Furniture Portrait Photography

Ghislaine Lounges in Elsa Schiaparelli's Home -- Mark Shaw photographed Elsa Schiaparelli's best-known model, Ghislaine de Bosisson in an ankle-length dress lounging on an elongated ...

Sleeping Beauties II (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective,...

Museum quality print of David Bowie from the official Duffy Archive. Taken from the original 1980 negative, these official Duffy Archive prints are open edition, authenticated with...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. a sexy young girl lies in bed bathed in sunlight

Ghislaine Lounges in Elsa Schiaparelli's Home -- Mark Shaw photographed Elsa Schiaparelli's best-known model, Ghislaine de Bosisson in an ankle-length dress lounging on an elongated ...

Ed. 3/20, estate-stamped. Includes black frame. Milton H. Greene, famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on ...

Delilah Right Red Hand III, photograph from Richard Heeps Burlesque series. This is part of a sequence capturing Delilah in a Whoopee Club photo shoot. Richard Heeps became well-know...

Strange Math (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Certif...

Hugh Hefner, 1966 by Burt Glinn is a 16" x 20" portrait in Chicago, IL of the founder of playboy magazine. Hefner is on the phone on a circular bed surrou...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

Green Bedroom #2 (4am), limited edition photograph, signed and numbered Hopper Meditations is a personal photographic response to the work of the Ameri...

What I leave behind - 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2021-102...

Emma in Botafogo, Rio de Janeiro, 1984 Pão de Açucar, (Sugarloaf Mountain), Rio’s defining landmark looms in the background. Photographed by Jonathan Becker Contemporary 14" x 14.5...

A photograph by Andy Warhol. "Self Portrait" is a gelatin silver print by American pop artist Andy Warhol. The artwork is numbered AWL116. Andy Warhol — who famously said that, “In t...

1961: Actress Tania Mallet relaxes on a red-curtained four poster in Eleuthera, in the Bahamas. She is best known for her role as the unfortunate Tilly Ma...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Craig ‘ who was captured on film in 199...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

On One's Own (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invent...

This work is the result of an artistic residence outside his "study”.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Woman in Sun II, 2012, limited edition photograph, signed and numbered Hopper Meditations is a personal photographic response to the work of the American painter, Edward Hopper. My images are created by digitally marrying dollhouse-size dioramas with live models. The sets I built, painted and photographed in my studio. I then photographed the models, and lastly, made the digital composites in Photoshop. I have always loved the way Hopper’s paintings...

Self-Portrait II - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 50x50cm. Archival C-Print based on the Polaroid. Signed on back with Certificate. No...

Three framed artworks from Richard Heeps Burlesque series. Belles of Shoreditch, The Whoopee Club, London, 2003 Delilah Right Red Hand III, The Whoopee Club, London, 2003 Boudoir, T...

Players of Christmas - play of Marchesi, Vintage Photograph is a black and white photograph realized in  1964. Good conditions.

'The way we were' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219...

Signed limited edition archival print of Jack Nicholson at the Carlisle Hotel, March 1981 by Allan Tannenbaum. Allan Tannenbaum prints are available in...

About the Collection Terry O’Neill’s “lost photoshoot”. Terry shot these for Globe Photos almost half a century ago, but they remained lost until recently uncovered in our archives....

Morning in A City, 2012, limited edition photograph, signed and numbered Hopper Meditations is a personal photographic response to the work of the A...

Every Single Incident Weighs Tons (The Girl behind the White Picket Fence) - 2013 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover,...

Selenium-toned gelatin silver print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York...

Delilah Right Red Hand, Richard Heeps photograph taken at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he spent 2...

Yvette Horner, 1989 by Jean-Michel Voge, Paris, France is a photograph of a musician In her bedroom where every day is the 4th of July or the 14th of July (French Independence Day...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

33 A Poem dictated by the Corset, 2007/2018 [From the series Mademoiselle Jean] This photo is in her book The Eyes of the Fox, 2018 and before in her TicKL Magazine, 2007 Digital color print based on original Polaroid on pearl photo paper, not mounted Hand signed & numbered by the artist...

The other day I was sure I knew what is good and what is bad (The Girl behind the White Picket Fence) - 2015 20x20cm, Edition of 10, plus 2 Artist Proofs. Digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 13866. Not mounted. Offered is a piece from the movie: The Girl behind the White Picket Fence A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose 10 acre property in Morongo is dotted with vintage trailers. They surround her midcentury home, and serve as sets for her photo shoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004, when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck, if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love...

Self-Portrait II - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 20x20cm. Digital C-Print based on a Polaroid. Signed on back with Certificate. Not m...

Woman at Window, 2013, limited edition photograph, signed and numbered Hopper Meditations is a personal photographic response to the work of the American painter, Edward Hopper. My images are created by digitally marrying dollhouse-size dioramas with live models. The sets I built, painted and photographed in my studio. I then photographed the models, and lastly, made the digital composites in Photoshop. I have always loved the way Hopper’s paintings...

