Metal Abstract Prints

This is a large, hand-painted oil and hand gilded with gold leaf Artist’s Proof on giclée on paper; it is a one-off piece, the only hand painted proof of this image, Unit of one. It...

The rare first proofs are hand painted on Giclee which was made on fine aluminium, each panel was hand painted and finished with original paints by artist Shizico Yi. Signed and numb...

They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...

Rebecca Skinner’s “Power” is a 18 x 12 inch metal print and is part of her “Transient” series. Peeling paint on a vintage wall reveals layered pastel green and pink hues around an ol...

Incised signature in aluminum, annotated "Artists Proof" and titled; ink on top smudged If you've ever visited the Guggenheim Bilbao, you should get this stunning mixed media on alum...

The limited editions are made of Giclee printed on the best quality of aluminium and then hand painted and finishing with original paints by artist Shizico Yi. Signed and numbered, c...

Artist: James Coignard (French, 1925-2008) Title: "Les Voiles (The Sails)" *Signed by Coignard in pencil lower right Year: 1984 Medium: Original Hand-Embellis...

This is an unique one-off Artist Proof, in a rare Extra-Large square format. A special Proof that only 3 have been made with hand gilded Gold Leaf. The outstanding hand-painted qua...

A rare chance to collect a signed and numbered limited Edition by Shizico Yi at the best price possible with highest quality! Start your collection with an Edition! -A Limited Editi...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden. T...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Damien Hirst Cannizaro H4-4 Diasec-mounted Giclée print on aluminium panel 920 x 1260 MM Edition size: 75 + 5 AP signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...

This painting captures the early spring in Shizico Yi’s garden, where the Cherry Prunus stands as the season’s first joyful announcement. Painted en plein air, it reflects the raw fr...

Into the Space is an original screen print and embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 s...

Pedro Friedeberg’s screen prints are not just artworks—they're vibrant windows into a surreal, imaginative world that blends architectural prec...

Carlos Cruz Diez Physichromie Panam 87, 2012 Chronographic on Aluminum and Plastic EDA 2 of 2 19 x 19 in Provenance: Private Collection, Miami.

Created as a one-off limited edition; exact number unknown, but scarce collectible: David Hockney The Rake's Progress, 2019-2020 Fine Bone China finished with platinum gilding in ele...

Rebecca Skinner’s “Uplifting” is a 12 x 18 inch color photograph of vines growing into the interior of an abandoned building. A natural sculpture from mother nature, the tiny feet of...

"Insignia" #1 Hand Made Paper Aquatint Abstract Tactile Abstract on handmade paper by David Dodsworth (English, b-1952) David’s work is typified by his...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered Signature on the corner. Edition 44 of 45. metallic silver aluminum. Baj was an Italian artist best k...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...

Yinka Shonibare It's My Party and I'll Cry If I Want To, 2013 24ct gold leaf embellishment, hand applied dutch wax batik fabrics on 225gsm Somerset Enhanced Paper Boldly signed and n...

Shizico painted plein air ; this painting is a part of Summer Bloom Series, it is Shizico Yi's ongoing project in every summer at her garden. She began gardening in 2015 to create a ...

Artist: SICA, American (1932 - ) Title: Ruth Medium: Embossed Silkscreen on Foil Paper, Signed and numbered in pencil Edition: 19/150 Size: 24 x 19 in. (60.96 x 48.26 cm)

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

This hand painted Limited Edition is 90% hand painted by artist Shizico yi with original gold paint, oil and gesso paint on a premium aluminium panel made with giclee. On offer here ...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

This is a one-off hand painted Limited Edition, 70% of the painting is hand painted with original paint on Giclee print on aluminium panel, with a mat finishing, signed and numbered ...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

Robert Indiana Star of Hope, 1972 Enamel on Metal with Artists Stamped Name. Date and Copyright Artist stamped name and copyright on lower right front Frame Included: held in a white...

his striking piece by Italian-Mexican Surrealist Pedro Friedeberg is unique for its mesmerizing Op Art and horror vacui style, featuring a densely packed composition of nearly 100 gi...

FAILE Red Dog, 2018 Offset Print with gold foil on Lenox 100 paper. Faile studio stamp on the back Annotated and hand signed in pencil on the lower front with studio stamp on the bac...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Edition of 125 40 colour screenprint with hand applied 24-carat gold leaf on Somerset Tub Sized Satin White 410gsm. 76 x 60 cm (29.9 x 23.6 in) Signed and dated by the artist Chris...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

Lorna Simpson (b. 1960) III (Wish #1, Wish #2, Wish #3), 1994 Medium: Complete set of three ceramic, rubber and bronze wishbones within molded felt printed with waterless lithography...

David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...

Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches The work is matted on board and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...

Summer Bloom series began in 2022, which Shizico Yi celebrates the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new cottage garden;...

Christo and Jeanne-Claude The Wrapped (MCA), 1969 (Hand Signed), 2019 Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil stamp. Hand Signed ...

Jenny Holzer (American, b. 1950) Inflammatory Essays: Shriek When the Pain Hits During Interrogation, 1996 Multiple: Pewter multiple with engraved text Dimensions: 6.6 × 5 × 1.1 cm (...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments Backed with Dibond ...

ARNALDO POMODORO Medaglia 25 Anni Tecno (Two Sided Bronze Medallion), 1979 Bronze (incised signature) 2 1/2 × 2 × 7/10 inches Edition 196/1600 Unframed This beautiful two sided limit...

Genre: Israeli Batia Adith Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"

This hand painted Limited Edition is 90% hand painted by artist Shizico yi with original oil paint, gesso and acrylic on giclée made on premium aluminium panel. On offer here is the ...

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

iPad drawing on aluminum. Printed from the original digital file. From the "A Song for The Earth" series inspired by Mahler's DAS LIED VON DER ERDE. 12 x 12" #1 of 10 editions Sebast...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

iPad drawing printed on aluminum. From the "A Song for The Earth" series inspired by Mahler's DAS LIED VON DER ERDE. 12" x 12" Unframed Edition: #2 of 10 Sebastian Spreng, is a ...

'Abstraction 1' Enamel on copper plate by Irwin Whitaker, Walnut frame , 1960s Oklahoma-born artist who was prolific in California, Taos and Austin. We have a number of his works ava...

"Abstract I" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is believ...

"Abstract II" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is belie...

Ana Rosa de Ycaza’s’s Copper Etching III is a black and white engraving copper minimalist abstract mixed media with a french oak frame measuring 14 x 14 priced at $1000. Ana Rosa de Ycaza an artist born in 1915 was affiliated with Atelier 17 a studio that attracted the likes of Mark Rothko, Joan Míro, William de Kooning...

Frank Stella Centennial Medal for the Metropolitan Museum of Art, 1970 17 Color enamel on rhodium plated bronze plaque (incised signature an...

*Artist's Proof Diptych Set, only Limited of 3 ever made, a rare Set Edition Giclée made on premium Aluminium. Each painting is hand painted by artist Shizico Yi. This diptych is S...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...