Oversized Abstract Prints

"Carlos Garcia de la Nuez (Cuba, 1959) 'La Isla Infinita', 2014 P/A (Artist Proof) woodcut and collagraph on paper Velin Arches 300 g. 42.2 x 70.9 in. (107 x 180 cm.) Edition of 20 I...

Woodcut and screenprint in colours, 1987, on Arches wove paper, signed and dated in pencil from the edition of 75, published by Parasol Press, Ltd., New York, from The Brooklyn Acade...

Frank Stella challenges the narrative possibilities of abstraction in this tribute to the literary work “Moby-Dick”. Rather than plainly depicting scenes of the novel, Stella instead...

Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of nu...

Double Poppies Pink 2025 
Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board 
Sheet size: 52.5 x 30 inches (133 x 76 cm)
 Image size: 48.5 x 26 inches ...

Large format photograph of intricate garment details of ancient Roman marble sculptures, from a series capturing ancient craftsmanship and fashion of antiquity 72 x 48 inches / 183c...

Lithograph from four aluminium plates using tusche and washes, printed in transparent red, orange and a red to orange blend, with hand colouring in ivory black watercolour and blue and green gouache. On two sheets of buff BFK Rives mould-made paper (300 gsm) Hand-signed by artist, Signed with initials and dated 1980 in pencil, in the lower left on the left-hand sheet. Numbered in pencil in the lower right, verso Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 5 (ill. front cover); Deborah Phillips, 'New Editions: Howard Hodgkin', ARTnews, vol. 80, no. 7, September 1981, p. 161; 'Prints by Six British Painters: Stephen Buckley...

Jim Dine The First Woodcut Gate (The Landscape) Hand Embellished Woodcut, 1983 Size : 35.75” x 44.75” inches Edition number 27 of 49 with 7 APs Signed and dated in pencil Printed ...

Offset lithograph, using a single zinc plate, with collage in colors printed from a watercolor on Hodgkinson mould paper Signed, numbered, and dated on recto

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...

This original woodcut in colours is hand signed in pencil "R. Lichtenstein" at the lower right margin. It is dated ‘80’ [1980] next to the signature. It is also numbered in pencil from the edition of 50, at the lower right margin. There were also 18 artist’s proofs aside from the standard edition. The subject was printed and published by Tyler Graphics Ltd., Bedford, New York in 1980. The paper bears the blindstamp of the printer and publisher. This is the sixth composition of six comprising the ‘American Indian Theme...

Universe IV (Blue) by Mark Francis, 2015 Additional information: Medium: archival inkjet 106 x 88 cm 41 3/4 x 34 5/8 in

Caviar20 has a particular interest in sculptors. Jeff Koons, as polemic as he is, is one of the 20th century’s most important and audacious sculptors. This print celebrates one of h...

Archival pigment print on paper, edition of 9 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Internati...

Archival pigment print on paper, edition of 9 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Internati...

André Masson (1896 - 1987) - Hand-Signed Lithography, 1975 Additional Information: Material: Color lithography Edited in 1975 Limited edition, numbered in lower left corner 26/50 Si...

Cloud Study I - 21st Century Contemporary Photographic Print Framed Cloud Study I, like many of Pia’s works, evokes quiet contemplation – in this instance, through a cloud study. Fo...

PETER HALLEY (American, b. 1953) Cartoon Explosion, 1999 Medium: 5-part leporello, digital pigment print on handmade rice paper (folded, as issued) Dimensions: 49.21 x 12.60 in (125....

Carl Andre Zinc: Historic Ace Gallery poster (Hand Signed by Carl Andre), 2007 Limited Edition Offset lithograph poster (hand signed by Carl Andre) ...

Diptych x 2 (40 x 40 x 0,04 in) - archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate ...

Joan Mitchell (1925-1992) was a leading abstract artist whose prolific career spanned more than four decades. Working in a variety of mediums, including oil, pastel, and printmaking,...

Mountain Rain is a unique handmade cyanotype on watercolor paper, presented as a diptych. With fluid bands of indigo and soft gradients of blue, the composition evokes the rhythm of ...

Unframed pigment ink print on canvas Image size: 44"H 36"W unstretched Edition: 50 Signed and numbered Dirk De Bruycker is originally from Belgium but spent over 30 years in Sant...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

From In a Spin, the Action of the World on Things, Volume II. Etching in color on 350gsm Hahnemühle paper. Hand signed lower right by Damien Hirst. From the edition of 68. Sheet ...

Scanga, Italo (American, born Italy, 1932-2001). 2CYPRESS. Color Lithograph and woodblock on paper, 1989. Edition of 40, signed, titled, dated, and numbered 18/40, all in pencil. 41 ...

