Framed Abstract Prints

Werner Bronkhorst, Mockney, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in) ...

Agnes Martin Untitled #10, 1990 Lithograph on vellum transparency paper Unsigned Limited Edition of 2500 Publisher: Nemela & Lenzen GmbH, Monchengladback & Stedelijk Museum, Amsterda...

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

This is the original opening invitation card for Donald Judd: The Last Editions at Brooke Alexander Editions in 1994. The invitation takes the form of a postcard that opens up to rev...

Pablo Picasso The Ballet Dancer, 1954 Lithograph on paper 32 x 24 cm - sheet 49.5 x 37 cm - Framed unknown edition size Printed signature Reference: Bloch 767 Frontispiece for the b...

Victor Vasarely (Hungarian/French, 1906-1997) Rubin, 1964 Screenprint in Colours from the Lapidaire portfolio signed in pencil lower right with blind stamp, numbered edition "41/15...

Giclée print on Cotton Smooth Rag Edition of 459 143 x 112 cm (56.3 x 44.1 in) Signed and numbered on the front Mint. Minor imperfections may appear due to the nature of the material...

Artist: Salvador Dali Medium: Heliogravure Title: The Queen's Croquet Ground Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Siz...

This contemporary colorful graphic print is by Burton Kramer. Edition 5 of 15 comes matted and framed with Artglass. Celebrated as one of Canada’s uniquely brilliant artists, moder...

An original Joan Miro lithograph on BFK Rives with signature in the plate (printing). Printed and published by Arte Adrien Maeght, Paris. Nicely framed. Artist: Joan Miro, Spanish...

Hero as a Riddle (1963) depicts a smiling head printed in gold, silver, and black. The shapes and lines composing the figure’s face are architectural and geometric: the eyes are comp...

Lithograph in four colours on Japon nacré paper 31 x 31 cm - framed Edition of 75 Hand-signed and numbered by the artist Henry Moore’s prints are a vital aspect of his artistic lega...

This complete portfolio is comprised of ten lithographs along with the original slipcase produced for the artist's 1991 retrospective at the Stedelijk Museum, Amsterdam and supplemen...

Joe Tilson (British, 1928–2023) Ziggurat 5, 1966. Screen print, ed. 70. Pencil signed lower right, numbered (11/70) and titled lower right. Measuring 22"H x 34"W; Framed 29.5"H x ...

Helen Frankenthaler Helen Frankenthaler at Andre Emmericah (hand signed, dated and warmly inscribed), 1968 Silkscreen and offset lithograph on wove paper Signed, dated 1972 and warml...

Sean Scully Standing 2, 1986 Color Woodcut on handmade Okawara paper Signed, inscribed with title and numbered from the limited edition of only 35 in graphite on the front. Matted an...

Note: This is a unique text variant which Albers titled in pencil "Blue Reminder" instead of "Blue Reminding". The authenticity of this work has been kindly confirmed by Brenda Danil...

Artist: Agnes Martin Title: On a Clear Day #15 Year: 1973 Screenprint Japanese Rag paper Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm) Paper size: 12 x 12 inches (30.5 x 30.5 cm) Fra...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Artist: Salvador Dali Medium: Heliogravure Title: Down the Rabbit Hole Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: 16 ...

This Limited Edition giclee coastal landscape print by Molly Doe Wensberg is an edition size of 195. The print features a green and light lavender palette, and captures a scene of a ...

Marc Chagall (After) and Charles Sorlier (his collaborator and printer) Carmen, Metropolitan Opera, New York City, 1966 Color Lithograph on Arches watermarked Paper with deckled edg...

Mr. Brainwash Secret Admirer (Red), 2013 4-color screenprint on hand-torn archival art paper 22 1/2 × 22 1/2 in 57.2 × 57.2 cm Edition of 70 Hand-signed by the artist on the fromt,...

