Oversized Abstract Prints

Non-objective mid-century abstract block print by Anthony "Tony" Luchessi (American, b. 1934). Signed and dated "Lucchesi '64" upper left. Displayed in a wood frame, without glass. I...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Menorah Series 4 Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200 Size: 52 in. x 1...

TECHNICAL INFORMATION: Wilfredo Lam Clairiere, from Pleni Luna 1974 Lithograph 25 1/2 x 19 3/4 in. Edition of 262 Pencil signed and numbered Accompanied w...

Acrylic. Hand signed and dated lower right: "Carruana 77". From the series: "Palmas I". Dimensions with white frame: cm. 136x101. Jorge Carruana was a Cuban painter, illustrator and...

Unusual and stunning vertical collotype and hand-painted triptych (3 panels) abstract composition titled "Mutable Green" of subtle gold and silver gilding evoking Frank Loyd Wright b...

Abstract Expressionist monoprint by American artist Robert Kuszek (b.1959). This print is on thick paper, and the images are textured and embossed. The piece is signed in the lower r...

This artwork "Untitled" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed and dated 98 in pencil at the lower right corner by the artist. The image si...

Joseph Grippi, American (1924 - 2001) - Yellow Barricade, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Size: 33 x 44 in. (83.82 x 111.76 cm)

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF I Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Artist: Darryl Hughto, American (1943 - ) Title: Delight Date: 1980 Edition: 180 Screenprint, signed, dated, titled and numbered in pencil Image Size: 48 x 36 inches Size: 50.25 x ...

This artwork "Untitled III" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed and dated 1998 in pencil at the lower right corner by the artist. The im...

Artist: Darryl Hughto, American (1943 - ) Title: Number Four Date: 1978 Screenprint, signed, titled, dated and numbered in pencil Edition: 150 Image Size: 39 x 29 inches Size: 42.5...

Artist: Darryl Hughto, American (1943 - ) Title: Snow Blow Special Date: 1979 Edition: 15 Screenprint, signed, titled, and numbered in pencil Image Size: 29 x 39 inches Size: 29.75...

Lace- Limited Edition of 10--46 X20 iPad drawing on German Etching Matt Fine art- paper of archival standard. This mould-made etching paper features a disti...

"AXO-CHARGA" BY VICTOR VASARELY (1906-1997) Serigraph on Black Paper ⚜ Signed ⚜ Numbered ⚜ Framed A VISIONARY MASTERWORK OF OP ART "Axo-Charga" is a striking original serigraph by V...

Sam Francis, American (1923 - 1994) - Untitled (SFE-118), Year: 1993-94, Medium: Aquatint, numbered in pencil and signature embossed, Edition: 4/20, Image Size: 35.75 x 18 inch...

Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - ) Title: Church, NJ Year: 1991 Medium: Etching, signed, numbered, dated, and tilted in pencil Paper Si...

A Pop Art screenprint composition on canvas by Steve Kaufman. This bright work features an image of the US one hundred dollar bill on the face side, showing an image of Benjamin Fran...

Pierre Soulages is considered a major figure of post-war European abstraction, alongside Hans Hartung, Georges Mathieu, Serge Poliakoff, and Jean-Paul Riopelle. He’s particularly ren...

Artist: Harry Fritzius (American, 1932-1989) Title: Four Horsemen of the Apocalypse Year: 1989 Medium: Lithograph with mixed med...

Michael Steiner, American, New York City (1945 - ) this is 49 of 160 from the edition. Michael Steiner A leading member of the Bennington school, abstract artists associated with ...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

Artist: Moshe Kupferman, Israeli (1926 - 2003) Title: Untitled II Year: 1997 Medium: Silkscreen, signed and numbered in pencil Edition: 40 Image Size: 30 x 45 inches Size: 32 x 47.5...

Artist: Judith Bernstein, American (1942 - ) Title: Big Horizontal Year: 1976 Medium: Lithograph, signed and numbered in pencil Edition: 40 Size: 29.5 x 41.5 in. (74.93 x 105.41 cm)

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1994 Medium: Screenprint, numbered in pencil, estate stamped in pen...

Artist: Charles Chamot Title: Artichoke Year: 1979 Medium: Woven Wool Tapestry, signed and numbered on label, verso Edition: 1/6 Size: 84 x 72 inches

Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...

RAZA Sayed Haider Prakriti Bindu, 2008 Original lithograph Hand signed in pencil Numbered / 150 On vellum 43 x 22" (110 x 55 cm) Authenticated with the Editor stamp on the backside ...

RAZA Sayed Haider Tree, bindu and five elements, 2008 Original Lithograph Handsigned in pencil Numbered / 150 copies On vellum 22 x 43" (56 x 110 cm) Authenticated by the Editor sta...

Autobahn by Frank Schott 48 x 48 inches / 122cm x 122cm signed edition of 7 42 x 42 inches / 107cm x 107cm signed edition of 7 30 x 30 inches / 76cm x 76cm signed edition of 25 ...

