Framed Abstract Prints

The Fabulous Moolah, World Champion Female Wrestler Figurative Screen Print Modern figurative print of world champion female wrestler Mary Lillian Ellison (American, 1923-2007), also known as The Fabulous Moolah. The artist of this print is unknown. Unsigned and undated. Presented in a modern frame with Plexiglass. Image size: 26”H x 20L". During her lifetime, Moolah was lauded as a leading figure in women's professional wrestling and was considered one of the industry's greatest wrestlers. Moolah's first World Championship reign lasted over ten years. Moolah successfully defended the belt against the top female wrestlers in the world, such as Judy Grable and Donna Christanello, while also purporting to befriend some of the biggest celebrities of the day such as Elvis Presley and Jerry Lee Lewis. She became the first woman to be inducted into the WWF Hall of Fame in 1995. In 1999, she became the oldest champion in the history of professional wrestling when she won the Women's Championship for a final time at age 76 in 1999. Championships and Accomplishments: Cauliflower Alley Club Ladies Wrestling Award (1997) National Wrestling Alliance NWA Women's World Tag Team Championship (2 times) – with Toni Rose NWA World Women's Championship (5 times) NWA Hall of Fame (Class of 2012) Pro Wrestling...

This limited edition abstract giclee print by Sofie Swann is an edition of 95. It features thin, imperfect vertical rectangular shapes which are half white and half deep red, and are...

This limited edition abstract giclee print by Kelly Rossetti features layers of light, loose strokes of pale creme and pink over top of a range of blues, with pops of a unique green...

This limited edition abstract giclee print by Kelly Rossetti features layers of light, loose strokes of pale creme and pink over top of a range of blues, with pops of a unique green...

This limited edition abstract giclee print by Kelly Rossetti features layers of light, loose strokes of pale creme and pink over top of a range of blues, with pops of a unique green...

Bold abstract monoprint by Roxanne Lu (20th Century). This piece is composed of botanical shapes laid across large patches of dark magenta, olive green, black, and pale blue. Extending below the majority of the piece are brushstrokes resembling roots. Signed, dated, titled and marked with the artist's chop in the lower right corner (Roxanne Lu Roots FA 98) Presented in an aluminum frame with an off white mat...

This abstract limited edition giclee print by Ned Martin features birds in flight. Five white birds with dark feathers on the tips of their wings fly in a formation through a primari...

This abstract limited edition print features a red and gold rectangular patterned backdrop, in front of which, green and yellow birds sitting on top of branches. The foreground and b...

This abstract limited edition print by Ned Martin features a large hummingbird as the central focus. The hummingbird is varying shades of blue and warm orange tones, while an abstrac...

This abstract limited edition print by artist Ned Martin features his signature rectangular pattern in a cool palette. A warm under-layer is just visible, which lightly contrasts the...

This Limited Edition abstract print, "Neighbors" by Sofie Swann measures 60" x 48" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired...

This abstract limited edition print by artist Ned Martin features his signature rectangular pattern in a cool palette. A warm under-layer is just visible, which lightly contrasts the...

