage silver gelatin print (unique) 14 x 11 inches signed Paul Garrin began working with photography and vide...

Slim Aarons Prince Torlonia 1984 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Prince Torlonia, shelter...

'The Girl In Union Square' shot Manhattan, 1984 by heralded New York downtown photographer, Fernando Natalici: The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print. 13 x 19 inches (image: 12 x 18 inches). Hand signed from an edition of 20. Excellent condition. Obtained directly from artist. Seller is a primary dealer rep of the artist. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories William Klein. Henri Cartier Bresson. Saul Leiter...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Archival pigment print available sizes : 40 x 53 cm / 15,75 x 20,87 in. - Edition of 5 56 x 75 cm / 22,05 x 29,53 in. - Edition of 5 75 x 100 cm / 29,53 x 39,37 in. - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Over the course of a 35-year career, Ian crafted captivating images and in recent years used archival techniques to produce his prints. For much of his professional journey, he thrived as both a Commercial and Fine Art photographer eventually focusing on his personal artistic work during his final years. Towards the conclusion of his life's path, Ian and his partner revived two 19th-century printing methods in their studio - Platinum Palladium and Gum Bichromate - culminating in a significant retrospective exhibition in Barcelona sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints were particularly noteworthy as they were printed on transparent vellum paper with pure gold or silver bonded to the back, rendering each piece a unique and timeless work of art. Through their artisanal techniques, they created rare and personalized works. Ian Sanderson was one of the few artists worldwide specializing in this type of production. Now, Ian's partner continues their shared legacy, still creating Platinum Palladium prints as well as silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white photography, 20th. century, Archival pigment print, Hospitality, Forest, Monochromatic Landscape art...

Bellissima fotografia di Piazza Municipio e Castello Maschio Angioino illuminata di sera, Napoli

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Edition : 1/5 Archival pigment print available sizes ( Image size , the white margin is not counted): 40 x 53 cm / 15,75 x 20,87" - Edition of 5 56 x 75 cm / 22,05 x 29,53" - Edition of 5 75 x 100 cm / 29,53 x 39,37" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white Photography, 20th. Century, Archival Pigment Print, Hospitality, Forest, Monochromatic Landscape Art...

Neil Young, Musician/Songwriter 1988 Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, know...

Clams- Signed limited edition archival pigment print, 1984 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pri...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...

Abaco Islander Author Chester Thompson at work in his coconut grove on the Abaco Islands of the Bahamas, March 1986. His ancestor Wyannie Malone settled on the islands in 1783, founding Hope Town...

William Burroughs, 1981 Archival pigment print 14 x 14 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, known principally ...

Orchids - Signed limited edition archival pigment print, 1985 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

Clams - Signed limited edition archival pigment print, 1984 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality Archival Pigme...

Miranda , Limited edition archival pigment print - Edition of 5 Signed + numbered by artist with certificate of authenticity, unframed Free delivery This image was captured on ...

Cortina d'Ampezzo Fashion 1972 c print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Isa Genolini and Maria Antonia in the main ...

Salmon - Signed limited edition archival pigment print, 1985 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then print...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...

"My work is about respecting the beauty that remains and the poetry that is found." David H. Gibson is a lifelong photographer whose first contact with the medium was in his fathe...

Lamu Jazz - Signed limited edition archival pigment print, Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed...

Street Champion, 4th Ward, Houston, Texas is a black and white gelatin silver photograph depicting a group of children posing in front of a house. A young boy watches from the porch ...

Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality Archival Pigment ...

Liza May Minnelli (born March 12, 1946) is an American actress, singer, dancer, and choreographer. Known for her commanding stage presence and powerful alto singing voice, Minnelli i...

Vintage original Club 57 invite, circa 1982. Club 57 was the historic East Village nightclub where Keith Haring, Kenny Scharf and so many seminal downtown art...

One of Steve McCurry's most iconic images, this portrait features a young Afghan girl with piercing green eyes wearing a red head scarf. Afghan Girl by Steve McCurry is a 24 x 20 i...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

"Indietro Tutta" is a black and white vintage photo, realized in February 14th 1988. The photo depicts a moment of the popular Italian TV show "Indietro Tutta" of Renzo Arbore, also...

Slim Aarons Skiing In Seefeld 1985 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A group of men and women go cross-country sk...

Portrait of Jennifer Jones is a black and white vintage photo, realized in December 13th 1984. The photo depicts the television programming: American actress Jennifer Jones and the ...

Francesco Cossiga and Ciriaco De Mita is a black and white vintage photo, realized in November 28th. 1988. The photo depicts the President of Italian Republic, Francesco Cossiga wit...

No Edition Selenium toned print Signed, titled and dated in pencil on verso by Mario Algaze Printed 1996 Paper size: 14 x 11 in. Image size: 9 1/2 x 9 1/2 in. Mario Algaze is a contemporary Cuban-American photographer whose work articulates the counter-culture of Latin America, the Caribbean and Cuba. In 1960, at only thirteen years old, Algaze was exiled from Cuba. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. The vision Algaze has made him an award-winning photographer and in 1985 was the recipient of the Individual Florida Artist Fellowship and in 1989, received the Cintas Foundation Fellowship in Visual Arts. A retrospective collection of his work from 1974-2008 is showcased in his book A Respect for Light: The Latin American...

Sunbathing in Capri, Catherine Wilke, Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity fr...