"Replica" Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 35" x 25" inch Edition of 7: 42" x 30" inch Edition of 3: 56" x 40" inch * * * ABOUT Larsen Sotelo * * * Larsen Sotelo is a Filipino-American art and fashion photographer...

A very good, richly-inked impression of this large, scarce print. Hand-painted carborundum relief (hand-painted in Permanent Maroon and Prussian Blue Hue, then printed in Titanium Wh...

Blue Diamond is a unique handmade cyanotype diptych on watercolor paper. Its layered gradients of deep indigo and radiant white form a luminous diamond shape, blending geometric prec...

Silkscreen Black and White Lantern Flowers with Flocking

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

This piece titled "Mercury in Retrogradient" is a digital print by Danielle Clough. This piece measures 43.5" x 43.5" and is an edition of 22. The threads that link the ancient and ...

David Shapiro’s minimalist works are meditative and quiet. This black and tan print has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He did ...

'EVEN THE HEART SKIPS A BEAT' is a signature stylistic print by RETNA. The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust. This exquisite p...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

Jack Youngerman, American (1926 - 2020) - Blue Flower, Year: 1978, Medium: Screenprint, signed, numbered and dated in pencil, Edition: 95/100, Image Size: 50 x 35.5 inches, Size:...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition 219/300. Printed By Brand X Editions. Published by Donald J. Christal, Los Angeles, CA. Ver...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Sergio Hernández (Mexico, 1957) 'Cielo Estrellado', 2011 woodcut on paper Velin Arches 300 g. 46.5 x 82.7 in. (118 x 210 cm.) Edition of 10 Unframed

Louise Nevelson ( 1899 - 1988 ) - hand-signed Silk-screen on hand-made paper, 1975 Additional information: Material: Silk-screen on hand-made paper Edited in 1975 Limited edition in...

A print by Josef Albers. "Formulation: Articulation" is a Post-War abstract screen print in black and white by German-American artist Josef Albers. The artwork is unsigned and is edi...

Reverse Sunsets is a vibrant Giclée print that explores the emotional resonance of color through soft, seamless transitions of mauve, purple, and yellow tones. This abstract diptych ...

Bonnet Phrygien et Barre de Fer (Phrygian Cap and Iron Bar), 1974 Lithograph in colors on Chiffon de Mandeure paper, with full margins, framed Maeght Editeur, Paris 29.5 x 43.3 inche...

Dan Christensen, American (1942 - 2007) - Hyde Park II, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 133/175, Image Size: 37 x 24 inches...

A lithograph print by Karel Appel from 1974. An expressionist portrait of two figures in bright contrasting colors. Artist: Karel Appel, Dutch (1921 - 2006) Title: Deux Personnage ...

TECHNICAL INFORMATION: Ellsworth Kelly Black Yellow 1970 - 72 Lithograph 34 x 39 3/4 in. Edition of 55 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

Artist: Larry Zox Title: Niagara Series III Grey Year: 1980 Print - Linocut Lithograph 29.75'' x 42.25'' inches Edition: signed in pencil and numbered 22/88 UNFRAMED GOOD CONDITION...

Rising to prominence in the late 1970s and early 1980s, American artist Julian Schnabel is known for a multidisciplinary practice that spans painting, sculpture and film. During his ...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 36 x 18 inches. Frame size approx 49 x 30 inches. From the edition of 200. Certificate of authenticity i...

This piece titled "when darkness yields" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece meas...

Artist: Jim Bruss, American (1944 - ) Title: Marionette's Rehearsal Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP 2/4 Image: 19 x 37.5 inches Size: 24.5 ...

A dynamic and textured screenprint by American Abstract Expressionist, Larry Poons. This series of prints resemble canvases that have been splashed violently with paint. This piece i...

The work of Luis Gordillo spans more than five decades. He began his career by developing a new pictorial language that became a point of reference for an entire generation of artist...

Peter Phillips (British, b. 1939) Untitled, from the Pneumatic Series Screenprint, 1968 Signed, inscribed and dated Peter Phillips, Printers Proof (lower right) Including frame: 27 1...

"Boris Viskin (Mexico, 1960) 'Untitled 1', 2015 woodcut on paper Velin Arches 300 g. 13.2 x 52.8 in. (33.5 x 134 cm.) Edition of 30 ID: VIS-101"

One Down, 1981-82 Howard Hodgkin Lithograph printed in classic black, transparent brown/black and violet black, with hand-colouring in gouache (three different greys), on buff Velin...

Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...

Archival pigment ink print with silkscreened high gloss varnish and diamond dust. Hand signed, dated and numbered 19/25 lower right by Kenny Scharf. Artwork size: 42 x 42 inches. ...

This Limited Edition giclee coastal landscape print by Molly Doe Wensberg is an edition size of 195. The print features a green and light lavender palette, and captures a scene of a ...