Silver Gelatin Portrait Photography

Albert WATSON (*1942, Scotland) Maria Von Hartz, New York City, 1986 1996 Silver gelatin print Image 61 x 51 cm (24 x 20 1/8 in.) Edition of 10, plus 2 AP Print Only Albert Watson...

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man's Ruin' and an edition of thi...

Marc Bolan of T Rex at Le Chateux recording studio France 1972 Large Oversize limited edition (ed size 20 only this size) and signed silver gelatin print....

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Kate #11, 2002 by Leonard Freed is a signed verso (back of photo) 8" x 10" black and white photograph, hand printed, signed by the photographer and stamped "vintage" by the Freed est...

Burt Glinn photographed the 1950s Hollywood actress and star Katharine Hepburn during the filming of Tennessee William's "Suddenly Last Summer." The iconic Hepburn is captured joking...

Marc LACROIX (1927-2007) Dali in Toreador Costume, 1971 Original silver print photograph Signed in ink Numbered on 99 copies On silver print paper 57 x 47 cm (c. 22.4 x 18.5 inch) ...

Gelatin silver print Signed in pencil, verso 16 x 20 inches, sheet size 14 x 18.25 inches, image size This artwork is offered by ClampArt, located in New York City. Lillian Bassma...

Albert WATSON (*1942, Scotland) Cecilia Chancellor, New York City, 1984 1984 Silver gelatin print Image 61 x 51 cm (24 x 20 1/8 in.) Edition of 10, plus 2 AP Print only Albert Wat...

Parry Lodge, photograph from Richard Heeps' Dream in Colour series. This roadside America sign has a cinematic style, take in Kanab, and area used as Western movie...

Marilyn Monroe Vintage press photo. Photographer Eve Arnold for Magnum Photos. 1962 printed later. (I believe in the early 80's) Eve Arnold, OBE...

Tony Shafrazi had represented Keith Haring until the artist’s death in 1990. Shafrazi said of his first time ever entering The Factory in 1965, “I remember putting down my suitcase and looking out the window and seeing some people on the fire escape across the street. I realized that it was Andy Warhol’s Factory. So I went up to the Factory, and I remember Andy coming to the elevator and seeing me dressed up in this little mod, shiny, mohair suit...

'Glamour Cabs', photography by Richard Heeps, taken at the glamorous retro event Goodwood Revival. It perfectly captures elegant feminine sophistication with a vintage vibe, a nod to...

The Beatles were an English rock band formed in Liverpool in 1960. With a line-up comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, they are regarded as the mo...

Jersey Girls Magenta, photograph from Richard Heeps Jersey Shore series. Vintage matchbooks from New York's Chelsea Flea Market featuring nudes from the 1940's are reimagined by Rich...

David Bailey Jean Shrimpton (Box of Pinups), 1965 - printed 2009 Silver Gelatin Signed by the artist, on verso Accompanied by a COA 65 x 51 cm - sheet 90 x 90 cm - framed edition of 30

Jersey Girls Gold, from Richard Heeps Jersey Shore series. Vintage matchbooks from the Chelsea flea market featuring nudes from the 1940's are reimag...

Marilyn Monroe, New York, 1954 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed late...

Johnny Weissmuller, 1932 - Cecil Beaton (Fashion Portrait Photography) Signed on front of mount Stamped with photographer's studio ink stamp on rev...

Gary Cooper, 1931 - Cecil Beaton (Portrait Photography) Signed in pencil on mount Stamped with photographer's studio ink stamp on reverse of mount Silver g...

A moment of joy on the dancefloor at the Festival Acadiens et Creoles in 2019 in Lafayette, Louisiana. A joyous connection! Lafayette Louisiana, USA 2019 James Sparshatt‘s black a...

This series of portraits were shot by Richard Heeps whilst he was studying Photography in Northwich. They beautifully capture a time of life. Here they have been compiled together fo...

Gelatin silver print Signed and numbered, verso 14 x 11 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. In Close Relations, noted p...

