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Conceptual Photography

CONCEPTUAL STYLE

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

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Style: Conceptual
Untitled

Untitled

By Phil Marco

Located in New York, NY

Humorous subject matter. Face mounted Plexi. Aluminum Braced. Archival Print. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Category

2010s Conceptual Photography

Materials

Archival Ink

Untitled
Untitled

Untitled

By William Wegman

Located in Toronto, Ontario

William Wegman (b. 1943) is an American photographer celebrated for his whimsical images of his beloved Weimaraner dogs. This photograph is from Wegman's "Improved Photographs" seri...

Category

1970s Conceptual Photography

Materials

Silver Gelatin

Ritual Sacrifice (Abstract Photography)
Ritual Sacrifice (Abstract Photography)

Ritual Sacrifice (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

Ritual Sacrifice (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Reciprocity". This se...

Category

2010s Conceptual Photography

Materials

Paper, Archival Pigment

Ritual Sacrifice (Abstract Photography)
Ritual Sacrifice (Abstract Photography)

Ritual Sacrifice (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

Ritual Sacrifice (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Reciprocity". This se...

Category

2010s Conceptual Photography

Materials

Paper, Archival Pigment

How the Rich Make Street Art -  Palm Beach 5
How the Rich Make Street Art -  Palm Beach 5

How the Rich Make Street Art - Palm Beach 5

By Robert Funk

Located in Miami, FL

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Landscaping art aesthetically is the opposite of the generally accepted meaning of Graffiti Street Art...

Category

2010s Conceptual Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Triumph of Void (Abstract Photography)
Triumph of Void (Abstract Photography)

Triumph of Void (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

Triumph of Void (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neurosis brings togeth...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

Triumph of Void (Abstract Photography)
Triumph of Void (Abstract Photography)

Triumph of Void (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

Triumph of Void (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neurosis brings togeth...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

V: Dogmatic thinking (Abstract Photography)
V: Dogmatic thinking (Abstract Photography)

V: Dogmatic thinking (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

V: Dogmatic thinking (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Bra...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

VI: Utter Blindness (Abstract Photography)
VI: Utter Blindness (Abstract Photography)

VI: Utter Blindness (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

VI: Utter Blindness (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brai...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

IV: Nice (Abstract Photography)
IV: Nice (Abstract Photography)

IV: Nice (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

IV: Nice (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It was ...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

X: Pleasant Dementia (Abstract Photography)
X: Pleasant Dementia (Abstract Photography)

X: Pleasant Dementia (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

X: Pleasant Dementia (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Bra...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

IX: Genesi (Abstract photography)
IX: Genesi (Abstract photography)

IX: Genesi (Abstract photography)

By Gianfranco Pezzot

Located in London, GB

IX: Genesi (Abstract photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It w...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

III. Deceit of language (Abstract Photography)
III. Deceit of language (Abstract Photography)

III. Deceit of language (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

III. Deceit of language (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human ...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

IV: Nice (Abstract Photography)
IV: Nice (Abstract Photography)

IV: Nice (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

IV: Nice (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It was ...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

III. Deceit of language (Abstract Photography)
III. Deceit of language (Abstract Photography)

III. Deceit of language (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

III. Deceit of language (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human ...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

VI: Utter Blindness (Abstract Photography)
VI: Utter Blindness (Abstract Photography)

VI: Utter Blindness (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

VI: Utter Blindness (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brai...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

V: Dogmatic thinking (Abstract Photography)
V: Dogmatic thinking (Abstract Photography)

V: Dogmatic thinking (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

V: Dogmatic thinking (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Bra...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

I. Anthropological Purity (Abstract photography)
I. Anthropological Purity (Abstract photography)

I. Anthropological Purity (Abstract photography)

By Gianfranco Pezzot

Located in London, GB

I. Anthropological Purity (Abstract photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Huma...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

IX: Genesi (Abstract photography)
IX: Genesi (Abstract photography)

IX: Genesi (Abstract photography)

By Gianfranco Pezzot

Located in London, GB

IX: Genesi (Abstract photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It w...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

X: Pleasant Dementia (Abstract Photography)
X: Pleasant Dementia (Abstract Photography)

X: Pleasant Dementia (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

X: Pleasant Dementia (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Bra...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

VII: Istinto Primordiale
VII: Istinto Primordiale

VII: Istinto Primordiale

By Gianfranco Pezzot

Located in London, GB

Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It was created by combining fragments o...