#1 ,So don't be a like a feather in the wind, The Divine Comedy, The Paradise. monotype with hand coloring in ink. Unique. From a new series of 7 monoprints with hand coloring inspi...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and specks of pink forming the bottom area of the piece. Above is a muted color that transitions out toward the edges to form the aesthetic of a glowing blue sky. An edition of 100, the limited edition giclee it is printed on canvas, and framed in a warm silver floater frame ready to hang. The artist allows Sorelle gallery to create his Limited Edition prints which are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created prior to shipping. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. Other floater frame options are available in white, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Artist Statement and CV: Of his work, artist Elwood Howell says, "The greater body of my work is primary landscapes and seascapes of an imaginary nature created in the studio. Most works have a generally high horizon as a focal point to lure ones eye into the simple composition. The large area below the horizon down to the base of the canvas gives the viewer's eye freedom to roam the surface. This space gives the painting life much as soil nourishes the very roots of a tree. The imagery at the horizon gives a focal point and the expanse above serves as atmosphere to set the mood. This has been a format I have used for over forty years and it still intrigues me. In the process of correlating the colors, values and markings, with the fore mentioned ink, paint, charcoal, pencil and even by sanding, a visual conversation begins between the painting and the painter. Thus, by adjusting again and again, from hints given by previously applied paint, sometimes even an abrupt and complete change over the earlier endeavors is commanded. The discourse will probably continue forward, just as communications sometimes do with people, for new thoughts can hoover about and over time a need is created for further deliberation. Thus some "completed" works have required changes years later. Sometimes discussions, of whatever nature, never seem to be finished. When painting is viewed down the road, by another person, maybe they, too, will encounter a visual voice, which probably will be of a totally different nature than has been envisioned. However, and hopefully, at that time some connection will take root and a soul will be nourished.” Awards • Honorable Mention, Guild Hall, East Hampton, NY (2003) • Best Abstract, Guild Hall, East Hampton, NY (1982) • David G. Lyon Award, New England Exhibition, Silvermine Guild, New Canaan, CT (1982) • Shared 1st prize, Parrish Art Museum Annual, Southampton, NY (1981) • Reader's Digest Award, 31"t New England Exhibition, Silvermine Guild, New Canaan, CT (1981) • 1st Prize, VII Long Island Painters, Guild Hall, East Hampton, NY (1975) • Judges Award, 22nd Annual Exhibit, Parrish Art Museum, Southampton, NY (1975) • Award of excellence, 20th Annual Exhibit, Heckscher Museum, Huntington, NY (1975) • 2nd Place, Artist Guild of Chicago & Artist Guild Purchase Award, Annual Watercolor Show (1974) • Merit Award. Illinois State Fair Professional Art Exhibition (1973) • Williams Bartels Prize, 74th Chicago and Vicinity Show, The Art Institute of Chicago, IL (1973) • Honorable Mention and Metropolitan Structure Award, New Horizons Exhibit, Chicago, IL (1973) • William Fleming Purchase Award 4th International Mat-Media Exhibition of Dickinson State College, ND (1973) • Purchase Award, Springfield Old Capital Art...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

This bold and graphic black-and-white etching, titled "Big O", is an original work by noted 20th-century artist Mary Chenoweth. Created in 1982, the composition features minimalist a...

This limited edition abstract landscape print by artist Ned Martin depicts an abstracted forest with deep blues and vibrant orange hues. Tree trunks are visible spanning the width of...

Celtic Spirit III by Alan Davie, 2001 Additional information: Medium: screenprint 74.5 x 97.5 cm (unframed) 29 3/8 x 38 3/8 in signed, dated and numbered in pencil Alan Davie is on...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and r...

Image dimensions: 54x80 cm. This is numbered 26 out of 50 specimens plus some Artist's proofs. Printed in Zurich. Ref: l'Oeuvre Gravée, N°476; Toninelli Abrams New York, no. 84; "L...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This abstract landscape limited edition print by Elwood Howell features a warm, yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a sm...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, and a light blue palette. The foreground portion of the composition beneath the horizon ...

Artist: Phil Sims (American, born 1940) Title: Untitled #3 Year: 1984 Medium: Monotype Paper: Wove Image size: 4 x 4 inches paper size: 11.25 x 10 inches Framed size: 18.5 x 17.25 inches Signature: Signed and dated (1984) in pencil lower right Printer: The artist Condition: Very good Frame: Framed in the custom original frame The print and mat are in very good condition. The frame is in fair to good condition with some light scratches and very slight separation in the lower left and upper right corners.. Phil Sims is born in 1940 in Richmond, California. Before turning to painting, Sims was a potter and a ceramic artist. In the mid- 1960s he attends the San Francisco Art Institute, and he is now considered a master in the use of color as an expressive medium. At the beginning of his artistic education, he looks at the use of color by the Abstract Expressionism artists. His early career develops as part of the artistic group Radical Painters (Marcia Hafif, Joseph Marioni...