Marianne Faithfull is photographed at Decca Studios in London, 1964. Faithful was discovered by the manager of the Rolling Stones Andrew Loog Oldham and became one of the lead female...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, and the USSR in the 1960s.In the invitation to an exhibition of her works in 2003, one reads: "Hanna Seidel, observing the world through her camera lens, could capture everyday situtations in a unique manner."A touring exhibition containing 100 selected photographs entitled "From Rio Grande to Cape Horn" was organised by the Commerzbank and Lufthansa in 1965 and had its opening in the Cologne branch of the bank, Unter Sachsenhausen. At the time, the press described the works as being of "enchanting beauty and dignity."The exhibition of 1965 was curated by Hanna Seidel. Vintageprints offered for collectors come from this selection, each work is unique and exists only once, created as a unique print for the exhibition. Title: Panama, Ship...

Sir Cecil Beaton (1904-1980) is considered one of the most important society photographers of the 20th century. His brilliant portraits of world-famous personalities from the worlds ...

Jersey Girls Yellow, from Richard Heeps Jersey Shore series. Vintage matchbooks from the Chelsea flea market featuring nudes from the 1940's are reim...

11 x 14" vintage silver gelatin photograph of dancer and choreographer Peter Martins, 1983. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Richard Beland 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x ...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Richard Beland 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x ...

Catherine D'Lish, Tease-o-Rama, photograph capturing her champagne coupe Burlesque performance in Hollywood. Richard Heeps became well-known for his Burlesque photography as he captu...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Anne St. Marie, Pushing Man in Cab, 1958 - Jerry Schatzberg Signed on reverse Silver gelatin print 8 x 10 inches, edition of 25 + 5 APs - $3,000 11 x 14 inches, edition of 25 + 5 APs...

REGGIE KRAY & GRANDFATHER JIMMY ‘CANNONBALL’ LEE – LONDON 1967 signed limited edition silver gelatin print Reggie Kray of the London gangster duo the Krays twins - shot by Duffy sparring with his Grandad – The infamous bare-knuckle boxer Jimmy ‘Cannonball’ Lee in London’s East End 1967. AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ARCHIVE TIMELINE 2008 The Duffy Archive was established by Chris Duffy. 2009 BBC Documentary “The Man Who Shot The Sixties” One hour documentary on Duffy’s life and work. First exhibition at Chris Beetles Gallery Mayfair, London (now Beetles & Huxley)* See Exhibits page for full list of exhibition since 2009
 2010 Duffy passed away 31st May 2010 2011 Publication of first monograph “Duffy Photographer” Published by ACC Editions features over 160 iconic images from the 1950s, 1960s and 1970s and in 2011 the V&A Museum London requested Duffy prints for their permanent collection.
 2012 Solo Exhibitions and contributions in Italy, Paris, Amsterdam, Spain, San Francisco, Los Angeles, New York, London and Australia. See Exhibitions section for more exhibits. 2013 David Bowie Is launched at the V&A Museum with Aladdin Sane as the lead image. Also named as one of one hundred ‘most influential photographers of all time’ by the British Journal of Photography. See Exhibitions section for more exhibits. 2014 Publication of Duffy / Bowie – “Five Sessions” Published by ACC Editions. Publication of French Elle – “In The Eyes of Brian Duffy” – Published in French by Glenat. David Bowie Is V&A Exhibition goes on tour to: Sao Paulo, Berlin and Chicago. See Exhibitions section for more exhibits. 2015 David Bowie 'Is' continues to tour Paris, Australia and the Netherlands.
 See Exhibitions section for more exhibits. 2016 David Bowie 'Is' continues to tour Italy and Japan. See Exhibitions section for more exhibits. 2017 David Bowie 'Is' reaches Barcelona. The Archive also contributed to Holden Luntz Gallery...

Signed limited edition silver gelatin print of Diana Ross, taken by Barrie Wentzell in 1975. This Diana Ross print is available in the following sizes. 16...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Schiaparelli Model, Paris, c.1936 - Cecil Beaton (Fashion Portrait Photography) Inscribed 'Paris model' and 'Schiaparelli' in unknown hand and stamped with photographer's and Sotheby...

Delilah Right Red Hand, Richard Heeps photograph taken at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he spent 2...

