Portrait Photography

1969: French singer, Francoise Hardy sitting on a motorbike. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gallery partner, we offer premium quality pr...

Sophia Loren - Oversize Silver Gelatin Print Absolutely Exquisite Extra Large 30 x 30" inches / 76 x 76 cm paper size silver gelatin print. Unframed. Produced on authentic silver ...

Audrey Hepburn Relaxing, 1970 C print Estate stamped and numbered edition of 50 American actress Raquel Welch wearing a stars and stripes suit in ‘Myra Breckinridge’, a 1970 America...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “In the 1950s few photographers, particularly men, chose their models from their own families. Meatyard, however, found inspiration in his three offspring. This was perhaps due to his interest in Ben Shahn’s postwar paintings of Italian children playing among the ruins of war; the dolls, puppets, and children in Rainer Maria Rilke’s poetry...

Professor  Barnard is an original black and white photograph realized in 1968. Good conditions.

Prof. Pietro Valdoni and Prof. Angelo Biocca is an original black and white photograph realized by an Anonymous photographer. With the typed notes in Italian " the description" on t...

Vintage Photo. The Italian Actor Marcello Mastroianni and the Italian Actress Laura Morante in a scene from the movie "Le due vite di Mattia Pascal" by Mario Monicelli.

Artist: Richard Ham, American (1920 - ) Title: Picasso in Paris Studio Year: 1945, Printed in 2009 Medium: Gelatin Silver Print, signed and numbered in ink Edition: 50 Size: 20 in. x...

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

O'Brians Catch American actor Hugh O’Brian returns to the beach with a fish after a snorkelling expedition, Antigua in the West Indies, 1961. Paper size 50 x 50 / 127 x 127 cm E...

Christopher Lambert (Greystoke, The Legend of Tarzan) - Vintage Photo is a vintage black and white photograph realized in 1984. Good conditions.

Frida with Granizo by Nickolas Muray is a portrait of Frida Kahlo with her pet deer, Granizo. She places her hand lovingly on the deer while looking towards the viewer, with a cigare...

DINNER AT EIGHT, Jean Harlow, 1933/ Everett Collection. stunning and vivid photograph of the first sex symbol, Jean Harlow. 12x16 inches Archival Pigment...

Landscape with Ruins s a vintage black and white photograph realized in the 1960s, it is from a series of vintage photographs of the cultural and artistic events in Italy in the 1960...

The Old Days  Photo - Woman with Dog is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal famil...

Norman Parkinson Jane Birkin 1969 (printed later) Estate stamped and numbered edition of 21 English-French actress, singer, songwriter, and model Jane Birkin photographed wearing a ...

Frida with Granizo by Nickolas Muray is a black and white portrait of Mexican painter Frida Kahlo with her pet fawn, Granizo. Frida crouches down to place her hand on the small deer ...

Frida Kahlo by Nickolas Muray is a black and white portrait of the Mexican painter Frida Kahlo leaning against a wall, with a dark scarf wrapped around her shoulders. Paper size: 20...

The Beatles is an early photograph realized in the beginning of 1960s. Good conditions.

Ernest Hemingway - Vintage Photograph is an original black and white photograph realized in the 1950s. Good conditions. A historical moment of the past through the art of photogra...

Dance - Vintage Photo is a black and white photograph by John Kane- Alfieri Theatre, Turin realized in the 1970s. Good conditions.

Portrait of Neil Young is a vintage black and white photograph realized in the 1970s. Good conditions.

Keith Richards sitting in front of Bentley, 1966 — Signed Limited Edition Print, 1966 — Signed Limited Edition Print by Gered Mankowitz Keith Richards of The Rolling Stones is pho...

Anna Magnani and Massimo Ranieri (Rai) is a vintage b/w photographic print on single-coated paper realized by RAI prints. Good condition. Anna Magnan...

Norman Parkinson Jerry Hall , 1976 C print 60 x 40 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

Historical Photo - Havana is a black and white vintage photo, realized in the mid-20th century.  It belongs to a historical album including historical moments, royal families, and p...

Slim Aarons Skiing In St. Moritz 1983 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Countess Jan Bonde in the Palace H...

This piece is an original chromogenic photograph that was developed from the original negative by Bert Stern. This photo is part of The Last Sitting portfolio, taken six weeks before...

