Oversized Abstract Prints

Views of Hotel Well I, from Moving Focus series (T. 280; DH. 67). Lithograph printed in colors on TGL handmade paper. Hand signed, dated and numbered by the artist. original Artist's...

’Flowers’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Very good. 9 out of 10. Colour of print may not be accurate when...

Artist: Jay Rosenblum (Americam, 1933-1989) Title: "Grove #1" *Signed by Rosenblum in pencil lower right Year: 1979 Medium: Original Screenprint on white Stonehenge paper Limited edi...

Artist: Alan Davie, Scottish (1920 - 2014) Title: Olympische Spiele Muenchen Year: 1972 Medium: Lithograph, signed and numbered in pencil Ed...

“Sirocco” by Helen Frankenthaler . Mixographia embossed engraving on handmade paper. Unique color from the regular numbered edition. 51/52. Hand signed by artist, dated 1989. Pri...

large format abstract photograph of water color clouds and horizon from a series of photographic works capturing the sea blue color palette of the ocean SEASCAPE I Diptych by Frank...

Artist: Kenny Scharf Title: Sajippe Kraka Joujesh Medium: Silkscreen Signed: Hand Signed Measurements: 39" x 46" Edition Number: 26/150 PRINTER: Fine Art Printing Ltd, NYC PUBLIS...

Damien Hirst is a British contemporary master artist and entrepreneur recognized for his iconic artworks that have defined the contemporary art world for over a decade. His varied pr...

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Mixed media, archival pigment and silkscreen on deckle-edged satin paper 101.6 × 67.3 cm Edition of 195 hand-signed and numbered by the artist James McQueen, born in 1977, is a Brit...

Large format photograph of Brutalist architecture in south of Italy ( Sicily ) Modica (2020) by Frank Schott 72 x 48 inches / 182cm x 122cm...

"Musee National d'Art Moderne" is a po ster by Victor Brauner for an exhibition of his work in Paris. It features abstracted heads in yellow, orange, and blue, with a border in pastel pink, green, blue, and yellow. It is framed with gold moulding. 33 1/2" x 19 5/8" art 40 1/2" x 26" frame Victor Brauner was born in Piatra Neamt, in 1903, and died in Paris, in 1966. He was the son of a timber manufacturer from Piatra Neamt who settled in Vienna with his family for a few years. It is there that young Victor attended the elementary school. When his family returned to the country (1914), he continued his studies at the evangelical school in Braila; he began to be interested in zoology in that period. He attended the Art School in Bucharest (1919-1921) and H. Igiroseanu’s private school of painting. He visited Falticeni and Balcic and started painting landscapes à la Cézanne. Then, as he testified himself, he went through all the stages: "Dadaist, Abstractionist, Expressionist". On September 26, 1924, the Mozart Galleries in Bucharest hosted his first personal exhibition. In that period he met poet Ilarie Voronca, together with whom he founded the "15HP" magazine. It was in this magazine that Brauner published the manifesto "The pictopoetry" and the article "The surrationalism". He painted and exhibited "Christ at the Cabaret" (in the manner of Graosz) and "The Girl in the Factory" (in the manner of Holder). He participated to the "Contemporanul" exhibition (November 1924). In 1925 he undertook his first journey to Paris, from where he returned in 1927. In the period 1928-1931 he was a contributor of the "Unu" magazine (an avant-garde periodical of Dadaist and Surrealist conceptions), which published reproductions of most of his paintings and graphic works: "clear drawings and portraits made by Victor Brauner to his friends, poets and writers" (Jaques Lessaigne - "Painters I Knew"). In 1930 he settled in Paris, where he met Brancusi, who initiated him into the photographic art. In that same period he became a friend of the Romanian poet Benjamin Fondane and met Yves Tanguil, who would later introduce him to the circle of the Surrealists. He lived on Moulin Vert St., in the same building as Giacometti and Tanguil. He painted "Self-portrait with a plucked eye", a premonitory theme. In 1933, Andre Breton opened Brauner’s first personal exhibition in Paris, at the Pierre Gallery. The theme of the eye was omnipresent: "Mr. K’s power of concentration" and "The strange case of Mr. K" are paintings that Andre Breton compared with Alfred de Jarry’s play "Ubu Roi", "a huge, caricature-like satire of the bourgeoisie". In 1935 he returned to Bucharest. He joined the ranks of the Communist Party for a short while, without a very firm conviction. On April 7, 1935, he opened a new personal exhibition at the Mozart Galleries. Sasa Pana wrote about it in his autobiographical novel "Born in 02": "April 7, 1935… An exhibition surrealist in character. The catalogue shows 16 paintings; they are accompanied by verses, surrealist images that are exquisite by their bizarreness - they are perhaps the creations of automatic dictation and they certainly bear no connection to the painting itself. They are written in French, but their colorful taste remains in the Romanian translation too. The exhibition brought about many interesting articles and takings of position regarding Surrealism in arts and literature." Another remark about Brauner’s participation to Surrealist exhibitions: "Despite its appearance of abstract formula,… this trend is a point a transition to the art that is to come." (R. Trost, in the"Rampa" of April 14, 1935) In the "Cuvantul liber" of April 20, 1935, Miron Paraschivescu wrote in the article "Victor Brauner’s exhibition": "In contrast to what one may see, for instance, in the neighboring exhibition halls, Victor Brauner’s painting means integration, an attitude that is a social one, as far as art allows it. For V. Brauner takes attitude through the very character and ideology of his art." On April 27, he created the illustrations for Gelu Naum’s poetry collection - "The Incendiary Traveler" and "The Freedom to Sleep on the Forehead". In 1938 he returned to France. On August 28 he lost his left eye in a violent argument between Dominguez and Esteban Frances. Brauner attempted to protect Esteban and was hit by a glass thrown by Dominguez: the premonition became true. That same year, he met Jaqueline Abraham, who was to become his wife. He created a series of paintings called "lycanthropic" or sometimes "chimeras". He left Paris in 1940, together with Pierre Malbille. He lived for a while in Perpignan, at Robert Rius’, then at Cant-Blage (Eastern Pyrenees) and at Saint Feliu d’Amont, where he was forcibly secluded. However, he kept in touch with the Surrealists that had taken refuge in Marseille. In 1941, he was granted the permission to settle in Marseille. Seriously ill, he was hospitalized at the "Paradis" clinic. He painted "Prelude to a civilization" (now in the Gelman collection). After the war, he took part to the Venice biannual exhibition; he traveled to Italy. In 1959, he settled in the workshop on Lepic St. In 1961 he traveled to Italy again. He settled in Varengeville, where he spent most of his time working. In 1965 he created an ensemble of object-paintings full of inventiveness and vivacity, grouped under the titles "Mythologie" and "Fêtes des mères...

