Metal Abstract Prints

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessing the graphic power of colors, it explores not only what is seen, but what could be. Hardedge lines distill the composition into colorful stripes reminiscent of op-art paintings. Each image is a slightly different meditation on color. As part of my broader body of work, this series invites us as humans to evolve to higher states of being through visual meditation on color. This work, and this series, uses photography to study color, the camera to deconstruct the world and color to create visual meditations. Words that describe this piece: sea, dusk, sunset, ocean, photographic art, abstract, minimalist, pixel Artist Biography: ​Born in Nashville, TN in 1979, American artist Amanda Lomax...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessing the graphic power of colors, it explores not only what is seen, but what could be. Hardedge lines distill the composition into colorful stripes reminiscent of op-art paintings. Each image is a slightly different meditation on color. As part of my broader body of work, this series invites us as humans to evolve to higher states of being through visual meditation on color. This work, and this series, uses photography to study color, the camera to deconstruct the world and color to create visual meditations. Words that describe this piece: sea, dusk, sunset, ocean, photographic art, abstract, minimalist Artist Biography: ​Born in Nashville, TN in 1979, American artist Amanda Lomax...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessing the graphic power of colors, it explores not only what is seen, but what could be. Hardedge lines distill the composition into colorful stripes reminiscent of op-art paintings. Each image is a slightly different meditation on color. As part of my broader body of work, this series invites us as humans to evolve to higher states of being through visual meditation on color. This work, and this series, uses photography to study color, the camera to deconstruct the world and color to create visual meditations. Words that describe this piece: sea, dusk, sunset, ocean, photographic art, abstract, minimalist Artist Biography: Born in Nashville, TN in 1979, American artist Amanda Lomax...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Artist Commentary: White Sands, New Mexico (2016). Celebrating the beauty of the desert. Words that describe this piece: white sands, desert, sunset, subtle Artist Biography: Born ...

Gold Sky with Silver Ribbon - Hand-Augmented Modern Collotype Print Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of...

Small Edition of 75 76cm x 63cm Medium Digital print with screen printed elements, featuring gold and silver leaf embellishments and a high gloss varnish on 410gsm Somerset satin Enh...

Artist Commentary: Playing with my own photographs allows me to explore not only what is seen, but what could be. The original photograph in the series is an architectural style prin...

J.B. Thompson "Photon" Mixed Media Etching w/ Copper and Aquatint Limited Edition J.B. Thompson (American, 1932-1984) Fantastic pencil signed and numbered mixed media etching with ...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Robert Indiana’s (American, 1928-2018), Star of Hope is a reoccurring image, in fact, he named his charitable foundation the Star of Hope Foundation in 20...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Into the Space is an original embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 specimens hand sig...

205J1801 AB (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 2 elements. Each elements' dimensions: 76 x 56 c...

This shiny foil-embossed collage was created by American artist Beverly Pepper (b. 1922). Throughout Pepper's career, she became known for her graceful geometric welded steel sculptu...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed and dated by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30, (there were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonné 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Condition: Some light cosmetic wear to frame; presently no hanging wire. The artwork is in mint condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd., Bedford Village, NY in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in six colors, in seven runs, from five screens, and one embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number inscribed in pencil lower left on verso: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used color and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

204C1742 (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 7. Pierre Muckensturm added printmaking to his oeuvre since ...

Into the Space is an original screen print and embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 s...

Into the Space is an original embossing and screen print on paper and metal realized by Carlo Scarpa. The artwork is in good conditions, on a grey cardboard. Limited edition of 90 ...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 2 elements. Each elements' dimensions: 76 x 56 cm / 30 x 22 inches. Edition o...

201R002 ABC (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 9 elements. Each elements' dimensions: 65 x 50 c...

Into the Space is an original embossing on paper and metal realized by Carlo Scarpa. The artwork is in good conditions, on a grey cardboard. Limited edition of 90 specimens hand si...

Artist: Lynda Benglis, American (1941 - ) Title: IV - Yellow from Dual Nature (Quad) Year: 1991 Medium: Lithograph with Gold Leaf on Hand Tinted Paper, signed and numbered verso Edit...

