Gun Portrait Photography

Vintage Portrait of Monica Vitti is a vintage black and white photograph realized by Agenzia ANSA in 1960s. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the...

AP from an edition of 50, signed by Terry O'Neill. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art galleries and private coll...

Ed. 22/50, co-signed by Terry O'Neill and Roger More. Includes black frame with white mat. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in ...

Vintage Silver Gelatin Print. Title, date and signature on mat margin 1980 stamp in black ink twice on mount verso

Phyllis Galembo Deer and Bull, Mexico, 2012 Fujiflex 19 x 19 inches (48.3 x 48.3 cm) Edition 2/6

British psychedelic rock group, Cream, taken in 1968 by Art Kane, featuring Jack Bruce, Eric Clapton and Ginger Baker. Cream was a new kind of blues band. British of course, but put...

Edition of 50. Oliver Reid is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photography was as a 15-year-old school ...

Edition of 50. Britt Ekland is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photography was as a 15-year-old school...

Hemingway -  Vintage Photo is a black and white photograph realized in the 1950s. Good conditions.

Museum quality fine art print of AURIELEE SUMMERS, THE BATH by photographer Markus Klinko in 2013 in Los Angeles. This print is available in the following sizes, signed and numbered...

Edition of 7 Portrait of a man. Mursi ethnic group, Ethiopia. AK-47 assault rifles have largely replaced traditional weapons such as spears for the Omo Valley inhabitants. The demand is shown by their high exchange value: one automatic Olga Michi...

Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...

'BAMBI PANG PANG' (Birth & Bees) 2014 Edition 1/25, digital print mounted on mdf, dimensions 15 x 11,3 x 0.8cm, matte coating, hand signed by the artist on the back. (images 4-6 show a sample piece mounted) Published in her book The Eyes of the Fox Part of Photo’s des Femmes - Miami Photo...

The Old Days - A Greek Soldier in traditional costume is a black and white vintage photo, realized in the late 19th century.  It belongs to historical album including historical mom...

This photograph of Clint Eastwood taken by Eddie Adams is offered by CLAMP in New York City.

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

London changing of the Guard is a photograph realized in the 1960s. Good conditions.

Portrait of Walter Lutz, German meteorologistis is a vintage photograph realized by an Anonymous photographer. With the description typing script on the rear. Good conditions.

Inauguration is an original photograph realized in 1935. Published by Agence Trampus, Paris. The original hallmark of Agence Trampus on the back is present. There is a small piece o...

Lindiwe Mutoma (female detective), Lusaka, Zambia, 2005 2005/printed later Signed in black ink, verso Archival pigment print 6 x 6 inches (15.24 x 15.24 cm), sheet 5.5 x 5.5 inche...

The Buckingham Palace guards is a black and white vintage photo, realized in 1960s. It belongs to a historical and nostalgic album including historical moments, places, families, ar...

Digital C-print Signed and numbered, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City.

Edition of 7 Portrait of a man. Hamer ethnic group, Ethiopia. This artwork is offered by IMMAGIS · ART PHOTOGRAPHY, one of the leading galleries for contemporary Fine Art Photography, located in Munich/Germany. A long time ago warriors of the tribe used to drive the enemies away using self-made weapons and brightly-colored warpaint. In our days automatic weapons and attributes of well-known superheroes became deterrents with greater convincing power. Olga Michi...

Solitaire (Heavenly Falls) - 2016 20x20cm, Edition 1/10, Digital C- Print, based on a Polaroid. Certificate and signature label. Artist inventory number: 19594. Not mounted. Stef...

This mid-1950s winter photograph, captured by society photographer Slim Aarons, features skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA, 1955. This is an e...

Vintage Photo. The Italian Actress Lauretta Masiero in a scene from the Italian television miniseries "Le Avventura di Laura Storm".

The Sudanese  is a black and white vintage photo, realized in Mid 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including historical moment...

Soldiers is an original vintage photograph realized in the mid-20th Century. Good conditions.

Portrait of Charles Bronson is a vintage black and white photograph realized in the 1970s. Hand signed by the Actor. Good conditions.

Vintage Photo. John Wayne in a scene from the movie "The Sons of Katie Elder" (1965).

John Wayne during his stay of a month in Vietnam.

Signed, titled and dated.

Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper realized by Roma's press photo. Good condition. Anna Magnani was born in Rome, Italy (no...

'Mussolini At 13th Anniversary is a b/w photographic print on glazed paper. Stamp of agency Trampus, Paris and cliché applied on the back, realized on 29 October 1935. In the photo,...

Archival pigment print Signed and numbered, verso 16 x 24 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 45 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. While working as a Guggenheim fellow to document Vietnamese war amputees in 2012, Pipo Nguyen...

Christina Portrait Color Photography on Dibond with Perspex Front UV Resistant Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963...

Victor Portrait Color Photography on Dibond with Perspex Front UV Resistant Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963). T...

Edition 9 of 50 Digitally Printed Signature and Edition number on Front. Posthumous Estate Print Portrait of Roger Moore as James Bond. Lifetime limited ed...

This is an edition of 10 and comes framed or unframed. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent pro...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Gelatin silver print Signed, titled, dated, and printed "Larry Clark" in pencil, verso Also inscribed "From the book TULSA copyright 1971" in pencil, verso 14 x 11 inches, sheet size 12.4375 x 8.375 inches, image size This artwork is offered by ClampArt, located in New York City. Larry Clark first made a name for himself when he revolutionized documentary photography in his classic book “Tulsa,” released in 1971, in which he presented straightforward, autobiographical images of violence, drug use, and adolescent sexuality. While Tulsa earned Clark a grant from the National Endowment for the Arts for use toward his next project, that work was delayed over a decade by the artist’s heroin addiction and a stretch in Oklahoma’s McAlester Penitentiary. Eventually, Clark completed his second and equally innovative body of work titled “Teenage Lust...

Photograph of a portrait photographer in Afghanistan Additional sizes available.

Archival chromogenic print on Hahnemüle Photo Rag Paper Edition of 25 Print size: 15 H x 11.5 W inches Frame size: 25 H x 19 W inches Artist bio: Peter Sorel, Immigrating to the...

Gary Cooper, 1960

Helnwein is one of the most renowned yet also most controversial artists in the world. Recurring motifs in Helnwein's process of artistic creation are violence, pain, and injury. The...