Framed Abstract Prints

Tadanori Yokoo Man Powered Airplane Solomon (Jun Rope), 1967 Silkscreen poster 41 x 29 inches (image) 44 1/4 x 32 1/2 x 1 1/2 inches (frame) Signed and stamped with Artist's seal Wh...

Watercolor on paper 32 x 25 inches framed

Carlos Cruz Diez "Untitled", 1994 Serigraph on paper. Framed Ed. AP Signed, numbered, and dated by the artist at the bottom of the paper 39 x 27 in

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso drawing "Paysanne et son Enfant". The original drawing was completed in 1898. In the 1970's after Picas...

Ilya Bolotowsky: 1907-1981. Well listed Russian American abstract artist. He was born in St. Petersburg, Russia and immigrated to the United States in 1923. He lived mostly in Sag Ha...

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

Orbis by Paul Feiler, 1968 Additional information: Medium: aquatint on textured wove paper 5 3/4 x 4 in 14.6 x 10 cm signed, dated and inscribed "AP" in pencil Paul Feiler was a Ge...

Number 4 in a small edition of only 40 prints. Signed. (I apologize for the reflections on the glass; I did not want to disassemble the frame.) Robert Gordy...

Artist: Louisa Chase, American (1951 - 2016) Title: Portfolio of Six Etchings Year: 1984 Medium: Six Drypoint Etchings with Aquatint, Signed and Numbered in Pencil Edition: 30 Paper...

Aquatint on BFK Rives paper, 1962, signed and numbered ‘ea’ from the edition of 60, printed by Atelier Goerges Leblanc, Paris, published by Galleria Schwarz, Milan, sheet: 254 x 190 ...

Leonard Baskin (1922-2000) Untitled, Late 20th Century Woodcut Framed: 32 x 24 1/4 x 1/4 in. Edition 26/50 Signed and numbered lower right A highly respected draftsman, printmaker, ...

Le vent et l'eau Signed, dated, titled and numbered in the lower margin (see photos) Edition: 10 (see photo) There were also 25 impressions with the typeface caption of the title bel...

Alexander Calder Derriere le Miroir #141 (Stabiles V) Artist: Alexander Calder Medium: Original lithograph Title: Stabiles V, Derriere le Miroir #141 Portfolio: Derriere le Miroir #1...

An early abstract work, rich in visual texture and patterns with abstract leaves by Japanese print maker Kazuko. Etching pencil signed edition nu...

Relief by Kim Lim, 1993 Additional information: Medium: lithograph 51.3 x 76 cm 20 1/4 x 29 7/8 in signed, dated and numbered in pencil Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...

Luminous Op Art print by David Roth. Nicely matted and framed in black. Untitled 25 David Roth, American (1942) Date: 1979 Screenprint, signed and numbered in pencil Edition of 150 ...

Artist: Robert Indiana Medium: Original serigraph Title: The President Portfolio: The American Dream Year: 1997 Edition: 61/395 Image Size: approx. 9 7/8...

Victor Vasarely (1906-1997) Composition Screenprint in color Pencil signed lower right Edition 234/275 Image Size: 26"h x 26"w, Sheet (unframed): 31"h x 30"w Victor Vasarely...

This reserved and sophisticated Lithograph on Japon Paper by André Masson Edition 70/101 originates from France, C. 1973. This surrealistic abstraction features a vertical compositio...

This graphic Mid-Century Modernist Abstract Lithograph in Blue and White Signed Mona Mark originates from the United States, C. 1988. A striking textural abstraction, this piece has ...

Illume [2008] limited edition Archival Chromagenic Photographic Print Edition of 25 Image size: H:79 cm x W:228 cm Complete Size of Unframed Work: H:228 cm x W:76 cm x D:2.5cm F...

Tide’s Turn and Seafoam’s Retreat [2023] Pair of seashore themed abstract paintings, acrylic on wood in simple contemporary natural wood frames ADDITIONAL INFORMATION: original Acry...

Andre Goezu (Belgian, b. 1939), "Hanpie Inteineure" [Interior Ghost], Monotype in Colors on Paper, 1970, titled lower left, signed in pencil and dated lower right, giltwood frame. Im...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition 297/300. Printed By Brand X Editions. Published by Donald J. Christal, Los Angeles, CA. Ver...