Lioness (Heavenly Falls) - 2016 20x24cm, Edition 9/10. Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventory number: 19578. Not mounted. Stefa...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A naked woman is lying prone on a red sofa in her apartment in Paris These stunning phot...

This quirky color image features American actress and singer, Raquel Welch. She first won attention for her role in Fantastic Voyage (1966), after which she won a contract with 20th ...

Girl, Thailand, 1987 - 20x30cm, Edition of 10. Archival C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Michael Childers Andy Warhol in Paris. from Palm Springs Art Museum, 1976-1980, 2007 Gelatin Silver Print Boldly signed in black felt tip pen on the f...

Black and white candid capture of actress Brigitte Bardot posed smiling, sitting on a bed with a dog. Brigitte Bardot is a French former actress, singer, and model as well as an ani...

Sean Connery – County Wicklow, Ireland, 1973 David Steen recalls: “Sean looked like a killer that day, all dressed in black, the sort of bad boy you’d see in an old western movie, you could just imagine him on the back of a horse being chased by others. I lit this photograph with a torch, I had someone stand on a chair and point it down onto his face, I needed to maintain the mood of the snooker hall, so flash was out of the question.” Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 44 x 31 " / 111 x 78 cm Limited to 20 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: sir thomas sean connery, 007, james bond, scottish, actor, producer, 1973, 70s, 1970s, the seventies, film star, legend, famous, fame, movies, hollywood, sex symbol, the untouchables, marnie, the name of the rose...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Every Single Incident Weighs Tons (The Girl Behind the White Picket Fence) - 2013 90x89cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificat...

20 x 23 in (50.8 x 58.4 cm) Silver Gelatin Print Edition 14 and 15 of 30 Price does not include tax.

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

This piece is offered framed. The frame size is 23 1/2 x 30 1/2 inches (59.7 x 77.5 cm); the image image size is 20 3/4 x 27 3/4 inches (52.7 x 70.5 cm) Edition of 7 "Benchwork"...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

Lou Reed And Andy Warhol - Limited Edition Mick Rock Estate Print Lou Reed and Andy Warhol, New York, 1976 (photo Mick Rock). All prints are numbered by the Estate Edition size v...

'Tania Mallet' by Slim Aarons Glamorous Actress Tania Mallet relaxes on a red-curtained four poster bed in Eleuthera, in the Bahamas. She is best known f...

What happened yesterday? (The Girl behind the White Picket Fence) - 2013 - 20x24cm, Edition of 10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inv...

Signed limited edition print of David Bowie by Alec Byrne, taken at the Dorchester Hotel, July 1972 Alec Byrne signed limited edition prints are available ...

10 A Poem dictated by the Corset, 2007/2018 [From the series Mademoiselle Jean] This photo is in her book The Eyes of the Fox, 2018 Digital color print based on original Polaroid on pearl photo paper, not mounted Hand signed & numbered by the artist, edition of 7 - nr 01 Carmen De Vos - About the artist Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Fabriqueur of Foxy Femmes. Founder and Editor-in-Chief of the late TicKL-Magazine. Author of THE EYES OF THE FOX, her beautiful, voluptuous photo book published by [ander]-zijds presenting a decade of curiously frivolous Polaroids. Belgian artist Carmen De Vos mingles highbrow etiquette with sly, subversive eroticism. Her Polaroids are refreshingly audacious and aesthetically wicked, pushing the viewers beyond the boundaries of ordinary life in a way that makes them do about anything to spend one more hour in that mad land of no rules where shameless and sensual women live their baroque fantasies. Enormously longing for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. She is a slow photographer. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She never really gets cured from naughtiness and can’t help but traveling back to those blessed times of free-love photography with her Polaroids. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Carmen is frequently published in Belgian magazines and newspapers and in several international magazines. SOLO SHOWS 2018 - ANDERZIJDS - THE EYES OF THE FOX - Antwerpen, Belgium 2016 - TOERISMEKANTOOR KNOKKE HEIST - Knokke, Belgium - Amaluna’s Day Off 2016 - ENFANTS ART SPACE - Hamburg, Germany - Odd Stories 2014 - SCHIPPERSKAPEL - Brugge, Belgium - Odd Stories / (con) Sequences 2014 - DE WERF - Brugge, Belgium - Odd Stories 2012 - WUFTE VILLA - St Agatha...

What happened yesterday? (The Girl behind the White Picket Fence) - 2013 - 20x24cm, Edition of 10, digital C-Print, based on the Polaroid, Certificate and Signature label, artist I...

Locker Room (Suburbia) - 2004 20x20cm, Edition of 10, Archival C-Print based on the Polaroid, Not mounted, Certificate and signature label. Artist Inventory No. 2757. This project "Suburbia" was shot on the set of Marc Forster's first feature film called "Everything put Together' with Radha Mitchell, Michelle Hicks and Megan Mullally...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

8 x 10" vintage silver gelatin photograph of Pulitzer prize-winning playwright Tennessee Williams photographed January 20, 1966. This is a print tha...