Sir Francis Crick, La Jolla, 1982 Signed in pencil on verso Vintage gelatin silver print Image: 10-1/2" x 15-1/2", Paper: 16" x 20", Matted: 20" x 24"

August 1985: Prince Charles playing polo for the 'Diables Blues' at Cowdray Park in Sussex. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the...

Slim Aarons Skiing In Seefeld 1985 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A group of men and women go cross-country sk...

One of Steve McCurry's most iconic images, this portrait features a young Afghan girl with piercing green eyes wearing a red head scarf. Afghan Girl by Steve McCurry is a 24 x 20 i...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Vintage Keith Haring exhibition cards 1988-1990: A highly collectible set of three vintage original Keith Haring exhibition cards (1987-1990): "Keith Haring: Sculpture & Painting" ...

HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produced his large-scale prints, I was at first flabbergasted, not only by their size, but by their seamless perfection. Technique appeared to be everything but then technique as technique simply vanished. After the first moment, tech­nique was no longer an issue, but rather a passageway to the imagery. Suffice it to say about Harry Bowers' working style that he is an obsessive man. Trained as an engineer, he has turned that discipline to art. His lenses, equipment and darkroom, much of it exactingly manu­factured by himself to answer certain needs, serve the desire of the artist to take photographic tech­nique to its ultimate perfection in invisibility and transparency. I respect obsession in art, and particularly in photography, because obsession in photography passes beyond the easy, middle ground of image making to a more demanding, more difficult, yet more rewarding end. Bowers' obsession is to eliminate "photography as technique." No grain, no decisive moments, no journalism, or, seemingly, direct auto­biographical endeavors appear in his work. Bowers is an artist of synthesis who controls his environment if only in the studio exactly to his liking. The images he creates are formal structures, saucy stories on occasion, which may offer hints of a darker, more frightening sexuality, but what you see is the end product of an experiment in which nothing save the original insight perhaps is left to chance. We seem fascinated with the idea of replication of reality in art. Popular painting frequently reproduces a scene "with the accuracy of a photograph," and photographs may "make you feel as though you were right there." The very invisibility of the photographic medium is important to Bowers, in that it allows him to maneuver his subject matter without concern for rendering it in an obvious art medium which would interfere with the nature of the materials he uses. The formal subtleties of Bowers' recent work are as delicious and ambiguous in their interrelationships as the best Cubist collages, yet while those col­lages always suggest their parts through edge and texture, these photographs present a structure through a surface purity. "I follow fashion. I have closets literally full of clothes. I am a full-blown Comme des Garçons and Prada freak. I love clothes themselves as objects, and I also love the glossies – my love of fashion is how I discovered Wallpaper magazine" Bowers' earlier works, for example, the Skirts I Have Known series, were formed of bits of clothing belong­ing to Bowers and his wife or found at local thrift shops. These works fused an elegance of pattern and texture, reminiscent of Miriam Shapiro...

Koch began taking photographs in Paris during the 1940s and later traveled to Barcelona where Barcelona Bird Seller was taken.. She would spend hours strolling the streets of Barcelona taking photos but she especially enjoyed the street life of Las Ramblas...

Lisa Jack Barack Obama, Occidental College, No. 34, 1980 Signed, dated, and numbered on the reverse Gelatin silver print 12 x 17 3/4 inches Edition 4/75 Provenance: M&B, Los Angeles...

Slim Aarons Pool On Amalfi Coast (Slim Aarons Estate Edition), 1984 Chromogenic lambda print Estate stamped and numbered edition of 150 60 x 40 inches A view of the seaside pool at ...

Main Street, U.S.A. is a colour vintage photo, realized in 1990s. The photo depicts Main Street, U.S.A. , at Euro Disneyland park. Good conditions and aged. It belongs to a histor...

Hotel New York - Euro Disney Resort  is a colour vintage photo, realized in the Early 1990s. Good conditions and aged. It belongs to a historical and nostalgic album including hist...

Hotel Cheyenne is a colour vintage photo, realized in the Early 1990s. The photo depicts the Hotel Cheyenne guest room, in Euro Disneyland. Good conditions and aged. It belongs to...

In Adventureland is a colour vintage photo, realized in the Early 1990s. The photo depicts the Adventure Isle, Captain Hook's Pirate Ship, Pirates of the Caribbean Fortress in Euro ...

Vintage gelatin silver print Paper size: 11 x 14 in. Signed, titled and inscribed by Paul Greenberg Paul Greenberg became interested in taking pictures when he was in the 5th grade....

Prince & The Revolution Photograph 1980 by Leni Sinclair: Prince alongside his first guitarist Dez Dickerson shot by Leni Sinclair, 2016's Kresge Foundation's Eminent Artist (See The Guardian UK Photo Section, Jan. 28, 2016). Archival inkjet print. 11 x 14 inches. Hand signed, titled & dated in ink across the margins. Some minor corner bending; in otherwise very good overall condition. Obtained directly from artist. Lot 180 is an authorized dealer rep of photographer Leni Sinclair. About Leni Sinclair: Sinclair is a recognized leader of the 1960s-70s counter cultural movement in Detroit, which she amply documented through vivid and dramatic photography. But she may be best known for capturing the raucous rock n’ roll scene of that era, including photographs of such rock legends as Jimi Hendrix and Janis Joplin, and jazz icons such as Miles Davis and Sun Ra...

President Gerald Ford Archival pigment print image size: 24 x 24 inches Signed and numbered edition of 25 William Coupon is an American photographer, born in New York City, know...