Pink Wash Screenprint on Fabric

Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, maki...

Artist: Josef Albers Title: Portfolio 2, Folder 30, Image 1 from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition: 1000 Image Size: ...

Marc-Aurèle Fortin, 1888-1970, Canadian Le pont du Havre en construction, c. 1940 Etching 8 x 11 in INSCRIPTIONS Numbered and titled Lower left “Le pont du Havre en construction”; in...

Artist: Joan Miro, Spanish (1893 - 1983) Title: untitled from Derriere le Miroir Year: 1961 Medium: Lithograph Size: 15 x 22 in. (38.1 x 55.88 cm) Frame: 18 x 25 inches Printed and ...

Artist: Robert Indiana Medium: Serigraph Title: Two Portfolio: The American Dream Year: 1997 Edition: 76/395 Image Size: 16 7/8 x 14 inches Sheet Size: 22 x 17 inches Framed Size: 28...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Gabor Peterdi (Hungarian/American, 1915-2001), "Kadmus", Color Etching on Paper, 1971, numbered edition "5-50" lower left, titled to center, signed and dated in pencil lower right, s...

This piece titled "Sensitive (framed)" is an original artwork by Roxana Azar made of a digital c print. The piece measures 21.5”h x 17.5”w framed. Roxana Azar’s work utilizes photo...

This piece titled "Greenhouse Composition Series 3 (framed)" is an original artwork by Roxana Azar made of a digital print on polycarbonate. The piece measures 25.5”h x 17.5”w framed...

This piece titled "Greenhouse Composition Series 2 (framed)" is an original artwork by Roxana Azar made of a digital print on polycarbonate. The piece measures 25.5”h x 17.5”w framed...

This piece titled "Greenhouse Composition Series 4 (framed)" is an original artwork by Roxana Azar made of a digital print on polycarbonate. The piece measures 25.5”h x 17.5”w framed...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Nature Morte a la Porte et a la Clef". The original painting was completed in 1920. In the 19...

Artist: Arman, French (1929 - 2005) Title: Intermission Year: 1978 Medium: Serigraph, Signed and Numbered in Pencil Edition: 150 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)...

Rita Letendre, Canadian, 1928-2021 Yatar, 1979 silkscreen 27 1/2 x 19 1/2 in signed, titled, dated and numbered (ed of 100) framed

Artist: Harry Bertoia Title: Untitled 2 Year: circa 1945 Medium: Monoprint on Rice Paper Paper Size: 9 x 11 inches Frame: 14.5 x 17.5 inches

Artist: Joan Miro Title: Plate I Portfolio: Lithographe II Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 12 1/2” x 9 1/4” Image Size: 1...

Nocturne. II / XIII, a / p., 1994. Paper, etching, 25x24 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professional tra...

Artist: after Robert Indiana Title: Liberty from Kent-Bicentennial Portfolio Spirit of Independence Year: 1975 Medium: Offset Lithograph (unsigned) Paper Size: 17 x 14 inches Frame: ...

James Rosenquist (1933-2017) Just Desert (2nd State) (1979, 1979 Etching and aquatint on Pescia Italia paper Printed by Aripeka, Ltd., Aripeka. Published by Multiples, Inc., New York...