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and specks of pink forming the bottom area of the piece. Above is a muted color that transitions out toward the edges to form the aesthetic of a glowing blue sky. An edition of 100, the limited edition giclee it is printed on canvas, and framed in a warm silver floater frame ready to hang. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created prior to shipping. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. Other floater frame options are available in white, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Artist Statement and CV: Of his work, artist Elwood Howell says, "The greater body of my work is primary landscapes and seascapes of an imaginary nature created in the studio. Most works have a generally high horizon as a focal point to lure ones eye into the simple composition. The large area below the horizon down to the base of the canvas gives the viewer's eye freedom to roam the surface. This space gives the painting life much as soil nourishes the very roots of a tree. The imagery at the horizon gives a focal point and the expanse above serves as atmosphere to set the mood. This has been a format I have used for over forty years and it still intrigues me. In the process of correlating the colors, values and markings, with the fore mentioned ink, paint, charcoal, pencil and even by sanding, a visual conversation begins between the painting and the painter. Thus, by adjusting again and again, from hints given by previously applied paint, sometimes even an abrupt and complete change over the earlier endeavors is commanded. The discourse will probably continue forward, just as communications sometimes do with people, for new thoughts can hoover about and over time a need is created for further deliberation. Thus some "completed" works have required changes years later. Sometimes discussions, of whatever nature, never seem to be finished. When painting is viewed down the road, by another person, maybe they, too, will encounter a visual voice, which probably will be of a totally different nature than has been envisioned. However, and hopefully, at that time some connection will take root and a soul will be nourished.” Awards • Honorable Mention, Guild Hall, East Hampton, NY (2003) • Best Abstract, Guild Hall, East Hampton, NY (1982) • David G. Lyon Award, New England Exhibition, Silvermine Guild, New Canaan, CT (1982) • Shared 1st prize, Parrish Art Museum Annual, Southampton, NY (1981) • Reader's Digest Award, 31"t New England Exhibition, Silvermine Guild, New Canaan, CT (1981) • 1st Prize, VII Long Island Painters, Guild Hall, East Hampton, NY (1975) • Judges Award, 22nd Annual Exhibit, Parrish Art Museum, Southampton, NY (1975) • Award of excellence, 20th Annual Exhibit, Heckscher Museum, Huntington, NY (1975) • 2nd Place, Artist Guild of Chicago & Artist Guild Purchase Award, Annual Watercolor Show (1974) • Merit Award. Illinois State Fair Professional Art Exhibition (1973) • Williams Bartels Prize, 74th Chicago and Vicinity Show, The Art Institute of Chicago, IL (1973) • Honorable Mention and Metropolitan Structure Award, New Horizons Exhibit, Chicago, IL (1973) • William Fleming Purchase Award 4th International Mat-Media Exhibition of Dickinson State College, ND (1973) • Purchase Award, Springfield Old Capital Art...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and specks of pink forming the bottom area of the piece. Above is a muted color that transitions out toward the edges to form the aesthetic of a glowing blue sky. An edition of 100, the limited edition giclee it is printed on canvas, and framed in a warm silver floater frame ready to hang. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. Other floater frame options are available in white, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Artist Statement and CV: Of his work, artist Elwood Howell says, "The greater body of my work is primary landscapes and seascapes of an imaginary nature created in the studio. Most works have a generally high horizon as a focal point to lure ones eye into the simple composition. The large area below the horizon down to the base of the canvas gives the viewer's eye freedom to roam the surface. This space gives the painting life much as soil nourishes the very roots of a tree. The imagery at the horizon gives a focal point and the expanse above serves as atmosphere to set the mood. This has been a format I have used for over forty years and it still intrigues me. In the process of correlating the colors, values and markings, with the fore mentioned ink, paint, charcoal, pencil and even by sanding, a visual conversation begins between the painting and the painter. Thus, by adjusting again and again, from hints given by previously applied paint, sometimes even an abrupt and complete change over the earlier endeavors is commanded. The discourse will probably continue forward, just as communications sometimes do with people, for new thoughts can hoover about and over time a need is created for further deliberation. Thus some "completed" works have required changes years later. Sometimes discussions, of whatever nature, never seem to be finished. When painting is viewed down the road, by another person, maybe they, too, will encounter a visual voice, which probably will be of a totally different nature than has been envisioned. However, and hopefully, at that time some connection will take root and a soul will be nourished.” Awards • Honorable Mention, Guild Hall, East Hampton, NY (2003) • Best Abstract, Guild Hall, East Hampton, NY (1982) • David G. Lyon Award, New England Exhibition, Silvermine Guild, New Canaan, CT (1982) • Shared 1st prize, Parrish Art Museum Annual, Southampton, NY (1981) • Reader's Digest Award, 31"t New England Exhibition, Silvermine Guild, New Canaan, CT (1981) • 1st Prize, VII Long Island Painters, Guild Hall, East Hampton, NY (1975) • Judges Award, 22nd Annual Exhibit, Parrish Art Museum, Southampton, NY (1975) • Award of excellence, 20th Annual Exhibit, Heckscher Museum, Huntington, NY (1975) • 2nd Place, Artist Guild of Chicago & Artist Guild Purchase Award, Annual Watercolor Show (1974) • Merit Award. Illinois State Fair Professional Art Exhibition (1973) • Williams Bartels Prize, 74th Chicago and Vicinity Show, The Art Institute of Chicago, IL (1973) • Honorable Mention and Metropolitan Structure Award, New Horizons Exhibit, Chicago, IL (1973) • William Fleming Purchase Award 4th International Mat-Media Exhibition of Dickinson State College, ND (1973) • Purchase Award, Springfield Old Capital Art...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

