2010s Portrait Photography

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound explo...

"Mindisayo's Gaze" In this best-selling image, a young women in the Rendille tribe of Northern Kenya wears the unique jewelry and ornamentation of this culturally-rich region. The...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

An underwater photograph of a beautiful topless model wrapped in red tulle. Original gallery quality archival pigment print signed by the artist. Limited edition of 12 Paper size: ...

Archival pigment print Signed, titled, dated, and numbered on label, verso 11 x 11 inches (Edition of 7) 15 x 15 inches (Edition of 5) This photograph is offered by ClampArt, locat...

'Eurasian Eagle Owl #1, St Louis, MO, 2012' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild anim...

Limbo, 2018 From The Series Of Arte Erotica by Alen Opsar Archival pigment print AP Portraying herself like virgin mother to society, her soul wanders in Limbo to find and to accept...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Edition of 7 Portrait of a man. Mursi ethnic group, Ethiopia. This artwork is offered by IMMAGIS · ART PHOTOGRAPHY, one of the leading galleries for contemporary Fine Art Photograp...

Pink Bardot Triptych - Hand Signed Limited Edition Archival Pigment Print A beautifully crafted pop art composite of the French sex symbol and French Cinema icon that is Brigitte ...

"Hush" The delicate nature of this image encompasses the otherworldly appeal of the Camargue horses in this best-selling black and white photograph. The print series Band of Rebel...

Edition of 10 A female model is sitting in the front of an old classic Cadillac. Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the m...

At fourteen with Grandma's Shawl (2018)
 25x20 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Signed o...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A naked woman lies very lascivious on her back on a couch and is holding a cigarette in h...

'Ataduras' - 2017 Edition 1/10, Digital Print based on a embroidered Polaroid, mounted under Plexi This piece is exhibited at the Bombay Beach Biennale in the newly founded Polaro...

'Elissa' (Bombay Beach) Edition 1/10, 20x30cm, 2017, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli (born 7 Novemb...

Casa de papel, 2020 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL202...

"On Guard" A lone Sable Island horse with a beautifully-unkempt mane stares back at the camera. The print series Discovering the Horses of Sable Island...

A Strange Occurrence at the Dingle (shot 2018 on SX70 film) Influenced mostly by Old Hammer, Twin Peaks, the Supernatural and Pulp Horror a young bride appears mysteriously nobody ...

Listing includes free shipping in the US and Europe, framing with UV plexi and a 14-day return policy. Equivalent to a ~$550 or 10% discount. Ships from our New York gallery. Christopher Anderson...

'Tiger #7, Los Angeles, CA, 2016' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals. Thi...

(Life is a) Juggling act (Bombay all Day) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. A...

Estate-stamped, gelatin-print silver Louis Armstrong At the University of Chicago Theater in the Round, IL Available sizes: 16”x20" Edition of 25 20”x24" Edition of 25 30”x40" Edi...

"Raven" is a signed photograph For millions of years, early humans evolved alongside all other wildlife in a completely analog world, sharing the same natural environments in very s...

'Vlinderbuik (Odd Stories) - 1/25, 2013, digital print, based on a Poalroid, mounted on black mdf, matte coating, dimensions 15x11,3cm, hand signed by the artist on the back. -- Par...

Mantras by Leobardo Huerta Mixed-media Vintage photograph drawn on with pen and acrylic paint. Sheet size: 15.75 in. H x 15 in. W Image size: 14 in. ...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A naked woman is lying prone on a red sofa in her apartment in Paris These stunning phot...

2153, 2022 by Salvatore Arnone From the ONE series Photography and tape on Hahnemuhle paper Paper size: 90 H x 70 W cm. Printed area: 82 H x 62 W cm. Production time is 2 to 3 weeks....

Nick Vedros Cubist Poodle Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9.5x14in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Each Cabinet Card is unique, and the image above details the front and back of the card. A handmade display stand made by the artist is also available for $100 – please inquire if in...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A naked female ballet dancer is standing in a window on the roof of the Opera of Paris. ...

'African Crowned Crane #1, Los Angeles, CA, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which fea...

"Untitled 15" In this best-selling, award-winning portrait of a member of the Suri tribe, a young girl wears a traditional headdress made of prized feathers. This image is in the ...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

Fernweh - 2017 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2017-108. Not m...

Big Girls don't Cry (Heavenly Falls) - 2016 80x80 cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inve...

Edition of 3 More sizes on request. A woman in a beautiful dress is sitting on a chair, beside her stands a lion male. Tyler Shields is an American Photographer, screenwriter, dire...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Combined Edition 10 Also available in 101 x 127 cm 40 x 50 inch and as combined Edition 25 in 40 x 50 cm / 16 x 20 inch 50 x 60 cm/ 20 x 24 inch Black and white Portrait of American Boxer Floyd...

'Zebra #3, Los Angeles, CA, 2010' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals. Thi...

"Untitled 19" Suri women ground sorghum by hand with the assistance of stones. It leaves a delicate dusting of white on their skin. The distinctly preserved cultures of the Omo Va...

Archival pigment print (Edition of 5 + 2 APs) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny writes: “During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8​th​ great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10t​h​ great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now? “Major Arcana: Witches in America​ is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people. “Major Arcana​ explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for ​Major Arcana​ (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...

'Rhinoceros #2, Albuquerque, NM, 2013' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals. ...

Edition number #3/10 Heal brings us through a world of stillness and sensual nature, which subverts your perception with her unique photography style. They are reminiscent of class...

Fun Loving Criminals By B A T I K Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dogg...

Edition of 7 Portrait of a girl. Hamer ethnic group Turmi, Eastern Omo Valley, Ethiopia This artwork is offered by IMMAGIS · ART PHOTOGRAPHY, one of the leading galleries for conte...

Edition No. 4/12 image size 28 x 28 cm signed and numbered Framed with mat and anti-reflex glass Portrait of a male Lion in Kenya, Masai Mara. Joachim Schmeisser is represented by ...

Madrugada Shot 2019 on 600 film Is about the time and hours between Midnight and Sunrise. It is the companion piece to the Red Room. Edition of 10 - 40 x 40 cm - Archival C-Print ...

Vacation 2019, Edition 1/10 plus 2 Artist Proof, 20x20cm. Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper. Signature label and certificate. Not mounted. ...

Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Pari...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

"Endless Dream" Although the horses are calm and collected, the powerful waterfall Skógafoss pounds thousands of gallons of water into the pool they stand in. The conditions to crea...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Edition No. 7/12 image size 28,5 x 35,6 cm signed and numbered Framed with mat and anti-reflex glass A giraffe is lying in the tall grass in front of Mount Kenya. Joachim Schmeisse...

0529, 2022 by Salvatore Arnone From the ONE series Photographic print on paper Paper size: 174 H x 135 W cm. Edition of 3 Production time is 2 to 3 weeks. Despite photography remain...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. Series titled "BLUE", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin, as a vehicle for testing ideas and as a form of interrogation of the creative process itself, through this series. Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams, Penélope Cruz, Jennifer Lopez...

"Ray of Light" In this award-winning image, a young Rendille woman named Mindisayo basks in the sun. The print series Desert Song: Compositions of Kenya exhibits classic, timeles...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...