1963 Mixed Media by Mateo Manaure (Venezuelan, 1926-2018) Frame: 12.25" X 15.25" Image: 11" X 13.75" Hand signed Thought provoking abstract, mixed media modern graphic art Not sure of the exact technique but it seems photo based. Mateo Manaure (11926 – 2018) was a Venezuelan modern artist. In Venezuela he is considered a master of modernist abstractionism, and is known for his works in the University City of Caracas and for creating the largest glass murals in the world. Mateo Manaure was born on 18 October 1926 in Uracoa, in Monagas state. Between 1941 and 1946 he studied at the Escuela de Artes Plásticas y Artes Aplicadas under the instruction of Antonio Edmundo Monsanto. Here, he studied graphic arts in the workshop of Pedro Ángel González, to whom he was an assistant. He also began participating in the artist salon of the Museo Bellas Artes in Caracas. In 1947 he won the inaugural National Prize for Plastic Arts and traveled to Paris. He made a trip back to Caracas the next year to work with the Taller Libre de Arte, before returning to Paris in 1950 and being involved with the artistic movement of Los disidentes. (The Dissidents), a coalition of Venezuelan artists (active from 1945-50) that also included -Jesús Rafael Soto, Narciso Debourg, Alejandro Otero, Pascual Navarro, Rubén Núñez, Nena Palacios, J.M. Guillermos Péres, Alirio Oramas, Luis Guevara Moreno, Aime Battistini, Armando Barrios, Omar Carreño (refer to lot 222), and Carlos Gonzáles Bogen. Through their journal of the same name and their accompanying radical manifesto No (1950), Los Disidentes championed a progressive vision, that eschewed the conservative academicism embodied by the Escuela de Artes Plásticas and the Escuela Paisajista in Caracas, and in its place advocated for experimentation and geometric abstraction. Upon his return to Caracas in 1952, Manaure set out in earnest to put these ideas into practice and found an immediate affinity with the modernist project unfolding so indicative of that era's unprecedented growth and development. The latter was most evident in the architectural and public art works designed by the legendary modernist architect Carlos Raúl Villanueva, whose Cuidad Universitaria, the main campus of the Central University of Venezuela, is considered a landmark of city planning and architecture. Villanueva commissioned Manaure to execute several murals, painted wood reliefs, and stained glass windows for Ciudad Universitaria all reflective of the young artist's newly adapted aesthetic. By 1956, the year both of these works were painted, Manaure was a leading figure of the abstractionist movement, exhibiting abroad at the Venice Biennial and locally at the Museo de Bellas Artes. His geometric abstraction painting infuse his compositions with a kinetic power and lyrical sensibility. Manaure's desire to evoke a sense of the local or regional amid the universal. He returned to Caracas in 1952 to found the Galería Cuatro Muros with Carlos González Bogan, and gave the first exhibition of abstract art in Venezuela. He also began collaborating with architect Carlos Raúl Villanueva, first on the University City of Caracas, to which he contributed 26 works of art and was "promoted" to art supervisor of the campus, and then to other public spaces like the redesign of the neighborhood of 23 de Enero. For the next several years, Manaure continued to develop within abstract art, which made up the Venezuelan artistic avant-garde of that time. He later returned to more traditional graphic art forms, especially lithograph prints, though still did some work in abstract expression. He is a Venezuelan Latin American art Master along with Gego, Lia Bermudez, Alejandro Colina, Narciso Debourg, Alejandro Otero, Gerd Leufert, Armando Reverón, Braulio Salazar, Jesús Rafael Soto and Martín Tovar y Tovar. His work was included in the MoMA show Sur moderno, Journeys of Abstraction— Patricia Phelps de Cisneros. It included artists: Israeli, Yaacov Agam, Brazilian, Lina Bo Bardi, Hércules...

Untitled 2015 Color serigraph 15.75 x 15.75 inches Framed: 21 x 21 inches

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Laing was born in Newcastle upon Tyne. He grew up during World War II and experienced the Battle of Britain as young boy. He attended the Royal Military Academy Sandhurst and served...

For Gene Swenson by James Rosenquist, American (1933–2017) Date: 1978 Etching/Aquatint with Embossing on Pescia Italia Edition of 37/78 Size: 23 x 40 in. (58.42 x 101.6 cm) Frame Siz...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Joan Miro Medium: Original lithograph Title: Miro Lithographe II, Plate VI Portfolio: Joan Miro Lithographe II Year: 1975 Edition: Unnumber...

This is a framed 18" x 18" reproduction in an abstract oil painting floral style, from an ongoing floral series the artist has been working on since 2022. Since the original has some...

Artist: Roberto Matta Title: Sans Titre Original Mixed Media with Collage Medium: Mixed Media on paper Signed: Hand Signed Measurements: 12" x 17" Framed: 22.5" x 27" Certificate...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Pierre Soulages is considered a major figure of post-war European abstraction, alongside Hans Hartung, Georges Mathieu, Serge Poliakoff, and Jean-Paul Riopelle. He’s particularly ren...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Josef Albers, German (1888 - 1976) Title: K - P1, F4, I1 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image Size: 12 x 14 inches Size: ...

"Original Lithograph III" is an original color lithograph by Joan Miro, published in "Miro Lithographs III, Maeght Publisher" in 1977. It depicts M...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press Hand finished with Metal Leaf 15 x 25 inches framed This piece is featured in Br...