Silver Gelatin Portrait Photography

Slim Aarons Gretchen Van de Kamp Ward In Gustave Tassell 1960 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity Model Gr...

Stevie Ray Vaughan and Buddy Guy taken by photographer, Ebet Roberts in Austin TX 1983 Signed limited edition, hand printed silver gelatin print. ...

Willie Nelson at The Palladium in NYC on December 11, 1980 by Ebet Roberts. Signed limited edition, hand printed silver gelatin print. Ebet Roberts began her career in 1977 when sh...

Kate #13, is from the Kate series, 2002 by American photographer Leonard Freed. This is a signed, 16" x 20" black and white photograph (gelatin silver), stamped/authenticated "vintag...

The GTO's by Baron Wolman, taken in San Francisco in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition number 6/150, signed and noted by Baron Wolman 11x14” hand printed silver gelatin print. The GTOs (Girls Together Outrageously) were an all-girl group from the Los Angeles area, specifically the Sunset Strip scene. Featuring Miss Pamela...

lifetime edition silver gelatin fine art archival print 72 x 48 in. (paper size) edition 10 of 50 signed and numbered Notes: Dean Martin prepares to go on...

A young woman at a popular cafe-bar in the Marais in Paris is the subject of Heartbreak, 1990 by Roberta Fineberg. As most young women do in Paris, they lose their hearts at cafes, i...

A moment of joy on the dancefloor at the Festival Acadiens et Creoles in 2019 in Lafayette, Louisiana. A joyous connection! Lafayette Louisiana, USA 2019 James Sparshatt‘s black a...

Slim Aarons Inga Lindgren And Poodles 1956 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity Swedish model Inga Lindgren...

Miss Sparky by Baron Wolman, taken in Los Angeles in 1968 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition number 2/150, signed and noted by Bar...

Framed, 20x24" signed lifetime edition print by Terry O'Neill of Bruce Springsteen taken in Los Angeles in 1975, walking down Sunset Strip. Springsteen was in Los Angeles promoting t...

Karen Seltenrich by Baron Wolman, taken in San Francisco in 1970 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition number 14/150, signed and note...

Allen Ginsberg. Heroic Portrait of Jack Kerouac, New York City, 1953. Signed in ink with text by Allen Ginsberg on print recto, 1995. Printed by Sid Kaplan 1994.

Framed, 20x24" signed lifetime edition print by Terry O'Neill of David Bowie taken in Los Angeles in 1975 on the set of “The Man Who Fell To Earth” Signed limited edition number 2/5...

Paul Rowland- He is the one, that everybody knows about, Paul Rowland. A genius in the modeling industry, president of Ford Models New York, owner of Women Model Management & Supreme Management and photographer. Paul Rowland has more, than 20 years experiences in the industry. Paul Rowland was born in Arkansas in the USA. He left his home town and moved to New York City with the dream to become a painter. Not long after this he founded Women Management and Supreme Models. Paul Rowland founded Women Management in 1989. In his more than 15 years of professional experience, he has made transformation from model to founder of his own agency, and is credited for establishing a unique roster of talent known for personality and accessibility previously unseen in the business. He participated in the exhibition at Art Basel in 2008 In Fashion Photo features an exclusive collection of more than 250 contemporary works of photographic art by more than 35 of the world‟s leading icons in fashion photography. Representing more than 15 countries in five continents, some of the most globally esteemed names from the fashion photo world exhibited their work, including Slim Aarons, Miles Aldridge, Olivia Beasley, Michael Dweck, Arthur Elgort, Charles Frèger, Erwan Frotin, Alice Hawkins, Steve Hiett...

A confiança 2023 Amidst the joyful exuberance of Brazilian carnival a moment of calm reflection and an image of youthful hope for the future. The Carna...

"Portrait of MiKyoung with Camera" - Silver Gelatin Photograph - Edition (5) Dramatic black and white portrait of a woman by Dale Sparage (American, b. 1954). A woman named MiKyoung is standing, wearing a dark dress and furry hat. She is holding two bird of paradise flowers and looking directly at the camera. Off to the left, there is a vintage camera at the edge of the frame. Artist's information on verso. Presented in a white mat and a black aluminum frame. Frame size: 20.5"H x 16.25"W Image size: 9"H x 9"W Dale Sparage (American, b. 1954) is a photographer and artist from Detroit, Michigan. She completed her BFA with honors from York University in Canada, and an MFA in painting from Wayne State University in Detroit Michigan. She has taught at the College for Creative Studies in Detroit, University of Michigan, and The School for Visual Arts at the Toledo Museum of Art. She is currently working on an MFA in Photography at Academy of Art University in San Francisco. Her ongoing work on photographing women...