Category

2010s Conceptual Photography

Materials

Paper, Archival Pigment

V: Dogmatic thinking
V: Dogmatic thinking

V: Dogmatic thinking

By Gianfranco Pezzot

Located in London, GB

Digital C-Type print on Archival Pigment Print. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It was created by combining fragments of pho...

Category

2010s Conceptual Photography

Materials

Paper, Archival Pigment

VI: Utter Blindness
VI: Utter Blindness

VI: Utter Blindness

By Gianfranco Pezzot

Located in London, GB

Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It was created by combining fragments o...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Paper

Wherever You Look, You See The Chrysler Building, Williamsburg
Wherever You Look, You See The Chrysler Building, Williamsburg

Wherever You Look, You See The Chrysler Building, Williamsburg

By Mitchell Funk

Located in Miami, FL

One man is among many buildings. The image is part of a new epic exhibition, Mitchell Funk Photographs The Chrysler Building for 50 Years. The Chrysler Building is one of the most ph...

Category

2010s Conceptual Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Gonfleur
Gonfleur

Gonfleur

By Akiko Ida and Pierre Javelle

Located in White Plains, NY

Chromogenic print in diptych format from the Minimiam series. Depicts workers inflating raisins, to make grapes. In celadon, yellow and blue. Facemounted in plexiglas. No need for ...

Category

2010s Conceptual Photography

Materials

C Print

Untitled, MT Inv. No 7-8-73 – Miroslav Tichy, Woman, Czech, Photography

Untitled, MT Inv. No 7-8-73 – Miroslav Tichy, Woman, Czech, Photography

By Miroslav Tichy

Located in Zurich, CH

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-8-73 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 29,3 x 19,7 cm (11 1/2 x 7 3/4 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Category

Late 20th Century Conceptual Photography

Materials

Silver Gelatin

The Great Wave
The Great Wave

The Great Wave

By Andrew Erdos

Located in New York, NY

The Great Wave, 2014-2015 Archival Pigment Print on Watercolor Paper Paper size 34 x 48 inches / 86 x 122 cm Edition of 3 +1 Ap Vanishing Poin...

Category

21st Century and Contemporary Conceptual Photography

Materials

Archival Pigment

Andy & Rob

Andy & Rob

By Steve Joester

Located in New York, NY

Mixed Media on wood featuring the famed Andy Warhol. Photographed by Joester. Images on sides as well. Not framed. About the Artist: Steve Joester is a British-born Rock & ...

Category

2010s Conceptual Photography

Materials

Canvas, Photographic Film, Mixed Media

Untitled, MT Inv. No 10-1-167 – Miroslav Tichy, Woman, Czech, Photography

Untitled, MT Inv. No 10-1-167 – Miroslav Tichy, Woman, Czech, Photography

By Miroslav Tichy

Located in Zurich, CH

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-167 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17,7 x 17,8 cm (7 x 7 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Category

Late 20th Century Conceptual Photography

Materials

Silver Gelatin

Untitled, MT Inv. No 10-1-54 – Miroslav Tichy, Woman, Czech, Photography

Untitled, MT Inv. No 10-1-54 – Miroslav Tichy, Woman, Czech, Photography

By Miroslav Tichy

Located in Zurich, CH

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-54 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 23,4 x 14,5 cm (9 1/4 x 5 3/4 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Category

