Linocut Abstract Prints

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: III from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image ...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Neue Nationalgalerie (Compositions I)" Year: 1969 Medium: Original Linocut, Exhibition Poster on light wove paper Limited edition: Unknown Printer: likely Linol-Druck Berek, Berlin, Germany Publisher: Neue Nationalgalerie, Berlin, Germany Framing: Recently framed in a contemporary dark brown wood moulding Framed size: 34.25" x 24.75" Sheet size: 33.07" x 23.5" Condition: Some light edge wear with a few minor tears at upper right edge. Some light foxmarks visible in white center. In otherwise very good condition with strong colors and full margins. As one of our gallery specialties, this is the rarest original vintage Lichtenstein poster we have ever acquired in nearly 50 years. Extremely rare. An important poster of Pop Art history Notes: Provenance: private collection - San Francisco, CA. Printed in two colors: green and black. Poster produced for a special exhibition of various artists' work "Sammlung 1968 Karl Ströher" at the Neue Nationalgalerie, Berlin, Germany from February 29 - April 14, 1969. The image featured on this poster is a variation with added green color of Lichtenstein's 1964, 68.13" x 56.25", magna on canvas painting "Compositions I". This painting "Compositions I" was part of Karl Ströher's collection exhibited at the show. Within a sleeve lower center on verso, this artwork comes with its rare original accompanying exhibition catalog: over 200 pages with pictures of all of the 176 works of art exhibited at the show including "Compositions I", (No. 32). This monumental exhibition included the work by such artists as Jean Dubuffet, Yves Klein, Morris Louis, Piero Manzoni, Robert Matta...

Sybil Andrews (1898-1992), Sails, linocut in colors, 1960, signed (twice), titled, and inscribed “TP” in pencil. Reference: White 50. In good condition, two sheets, each image 7 1/...

Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...

Ian Phillips North Shore Swell Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 70cm x W 88.2cm x D 0.01cm Sold Unframed Free Shipping P...

Jennifer Jokhoo Borough Solstice Limited Edition Linocut Print Edition of 35 Sheet Size: H 21cm x W 29.5cm x D 0.3cm Sold unframed (Please note that in situ images are purely an indi...

Blenheim Palace by Colin Moore. A limited edition 3-block lino print on fine art paper with hand torn edges. Edition of 100. This print is a depiction of B...

Walmer by Colin Moore is a 3 block lino limited edition print in an edition of 100. image size 40 x 73.5 cm sheet size 52.5 x 84.5 cm Signed by the artist....

Carroll Dunham (b. 1949) is a contemporary American artist best known for his distinctive fusion of abstraction and figuration. He rose to prominence in the early 1980s in New York C...

Grey Centre by Breon O'Casey, 1998 Additional information: Medium: linocut 64 x 44 cm 25 1/4 x 17 3/8 in signed, dated, titled and inscribed AP/1 in pencil Born in London 1928, Bre...

Ian Phillips Cwm Hen Gae Limited Edition Linocut Print on Paper Edition of 16 Image Size: H 70cm x W 88.2cm x D 0.01cm Sold Unframed Free Shipping Please note that in situ images are...

Déesse- Goddess Linocut in colors, 1972 Unsigned Stamped in ink on verso: "Imprimerie Arnéra" Archives/ Non Signé Watermark: Arches (see photo) An impression printed in black, purpl...

Lari Pittman Untitled, 1989 Linoleum print 13 1/2 x 11 3/4 inches (sheet) 15 x 13 3/4 inches (frame) Color trial proof #1 Unsigned

'Field' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents fields of flowers, trees and grasses below a cloudy sky, but rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the plants resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4.5 x 6 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

Alberto Magnelli (after) Untitled (Composition) Linoleum cut (after the original) on yellow wove paper 32 x 24 cm 1959 From XXe siècle (No. 13) Published in Paris by San Lazzaro, th...

Claude Flight (1881-1955), Swing Boats, circa 1919-1921, color linoleum cut on very thin Japan paper, signed and numbered by the artist lower left. In very ...

This artwork titled "Galactika III Variant" 2012 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 8/40 in pencil by the artist. The image (plate mark) size is 17.85 x 11.85 inches, framed size is 31 x 23.75 inches. Published by Joseph Grossman Fine Art...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Carroll Dunham’s “Places and Things I” (1992) is a vivid and dynamic work that exemplifies the artist’s exploration of abstraction and figurative forms through bold colors and graphi...

"Whirl" is an abstract linocut print of tangled branches with foliage by Berkeley artist and printmaker Hannah Skoonberg. In this handmade print, Skoo...