Abstract print of a painting titled "Angry Ocean" by Fernando Videa that incorporates an abstract clown and seascape on metal. The print includes the ar...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Edition o...

Artist: Lynda Benglis, American (b. 1941) Title: Dual Nature (Brown) Year: 1991 Medium: Lithograph with Gold Leaf on Hand Tinted Paper, signed and numbered verso Edition: 20, A.P. Si...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 7. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and pr...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 50 x 50 cm / 19.6 x 19.6 inches. Edition o...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 9 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Editi...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 4 elements. Each elements' dimensions: 50 x 50 cm / 19.6 x 19.6 inches. Editi...

Silkscreen with enamel inks, flocked, and overprinted on 4-ply museum board.

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Edition o...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 12. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and p...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 50 x 50 cm / 19.6 x 19.6 inches. Edition o...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 9 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Editi...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition 35/50.

Stunning horizontal abstracted mesh and gold-leaf lithograph on heavy bond paper with artist's protocol notes (for future projects) by Patricia A. Pearce (American, b. 1948). Unsigne...

Own technique of tingraphy in which the composition is embossed on mixture of tin and steel WALDEMAR REGUCKI (born in 1957) Graphic artist, designer and typographer, master calligra...

Own technique of tingraphy in which the composition is embossed on mixture of tin and steel WALDEMAR REGUCKI (born in 1957) Graphic artist, designer and typographer, master calligra...

Artist: Lynda Benglis, American (b. 1941) Title: Dual Nature (Blue) Year: 1991 Medium: Lithograph with Gold Leaf on Hand Tinted Paper, signed and numbered verso Edition: 20, AP ...

In this untitled serigraph, Vincent DiMattio combines the aesthetics of the space age with Pop Art sensibilities and techniques. In the postwar era of the 1950s and 1960s, the United States was in the midst of a period of economic growth for the middle class, and so the trappings and imagery of middle class life became the subjects of a number of artists. While figures like Andy Warhol focused on images of celebrities and soup cans, here DiMattio looks to robots and rockets. At the far left, a figure appears with a round green head and a small clamping arm. To the right, a form like a tank with phallic protrusions, one with a head like the form of a space ship. These signs all alight with the space age toys...

Artist: Tom Wesselmann Title: Wildflower Bouquet Medium: Laser Cut and Enamel Stainless Steel Edition: 30 Date: 1987 Dimensions: 38" X 27.75" Description: Signed Unframed Con...

Unusual and stunning vertical collotype and hand-painted triptych (3 panels) abstract composition titled "Mutable Green" of subtle gold and silver gilding evoking Frank Loyd Wright b...

Katie Edwards Best Mates Original Silkscreen print with hand painted layers Mounted Size: H 40.5cm x W 50.8cm Free Shipping Please note that in situ images are purely an indication o...

Copperplate printing on BFK Rives paper 250g - Unframed. This artwork is sold as a triptych. Each print's dimensions are 65 x 50 cm/25,5 x 19,6 inches. Edition: 12/16 Pierre Mucke...

A set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black. Artist: Mimmo Paladino Title: Si...

"Cuzco" is a contemporary green and cool toned artwork computationally engraved on aluminium. It is part of a pair, and can each be sold separately. Artist Matteo Mauro...

Copperplate printing on BFK Rives paper 250g - Unframed. This artwork is sold as a triptych. Each print's dimensions are 65 x 50 cm/25,5 x 19,6 inches. Edition: 14/16 Pierre Mucke...

Copperplate printing on BFK Rives paper 250g - Unframed. This artwork is sold as a triptych. Each print's dimensions are 65 x 50 cm/25,5 x 19,6 inches. Edition: 10/16 Pierre Mucke...

Michael Wallner Little London: Houses of Parliament Limited Edition Print Edition of 30 Image Size: H 11cm x W 18cm Framed Size: H 18cm x W 25cm x D 5cm Sold Framed in a White Box F...

Katie Hallam St Andrews Limited Edition Digital Photograph Edition of 75 Size of Work: H 60cm x W 45cm x D 1cm Sold Unframed Ready to Hang Please note that insitu images are purely a...

Katie Hallam Shard London Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. Edition of 75 Image S...