This Limited-Edition abstract giclee, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater ...

Untitled (M.256) from the Album 19 suite is a lithograph on paper, image size 26.25 x 20 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...

Artist: R. B. Kitaj, American (1932 - 2007) Title: In Our Time - China of Today Year: 1970 Medium: Screenprint, signed 'RK' in pencil Edition: 150 Image Size: 18 x 23 inches Size: 22...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper S...

Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...

This artwork titled "Gon No Nami IV" 1983 is an original intaglio (unique work) on rag paper laid down to B.F.K Rives paper, by noted Japanese/Americ...

This limited edition print is an abstract landscape by Elwood Howell. In the artist's signature style, the composition is broken up by a high horizon line. A deep, vibrant blue with ...

Artist: Charles Ross, American (1937 - ) Title: Scorpio from the Constellations Series Year: 1979 Medium: Silkscreen, Signed and numbered in pencil Edition: 150, AP XX Image Size: 45...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

Artist: Alexander Calder Title: Alexander Calder Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Original lithograph Date: 1976 E...

This Limited Edition abstract print, "Lemon Lime Goodness," by Sofie Swann measures 45" x 36" and is an edition of 95. Printed on canvas, this gicl...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

This limited edition print is an abstract landscape by Elwood Howell. In the artist's signature style, the composition is broken up by a high horizon line. A deep, vibrant blue with ...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

This limited edition print is an abstract landscape by Elwood Howell. It features a high horizon line - deep yellow orange with muted red, green, and yellow organic shapes are beneat...

Gene Davis’s captivating Color Field compositions of vertical lines and evolving color is demonstrated in this print. Alternating from blue to yellow and then red, the vertical strip...

This limited edition abstract landscape print by Elwood Howell features a light, serene palette. The artist's signature horizon line is high up on the canvas, with what looks like a ...

This limited edition print is an abstract landscape by Elwood Howell. It features a high horizon line - deep yellow orange with muted red, green, and yellow organic shapes are beneat...

This Limited Edition abstract print, "Mighty Cupcakes," by Sofie Swann measures 30" x 30" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater fram...

Artist: Richard Smith, CBE (1931-2016) British Title: Untitled Abstract Grid Date: 1972 Medium: Serigraph (screenprint) Sheet size: 29.5 in x 22 in Framed size: 36.75 x 28.25 inches ...

Delicate woodcut print on handmade paper of a stylized figure and hieroglyphic-like symbols by Monterey Bay artist Paula Walzer (British,/American 1926-20...

Bold abstract monoprint by Roxanne Lu (20th Century). This piece is composed of botanical shapes laid across large patches of magenta, olive green, grey, and pale blue. Signed, dated, and marked with the artist's chop in the lower right corner (Roxanne Lo...

Amsterdam II is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

A dazzling visionary art print with psychedelic patterned imagery in metallic silver, teal, and yellow by Ian McNeil Cooke (British, b.1937). The Merm...

Artwork size : 72 × 102 cm Frame size : 92 x 121 x 3 cm Signed and numbered AP (Artist proof) Edition of 40 + Proofs 8 Artists Proof, 6 Trial Proof, 6 State Proof. Sam Francis Archive Number: SF-106A. Literature: Lembark L108. Museum glass anti-reflective. Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Howard Hodgkin produced the lithograph Indian Leaves in 1982 on the occasion of his exhibition of the same title at Tate, London, in the same year. After it was decided that the pri...

Signal 6 is a contemporary artwork realized by Leo Guida in 1970s Mixed colored watercolor on paper. Hand signed, titled on the lower margin Includes frame...