Vintage Portrait of Anna Magnani (AP) with Alberto Sordi is a vintage b/w photographic print on single-coated paper realized by Associated Press Photos. Good condition. Anna Magnan...

Norman Parkinson Wenda and Ostriches 1951 (printed later) C print 40 x 30 inches Estate stamped and numbered edition of 21 on verso with certificate of authenticity from the Norman ...

Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in The Mid-20th. Good conditions. Anna Magnani was born in Rome, Italy (not i...

Vintage b/w photograph of the very original Italian singer-songwriter Franco Battiato at his debut, in the Eighties, when he returns to Pop music after...

David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. The location was Duffy’s studio at 151a King Henry’s Road in Primrose Hill, London, which had been the setting for the Ziggy Stardust session the previous August. Duffy had agreed with Tony Defries that his design agency, Duffy Design Concepts, which he ran with Celia Philo, would design the sleeve. Present in Primrose Hill on that January day in 1973 were Duffy, David Bowie, Celia Philo, Tony Defries, French make-up artist Pierre Laroche, and Duffy’s studio manager Francis Newman, who also acted as his assistant that day. Follow-up work on the detailed airbrushing required to create the final artwork was carried out by Philip Castle. What about that lightning bolt flash and the liquid pool? The idea for the lightning bolt came from David Bowie. The realisation of that lighting bolt into the form that appeared on the sleeve was down to Duffy. Its source is believed to be a rice cooker that was in Duffy’s studio – and which had a small logo with a red and blue flash. Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity" became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as "plastic soul", initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; the album's title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla...

This piece is an original vintage photograph by Milton Greene in 1956. This photograph depicts Hollywood Icon Marilyn Monroe, who was a close friend and business partner of the artist. This piece is a part of Greene's series entitled "The Black Sitting...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 at the North Hollywood home of Barris' close friend. Taken only two weeks before her death, this p...

Historical Photo - Angel is a black and white vintage photo, realized in the mid-20th century.  It belongs to a historical album including historical moments, royal families, and po...

Portrait of Giorgio Gaber in 1959 is a vintage photographic print on single-coated paper. Photograph probably made by Gianni Piccione for News Blitz. Ink print of photographer (Pic...

Vintage Photo. Ornella Muti in a scene from "Private Access", a 1989 Italian drama film by Francesco Maselli.

Artist in Exhibition - Life in Italy in 1960s  is a vintage black and white photograph realized in the 1960s, it is from a series of vintage photographs of the cultural and artistic ...

Ancient Portrait of Japanese gymnasts is an original vintage albumen print on single cardboard: 26 x 34 cm. Realized between the 1880s and the 1890s. Image 21 x 26 cm. Caption in I...

Vintage Photo. Lightly damaged (Folds on the angles).

The Old Days Photo - Woman and Dog is a black and white vintage photo, realized in 1912.  It belongs to historical album including historical moment, royal families, and political e...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

In Vogue, 1966 Chromogenic Lambda Print Estate edition of 150 Vogue magazine editor Topsy Taylor, a visitor to Acapulco, circa 1966. Estate stamped and hand numbered edition of 150...

Women's Rights - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation for their r...

Norman Parkinson In the Blazing Sun at George Airfield, 1951 C print 20 x 16 inches Estate stamped and numbered edition of 21 on verso British fashion model Wenda Parkinson wearing...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

Ursula Andress Swiss actress Ursula Andress poses in a hammock, in Rome, Italy, circa 1955. Paper size 50 x 50 / 127 x 127 cm Estate Stamped Collection Edition to 150 Photo by ...

Mara Lane Austrian actress Mara Lane posing by the pool at the Sands Hotel, Las Vegas, in a red and white striped bathing costume, 1954. Paper size 50 x 50 / 127 x 127 cm Estate...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 in Los Angeles, California. This photograph is from a collection entitled "The Last Photos", which ...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Kate Moss Unitard, 1993 Silver Gelatin Print 30 x 30 inches Edition of 50 Cosigned by Terry O'Neill and Kate Moss Portrait of English fashion model Kate Moss, 1993. Terry O'Neill ...

Bowie On The Phone - signed limited edition print David Bowie talking on the phone, 1973. (photo Mick Rock) paper size : 20x24 inches / 61 x 51 cm Stamped and numbered by the Est...