Plaza by Eduardo Paolozzi is an exemplar of early pop art dynamism. Printed in black and white and packed with geometric forms, the composition contains references to maps, machinery...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Halim Jurdak, (1927-2020) Color etching and engraving Hand signed 'H. Jurdak' and numbered 3/15 and marked 'E. A.' in pencil on on lower margin. Frame, approx. 23 1/4" x 15 1/2". Plate size, approx. 10" x 8 1/2". This might be an aquatint or it might have hand applied watercolor painting. Halim Jurdak, Lebanese Artist. (1927-2020) Born in 1927 in Ain El Sindianeh, (Shoueir) Matn, North Lebanon, Halim Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953. He is the first Lebanese artist to work in the medium of etching and engraving on an equal footing with painting and drawing. His work has won many prizes, including the first prize for Engraving at the Annual Exhibition of the École Nationale Supérieure des Beaux-Arts, Paris. He has participated in numerous international and regional exhibitions and began teaching at the Institute of Fine Arts of the Lebanese University in Beirut in 1966. This work bears the influence of Stanley William Hayter and the Atelier 17 Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953 and went on to receive his Master’s Degree in Fine Arts from “Ecole Nationale Supérieure des Beaux-Arts” in Paris. He attended the Atelier Brianchon pour la peinture, et Atelier Cami et Bercier pour la gravure. He also frequented l’atelier of Surrealist Henri Bernard Goetz and l’atelier Yves Brayer at the Académie de la grande Chaumière. He also studied at L’Académie Andre Lhote. He travelled extensively, visiting Munich, Stuttgart, Basel, Dornoch, London, Bruges, Rome, Athens, Quebec, Montreal, Los Angles, Chicago, Milwaukee and New York. Made contacts with artists and galleries and showed regularly. He also began making abstract sculpture. Select Solo Exhibitions 1959: Alumni Club of the American University of Beirut. 1961: The hall of Rudolf Steiner House in Stuttgart – Germany. 1962: Gallery Maison des Beaux-Arts Rue des Beaux-Arts, Paris. 1963: «Gallery Triades Rue de la Grande Chaumière, Paris. 1963: «Gallery Michel Harmouche Starko Center, Beirut. 1970: House of Art and Literature (Dar El Fan Wal Adeb), Beirut. 1987: Gallery Janine Rubeiz, Beirut. 1991: The hall of Goethe Institute , Beirut. 2002: Studio – Gallery of the painter George Khayralla, El – Mtayn – Lebanon. 2009: Mar Mikhael, Bikfaya, Lebanon. Represented Lebanon at the following Art Festivals and Exhibitions: 1967: Exhibition of Peintres-Graveurs de l’Ecole de Paris organized by Brigitte Chehadeh, in honor of the late French painter George Cyr who lived in Beirut. The exhibition included works for the following artists: Antoni Clavé, Massimo Campigli, Marcel Fiorini, James Guitet, Aurelien Ortega, Pierre Louis Maurice Courtin, Marino Marini, Arthur Luiz Piza, Kumi Sugai, Johnny Friedlander, Ossip Zadkine and Amedeo Modigliani. 1974: Festival International de la Jeunesse Francophone in the city of Quebec - Canada. 1994: Exhibition of The love encounter of the Arab Plastic Artists in the city of Latakia under the patronage of the syrian Prime Minister Mahmoud El Zuoubi and Madame Najat El Attar Minister of culture. From each Arab Country, one artist was chosen for this encounter. Arabic Biennales and Exhibitions: 1967: Arab Art Exhibition organized by the British company for tobacco Eight paintings were chosen for eight artists belonging to each of the following arab countries: Lebanon, Syria, Jordan, Irak, Kuwait, Bahrain and Egypt. The exhibition took place successively in London, Paris, Rome, Cairo, Manameh, Amman, Kuwait, Baghdad, Damascus and Beirut. Jurdak’s style has evolved greatly over his long career, from academic realism to cubism, from figurative abstraction, to non-figurative abstraction, in which he focused on forms, patterns, colour and composition. His most recent works have centered on the elemental qualities of the human figure. Jurdak has written numerous artistic and literary articles and has written several books on art theory, including The Metamorphosis of Line and Colour in 1975 (dealing with the psychological reasons underlying modern and contemporary fine art movements) and The Eye of Contentment, published in 1995. His work is held in many private and public collections such as the Ministry of Culture and Fine Arts” - UNESCO Palace, Beirut; King Khaled collection of Islamic art, Riyadh, Saudi Arabia; Academie Libanaise des Beaux-Arts, Beirut; Institut du Monde Arabe, Paris and AUB, Beirut. He is included in Arab Print volume IV, Showcasing a variety of techniques such lithography, etching, engraving and photogravure, included are works by Shafic Abboud, Etel Adnan, Huguette Caland...

René Magritte Le Trahison des Images: Ceci N'Est Pas Une Pipe, 2010 (posthumous) Lithograph on Arches BFK Rives paper Plate signed by Magritte and numbered HC (Hors Commerce), 1 of 1...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Willem de Kooning de Kooning in East Hampton (Hand Signed), from Estate of Alan York, 1978 Offset lithograph poster (Hand signed by de Kooning) Boldly signed in green marker on the f...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue, green, and yellow palette and captures a landscape scene with lu...

Artist: Joan Miro Title: Joan Miro Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in the pla...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...

