C Print Portrait Photography

Her Roots Small C Print On Fuji Paper Collection: Flower Evolution One size: 38.5 x 60 Edition of 6 + 2 Artist Proofs, 7 left "FLOWER EVOLUTION The most highly coveted of ornament...

Soil Flower Evolution Collection 44.5 x 40.5 in, 8 + 2 Artist Proofs, 10 left 62.2 x 56.7 in, 3 + 2 Artist Proofs, 5 left C-print on Fuji Paper 2021 Cecilia studied Social Studies ...

THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isabelle van Zeijl has turned her eye on 400 million flowers destroyed during quarantine. Using flowers salvaged from her local growers, Va...

Revive Portrait C-print on Fuji Paper Collection: THE REBIRTH OF THE DUTCH FLOWER One size: 44.5 x 40.5 Edition of 8 + 2 Artist Proofs THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isa...

Revive C-print on Fuji Paper Collection: THE REBIRTH OF THE DUTCH FLOWER One size: 62.2 x 56.7 Edition of 8 + 2 Artist Proofs THE REBIRTH OF THE DUTCH FLOWER COLLECTION Isabelle van...

Love Me Tender C-print on Fuji Paper Collection: FLOWER LOVE Available Sizes 40.5 x 30.3 Edition of 8 + 2 Artist Proofs, 9 left 28.7 x 21.6 Edition of 6 + 2 Artist Proofs, 8 left FL...

Higher Love C-print on Fuji Paper Collection: FLOWER LOVE One size: 40.5 x 40.5 Edition of 8 + 2 Artist Proofs FLOWER LOVE Roses warm you heart, they inspire us to nurture and take ...

Braccio Nuovo, Musei Vaticani I, 2011 100X120, 120X150, 180X225 39.40x47.28 47.28x59.10 70.92x88.65 edition of 5 each The photographer is based in Florence, and is fascinated how...

Massimo Listri Palazzo Grimani II, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 ...

Lola Albrights Penthouse, 1960 C print 20 x 16 inches Estate signature stamped and hand numbered edition of 150 American singer and actress Lola Albright (1924 - 2017) at Richard La...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Pussy Footing 1958, Printed Later C print 16 x 16 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Caption: Actress Dee Hartf...

Norman Parkinson Jerry Hall in Feathered Dior 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Jerry Hall is photographed wearing a one-shouldered satin colu...

Audrey Hepburn in the Pool 1966 (printed later) C-print 16 x 20 inches signed and numbered edition of 50 Actress Audrey Hepburn, swimming in the South of France during the filming ...

Anne Sager (American, 1930-2024), "The Eye of Eisenstaedt", Black and White Photograph Collage, depicting the eye of Alfred Eisenstaedt (American, 1898-1995) in repetition, signed lo...

Norman Parkinson Antonio Lopez draws Jerry Hall 1975 C print Estate stamped and numbered edition of 21 on verso Caption: Antonio Lopez draws model Jerry Hall as she poses with a lif...

Norman Parkinson Jerry Hall , 1976 C print 40 x 30 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

Archivio delle Indie II, Siviglia, 1990 C print 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 The photographer is based in Florence...

Norman Parkinson Jerry Hall , 1976 C print 24 x 20 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

Polo Prince 1985 C print 12 x 12 inches Estate stamped and numbered edition of 150 with Certificate of authenticity August 1985, Charles, Prince of Wales, after playing polo for th...

Slim Aarons New York Debs 1958 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Leading New York debutante...

Upon closer inspection of this work, one notices the intimation of a mask being present over the figure’s face, as well as patches over the eyes. Here Dou subtly examines notions of ...

Archivio delle Indie II, Siviglia 1990 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Fra...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

His Royal Highness Prince William 2015 C print Signed and numbered edition of 25 His Royal Highness Prince William, the Duke of Cambridge, photographed in ceremonial dress in London, June 2015. Greg Brennan...