Milton H. Greene Grace Kelly 1955 (printed later) All archival pigment prints, signed on reverse by the Estate American actress and then Princess of Monaco, Grace Kelly for an Ameri...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 in Los Angeles, California. This photograph is from a ...

This photograph is a black and white portrait of Frida Kahlo in front of the Unfinished Unity Panel at the New Yorkers School in New York, taken by Lucienne Bloch. The medium of this...

Eva Gabor (1950) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) Hungarian actress Eva Gabor (1920 – 1995) in Montego Bay, Jamaica, circa 1954....

Ted Williams John Coltrane playing the saxophone 1960 (printed later) Silver gelatin print 30 x 30 inches Estate stamped and numbered edition 25 with certificate of authenticity Ca...

Dido - Signed Limited Edition Print English singer songwriter Dido poses at the Key Arena in the Seattle Center while on her sold-out world tour in 2004. Seattle, Washington, USA Tour promotional image, May 2004. (photo Kevin Westenberg) NB All prints are signed and numbered by the artist. Unframed Signed and numbered by the artist. Edition limited to 25 only this size Printed 2020 This size image: 20 x 24" / 51 x 61 cm OTHER SIZES AVAILABLE : Size 1. 16 x 20" Signed and numbered edition of 25. cost $ 2,500 Size 2. 20 x 24" Signed and numbered edition of 25. cost $ 2,950 Size 3. 24 x 30" Signed and numbered edition of 25. cost $ 3,375 Size 4. 30 x 40" Signed and numbered edition of 10 (+2 a/p). cost $ 5,605 Size 5. 40 x 60" Signed and numbered edition of 3 (1 a/p). cost $ 18,500 About the artist : Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. Shortly after receiving an Architecture degree he moved to London where he’s been based since 1983. Westenberg is self-taught and learned his trade working for the UK inkies “New Musical Express” and “Melody Maker” mainly throughout the late 80’s and 90’s documenting amongst others all the UK ‘Britpop’ bands. The breakthrough came in 1993-1994 with the release of Sting’s Ten Summoner’s Tales and Mary J Blige’s Share My World. These two album covers changed the perception of the work worldwide and thus began a run of 20 years of commissions and choice opportunities. For the last 25 years, his musical heritage includes portraits of Radiohead, Thom Yorke, Coldplay, White Stripes, Jane's Addiction, Sting, Bjork, Nirvana, Jeff Buckley, Luther Vandross, Nine Inch Nails, Stone Roses, The Pixies, Paul Weller, Rufus Wainwright, Michael Stipe, U2, Mary J. Blige, R.E.M., Black Sabbath, Massive Attack, BB King, The Rolling Stones, PJ Harvey, Marilyn Manson, Pete Doherty, Oasis, Soundgarden, Jake Bugg, and Bon Jovi among many others. Also included are 100’s of albums, singles, magazine & book covers from around the world. He’s also been chosen as official photographer for the LIVE 8 Hyde Park event in 2005 and for Led Zeppelin reunion concert at the 02 Arena, London. The work & interest also include a wide range of artists portraits beyond the music world. David Lynch, Paul Auster, The Coen Brothers, Rupert Friend, Sir Tom Stoppard, Orla Kiely, Vincent Cassel, Audrey Tautou, Billy Bob Thornton, Ethan Hawke, Alan Rickman, Daniel Bruhl, Sean Penn, Shirley Henderson, Aaron Eckhart, Robin Wright, Rhys Ifans, Frances McDormand, Jean-Luc Godard, Ray Winstone, Michel Gondry and Naomi Watts are amongst these portraits. “Rolling Stone”, “Spin”, “Q”, “Time Out”, “Les Inrockuptibles”, “Vogue”, “Rockin On Japan”, “Esquire”, “New York Times Magazine”, “Telegraph” and “Observer” Magazines, “Interview” and dozens of others around the world have commissioned him. The last 15 years he’s been a staff photographer at MOJO Magazine producing many covers and features. Most recently photographing Sir Paul McCartney for the cover story of the November 2013 issue. Westenberg’s biggest honour to date arrived in 2012 when he had his first major global museum show. The location was the ‘Kobe Fashion Museum’, one of Japan’s largest museums. The whole museum was dedicated to Westenberg’s works for a 3 month period. Over 70 images were included in a wide range of sizes, styles and presentation. The catalogue produced sold out during the exhibition’s run. The 20-year attendance record for the museum was also broken by the exhibition. black and white photography portrait b&w british...