Ed Ruscha Science is Truth Found Out (Red) Limited Edition scarf , held in bespoke box, 2022 Limited Edition 100% silk twill scarf, bearing Ruscha's authorized signature on both the ...

Joan Miró "Le Pitre Rose", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 9/50. Sheet measures: 55 x...

Artist: Harland Miller Title: Demons Are Forever Medium: Etching with relief printing and extensive hand-finishing by the print studio Date: 2024 Edition: 30/100 Sheet Size: 49 7/8" ...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Signed and dated in pencil on the reverse, with the artist's initials blind stamped lower right Unique Frame i...

In the center of a royal blue field of color, Ricard has scrawled “Jasper Johns over 34,000,000 sold”.  Ricard’s work brims with cultural references: with this statement he positions...

Robert Kushner Paris Review, 1982 Lithograph with Deckled Edges. Hand signed and numbered 142/200 by the artist on the front 30 × 44 inches Unframed This work was part of a series o...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and r...

Robert Motherwell, American, 1915-1991 St. Michel III 1979 Lithograph and Screenprint On handmade paper Hand signed in white pencil and numbered 71/99. Dimensions: Sight 40 3/4 x 32 ...

ORIGINAL MIXED MEDIA ON ARTBOARD 48 x 36 inches - Original mixed media signed by the artist. Craig Alan is a Pop Surrealist, internationally recognized for his ingenious portraits o...

Fleur d'Helice, 1969 Lithograph in colors on Chiffon de Mandeure paper Maeght Editeur, Paris 29.5 x 43.3 inches Signed and numbered in pencil, edition 62 of 75 Professionally framed...

Andy Warhol illustrated advertising poster New York, 1979: 1970s Andy Warhol illustrated "Lighthouse Footwear Reptile Shoes," poster (New York, 1979). An elegant & well-sized vintage...

Gene Davis Large Scale Lithograph on Archival paper Signed and numbered in pencil. Titled Yankee Doodle and executed in 1972. Original frame with plexiglass. Printed by Fine Creati...

Etching Aquatint and Carborundum Signed to lower right Pencil Signed and Numbered 54/75 Sheet Size: 42" x 29" Frame Size: 61.5" x 46" Reference: Dupin 510

Rafael Canogar (Spain, 1935) 'Fuego', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-096 Hand-signed by author ________________...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

Vertical lines in muted colors take on the organic quality of handmade paper, resulting in this subtle iteration of Gene Davis’ iconic color field stripe paintings. The title "Narcis...