David Shrigley The World, 2021 Screenprint in eight colours with a varnish overlay on Somerset Satin Tub sized 410 gsm paper hand-signed by the artist and numbered, on the back of th...

Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Donald Judd Untitled #82, 1974 from a portfolio of six works Etching on German etching paper with deckled edges Hand signed and numbered 7/35 by the artist on the front Catalogue Rai...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and r...

Picasso made prints throughout his career, creating around 2,400 works until his death in 1973. Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimension...

Individually framed: six lithographs "White Lines Squares," 1966, after Josef Albers, by Blair Litho (Lithograph in brilliant Colors on paper, 1966). Published to accompany an exhibi...

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered in pencil from the limited edition of 75 on the lower front; bears the artis...

Date: 1965 Etching with relief on wove paper, signed and numbered in pencil Edition of 17/75 Size: 23 x 30.5 in. (58.42 x 77.47 cm) Frame Size: 26.5 x 34 inches Publisher: Maeght, Paris

Artist: Robert Rauschenberg Title: Quarry Medium: Offset lithograph in colors Year: 1968 Edition: 500 Frame Size: 41 1/2" x 33" Sheet Size: 35 1/2" x 26 1/2" Signature: Signed in the...

Alexander Calder (American, 1898-1976) Fiesta, c. 1973 Lithograph in colors Signed lower right Edition: E. A. 20 x 28 inches 35.5 x 37.75 inches, framed One of America's best known ...

Adolph Gottlieb Guild Hall is for Everyone, 1970 Rare Abstract Expressionist Offset Lithograph poster Vintage metal Frame included Rare vintage, limited edition, offset lithograph ...

Lithograph Optical Pop Art Attrib. Victor Vasarely, 1970s with frame

Doug Ohlson Untitled geometric abstraction, 1968 Color silkscreen on wove paper Hand signed, dated and numbered 15/50 on the front This dazzling 1960s Op Art/Geometric Abstraction si...

Jean Sariano, Algerian/American (1943 - ) - Working Proof, Year: 1979, Medium: Intaglio Etching and Aquatint, signed and numbered in pencil, Edition: 300, Image Size: 18.5 x 16.5 i...

Jasper Johns Figure 3, from 0-9 Series (ULAE 159), 1975 Etching with aquatint on Barcham Green paper with Jasper Johns' watermark Signed in pencil, dated '75' and numbered 58/100 on ...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships fr...

This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...

This is a rare print, #46 in an edition of 96 that Gwendolyn (Gwen) Knight created while visiting Philadelphia's Brandywine Workshop with her late husband, the artist Jacob Lawrence. It is signed, titled, and dated along the lower edge. The print itself measures 22" x 30" and is professionally framed in a contemporary dark wood frame with muted green and gold double mats under UV protective glass. Framed measurements are 29.5" x 38". This print can also be found in the permanent collections of: - Washington State Arts Commission - Telfair Museums - David Driskell Center, University of Maryland - Seattle Art Museum and many private collectors. Gwendolyn Knight was born in Barbados in 1913. When she was seven, her widowed mother entrusted her to close friends who brought her with them to the United States. In 1926, Knight moved with her foster family from their first home in St. Louis to Harlem, where her developing interest in the arts flowered in the creative atmosphere of the Harlem Renaissance. In Harlem, Knight became a daily participant in the workshop of sculptor Augusta Savage, in whom Knight found a mentor, and Savage's studio became a second home. Through Savage, Knight first came into contact with Claude McKay...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue and green palette with warm yellow accents. The artist captures a...

This abstract landscape limited edition print by Elwood Howell features a cool neutral palette. The piece features the artists's signature high horizon line, with layered shapes and ...

SHEPARD FAIREY Bureau of Public Works (on Wood), 2004 Silkscreen on wood panel. Hand signed and annotated on both the recto and verso. In original handmade artist's frame. 24 × 18 in...

This abstract Limited Edition giclee print by Sofie Swann features an organic abstract red shape that covers almost the entire canvas, leaving a small border of off-white around it. ...

This abstract landscape limited edition print captures a forest in cool blue tones accented by warm yellow-greens and reds. It is an edition size of 100. Printed on canvas, this gicl...

Rippling, limited edition lithograph, Japanese, black, white, red, signed,number

Damien Hirst, The Currency Poster (Set of 4) (Framed), 2022 High quality digital print on 170gsm paper 4 x 59 x 89 cm (23.23 x 35.04 in) 4 x 63 x 93 cm (24.8 x 36.61 in) Poster de...

Robert Smithson Movie Treatment for Spiral Jetty, Dwan Gallery Poster, 1970 Offset lithograph poster 38 × 22 inches Unframed Rare, historic poster feature...