Square Abstract Prints

Limited edition, 2/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...

Artist: Louisa Chase, American (1951 - 2016) Title: Undertow (Variant) Year: 1984 Medium: Aquatint Etching, Signed and Numbered in Pencil Edition: 30 Image Size: 8 x 7.25 inches Pape...

Max Bill Composition with white center Color silkscreen Year: 1972 Edition: Edition for "Look at" Size: 23.3 × 23.3 inches Unsigned, unknown edition size (pres. ~2,000) - sometimes an edition of 2,000 is mentioned - this is not verified. COA provided *Framing options available. Please inquire. ------------------------------ (Geometric Abstraction, Minimalism, Constructivism) Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work.[3] His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions.[4] Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker" of 1954, a stool that can also be used as a shelf element, a speaker's desk, a tablet or a side table. Although the stool was a creation of Bill and Ulm school...

Silksreen, 1973 Handsigned by the artist in pencil and numbered 69/95 Publisher : Malbotough Graphics, New York 80.00 cm. x 80.00 cm. 31.5 in. x 31.5 in. (paper) 65.00 cm. x 65.00...

TECHNICAL INFORMATION: Charles Hinman Orange Triangle 2012 4 color screenprint 38 x 38 in. Edition of 15 Pencil signed, dated and numbered Accompanie...

Laminated Giclée print on aluminium composite, screen printed with glitter Edition of 2,814 39.3 x 39.3 in Signed on a label affixed to the back Mint, as issued. Minor imperfections ...

This abstract landscape limited edition print by Elwood Howell features a warm, yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a sm...

This abstract Limited Edition giclee print by Sofie Swann features thin, dark blue parallel rectangles of varying heights, each with a white and yellow bottom. A single yellow line i...

Luis Feito (Spain, 1929-2021) '10 Feitos Portfolio', 2017 lithograph on paper Conqueror Connoisseur 300 g/m2 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition 40. Original 54, 40 of the regula...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

** Larger prints are available for purchase. Please feel free to contact us if you're interested. Enchanted by the intricate symphony of nature's rhythms, the alluring dance of urba...

Jennifer Losch Bartlett Rhapsody (hand signed and inscribed), 1985 Hardback monograph with dust jacket (hand signed and inscribed to Nadine) Hand signed and inscribed in black marker "for Nadine" by Jennifer Bartlett on the half title page 12 × 12 × 1 inches Provenance signed for the present owner at Paula Cooper Gallery on January 21, 2016 This substantial, lavishly illustrated hardback monograph with dust jacket, was hand signed by Jennifer Bartlett for the present owner at Paula Cooper Gallery on January 21, 2016. Makes an excellent gift Book information: Publisher‏: ‎ Harry N Abrams (November 1, 1985) English; Hardcover; 108 pages with color illustrations Editorial Review: Rhapsody'' is Bartlett's multi-part, multi-theme epic, a statement of the coming of age of an artist. A portable mural extended over 987 one-foot steel plates requiring 153 running feet of wall space, it is an enormous and infrequently mastered challenge to install and exhibit. In 1985-86, however, it will be on view in Minneapolis, Kansas City, Brooklyn, La Jolla, and Pittsburgh, and well worth a trip. In book form it becomes more available, with Smith's guided tour through sections, with Bartlett's notes giving conceptual coherence, and the opportunity to move from close-up to long view by turning a page. Rhapsody'' and this book afford a glimpse of a mind and art in action, a discovering and ordering process, an exciting demonstration of ways of growing and expressing the self and the world. Highly recommended. About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

mesmerizing large scale photographic capture of strikingly abstract water surface shimmering in soothing tones of cobalt, admiral, azur and lapis blue Wave I (Abstract) by Christian...

Artist: Louisa Chase, American (1951 - 2016) Title: Portfolio of Six Etchings Year: 1984 Medium: Six Drypoint Etchings with Aquatint, Signed and Numbered in Pencil Edition: 30 Paper...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with quadfold, as issued. Notes: From Derrière le miroir, N° 161, 1966. Published by Aimé ...