Palazzo d'Avalos I, Napoli, 2016 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Framing o...

Massimo Listri Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fa...

Signed limited edition print of Devo photographed outside Chili Dog Mac restaurant in Akron, Ohio on August 14, 1978 by Janet Macoska 16x20" signed limited edition, number 6/25 Ava...

Massimo Listri Palazzo Grimani II, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 ...

Norman Parkinson Wenda and Ostriches 1951 (printed later) C print 60 x 40 inches Estate stamped and numbered edition of 21 on verso with certificate from the Parkinson estate, print...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

This Oleg Dou work is a 63 x 47 inch digitally rendered C-print which has been face mounted on acrylic. It was printed in 2015, and is one of eight editions. Dou’s use of metaphor an...

Alina Karo "Secret 3" Photography 47" x 40" inch Edition 1/3 by Alia Karo Secret 3 Aluminum 47” x 40” Edition 1/3 Comes with COA VOLLIPSIS series by Alina Karo The title of th...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Twice Blessed, Princess Laudomia Hercolani, 1960 Chromogenic print 24 x 20 inches state signature stamped edition of 150 with certificate of authenticity 1960: Framed in a rustic wi...

Listing is for FRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Norman Parkinson Her Royal Highness, Princess Anne 1971 C print 36 x 36 inches Estate stamped and numbered edition of 21 on verso Her Royal Highness Princess Anne, The Princess Roy...

Biblioteca St. Emmeram III, Regensburg, Germania, 2016 C print 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 The photographer is ba...

Slim Aarons Tania Mallet, 1961 C print Estate stamped and numbered edition of 150 with certificate of authenticity 1961: Actress Tania Mallet relaxes on a red-curtained four poster...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

New Release - October 2023 "Bowie, The Descent- Album Version, New York, 2001" Museum quality fine art print of David Bowie by photographer Markus Klinko, from his celebrated collection "Bowie Unseen". This shot of David Bowie is...

Cappelle Medicee, 2008 C print Edition of 5 Available in 3 sizes 100 x 120 cm (40 x 47 inches) Edition of 5 120 x 150 cm (47 x 59 inches ) Edition of 5 180 x 225 cm (71 x 88.5 in...

Hammond in Cardin, 1962 C print British model Celia Hammond wearing a pink coat by French fashion designer Pierre Cardin for Queen magazine, February 1962 C print Estate stamped a...

Norman Parkinson Audrey Hepburn with Flowers 1955 40 x 30 inches Estate stamped and numbered on verso Norman Parkinson, born in 1913 and passing in 1990, was an icon in the realm ...

Biblioteca St. Emmeram III, Regensburg, Germania 2016 C print signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject...

Massimo Listri Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fa...

Braccio Nuovo, Musei Vaticani I, 2011 C print edition of 5 39.5 x 47 inches Edition of 5 47.5 × 59 inches Edition of 5 71 x 88.75 inches Edition of 5 framing options also avai...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

Massimo Listri Palazzo Grimani II, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 ...

Capucine 1957 Fiber print 30 x 20 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (1916-2006) worked mainly f...

Braccio Nuovo, Musei Vaticani I, 2011 C print edition of 5 39.5 x 47 inches Edition of 5 47.5 × 59 inches Edition of 5 71 x 88.75 inches Edition of 5 framing options also avai...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

Palazzo d'Avalos I, Napoli, 2016 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Framing o...

ALBERT WATSON (*1942, Scotland) Running Man, L’Uomo Vogue, San Francisco 1992/2015 Chromogenic print from a polaroid positive face mounted to acrylic (Diase...

This photograph by Jack Pierson is offered by CLAMP in New York City. Artist signature stamp in black ink, verso; Also dated 2018, verso

Slim Aarons - Hotel Du Cap-Eden-Roc - Estate Stamped Limited Edition Estate Stamped Print (edition size 1/150). Guests standing by a white Rolls-Royce convertible courtesy car at th...