Oversized Portrait Photography

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of actor Leonardo di Caprio in young age. From personality portraits and advertising ca...

This close-up of a peacock displaying is defined by late dramatic light. Robert Funk is a photographer and New York advertising art director for Print and TV. He was widely publishe...

Juliette Jourdain Big headed series - Self Portrait mounted and framed (matt black) 60 x 48 inches 150 x 120cm edition of 8 Also available in: 4...

Juliette Jourdain Big headed series - Self Portrait mounted and framed (matt black) 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition...

In 1969, Bethesda Fountain on weekends was a gathering place for the radical and hip people of the time. Abbie Hoffman and Jerry Rubin were regulars...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Signed on a label and a certificate of authenticity Black and white portrait of artist Andy Warhol with sunglasses. From personality portraits and advertising campaigns to magazine layouts and fine art work, Greg Gorman has developed a unique style in his profession. His distinctive use of light in his black and white portraits is one of the identifying aspects of a Gorman photograph. Gorman’s strength has been photographing motion picture and music personalities. His work has been used in film advertising and publicity campaigns as well as album and CD covers. Some of the motion picture celebrities that he has photographed include Ben Affleck, Lauren Bacall, Alec Baldwin, Antonio Banderas, Kim Basinger, Marlon Brando, Pierce Brosnan, Kevin Costner, Bette Davis, Robert De Niro, Brad Pitt, Andy Garcia, Sir Anthony Hopkins, Dustin Hoffman, Sophia Loren, Al Pacino, Barbra Streisand, Kiera Knightley, Clive Owen, Jennifer Lopez and John Travolta. In the music field, Mr. Gorman has worked with Elton John, Michael Jackson, David Bowie, Morrissey, John Mayer, Bette Midler, Grace Jones and Frank Zappa to name a few. A partial list of the films that he has generated graphics and publicity for include “The Hurt Locker”, “Pirates of the Caribbean”, “King Arthur”, “Tootsie”, “The Big Chill”, “Bull Durham” and the Key Art Award winner “Pearl Harbor”. Mr. Gorman has lectured and conducted seminars throughout the world including Digital Photographic Workshops at his studio in Mendocino, California. A project for Disney in conjunction with the Travel Association of America, took him on a 45-day shoot across the United States shooting subjects from all 50 states...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

Edition of 3 Also available in 54 x 80 cm / 21 x 31.5 in, Edition of 7, price on request A naked beautiful woman with brown long hair is lying on the green grass high on the cliffs....

"Sexy Scot" by Bob Haswell 28th October 1963: British actor Sean Connery lounges on a sofa with a cigarette. He is in London during filming of the thriller ‘Woman of Straw’ with Gina Lollobrigida. (Photo by Bob Haswell) Sir Sean Connery (born Thomas Connery; 25 August 1930 – 31 October 2020) was a Scottish actor. He was the first actor to portray fictional British secret agent James Bond on film, starring in seven Bond films between 1962 and 1983.[1][2][3] Originating the role in Dr. No, Connery played Bond in six of Eon Productions' entries and made his final appearance in Never Say Never Again. Connery began acting in smaller theatre and television productions until his breakout role as Bond. Although he did not enjoy the off-screen attention the role gave him, the success of the Bond films brought Connery offers from notable directors such as Alfred Hitchcock, Sidney Lumet and John Huston. Their films in which Connery appeared included Marnie (1964), The Hill (1965), Murder on the Orient Express...

Edition of 12 more sizes on request A Portrait of big majestic male lion lying in the sun. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are amo...

Lorenzo Agius (b.1962) Madonna and the Monocle 2005 digital C-Type print 60 x 48 in. / 40 x 30 in. / 24 x 20 in. signed and numbered printed later This wo...

Max by the Fence (29 Palms, CA) Proof Before Printing / 2005 Analog C-Print, hand-printed by the artist from a Polaroid, signed on the front. 128 × 125 cm The white border is for ha...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Untitled (Beachshoot) - 2005 128x125cm, Edition 4/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Signature label and Certifi...

Raphael Macek Music, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. ...

'Max Blue', triptych (The Last Picture Show), 2005, each 38x36cm, 38x122cm installed, Edition 1/5, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Achive Paper, matte...

Snap–15 Minutes of Fame (Wastelands) - 4 pieces, 2003 Edition of 5, 105x100cm each, 220x220cm installed. Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper,...

Edition of 12 More sizes on request Portrait of the Cheetah Imani and one of her cubs. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are among t...

Blondie Blue By BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie BATIK is a London based fine artist and image maker. Certific...

Chet Baker in Concert, 1989 The image captures the renowned American jazz trumpeter, vocalist, and composer Chet Baker during a live performance in 1989. He is shown in a close-up, d...

Horizon (Zuma Beach) - 2004 38x37cm each, 38x121cm installed with 5 cm gaps, Edition of 5, 3 Analog C-Prints, hand printed by the artist, based on the Polaroids. Mounted on Alumi...

This early 1960s lifestyle photograph, captured by society photographer Slim Aarons, features guests of American publisher Hugh Hefner enjoying themselves at a party being held at th...

This late 1960s photograph, captured by society photographer Slim Aarons, features women in colourful hats at an apres ski party in Snowmass Village, in Pitkin County, Colorado, in M...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Signed on a label and a certificate of authenticity Black and white portrait of famous actor Robert de Niro...

Edition 10 more sizes on request This image shows the Orphaned elephant Baby named "Sabachi" in the Orphanage of the David Sheldrick Wildlife Trust in Kenya. Born in Germany in 195...