This contemporary geometric abstract monotype on archival paper layers shapes on a blue background transitioning from deep cobalt on the bottom to teal at the top. A red orange recta...

Rafael Canogar (Spain, 1935) 'Agua', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-098 Hand-signed by author _________________...

Alexander Calder (American, 1898-1976) Signed: Calder (Lower, Right) “Four Great Pyramids”, 1970 Lithograph in Colors on Arches Paper Sheet Size: 30” x 43” Numbered: Hand signed and ...

Very good impressions of these 4 color screenprints on white wove paper. Each signed, dated and numbered 15/25, 18/36, 15/39 or 6/40 in pencil.

Screenprint in colours with lamé, on Kakita-shi paper Edition 41 of 100 60 x 68 cm (23.6 x 26.8 in) Signed, numbered, dated and titled on front Artwork in excellent condition conside...

large format Panorama photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...

Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Editions...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O by Erik Pa...

Dennis Oppenheim A Device for Converting a Chilling Underground Wind into Memory, 1986 Lithograph Hand signed, numbered 3/100 and dated on lower front 38 1/5 × 50 inches Unframed P...

Stunning horizontal abstracted mesh and gold-leaf lithograph on heavy bond paper with artist's protocol notes (for future projects) by Patricia A. Pearce (American, b. 1948). Unsigne...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Colorful, sophisticated, mesmerizing and highly labored ...

Judy Pfaff, American (1946 - ) - Year of the Dog #5, Year: 2008, Medium: Hand Colored Woodblock and Collage, signed, dated and numbered in pencil, Edition: varied edition of 20/20...

color lithograph, linocut, and screenprint with hand-coloring collage on T.H. Saunders and hand-cut Somerset paper Edition 48 of 60 signed, dated, and numbered in pencil (sheet) 52....

This abstract limited edition print by Teodora Guererra features a warm palette, with large strokes and washes of grey, muted yellow-orange, burnt sienna, and white, which move acros...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

large scale abstract b&w photograph of mesmerizing monochromatic water surface SEASCAPE V by Frank Schott 60 x 48 inches / 152cm x 122cm signed edition of...

Screenprint and offset lithograph in colours, 1987, on wove paper, signed in pencil by the artist, one of 10 printer's proofs, aside from standard edition of 72, published by Lincoln...

Joan Miró "Le Permissionnaire", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 3/50. Image measures: 45 x 29 inches Sheet measure...

This is a hand painted large Limited Edition, truly brings impact to your space ,wowing the visitors and delight your daily life with its scale and hand painted detail. ( 90% of the image is hand painted by artist, shizico yi) - Limited Edition of Five only. This is the 3rd of the five , #3 of 5; it is offered as an alternative to this original piece, highly collectible. About the Painting The painting captures two major spring trees in the artist’s garden, painted plein-air in the garden for three days, later on, Shizico Yi added the important locations of London that are dear to her memories; in this painting St Paul...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a warm, earth-toned palette. Printed on canvas, this giclee ships framed in a warm si...

Jules Olitski Elegy, September 11, 2001, 2002 Silkscreen on wove paper Edition 103/108 Signed, titled and numbered in graphite pencil 103/108 on the front Framed Jules Olitski is hon...

1-2-3 Outside reproduces James Rosenquist’s 1963 oil painting of the same name, collected in the Spencer Museum of Art, The University of Kansas, Lawrence. Rosenquist sourced the ima...

SALE ONE WEEK ONLY Soft pastel colors in floating smudges lay between and around lyrical abstract geometric and organic forms giving a diaphanous color and shape harmony to the work...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Dieter Roth Goodbye Sharpie, 1972 44.5 x 54.3 / 113 x 138 cm Planographic printing from zinc, white on dyed grey card Edition of 30, this copy marked "Artist's Copy" and annotated II/IV Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...

Luis Feito (Spain, 1929-2021) 'Guadarrama V', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-063 Hand-signed by author

Color lithograph, Edition 30 In 2010, Ray made his first lithographs at Shark’s Ink., Pyzinerol and Pyzinerol II. Ambitious prints with 18 colors from 15...

Original lithograph in colours on Arches watermarked paper, with full margins, framed Central panel from the triptych of the same title Signed by the artist in pencil, lower right on...

This artwork titled "Sombre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 38.5 x 28 inches, framed size is 48.25 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

Jules Olitski Mozart Night, 1992 Silkscreen on wove paper Signed, dated, titled and numbered 71/108 in graphite pencil on the front Edition 71/108 47 × 36 inches Unframed Silkscreen ...

ANTONIO SAURA "Serie Abierta" 1989 Silkscreen on paper. Copy 48/99. Signed and justified in pencil. 75 x 104cm.