Abstract Prints

This bright and psychedelic lithograph by Vasarely can be oriented both vertically and horizontally. It features a signature and dedication in pencil by the artist. Composition Iona...

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...

Screen print square, inscribed 'Vasarely' at bottom, hung diagonally, sides of the square 23 1/2 x 23 1/2 (59.5 x 59.5); as hung, 33 x 33 (84 x 84). VICTOR VASARELY (1908-1997) In...

SLOWAVE (Green) Signed and numbered screen print by Florian & Michaël Quistrebert. This edition has been done in 2021. Item is new, sold by the publisher. Available without frame. ...

Artist: (after) Bridget Riley (English, 1931-) Title: "Hayward Gallery (Blaze 4)" Year: 1992 Medium: Original Screenprint, Exhibition Poster on heavy wove paper Limited edition: Unkn...

Hand signed and numbered limited edition print. David Roth studied at the Illinois Institute of Technology's Institute of Design and was twice the recipient of the Moholy-Nagy Scholarship in visual design. It was Roth's initial work as a designer at fine art for commercial use that brought him interesting positions as art director for Lanvin, Charles at the Ritz, and Germain Monteil. . The strings are tied in bunches and closely hung tram a wooden bar. The size and shape of the string is similar to that at a canvas painting. Each bundle is represented by a vertical row at squares on the graph and the groupings at string are lined up along the wall according to the horizontal rows at the program. The six primary and secondary colors are used in their full intensity along with black, grey, and white. As a painter Roth works to formulate with color. Some painters regard color as a concomitant of form, hence a subordinate, but Roth's color is the chief medium of his pictorial language. A programmed juxtaposition at primary color allows Roth and the viewer to play upon various combinations. The graphs Roth executes are proportioned according to a strict mathematical formula - the pictures are Composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. Roth has arranged his hues so as to persuade the planes to separate from the ground on which they are planted, and float free in space. It is almost as if Roth is giving us a "readout" on his creative process. Although the graphs appear to vary in their use of color the same colors are used throughout, also the same amount of color. Roth's work illustrates the sophistication of the human eye-brain relationship that has developed and invites the viewer to participate in the evolution at visionary ideas. One Man Shows 1966 The Gallery Upstairs, Buffalo, New York 1967 The Gallery Upstairs, Buffalo, New York 1969 The House of Graphics, New York 1969 Illinois Institute of Technology, Chicago, Illinois 1972 Robert Elkon Gallery, New York 1973 Robert Elkon Gallery, New York 1974 Robert Elkon Gallery, New York 1975 Michael Wyman Gallery, Chicago 1975 Robert Elkon Gallery, New York 1976 G.W. Einstein, New York 1976 Robert Elkon Gallery, New York 1977 Robert Elkon Gallery, New York 1977 G.W. Einstein, New York 1978 Sunne Savage Gallery, Boston, Massachusetts 1978 Robert Elkon Gallery, New York 1979 Nancy Roth Gallery, Katonah, New York Group Exhibitions 1967 State University of New York, Buffalo 1970 Ronald Feldman Gallery 1970 The Everyman Gallery 1971 Robert Elkon Gallery, New York 1972 The Brooklyn Museum, New York 1972 The Newark Museum, New Jersey 1972 Art...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969, unsigned. Richard Anuszkiewicz’s use ...

SLOWAVE (Red) Signed and numbered screen print by Florian & Michaël Quistrebert. This edition has been done in 2021. Item is new, sold by the publisher. Available without frame. As...

Jürgen Peters Oktoqou III 1974 Silkscreen 59/125 28.25"x28.25" unframed Signed, dated, titled, and print number across bottom in pencil. *Custom framing available for additional cha...

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Numbered edition. Handsigned in pencil on the right lower margin. Excelle...

Moon Rays Graphic Construction (three sheets layered in a shadow box presentation), 1967 Signed lower right. Editioned lower left. (see photos) Edition: 60 from the second printing c...

This artwork titled "Laudis End" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 90/99 in pencil...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Genre: Kinetic Subject: Abstract Medium: Print Surface: Paper Image Dimensions: 14 x 16 Overall Dimensions: 26 3/4" x 26 3/4" This artwork epitomizes Yaacov Agam's kinetic style. Hi...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 7/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Julio Le Parc (1928) "Genesis Americana #2" 1982, Pochoir on Fabriano "Murillo" paper of 360 grams25.6 x 19.7 in (65 x 50 cm). Ed 69/92.

Abstract composition in purple in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 16/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract Yellow Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Inward Eye 9 Richard Anuszkiewicz, American (1930–2020) Date: 1970 Screenprint, signed and numbered in pencil Edition of 34/100 Size: 25.5 x 19.75 in. (64.77 x 50.17 cm) Printer: Dom...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Fiesta Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 130 Image Size: 18 x 26 inches Size: 22 x 30 in...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 18/100 Handsigned in pencil on the right lower margin. Excell...

Julian Stanczak Blue Op Art Screen Print screenprint Pencil signed (lower right) edition numbered 20/165, measures 28" x 28". Julian Stanczak American/Polish, 1928-2017. Julian Stanczak explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian Suprematism...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 19/100. Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 11/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Hommage a Bach I. Original etching and aquatint, cca. 1980. Edition of 200 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. ...

Artist: Yaacov Agam, Israeli (1928 - ) Title: I from Double Metamorphosis Series Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 180 Image Size: 27.5...

Triptych for Munari is an print realized by Bruno Munari in 1991. Mixed colored screen print on Fabriano Rosaspina paper. Hand-signed and numbered in pencil on the lower margin. E...

Signed and numbered lithograph by Julio Le Parc. This edition has been done in 2018. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Lit...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 22/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 21/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

A limited-edition serigraph from the Inward Eye portfolio. The work bears the publisher's stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. Edition 20/100. Handsigned in pencil on the right lower margin. Excellent conditions.

Edition on hand is HC 2/3. Printed at Graphicstudio in Florida, this combination print by Richard Anuszkiewicz was printed with a set of two other editions in 1991. This work is comp...

Hommage a Bach II. Original etching and aquatint, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky's and Malev...

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Yaacov Agam Israeli (b. 1928) Hommage aux Prix Nobel (1974) Serigraph signed lower right, numbered 85/100 sheet: 22 x 29 3/4 inches frame dimensions: 28 x 35 1/2 x 1 inches, wood fra...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

Victor Vasarely (1906-1997) Composition Screenprint in color Pencil signed lower right Edition 234/275 Image Size: 26"h x 26"w, Sheet (unframed): 31"h x 30"w Victor Vasarely...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 23.25 x 30.25 inches. Sheet size 31 x 37.25 inches. Frame size approx 36 x 42 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

Tecoma is a wonderful colored lithograph with a black, blue, pink abstract composition realized by Victor Vasarely in 1972. The plate is from the portfolio Octal edited by Bruckmann...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Untitled [La Lune en Rodage - Carlo Belloli], 1965 Bridget Riley Screenprint, on wove paper Signed, dated and numbered from the edition of 200 (plus 10 artist's proofs) Printed by K...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...