Kirsten Red Lips 114x142 cm, Edition 1/3, analog C-Print, hand-printed by the artists, based on the Polaroid. Mounted on Aluminum with matte UV-Protection. Certificate and Sign...

"Fleeting Time" This photograph features the boats Courageous, American Eagle, Victory ’83 and Intrepid in the Atlantic Ocean off of Newport, Rhode Island. The nautical print ser...

“People from Ibiza” Kenta first came to visit the magic island of Ibiza as a young man at the age of 18 and fell in love with the diversity of personalities and expressions of freedo...

Badwater (Memories of Green) - 2003 Edition of 5, 4 pieces 119x121cm installed, 58x56cm each. 4 Analog C-Prints, hand-printed by the artist, based on the 4 Polaroids. Signature ...

Road to Gunsight, part of Richard Heeps 'Dream in Colour' Series, this is the classic American open road photograph, which is a metaphor of a journey throughout Richard's work. The e...

Sonhos silenciosas 2023 Silent dreams. A young performer during the Night of the Silent Drums. The Carnaval of Olinda, on the north east coast of Brazil, is a week of high energy and exuberance. Dancers and musicians perform in Blocos that progress slowly through the streets of the beautiful colonial era town. Olinda Pernambuco Brazil James Sparshatt‘s black and white portraits are a search for a connection with a world of emotions. His photographs from the streets of Havana, the milongas of Buenos Aires, the jazz clubs of New Orleans and bars of Andalucia capture the spirit of music in populations wher it is the very lifeblood and expression of life. Matt print direct on to aluminium Edition of 12 Dark wood tray...

The Kiss (Sidewinder) - 2005 125x154cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on the original Polaroid. Signed on verso. Artist Inventory No. 3120.02. Mounted on Aluminum with matte UV-Protection. This piece ships in a crate. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

“People from Ibiza” Kenta first came to visit the magic island of Ibiza as a young man at the age of 18 and fell in love with the diversity of personalities and expressions of freedo...

Edition of 5 Available in different sizes This iconic elephant Primo, was with his 50 years one of the last remaining big boys in Africa with huge tusks. After several days followi...

Richard Heeps photographed the Rockabilly scene in England, Europe and America over seven years culminating in his book, 'Man's Ruin'. 'Miss Shifty' captures the chic vintage fashion...

The Kiss was a self-taken photograph and was part of her solo exhibition in New York at the Art Space Location One, in 2012. The Kiss maps a system uniting two bodies. It is a gestur...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Edition of 20 Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scene often subtly references literature and film. Olivar orig...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features guests by the pool at Nelda Linsk's desert house in Palm Springs, California, January 1970. The ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Dutch dog #2 Pug - Signed limited edition archival pigment print - Edition 2 of 10 A series of four images inspired by the 17th century golden age of Dut...

David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. The location was Duffy’s studio at 151a King Henry’s Road in Primrose Hill, London, which had been the setting for the Ziggy Stardust session the previous August. Duffy had agreed with Tony Defries that his design agency, Duffy Design Concepts, which he ran with Celia Philo, would design the sleeve. Present in Primrose Hill on that January day in 1973 were Duffy, David Bowie, Celia Philo, Tony Defries, French make-up artist Pierre Laroche, and Duffy’s studio manager Francis Newman, who also acted as his assistant that day. Follow-up work on the detailed airbrushing required to create the final artwork was carried out by Philip Castle. What about that lightning bolt flash and the liquid pool? The idea for the lightning bolt came from David Bowie. The realisation of that lighting bolt into the form that appeared on the sleeve was down to Duffy. Its source is believed to be a rice cooker that was in Duffy’s studio – and which had a small logo with a red and blue flash. Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity" became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as "plastic soul", initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; the album's title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla...

James Dean Behind Fence in Giant 1955 by Frank Worth James Dean in thought seated behind a barbed wire fence for his role in the film 'Giant', 1955. James Byron Dean was an Ameri...

Edition of 12 more sizes on request A Portrait of big majestic male lion lying in the sun. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are amo...

Felix with Knife (California Blue Screen) - 1997 114x142cm, Edition 1/3. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature l...

Image size: 70x55 cm 12 Limited Editions + 2 Artist Proofs Platinum Massive Wengé, Passe-Partout + Museum Glass frame size: 110x95 cm Evocative, sensual and voluptuous, Marc Lagrang...

Shelley's '41 Plymouth, a classic American car photograph from Richard Heeps' Man's Ruin series. The California sunlight is stunning creating a beautiful range of colours as the car ...

Rodeo Grounds (Till Death do us Part) - 2010, diptych Edition 1/5. 128x150cm and 128x126cm together 126x286cm including a 10 cm space in between both pieces, Analog C-Print print,...

Ydaco is from the Betammaribe culture in Benin. He lives in a small village in the Atakora mountains. His cheek bones provide the perfect surface for the beautifully intricate scarif...

Ensign Broderick I (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 100x120cm, Edition 3/5. Archival C-Print, based on the Polaroid. Signature label and Cer...

Lone Pine Motel (The last Picture Show) - 2005 128x125cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Mounted on...

Angel and Charlie Brown (Chicks and Chicks and sometimes Cocks) - 2016 100x125cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and ...

Edition of 7 more sizes on request A Portrait of big majestic male lion lying in the sun. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are amon...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Laura Harring and Naomi Watts Mulholland Drive Signed Limited Edition Cannes, 2001 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provoc...

Edition of 7 more sizes on request A Portrait of big majestic male lion lying in the sun. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are amon...

Edition 10 signed on a separate certificate and label Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Portrait of famous singer Iggy Pop in Painter's pants. From personali...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Delilah Right Red Hand, Richard Heeps photograph taken at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he spent 2...