C Print Portrait Photography

Norman Parkinson Actress Maud Adams, Vogue, August, 1964 C print Estate stamped and numbered edition of 21 on verso with certificate of authenticity Norman Parkinson (1913-1990) was...

Classic Americana c-print photograph of a vintage bell hop sign in Noel, MO by Houston, TX artist Amy Blakemore. The photo features a central sign in ...

Norman Parkinson Antonio Lopez draws Jerry Hall 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Antonio Lopez draws model Jerry Hall as she poses with a lif...

Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter in margins, 19" x 16" Sheet. Carol Beckwith (1945-) is an American photographer, author, and artist known for her photojournalism documenting the indigenous tribal cultures of Africa, most notably in partnership with the Australian photographer Angela Fisher. Between them, Beckwith and Fisher have published 14 books, and have had their photos appear in National Geographic, Natural History, African Arts, The Observer Magazine, Time, Life, Vogue, Marie Claire and Elle. They continue to exhibit and lecture at galleries and museums worldwide, including The American Museum of Natural History and The Explorers Club in New York City, The Smithsonian Institution in Washington, DC, and the Royal Geographical Society in London. They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award. Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphy painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai. Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multi layered experiences in a way that a painting is. . . [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior...

Steve McCurry Afghan Girl 1984 (printed later C-print on Fuji Crystal archival paper 24 x 20 inches Signed and dated Steve McCurry has been one of the most iconic voices in contempo...

Norman Parkinson Jerry Hall , 1976 C print 40 x 30 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

Slim Aarons New York Debs 1958 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Leading New York debutante...

Nan Goldin (b. 1953) is unquestionably one of the most influential photographers of the 20th century. Her intimate images emphasize her subject’s individuality, infusing them with d...

Signed limited edition print of English band Blur, posing in front of the graffiti slogan 'Modern Life is Rubbish', the title of their 1993 album. Blur were the kings of Britpop and are from L-R: Damon...

Norman Parkinson Wenda and Ostriches 1951 (printed later) C print 60 x 40 inches Estate stamped and numbered edition of 21 on verso with certificate from the Parkinson estate, print...

The Rolling Stones guitarist, Keith at the microphone at Olympic Studios, Barnes, London England, October, 1966. Signed limited edition, signed and numbered by Bill Wyman and featur...

The Rolling Stones, featuring Keith Richards, Ronnie Wood and Charlie Watts, taken backstage before a show at the Fox Theatre in Atlanta, Georgia. June 12t...

'Last supper' of 13 Michelin-starred Chefs... John Reardon is particularly associated with his portraits of chefs for the Observer Food Monthly (UK) for which this commission based o...

Norman Parkinson Jerry Hall & Antonio Lopez at Dunn's River Falls 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Antonio Lopez is photographed filming Jerr...

Norman Parkinson Jerry Hall , 1976 C print 24 x 20 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978 for the back cover of her album, Lionheart. Gered recalls, "The cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978 for the back cover of her album, Lionheart. Gered recalls, "The cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey...

Polo Prince 1985 C print 12 x 12 inches Estate stamped and numbered edition of 150 with Certificate of authenticity August 1985, Charles, Prince of Wales, after playing polo for th...

Cappelle Medicee, 2008 C print Edition of 5 Available in 3 sizes 100 x 120 cm (40 x 47 inches) Edition of 5 120 x 150 cm (47 x 59 inches ) Edition of 5 180 x 225 cm (71 x 88.5 in...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978. Kate Bush has seen a huge resurgence...

Pussy Footing 1958, Printed Later C print 16 x 16 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Caption: Actress Dee Hartf...

Signed limited edition print of Chris Cornell by Jake Chessum. Jake recalls the session: ” This was a brief and friendly shoot at the Toronto Internatio...

Artist: Desiree Dolron Title: Xteriors XVIII Year: 2018 Medium: Chromogenic print (c-print) in artists frame Edition: 10; signed, titled, dated and numbered in ink on a label affixed...