Figurative abstract woodcut print titled "Copula Negra" circa 1990, by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31....

Color aquatint and sugarlift aquatint.

Artist: Kenny Scharf Title: Sajippe Kraka Joujesh Medium: Silkscreen Signed: Hand Signed Measurements: 39" x 46" Edition Number: 26/150 PRINTER: Fine Art Printing Ltd, NYC PUBLIS...

Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 33/75 Publisher : Las estampas de la cometa (Gustavo Gili), Barcelone Printer : Ed...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Size: 35 x 45 inches

James Rosenquist (1933-2017) Star Proctor, 1978 Etching and aquatint in colors with embossment and hand embellishment on Pescia Italia paper Edition 11/78 Signed, numbered, dated, and titled in pencil along lower edge Published by Multiples Inc., New York Printed by Flatstone Studio, Tampa, Florida Framed Dimensions 31in H X 48in L LITERATURE: Glenn, 130 Rosenquist's work is included in major public and private institutions, and has been featured in solo exhibitions at the Solomon R. Guggenheim Museum, Museum of Modern Art, Walker Art Center, Whitney Museum of American Art, Guggenheim Museum Bilbao, The Menil Collection...

Artist: Joe Tilson, British (1924 - ) Title: Proscinemi Dodona, Oracle of Zeus Year: 1978 Medium: Aquatint Etching with Collage, signed and numbered in pencil Edition: 71 Image Size:...

Signed lower right, 'Miklos Pogany' and dated '1987'; titled lower left, 'Flight to Byzanthium'. Additionally signed verso, dated, titled and inscribed 'Monotype printed at Don Farnsworth's Magnolia Editions. Oil, litho ink on paper'. Sheet dimensions: 31.25 x 42.5 Inches. Hungarian-born Maine resident, Miklos Pogany, is a prolific artist with an impressive exhibition history and work in the permanent collections of many major museums including the Metropolitan Museum of Art in New York. A master of multiple media, Pogany creates vivid works based on nature and the built environment, exploring and pushing the parameters of each medium. The artist describes his motivation as follows: "I react to wonder, desires, conflicts, meanings, memories, revenge, sexuality, love and death. I gather all these fragments and make some personal sense of it all." Education: 1964 - BA, St. Procopius College, IL 1965 - MA, University of Chicago, IL 1972 - Ph.D. University of Chicago, IL Museum Collections: Metropolitan Museum of Art, New York, NY The Phillips Collection, Washington, D.C. National Museum of American Art, Smithsonian Institute, Washington, D.C. Fogg Museum, Harvard University, Cambridge, MA Victoria and Albert Museum, London, England Bibliothèque Nationale, Paris, France New York Public Library Print Collection, New York, NY Boston Public Library Print Collection, Boston, MA Yale University Art Gallery, New Haven, CT Achenbach Foundation for the Graphic Arts, San Francisco, CA Davidson Art Center, Wesleyan University, Middletown, CT Harvey Littleton, Greenville, NC Jane Voorhees Zimmerli Art Museum, Rutgers State University, NJ Mattatuck Museum, Waterbury, CT Selected Awards: The Connecticut Vision, Mattatuck Museum Prize 1990 Prints International, Silvermine Galleries, CT Rockefeller Foundation Grant, Bellagio, Italy International Graphic Arts Foundation, Sigma Gallery, New York Louis Comfort Tiffany Foundation Award Connecticut Commission for the Arts SECA Award for Painting, San Francisco Museum of Modern Art Selected Exhibitions: 2019 Danese Corey, New York, NY 2012 Fort Point Arts Community, Boston, MA 2008 Harvard University Owl Club, Cambridge, MA 2004 Kantar Fine Arts, Newtonville, MA 1998 J. Leighton Gallery...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Target Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 150 Size: 41.25 in. x 29.75 in. (104.78 cm x 75.5...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. 1956 In storefront studio in Oakland, California, creates signed serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud, all faculty members of the art department at Northern Illinois University. 1986 Publishes Richard Hunt s Over Wisdom Bridge. 1987 Series IV of Plucked Chicken Press is published with works by Bustos, Archer, Martyl, Petersen, Smith, Gordon, Gadomski and Godfrey. 1990 Series V of Plucked Chicken Press is published with four floral lithographs by Winifred Godfrey...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 25. Paper size is 36"h x 82"w with an image size of 20"h x 66"w. Rob...

Temporal Perception 206A (Triptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a triptych. Each element size is: 45 x...

Temporal Perception 142A (Triptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a triptych. Each element size is: 45 x...

Temporal Perception 125A (Triptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a triptych. Each element size is: 45 x...

Temporal Perception 91A (Triptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a triptych. Each element size is: 45 x ...

Temporal Perception 114 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30...

Temporal Perception 112 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30...

Temporal Perception 109 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

Monotype 44 x 30.5 inches unframed 47 x 34 inches framed