Whistle by American artist George Nama is from ” Tightrope ” a suite of ten lino-cuts published by Monument Press 1974. We see a stark image of a large whistle with a wire binding it’s movement which changes the viewers concept of what they think they are perceiving. In this series of ten lino-cuts Nama takes ordinary household objects and makes them inoperable by wrapping a wire around the workable part of the object and presenting one object at a time. There seems to be a sense of humor and at the same time profundity with each image. All copies are individually signed and numbered by the artist. This is copy number 5/50 and is touched by hand with watercolor on Arches cover stock paper and printed by Monument Press in Pittsburgh, Pennsylvania. This print is in excellent condition. George Allen Nama was born in Homestead near Pittsbugh, Pennsylvania in 1939. In the 1960’s he was part of an international artistic circle in Paris while working at the Atelier 17 with William Stanley Hayter...

"Hole in the Wall" is an original linocut by Mark Herrling. It depicts a variety of surreal and brightly-colored scenes in one composition. The artist...

Claudia Martínez Lanz Armonía geométrica 4 (Geometric Harmony 4), 2021, (1/1) Monotype (linocut, chine collé and high-temperature ceramics collag...

André Butzer (german, b. 1973) Untitled, 2008 Medium: Linocut on paper Dimensions: 16 1/2 × 11 4/5 in (42 × 30 cm) Edition of 50: Hand-signed and numbered Condition: Very good

John Scott Martin Mariette Sails By Moonlight Unique Linocut Prints Linocut on Collage Image Size: H 20cm x W 20cm x D 0.3cm Mounted Size: H 34.5cm x W 34cm x D 0.3cm Sold Unframed ...

The painting is being offered with a work and authenticity certificate

Collagraph with Monoprint technique. Each print is one-of-a-kind.

The painting is being offered with a work and authenticity certificate

Linoleum cut printed in colours, 1963, on Arches woven paper, signed in pencil and numbered 30/50. Printed by Hidalgo Arnéra, and published by Galerie Louise Leiris, Paris.

Pablo Picasso (1881-1973) Le Vase de Fleurs (BL. 914; Baer 1242), 1959 Hand-signed in pencil Linocut in colors on Arches paper Image: 25 ¼ x 21 in. (641 x 533 mm.) Sheet: 29 5/8 x 24...

Signed and numbered to lower margin ‘46/125 Picasso’. This work is number 46 from the edition of 125 printed by Arnéra, Vallauris and published by Musée Municipal d'Art Moderne, Cére...

Then Came a Stick and Beat the Dog, 1984 is a stellar example of his use of incredibly bright colors and a plethora of irregular shapes. The first thing you notice about this piece besides its colossal size is the color palette. The colors are highly saturated and vibrant; they carry a certain narrative, heavy quality that speaks to you. To name a few, Stella uses electrifying colors of magenta, pink, silver, brown, green, lavender, and aquamarine. These hues dazzle in plain sight but also accentuate the disorderly shapes of cones and cylinders. The outlines of these forms spill over the edge of the paper while the magical swirls of lines occupy your vision. The diversity in texture and layering of color on top of each other heightens the sense of mass and weight incorporated into this work. The rhythmic lines and experimental quality of irregular shapes compose a kind of poetic allure. Inspired by gouaches done by the Russian avant-garde artist, El Lissitsky, Stella takes on a fresh new rendition. El Lissitzky’s works that Stella had seen in Tel Aviv were based on a song called “Had Gadya.” Stella designated titles for each variant in the series that becomes very much a part of his style as an artist. This piece is an example that highlights Stella as an artist who fuses inspiration from his well-traveled life into an aesthetically and culturally pleasing work of art. In all of this work’s interwoven structures, layered colors, and historic background, lies the mastery of Frank Stella, as a distinct artist in his ability to combine a vast array of elements. Created in 1984, Then Came a Stick and Beat the Dog, 1984 from Illustrations After El Lissitzky's Had Gadya is a hand-coloring and collage with lithograph, linocut, and silkscreen on T. H. Saunders paper (background) and shaped, hand-cut Somerset paper (collage). Hand-signed and dated by Frank Stella (Massachusetts, 1936 - ) in pencil in the lower left: ‘F. Stella ‘84’, this work is numbered from the edition of 60 in pencil in the left; published by Waddington Graphics, London. Catalogue Raisonné & COA: Frank Stella Then Came...

A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...

TECHNICAL INFORMATION: Red Samurai, from Octavio Paz suite 1987-88 Lithograph and linoleum cut in colors with chine appliqué on handmade Japanese Masa Dos...

The set of six linocuts printed in colours. Each signed in pencil, numbered from the edition of 50. Printed on Somerset Velvet Radiant White paper by Hidemi Nomura and Tsutomu Kjimo...

Pablo Picasso "Diurnes" (Femme Assise En Pyjama De Plage II) 1962 Linocut printed in ochre and brown, 1962, on Arches paper Inscribed "Epreuve D'Artist" (Artist Proof) lower left, as...

This portfolio, of four prints engraved on linoleum and printed on paper, includes the linocuts titled: Dallas, Amarillo, Albuquerque and Santa Fe. Valley House Gallery & Sculptur...