Framed, 20x24" signed lifetime edition print by Terry O'Neill of David Bowie with William Burroughs, taken for an interview published at Rolling Stone magazine in February 28, 1974. ...

From Richard Heeps 'Man's Ruin' Series, this contemporary portrait is part of a sequence of artworks 'Wendy Flaming Eyeball', 'Wendy Resting' & 'Oldsmobile and Sinful Barbie's' shot ...

A moment of calm amongst busy patterns and fabrics. Resting before it all comes to life. The Carnaval of Olinda, on the north east coast of Brazil, is a week of high energy and exub...

Waiting for the drums The anticipation of the next beat, the next dance, when everything comes alive. The Carnaval of Olinda, on the north east coast of Brazil...

Saudade Lost in the moment. Saudade is an emotional state of profound longing for a beloved yet absent something or someone. The Carnaval of Olinda, on the north east coast of Bra...

Last Man Standing Creating his own dancefloor. As much a part of the show as he is the audience. The Carnaval of Olinda, on the north east coast of Braz...

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

S. Vincent Dillard Blind Beggar - Broadway & 34th St., New York City, 1992 Gelatin silver print 11 x 14 inches (27.9 x 35.6 cm)

S. Vincent Dillard Wading Pool Girl - Greenwich Village, New York City, 1968 Gelatin Silver Print 11 x 14 inches (27.9 x 35.6 cm)

Artist: Fritz Henle Title: Frida Kahlo in her Studio Medium: Original Silver Gelatin Photograph, (produced from film) Edition Size: 7/25 Year of Work: 1936 Dimensions: 14 x 14" Frame...

Printed later. Signed on the back of the print with date in pencil. Camera Obscura label on back of mat. Overmatted to 20 x 16 inches so frame-ready. Provenance: Camera Obscura Galle...

Printed later. Signed on the back of the print with date in pencil. Camera Obscura label on back of mat. Overmatted to 18 x 22". Provenance Camera Obscura Gallery (Denver) 1980s to p...

Artist: Fritz Henle Title: Frida Kahlo Holding Her Shawl Medium: Original Silver Gelatin Photograph Edition Size: 25 Signature: Estate Stamped on Back Year of Work: 1936 Dimensions: ...

Slim Aarons Paola Mussetti, 1982 C print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Norina Pisciotto poses at the v...

Artist: Fritz Henle Title: Frida Kahlo in her Rebozo Medium: Original Silver Gelatin Photograph Edition: 16/25 Signature: Estate Stamped on Back Year of Work: 1936 Dimensions: 14 x 1...

Artist: Fritz Henle Title: Frida Kahlo at the Pond Medium: Silver Gelatin Film Photograph Edition Size: 12/25 Year of Work: 1936 Dimensions: Framed 14 x 14, Unframed 9.5 x 9.5

Artist: Fritz Henle Title: Nievis Medium: Silver Gelatin Print from film Edition: 19/25 Year: 1943 Size: 14" x 14" Framed, 9.5" x 9.5" Unframed Provenance: Direct from the Henle Fa...

Naples #287 by Jed Fielding is a silver gelatin print. This photograph depicts a baby face looking at the viewer with a woman on the phone passing in the bac...

Artist: Fritz Henle Title: Frida in her Studio Medium: Original Silver Gelatin Photograph Edition Size: 11/25 Year of Work: 1943 Signerd: Estate Stamped on Verso Dimensions: 14 x 14"...

Debbie Harry photograph New York, 1976 by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1976, photographed on the set of "Unmade Beds" by celebrated New York underg...

Available in: - Edition of 5 + 1 AP, 125x104 cm - Edition of 6 + 1 AP, 77x64 cm - Edition of 10 + 1 AP, 60 x 50 cm Meida and Bona are twins which you find very seldom among the Hama...

Kurt Markus, Christy Turlington, 1994. gelatin silver print Signed print recto.

Edition of 60 Signed and numbered in pencil on print verso. Harold “Doc” Edgerton was born in 1903, in Fremont, Nebraska. During his summers as a teenager, he worked in his uncle’s ...

11x14” Limited Edition of 50 Signed by the photographer Please allow extra production time. Other sizes available.

Slim Aarons Gretchen Van de Kamp Ward In Gustave Tassell 1960 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity Model Gr...

Printed by artist in 1987 Excellent Condition

Available in: - Edition of 5 + 1 AP, 125x104 cm - Edition of 6 + 1 AP, 77x64 cm - Edition of 10 + 1 AP, 60 x 50 cm "This picture was taken in a village of the Suri tribe mountain range near the border to South Sudan. When I asked this young mother if...