This abstracted print of a dog by artist Russell Miyaki features a light neutral palette with colorful accents and expressive, playful elements to create an energetic composition of a dog, with spiral linework over its left eye. This Limited Edition giclee print by Russell Miyaki is an edition size of 195. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and ready to hang. Other floater frame options are available in white, black, gold, dark walnut, oak, and white oak. For additional sizes and frame options, please contact us. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist has granted permission to Sorelle Gallery to produce limited edition prints of their work. Each print comes with a Certificate of Authenticity, and ships for free. Please note that all prints are made-to-order based on desired preferences, allowing for personal customization and less waste. Please also allow additional time for printing prior to shipping. Russell Miyaki is a contemporary artist and creative director in New York City. His studio is at Metro Art Studios in Bridgeport, CT, which is a renovated historic 1800s corset...

This abstract limited edition print by Sofie Swann features an off-white background, with textured geometric dark blue rectangles arranged around a white square, pointing out vertica...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

Stephen Powers Turn to Me I See Eternity, 2016 Three color screenprint on 235g Coventry Rag Pencil with artist's trademark hat logo and numbered from the edition of 100 12 × 12 inche...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

ABOUT THIS PIECE: Color is the foundation of this Canadian artist's work. Her circles start as a mood or idea that eventually evolve into a colored circle. She is curious how differe...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...

This limited edition print is an abstract landscape by Elwood Howell. It features a high, blurred horizon line - beige with muted green pink, and blue, while above it, muted pink fad...

This is a unique woodcut print of a waterfall in a forest in light mint blue against a dark cobalt background. The monotype brings to mind the tradition of Japanese printing...

Sean Scully Different Places (hand signed and inscribed by Sean Scully), 2015 Limited Edition hardback monograph (hand signed and inscribed to Nadine in felt tip pen on the title pag...

This abstract contemporary limited edition print by Roger Mudre features a cool-toned palette with subtle gold accents. Concentric circles of varying sizes overlap one another to cre...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Stephen Powers Everything is Shit Except You Love, 2020 Three color screenprint on 335 GSM Coventry Rag Paper Hand signed and numbered AP 3/3 by the artist on the front 12 × 12 inche...

Delicate lithograph with abstract leaf by Dennis john Ashbaugh (American, b. 1946). "Proof" is written in the lower left corner. Signed "D. Ashbaugh" in the lower right corner. Presented in a new grey mat with foamcore backing. No frame. Image size: 5"H x 4.75"W Dennis John Ashbaugh (American, b. 1946) was born in Red Oak, Iowa, and attended California State University at Fullerton, receiving his MA in 1969. Ashbaugh has spent most of his career in New York City. In 1992, he collaborated with William Gibson, fiction writer, and with publisher Kevin Begos on a book, Agrippa, meaning 'book of the dead'. Exhibition venues include the Metropolitan Museum of Art in New York City, the P.S.1 Contemporary Art Center, the Seattle Art Museum, and the Whitney Museum of American ArtPublic collections holding his work include the Hirshhorn Museum, the Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, and the New York Metropolitan. He received a Guggenheim Fellowship. Ashbaugh lives in a trim frame house in Flamingo Park...

RICHARD PAUL LOHSE Penetration of Four Interlaced Colour Groups (Durchdringung von vier verschränkten Farbgruppen), 1970 Color Silkscreen on velincarton (thin board) Edition 32/50 P...

Autobahn by Frank Schott 48 x 48 inches / 122cm x 122cm signed edition of 7 42 x 42 inches / 107cm x 107cm signed edition of 7 30 x 30 inches / 76cm x 76cm signed edition of 25 ...

This square woodcut print on paper is composed of an abstract pattern of clustered dark navy blue shapes over a silver background with a subtle metallic sheen. The monotype brings to...

