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Alexander Calder
Derrière le Miroir No. 156 (back cover)

1966

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  • Casino Knokke Poster (Signed) /// Contemporary Abstract Sculpture Frank Stella
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    Artist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...
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  • Ashawagh Hall: The Springs Artists' Exhibition Poster (Signed) /// Female Artist
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    Artist: Lee Krasner (American, 1908-1984) Title: "Ashawagh Hall: The Springs Artists' Exhibition" Series: Ashawagh Hall Posters *Signed and numbered by Krasner in pencil lower center. It is also signed in the plate (printed signature) lower right Year: 1974 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: 1/25, (there was also an unsigned edition of approx. 500) Printer: Unknown Publisher: Ashawagh Hall, East Hampton, NY Framing: Recently framed in a contemporary dark brown wood moulding with frame space. All archival Framed size: 29.88" x 23.75" Sheet size: 28.5" x 22.63" Image size: 28" x 22.13" Condition: Colors are attenuated. Some mild water staining that has caused discoloration and general wear lower right. In otherwise good condition will full margins Extremely rare Notes: Provenance: private collection - Pompano Beach...
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  • Derrière Le Miroir No. 250 (page 20, 21) /// Modern Abstract Joan Miro Red Art
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  • Flag III /// Pop Art Jasper Johns Abstract Lithograph America Minimalism ULAE
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