Late 20th Century Conceptual Photography

Materials

Silver Gelatin

Untitled, MT Inv. No 7-3-74 – Miroslav Tichy, Woman, Czech, Photography

Untitled, MT Inv. No 7-3-74 – Miroslav Tichy, Woman, Czech, Photography

By Miroslav Tichy

Located in Zurich, CH

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-3-74 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 29,7 x 22,5 cm (11 3/4 x 8 7/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Category

Late 20th Century Conceptual Photography

Materials

Silver Gelatin

Untitled, MT Inv. No 2-059 – Miroslav Tichy, Woman, Czech, Photography

Untitled, MT Inv. No 2-059 – Miroslav Tichy, Woman, Czech, Photography

By Miroslav Tichy

Located in Zurich, CH

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 2-059 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 19,6 x 12,5 cm (7 3/4 x 4 7/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Category

Late 20th Century Conceptual Photography

Materials

Silver Gelatin

Untitled, MT Inv. No 3-8-236 – Miroslav Tichy, Woman, Czech, Photography

Untitled, MT Inv. No 3-8-236 – Miroslav Tichy, Woman, Czech, Photography

By Miroslav Tichy

Located in Zurich, CH

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 3-8-236 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 16,8 x 11,8 cm (6 5/8 x 4 5/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Category

Late 20th Century Conceptual Photography

Materials

Silver Gelatin

Japanese Contemporary Art by Kojun - VHM4K2019
Japanese Contemporary Art by Kojun - VHM4K2019

Japanese Contemporary Art by Kojun - VHM4K2019

By Kojun

Located in Paris, IDF

Gloss finish urushi lacquer over ABS thermoplastic viewer / Black film diffuser Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Koj...

Category

2010s Conceptual Photography

Materials

Plastic, Lacquer

Japanese Contemporary Art by Kojun - Kensho 1940
Japanese Contemporary Art by Kojun - Kensho 1940

Japanese Contemporary Art by Kojun - Kensho 1940

By Kojun

Located in Paris, IDF

UV print of digital photograph on pewter leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

Category

2010s Conceptual Photography

Materials

Paper, Photographic Paper

Glove Benedict

Glove Benedict

By Phil Marco

Located in New York, NY

Humorous subject matter. Face mounted Plexi. Aluminum Braced. Archival Print. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Category

2010s Conceptual Photography

Materials

Archival Pigment, Giclée

"Untitled 1.23" Photography 24' x 35' inch Edition of 10 by García De Marina

"Untitled 1.23" Photography 24' x 35' inch Edition of 10 by García De Marina

By García De Marina

Located in Culver City, CA

"Untitled 1.23" Photography 24' x 35' inch Edition of 10 by García De Marina García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A dor...

Category

21st Century and Contemporary Conceptual Photography

Materials

Digital Pigment

"Untitled 3.21" Photography 24' x 35' inch Edition of 10 by García De Marina

"Untitled 3.21" Photography 24' x 35' inch Edition of 10 by García De Marina

By García De Marina

Located in Culver City, CA

"Untitled 3.21" Photography 24' x 35' inch Edition of 10 by García De Marina García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A dor...

Category

21st Century and Contemporary Conceptual Photography

Materials

Digital Pigment

"Untitled 2.16" Photography 24' x 16' inch Edition of 15 by García De Marina

"Untitled 2.16" Photography 24' x 16' inch Edition of 15 by García De Marina

By García De Marina

Located in Culver City, CA

"Untitled 2.16" Photography 24' x 16' inch Edition of 15 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in Gij...

Category

21st Century and Contemporary Conceptual Photography

Materials

Digital Pigment

Conceptual photography for sale on 1stDibs.

Find a wide variety of authentic Conceptual photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add photography created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Reinhard Görner, Jose Sierra, xulong zhang, and Gianfranco Pezzot. Frequently made by artists working with C Print, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual photography, so small editions measuring 1 inches across are also available. Prices for photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $45 and tops out at $46,412, while the average work sells for $3,512.