Edition of 150. Mick Jagger with his beloved Aston Martin DB6, outside his London apartment in 1966 by Gered Mankowitz. "I shot a series of photographs of each member of the band a...

This portrait of Helmut Newton was taken in 1995 during a TV Special on Helmut Newton with Télé Monte-Carlo (in the Principality of Monaco at...

Vintage Silver Gelatin Print. Title, date and signature on mat margin 1980 stamp in black ink twice on mount verso

Burt Glinn’s black-and-white photograph of Robert Kennedy (RFK) documents a day-in-the-life euphoric moment from Robert Fitzgerald Kennedy’s (RFK) Campa...

Mint Condition silver gelatin photography printed by Bert Stern. Stamped on verso. Vogue 1962

Bruce Springsteen by Barry Schneier, Harvard Square Theatre, Cambridge, MA, 1974. Signed printers proof, silver gelatin print. Printers proof number 1/3 This printers proof print is one of only two remaining prints in this size. The original edition is completely sold out, as are the three artist proof prints. Once this print sells, the price on the last remaining printers proof print will increase, and once that sells, there will be no more prints available. In May of 1974, Bruce Springsteen performed a show that is considered to be a watershed moment in his career. Having released two albums to date with minimal sales success, he was in danger of being dropped by his record label. Barry Schneier, having seen Bruce Springsteen perform locally in Cambridge, Massachusetts, suggested to concert promoters, Windowpane Productions, they consider booking him for a show. This chance encounter would lead to Bruce and the E Street Band opening for Bonnie Raitt...

Signed limited edition silver gelatin print of British singer Ian Curtis performing with Joy Division at the Futurama One Festival at the Queen's Hall, Leeds, 8th September 1979. The...

Twiggy wearing Cardin with wine, break and a television monitor. Twiggy - Paris Collection Vogue 1967 Printed by Bert Stern Printed 1985 Stamped and signed on verso

Sometimes referred to as Marilyn with Pearls or Marilyn Laughing into Camera. Taken with 35mm hence the format, image size smaller. Printed on 16x20 paper. Signed on front in pen. T...

Printed by Bert Stern Signed and titled on verso in pen 1989

Taken 1961 possible 1962. Printed 1988 Signed and stamped on verso. Story told to me by his friend – “The jacket is on backwards because Mr. Stern was having issues getting the ligh...

Rare portrait of Ray Charles. Signed, Title and Date and stamped on Verso For Vogue 1969

Limited Edition Series. Black and White Photography by Cuban Photographer René Peña, Self Portrait René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography, first by handling interiors and domestic situations in modern-day Cuba and later making studies of his own body in aspects such as negritude, sexual ambiguity and the influence of consumerism through self-portraits. He conceives his series on the basis of a conceptual, formal and structurally different analysis of all the parameters established up to the present, going from a brutal expressionism to a distinct homoeroticism, with strong mystic elements, trends from experimental painting, and a certain theatrical dramatization. He has had important solo shows and participated in group exhibitions in Cuba, the United States, Venezuela, Canada, France and Germany. His work is part of important collections, not only national but also at world level, such as the National Museum of Fine Arts, Cuba; the Ludwig Foundation of Cuba; Reinhard Schultz Collection, Germany; photographic archive Tuscany, Italy; Southeast Museum of Photography, Daytona, USA; Houston Museum of Fine Arts, Houston, Texas, USA; collection of the province of Hainuat, Belgium; and Lehigh University Pennsylvania...

Frida Biting Her Necklace by Lucienne Bloch is a 8 1/4 x 10 1/4 inch silver gelatin print. This photograph is mounted on a 16 x 20 inch mount board with a window mat. It is signed on print recto by artist in pen and has a signature label on mount verso with title, date, artist name and copyright information. Frida Biting Her Necklace features a portrait of Frida Kahlo sitting in a chair while biting her necklace. Her head is slightly turned as she stares at the viewer. Lucienne Bloch was a prolific artist. Born in Switzerland, she soon moved with her family to American in mist of the growing tensions of war and anti-Semitism. At the young age of 15 years old, she attended The Cleveland Institute of Art and later in life enrolled in the Ecole National et Superier des Beaux Arts in Paris. Exceeding in her artistic endeavors, she worked for a number of established artist such as sculptor, Anotine Boudelle, and architecture Frank Lloyd Wright. However, it was her encounter with Mexican Muralist, Diego Rivera, and painter Frida Kahlo that solidified Bloch artistic style. Bloch became a closed friend of the couple, as well as, the chief photographer of the Rockefeller Center mural Diego Rivera was working on in New York before it was destroyed. In addition to her photographs, Bloch was a Fresco muralist for the Federal Arts Project of the Works Progress...