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Fernandez ArmanFiltres A Air1969
1969
About the Item
Filtres A Air
Lithograph, 1969
Signed in pencil lower right (see photo)
Published by Louisiana Museum Humbleback (Denmark)
Printed by Clot, Bramsen and Georges, Parigi
A proof of the black stone, without the grey/brown tint background
Edition of 100 with colors plus EA as here
Provenance: Ileana Sonnabend (1914-2007), wife of Leo Castelli and noted Parisian Art Dealer
Nina Castelli Sundel (1936-2014), daughter of Leo Castelli and Ileana Sonnabend
"Arman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave ("cachet", "allures d'objet") to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects."
Courtesy of the Tate
"Arman was born in Nice. He moved to Paris in 1949 and since the early 1960s has lived in New York. Early in his career, a catalogue misprint reduced his name to Arman, and he has worked under that name ever since. In the 1950s Arman made works on paper covered with the imprints of rubber stamps. These repeated patterns led, in 1959, to his 'Accumulations', in which dozens of manufactured objects were crammed into transparent plastic boxes. Arman later moved on to more ambitious projects, including a huge tower of sixty cars embedded in concrete, rising to a height of twenty metres."
Courtesy National Galleries Scotland
- Creator:Fernandez Arman (1928-2005, French)
- Creation Year:1969
- Dimensions:Height: 25.5 in (64.77 cm)Width: 22.5 in (57.15 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA106781stDibs: LU1407157252
Fernandez Arman
Arman (civil name Armand Pierre Fernandez, 1928 - 2005) was a French-US-American object artist and co-founder of Nouveau Réalisme - a style that took up ideas from Dadaism and is therefore also called Neo-Dadaism. Real objects from everyday life are declared Ready-Mades, so that found objects and rubbish are arranged into assemblages, accumulations and collages. He became artist friends with Yves Klein and Claude Pascal and was also artistically influenced by the work of the German Dadaist Kurt Schwitters and by his encounter with the art critic Pierre Restany, who later became the theoretician of Nouveau Réalisme. After a trip to Europe in 1947, attended the École des Arts Décoratifs in Paris. From 1949 he changed to the École du Louvre
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