Vertical Abstract Prints

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

Untitled Screen print, 1941 Signed and dated in pencil lower right From an unnumbered edition of 6 Condition: Excellent Image size: 7 1/4 x 5 3/4 inches Sheet size: 10 x 8 inches Pr...

Untitled screenprint published in 1972 in an edition of 42. This is example number 4.

Pink and purple abstract modern lithograph edition 16 / 100. The work features colorful geometric shapes that have been detailed with a hatch texture. Signed, titled, and editioned b...

Silkscreen on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 8 x 6 inches. Notes: From the album, Paul Klee, Paintings Watercolors 1913 to 1939,...

Mark Grotjahn Backcountry, Gagosian Gallery London poster (hand signed by Mark Grotjahn), 2022 Offset lithograph poster (hand signed) Boldly signed in black marker on the front Unnum...

A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.

Jim Dine Eight Sheets from an Undefined Novel: A rare, highly-collectible sample portfolio of 8 offset printed lithographs advertising Jim Dine's Eight Sheets from an Undefined Novel...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Hand signed and numbered from edition of 90 Jakob Weder, (Switzerland, 1906-1990) Swiss color/music kinetic artist. known for his oil and tempera painting ...

Artist: Bruce Porter, American (1948 - ) Title: Flute-Like Voices Year: 1993 Medium: Woodcut on Wove paper, signed and numbered in pencil Edition: 11/20 Image Size: 33 x 23.5 inches

Medium: serigraph (after Ad Reinhardt). Printed in Germany by Siebdruck Michel of Dusseldorf in 1972 for inclusion as a special loose insert with the catalogue for the Ad Reinhardt e...

Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32

Lithograph, 1960 38.00 cm. x 25.00 cm. 14.96 in. x 9.84 in. (paper) 38.00 cm. x 25.00 cm. 14.96 in. x 9.84 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD3390

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mason, Rainer Michael, et al. Henri Michaux...

WILD BUNCH 1 [2022] limited_edition and hand signed by the artist Giclée Print on bright white 230gsm Olmec matte cartridge Edition number 50 Image size: H:82.5 cm x W:60 cm Complete Size of Unframed Work: H:92.5 cm x W:70 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Inspired partly by Andy Warhol screen prints from the 60s and also by the way I could manipulate the screen dots to give the image a wild and exuberant quality. Pop Art meets Van Gogh. Sort of. Johnny Bull...

JONATHAN LAWES Caleta Bright Abstract Cubist Print Unique Multi-Layered Screen Print Sheet Size: H 75cm x W 55cm x D 0.1cm Sold Unframed Signed Lower Right Dated and Numbered on the...

Plate signed and dated, offset lithograph. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police...

Artist: Evelyn B. Johnson Title: Space Sounds No. 2 Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 2/25 Image: 27 x 21 inches Paper Size: 30 x 22 inches

Chiyu Uemae Untitled 2004.05.05 Screenprint on wove paper Signed, dated, and numbered by the artist Edition: 14/23 Image size: 21.5 x 15.5 cm Sheet size: 36.3 x 25.8 cm Description:...

Raymond Pettibon Black Flag, 1981: Rare early Raymond Pettibon Black Flag Punk Flyer - illustrated by Pettibon on the occasion of: Black Flag, Stains, Youth Gone Mad, Caustic Cause,...

Artist: Larry Zox Title: Brow Slab I Year: 1979 Medium: Screenprint, Signed and numbered in Pencil Edition: 160 Size: 42 x 30 in. (106.68 x 76.2 cm)

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: Composition Year: 1960 Medium: Lithograph on Arches, Signed and numbered in pencil Edition: 50 Image Size: 19 x 13 inches ...

Charles Chamot, Peruvian/American (1951 - ) - Reflect, Year: 1979, Medium: Tapestry, Size: 90 x 67 in. (228.6 x 170.18 cm)

Haarlem by Johnny Friedlaender, German (1912–1992) Date: circa 1965 Lithograph, Signed and Numbered in Pencil Edition of 269/350 Size: 35 in. x 24.5 in. (88.9 cm x 62.23 cm)

Artist: Joan Miro Title: Plate 10 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 1...

Shelly (Sheldon) Fink (American, 1925-2002), "Tommy's Tree House" Artist Proof, Figurative/ Landscape Lithograph signed on Paper, 17 x 14, Late 20th Century, 1964 Color: Black and White Sheldon Fink was born in 1925 in Brooklyn, NY. He attended the High School of Music and Art in Manhattan, and won Tiffany Foundation grants in 1957 and 1963. Shelly's work has appeared at the Albany Art Institute, the Berkshire Art...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Burning Bush Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP...

Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Chroniques du jour, 13 rue Valette (5e), D...

Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Chroniques du jour, 13 rue Vale...

Kimber Smith (Hand signed and inscribed), ca. 1974 Offset Lithograph Poster. Hand Signed. Inscribed. Hand signed and inscribed on lower recto (front). Inscription reads: "Greetings ...

Image by Victor Pasmore, 1974 Additional information: Medium: etching, aquatint and screenprint 92 x 65 cm 36 1/4 x 25 5/8 in signed with initials Victor Pasmore was a British pain...

Artist: Giuseppe Uncini, Italian (1929 - 2008) Title: Ferrocemento Year: circa 1970 Medium: Mixed Media Print, signed and numbered in pencil Edition: 110/150 Image Size: 16.5 x 13 in...

A very good impression of this color lithograph. Signed and numbered 38/50 in pencil by Chagall. Catalogue reference: Mourlot 541

Antoni Clave Guerrier, 1970 Etching with Aquatint, signed and numbered in pencil Edition: 73/75 lower left Signed lower right Size: 76 x 56 cm FREE SHIPPING

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII)" Year: 1968 Medium: Original Lithograph, Exhibition P...

Etching and aquatint, 1967 Handsigned by the artist in pencil and numbered 46/75 Publisher : XXe siècle, Paris Printer : S. Esmeraldo, Paris Catalog : [Schneider XXXI] 75.00 cm. x 56...

203R0946 (Abstract Print) Carborundum etching on zinc printed on BFK Rives 250 gr/m2 paper - Unframed. Edition 3/8 Pierre Muckensturm added printmaki...

George Stauch (American b. 1900), " Untitled" Edition 298/300, Abstract Color Lithograph signed in pencil, 24 x 20, Late 20th Century Colors: White, Red, Brown, Yellow, Gr...

“Colour gives me a new way of working - in complete darkness. It seems contradictory that to produce colour you need to work in the dark. You blindly feel your way around the paper w...

Systems 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6 ...

Color offset lithograph. Signed and dated in felt-tip pen and pink ink, lower right. Published by Tony Shafrazi Gallery, New York.

Lithograph, stencil on vélin paper. Paper Size: 12.375 x 8.687 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and...

Medium: Screenprint, signed, numbered, dated, and titled in pencil Image Size: 25 x 18 inches Paper Size: 30 x 22 inches

Artist: Lynda Benglis, American (b. 1941) Title: Dual Nature (Blue) Year: 1991 Medium: Lithograph with Gold Leaf on Hand Tinted Paper, signed and numbered verso Edition: 20, AP ...

Marina Abramović & Ulay Sun and the Moon (Hand Signed print), 1987 Offset Lithograph Poster Uniquely isgned in ink pen on the front) by Marina Abramovic Historic collectors item 25....

This rear cover lithograph from Derrière le Miroir No. 204 showcases Eduardo Chillida’s iconic abstract style, emphasizing his mastery of form, balance, and spatial exploration. Publ...

Labyrinth Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, including acr...

Auguste Herbin (French, 1882-1960), "Nude", Geoemtric Composition, Serigraph on Paper, 1960, numbered edition "145/150" lower left, apparently unsigned, silver-tone frame. 19.25" H x...

This one is untitled and depicts a portrait of a young woman in yellow, red and blue with a Maryan like quality to it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1992 Medium: Screenprint, signed, numbered, dated and titled in pencil...

Pencil signed, dated, titled and numbered. Image 26" x 18"

This original lithograph is one of six produced by Joan Miró especially for the fourth volume of the catalogue of his lithographs. These are excellent examples of his later work and ...

Artist: Peter Phillips, British (1939 - ) Title: Circles of Confusion from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L Size: 24 ...

Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Park Seo-Bo Ecriture No. 1 - 06 ((2006). Edition 72/99 Print (casting with handmade paper), hand-coloring with acrylic Signed, titled, dated and numbered in pencil 76 x 55.5cm (shee...

Artist: Joan Miro Title: Plate 9 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

"Animated Formation" Abstract Aquatint Etching Abstract Aquatint Etching by Katherine "Kay" Metz (b. 1932-2018.)This dynamic print by Kay Metz straddles the line between organic and...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...