Portrait of a seated elderly man by Imogen Cunningham (American, 1883). Presented in a new white mat with black accent. Tag from the studio of Imogen Cunningham affixed to verso of m...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of President John F. Kennedy. Her popularity as First Lady was due to her devotion to historical preservation of the White House, her fashion sense, and her devotion to her children, which endeared her to the American public. During her lifetime, Jackie was regarded as an international fashion icon. Her ensemble of a pink Chanel suit and matching pillbox hat that she wore in Dallas, Texas, when the president was assassinated on November 22, 1963, has become a symbol of her husband's death. (wikipedia) Description: Jacky Onassis, new...

'Glamour Cabs', photography by Richard Heeps, taken at the glamorous retro event Goodwood Revival. It perfectly captures elegant feminine sophistication with a vintage vibe, a nod to...

Catherine D'Lish in Champagne Coupe, Richard Heeps photograph taken at the American Hollywood Burlesque event Tease-O-Rama. This artwork is a limited edition of 25, gloss photograph...

A classic, stunning shot of the Red Hot Chili Peppers in 1985 by celebrated photographer, Ebet Roberts. Signed limited edition, hand printed sil...

Resting Hot Rod, from Richard Heeps 'Man's Ruin' Series, taken in Bakersfield, California two years after, he photographed Wendy Resting, they make a great pair. This artwork is a l...

Miss Sparky by Baron Wolman, taken in Los Angeles in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition number 2/150, signed and noted by Bar...

Merle Oberon, 1934 - Cecil Beaton (Fashion Portrait Photography) Inscribed 'Merle Oberon' in unknown hand and stamped with photographer's and Sotheby's Ce...

Kate #13, is from the Kate series, 2002 by American photographer Leonard Freed. This is a signed, 16" x 20" black and white photograph (gelatin silver), stamped/authenticated "vintage" on verso (back of photo) by the Freed estate. A photographer herself, model and yogini Kate remains complicit in striking dramatic nude poses for Freed. In this image Kate remains theatrical on a hilltop cliff above the sea. Her body shape and form blend with the lines and angles of the setting. Freed captures both playfulness and sensuality of a self-possessed woman. The photo series Kate became a welcome reprieve for Freed who during a long photo...

For a portrait of a woman in Leopard Bikini by Roberta Fineberg, the photographer focuses in on a subject, a woman with long fingernails, a sun-tanned t...

This 1986 black and white photograph was shot by British celebrity and fashion photographer, John Stoddart, captures Oscar-winning actress Tilda Swinton,...

Brigitte Bardot with cigarette in hand by photographer Michael Ochs, originally taken in 1962. (Michael Ochs Archives/Getty Images) As an authorized Getty Images Gallery partner, we...

Jimi Hendrix, London 1967 by Gered Mankowitz taken during Gered's first phot shoot with Hendrix. Signed limited edition 16x20" print, signed and numbered by Gered Mankowitz featuri...

Signed limited edition, silver print of Bob Marley, taken in the recording studio during the "I Can See Clearly Now" sessions with Johnny Nash, 1972 Alec Byrne...

11 x 14" vintage silver gelatin photograph of photographer Richard Avedon planning his Marlborough Gallery exhibition in 1975. Signed by Jack Mitchell on the print verso. Comes direc...

Marianne Faithfull poses during a photoshoot in London in 1966. Faithful was discovered by the manager of the Rolling Stones Andrew Loog Oldham and became one of the lead female arti...

Sean Connery – County Wicklow, Ireland, 1973 David Steen recalls: “Sean looked like a killer that day, all dressed in black, the sort of bad boy you’d see in an old western movie, you could just imagine him on the back of a horse being chased by others. I lit this photograph with a torch, I had someone stand on a chair and point it down onto his face, I needed to maintain the mood of the snooker hall, so flash was out of the question.” Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 44 x 31 " / 111 x 78 cm Limited to 20 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: sir thomas sean connery, 007, james bond, scottish, actor, producer, 1973, 70s, 1970s, the seventies, film star, legend, famous, fame, movies, hollywood, sex symbol, the untouchables, marnie, the name of the rose...

Vintage gelatin silver print Signed and dated twice, verso Also inscribed in black ink, verso Various studio stamps and printing instructions, verso This artwork is offered by Clam...

A photograph by Lawrence Schiller. “Barbra Streisand (fur hat)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

This gelatin silver print was created by American photographer Christopher Makos. Makos is well known for his relationships with icons like Andy Warhol, Tennessee Williams, and John ...