Oversized Abstract Prints

Ai Weiwei (Chinese, b. 1957) Bomb, 2020 Medium: Fine art inkjet print, Hahnemüle German etching 310g paper Dimensions: 95 x 130 cm (37 2/5 x 51 1/5 in) Edition of 100 + 25 AP: Hand-s...

Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2” Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...

After Roy Lichtenstein Offset poster for Museum Ludwig Koln Landscape with Figures and Rainbow Unsigned

Archival pigment ink print on archival paper, Edition of 20 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Scienc...

"Abstract I" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is believ...

"Abstract II" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is belie...

Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of nu...

Large format photograph of intricate garment details of ancient Roman marble sculptures, from a series capturing ancient craftsmanship and fashion of antiquity 72 x 48 inches / 183c...

Dan Christensen, American (1942 - 2007) - Delta Leader, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 145, Size: 43 in. x 29.5 in. (109.22 cm x 7...

Woodcut and screenprint in colours, 1987, on Arches wove paper, signed and dated in pencil from the edition of 75, published by Parasol Press, Ltd., New York, from The Brooklyn Acade...

Frank Stella challenges the narrative possibilities of abstraction in this tribute to the literary work “Moby-Dick”. Rather than plainly depicting scenes of the novel, Stella instead...

Jim Dine The First Woodcut Gate (The Landscape) Hand Embellished Woodcut, 1983 Size : 35.75” x 44.75” inches Edition number 27 of 49 with 7 APs Signed and dated in pencil Printed ...

This abstract, limited edition print by Elwood Howell features a predominantly green palette, with a muted yellow area at the top of the composition. Subtle circle shapes and long ve...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Universe IV (Blue) by Mark Francis, 2015 Additional information: Medium: archival inkjet 106 x 88 cm 41 3/4 x 34 5/8 in

Archival pigment print on paper, edition of 9 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Internati...

Archival pigment print on paper, edition of 9 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Internati...

Offset lithograph, using a single zinc plate, with collage in colors printed from a watercolor on Hodgkinson mould paper Signed, numbered, and dated on recto

"Carlos Garcia de la Nuez (Cuba, 1959) 'La Isla Infinita', 2014 P/A (Artist Proof) woodcut and collagraph on paper Velin Arches 300 g. 42.2 x 70.9 in. (107 x 180 cm.) Edition of 20 I...

Lithograph from four aluminium plates using tusche and washes, printed in transparent red, orange and a red to orange blend, with hand colouring in ivory black watercolour and blue and green gouache. On two sheets of buff BFK Rives mould-made paper (300 gsm) Hand-signed by artist, Signed with initials and dated 1980 in pencil, in the lower left on the left-hand sheet. Numbered in pencil in the lower right, verso Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 5 (ill. front cover); Deborah Phillips, 'New Editions: Howard Hodgkin', ARTnews, vol. 80, no. 7, September 1981, p. 161; 'Prints by Six British Painters: Stephen Buckley...

Caviar20 has a particular interest in sculptors. Jeff Koons, as polemic as he is, is one of the 20th century’s most important and audacious sculptors. This print celebrates one of h...

Jasper Johns (American, b. 1930), "Viola Black State", Lithograph in Colors on Arjomari Paper, 1972, printed and published by Gemini, G.E.L., Los Angeles, C...

PETER HALLEY (American, b. 1953) Cartoon Explosion, 1999 Medium: 5-part leporello, digital pigment print on handmade rice paper (folded, as issued) Dimensions: 49.21 x 12.60 in (125....

Cloud Study I - 21st Century Contemporary Photographic Print Framed Cloud Study I, like many of Pia’s works, evokes quiet contemplation – in this instance, through a cloud study. Fo...

Carl Andre Zinc: Historic Ace Gallery poster (Hand Signed by Carl Andre), 2007 Limited Edition Offset lithograph poster (hand signed by Carl Andre) ...

Double Poppies Pink 2025 
Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board 
Sheet size: 52.5 x 30 inches (133 x 76 cm)
 Image size: 48.5 x 26 inches ...

This original woodcut in colours is hand signed in pencil "R. Lichtenstein" at the lower right margin. It is dated ‘80’ [1980] next to the signature. It is also numbered in pencil from the edition of 50, at the lower right margin. There were also 18 artist’s proofs aside from the standard edition. The subject was printed and published by Tyler Graphics Ltd., Bedford, New York in 1980. The paper bears the blindstamp of the printer and publisher. This is the sixth composition of six comprising the ‘American Indian Theme...

Diptych x 2 (40 x 40 x 0,04 in) - archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate ...

Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...

André Masson (1896 - 1987) - Hand-Signed Lithography, 1975 Additional Information: Material: Color lithography Edited in 1975 Limited edition, numbered in lower left corner 26/50 Si...

Mountain Rain is a unique handmade cyanotype on watercolor paper, presented as a diptych. With fluid bands of indigo and soft gradients of blue, the composition evokes the rhythm of ...

Unframed pigment ink print on canvas Image size: 44"H 36"W unstretched Edition: 50 Signed and numbered Dirk De Bruycker is originally from Belgium but spent over 30 years in Sant...

"Replica" Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 35" x 25" inch Edition of 7: 42" x 30" inch Edition of 3: 56" x 40" inch * * * ABOUT Larsen Sotelo * * * Larsen Sotelo is a Filipino-American art and fashion photographer...

From In a Spin, the Action of the World on Things, Volume II. Etching in color on 350gsm Hahnemühle paper. Hand signed lower right by Damien Hirst. From the edition of 68. Sheet ...

A very good, richly-inked impression of this large, scarce print. Hand-painted carborundum relief (hand-painted in Permanent Maroon and Prussian Blue Hue, then printed in Titanium Wh...

Blue Diamond is a unique handmade cyanotype diptych on watercolor paper. Its layered gradients of deep indigo and radiant white form a luminous diamond shape, blending geometric prec...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Jack Youngerman, American (1926 - 2020) - Blue Flower, Year: 1978, Medium: Screenprint, signed, numbered and dated in pencil, Edition: 95/100, Image Size: 50 x 35.5 inches, Size:...

Silkscreen Black and White Lantern Flowers with Flocking

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition 219/300. Printed By Brand X Editions. Published by Donald J. Christal, Los Angeles, CA. Ver...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

This piece titled "Mercury in Retrogradient" is a digital print by Danielle Clough. This piece measures 43.5" x 43.5" and is an edition of 22. The threads that link the ancient and ...

Louise Nevelson ( 1899 - 1988 ) - hand-signed Silk-screen on hand-made paper, 1975 Additional information: Material: Silk-screen on hand-made paper Edited in 1975 Limited edition in...

A print by Josef Albers. "Formulation: Articulation" is a Post-War abstract screen print in black and white by German-American artist Josef Albers. The artwork is unsigned and is edi...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Bonnet Phrygien et Barre de Fer (Phrygian Cap and Iron Bar), 1974 Lithograph in colors on Chiffon de Mandeure paper, with full margins, framed Maeght Editeur, Paris 29.5 x 43.3 inche...

'EVEN THE HEART SKIPS A BEAT' is a signature stylistic print by RETNA. The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust. This exquisite p...

Rising to prominence in the late 1970s and early 1980s, American artist Julian Schnabel is known for a multidisciplinary practice that spans painting, sculpture and film. During his ...

Sergio Hernández (Mexico, 1957) 'Cielo Estrellado', 2011 woodcut on paper Velin Arches 300 g. 46.5 x 82.7 in. (118 x 210 cm.) Edition of 10 Unframed

Dan Christensen, American (1942 - 2007) - Hyde Park II, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 133/175, Image Size: 37 x 24 inches...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 36 x 18 inches. Frame size approx 49 x 30 inches. From the edition of 200. Certificate of authenticity i...

Scanga, Italo (American, born Italy, 1932-2001). 2CYPRESS. Color Lithograph and woodblock on paper, 1989. Edition of 40, signed, titled, dated, and numbered 18/40, all in pencil. 41 ...

Artist: Larry Zox Title: Niagara Series III Grey Year: 1980 Print - Linocut Lithograph 29.75'' x 42.25'' inches Edition: signed in pencil and numbered 22/88 UNFRAMED GOOD CONDITION...

TECHNICAL INFORMATION: Ellsworth Kelly Black Yellow 1970 - 72 Lithograph 34 x 39 3/4 in. Edition of 55 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

A lithograph print by Karel Appel from 1974. An expressionist portrait of two figures in bright contrasting colors. Artist: Karel Appel, Dutch (1921 - 2006) Title: Deux Personnage ...

A dynamic and textured screenprint by American Abstract Expressionist, Larry Poons. This series of prints resemble canvases that have been splashed violently with paint. This piece i...

This piece titled "when darkness yields" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece meas...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

The work of Luis Gordillo spans more than five decades. He began his career by developing a new pictorial language that became a point of reference for an entire generation of artist...

David Shapiro’s minimalist works are meditative and quiet. This black and tan print has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He did ...