Digital art print on Lex Jet, 170 gram Satin Stock paper Hot pink and purple - indigo abstract geometric kaleidoscope pattern made as abstractions of t...

Richard Paul Lohse Color silkscreen on wove paper (geometric abstraction), ca. 1974 Color silkscreen on heavy white wove paper Pencil signed and numbered 65/80 on the lower back 19 ...

mesmerizing large scale capture of a strikingly abstract water surface WAVE II by Christian Stoll 48 x 48 inches (122 x 122cm) signed edition of 7 5...

Thomas W. Benton, American (1930 - 2007) - Red Mountain, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, XLV, Image Size: 32 x 32 inches, Size: 35 ...

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** **THIS IS A LIMITED EDITION PRINT ON PREMIUM ...

This Limited Edition abstract print, "Mighty Cupcakes," by Sofie Swann measures 30" x 30" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater fram...

This woodcut print evokes the peacefulness of ocean waves depicted in bright pink and deep, dark cobalt blue, bringing to mind the tradition of Japanese printing while being distinct...

"America" is a unique eagle design by Mauro Oliveira. This exquisite piece is for the patriotic at heart. The colorful stripes symbolize the diversity of the USA. Limited edition ...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Colour Silkscreen on PVC Year: 1991 Signed, numbered and ...

This square woodcut print on paper is composed of a central, circular, metallic silver shape spreading outward into an abstract pattern over a bright turquoise blue background that c...

ABOUT THIS PIECE: Color is the foundation of this Canadian artist's work. Her circles start as a mood or idea that eventually evolve into a colored circle. She is curious how different colors interact when they're placed next to each other. Within a digital medium she experiments with intensity of colors and the different sensations colors evoke. Why a circle? When she explores her fascination with this shape, she discovers that the circle represents all that is familiar and comforting. It is the shape of the rising sun, of a mother's nipple, of the iris of the eye, and of a full moon. ABOUT THIS ARTIST: Ruth Adler is a Canadian artist whose mediums include paintings, works on paper, animated films and textiles. She is inspired by the city of Tel Aviv, music (she plays the harmonica) and her personal memories. Jim Kempner Fine Art...

"Paradise" by Inkman is a 1 Color Screen Print on Embossed Paper, Stone Quarz by Gmund, 300gsm 70x70cm, edition of 24 The print is signed and numbered (6/24) by the artist. Mohamed ...

This archival pigment print titled "4 Eva" is an original artwork by Kelly Kozma. The piece measures 37.5”h by 37.5”w. Kelly Kozma is a mixed media and fiber artist who uses the med...

This is a monotype, a unique print with no other editions. The square print on delicate Asian paper layers geometric shapes in navy, light yellow, green and dark coral on a light blu...

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

This abstract limited edition print by Sofie Swann features a square pattern composition in a deep red color, with abstracted, thin black line drawings of roses within each square. T...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Ya...

This Limited Edition giclee abstracted coastal landscape print by Bri Custer is an edition size of 195. It features a blue palette with warm pink and orange accents throughout. Prin...

Robert Indiana Love Is God, 2014 Silkscreen on 2 ply Rising Museum Board 32 × 32 inches Hand signed and numbered 33/50 in graphite pencil on ...

large scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea Cloud Study III...

Untitled (From the Sotomagie Portfolio), 1967 Denise Rene Editeur, Paris (Based on Soto's Work Répétition et Progression, 1951, Oil on Plywood) Silkscreen 23 7/8 x 23 7/8 in (60.5 x ...

Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered XXVIII 65/115 in pencil Image size: 17 x 17 inches Sign...

Abstract print with fall colors, from a series inspired by ground cover and vegetation. Signed, titled and numbered from the edition of 10. Charles Eckart was born in Oakland, Calif...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically, horizontally, square or across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork composition 24 x 96 inches (61 x 244cm) vertical artwork...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...