Norman Parkinson Her Royal Highness Princess Anne, The Princess Royal 1971 C print 20 x 16 inches Estate stamped and numbered edition of 21 on verso Her Royal Highness Princess Ann...

Norman Parkinson Jerry Hall , 1976 C print 16 x 12 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

His Royal Highness Prince William 2015 C print Signed and numbered edition of 25 His Royal Highness Prince William, the Duke of Cambridge, photographed in ceremonial dress in London, June 2015. Greg Brennan...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Norman Parkinson Wenda and Ostriches 1951 (printed later) C print 20 x 16 inches Estate stamped and numbered edition of 21 on verso with certificate of authenticity from the Norman ...

Biblioteca St. Emmeram III, Regensburg, Germania 2016 C print signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject...

Duchess of Devonshire 1952 Silver gelatin print 24 x 20 inches Estate stamped and numbered edition of 21 on verso Deborah Cavendish, the Duchess of Devonshire and her two children;...

20 x 24 in (50.8 x 60.9 cm) Digital C-Type Print Edition 13 and 14 of 50 Price does not include tax.

Norman Parkinson Audrey Hepburn with Flowers 1955 40 x 30 inches Estate stamped and numbered on verso Norman Parkinson, born in 1913 and passing in 1990, was an icon in the realm ...

Norman Parkinson Her Royal Highness, Princess Anne 1971 C print 36 x 36 inches Estate stamped and numbered edition of 21 on verso Her Royal Highness Princess Anne, The Princess Roy...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

20th Anniversary Limited Edition Diamond Dust Print From the photoshoot of the 2003 album Dangerously in Love Diamond Dust - Beyonce, Dangerously in Love (Back) All available sizes...

Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out her fan mail shortly after her film 'The Asphalt Jungle' had been rele...

Woman at a Horse Festival, Tagong, Tibet, 1999 - Steve McCurry Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print 20 x 24 inch pap...

The Royal Family 1980's C print Estate stamped and numbered edition of 21 on verso A portrait of members of the British royal family; L-R: HR...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Palazzo d'Avalos I, Napoli, 2016 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Framing o...

Debbie Harry photograph by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 16 x 20 inches. Signed, titled & numbered from an edition of 20. Obtained directly from the artist. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were most recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). "The Foreigner" is a testament to the "punk" sensibility as manifested at CBGB during this time; the streets and lofts of SoHo and the Lower East Side art scene. Related Categories Deborah Harry...

This photograph by Jack Pierson is offered by CLAMP in New York City. Artist signature stamp in black ink, verso; Also dated 2018, verso

Braccio Nuovo, Musei Vaticani I, 2011 C print edition of 5 39.5 x 47 inches Edition of 5 47.5 × 59 inches Edition of 5 71 x 88.75 inches Edition of 5 framing options also avai...

Braccio Nuovo, Musei Vaticani I, 2011 C print edition of 5 39.5 x 47 inches Edition of 5 47.5 × 59 inches Edition of 5 71 x 88.75 inches Edition of 5 framing options also avai...

ALBERT WATSON (*1942, Scotland) Running Man, L’Uomo Vogue, San Francisco 1992/2015 Chromogenic print from a polaroid positive face mounted to acrylic (Diase...

Massimo Listri Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fa...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

This is a portrait photograph by Slava Mogutin offered by CLAMP in New York City. Edition of 4

Norman Parkinson Prince Charles Investiture 1969 (printed later) C print 20 x 16 inches Estate stamped and numbered edition of 21 on verso Member of the British Royal Family...

Capucine 1957 Fiber print 30 x 20 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006) worked mainly f...

Biblioteca St. Emmeram III, Regensburg, Germania 2016 C print signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

Massimo Listri Palazzo Grimani II, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 ...

Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out her fan mail shortly after her film 'The Asphalt Jungle' had been released. Estate stamped a...

Massimo Listri Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fa...

Palazzo d'Avalos I, Napoli, 2016 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Framing o...

Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches framing op...

Signed on label, verso Vintage chromogenic print This work is offered by CLAMP in New York City.

Signed on label, verso Vintage chromogenic print This work is offered by CLAMP in New York City.