Screen Abstract Prints

Artist: Helen Frankenthaler (American, 1928-2011) Title: "Sun Corner" Portfolio: The Metropolitan Scene *Signed, dated, and numbered by Frankenthaler (inscribed into the metal) lower right Year: 1968 Medium: Original Screenprint on core-filled, baked Aluminum Panel Limited edition: 17/50, (there were also 4 artist's proofs) Printer: Sheila Marbain of Maurel Studios, New York, NY Publisher: Tanglewood Press, New York, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 12, page 90-91; Berggruen No. 13; Clark No. 13 Framing: Recently framed in a white maple moulding and conservation clear glass with frame-space. All archival Framed size: 37.38" x 37.38" Sheet size: 36.13" x 36.13" Image size: approx. 32" x 32" Condition: Faint crease upper right. Mild creasing lower right. Some light scuffmarks and scratches across sheet. In otherwise very good condition with strong colors Very rare Notes: Provenance: private collection - Upton, MA. Comes from the 1968 "The Metropolitan Scene" portfolio of five screenprints by various artists. Printed in four colors from four screens: blue, orange-red, green, and yellow. This is the third screenprint edition Frankenthaler ever made. "The Metropolitan Scene", a portfolio of prints by Richard Anuszkiewicz, Helen Frankenthaler, Adolph Gottlieb, Nicholas Krushenick, Roy Lichtenstein, and George Segal, was commissioned for a traveling exhibition organized by the Education Department of The Metropolitan Museum of Art, New York, NY. The museum received ten Roman-numbered copies for this purpose. Tanglewood Press then released all but Gottlieb's print in numbered editions of fifty. (Gottlieb's contract with Marlborough Gallery, New York, NY, did not permit commercial release of his print by the publisher). "Air Frame" (cat. no. 6) was Frankenthaler's first silkscreen - a medium that Universal Limited Art Editions, West Islip, NY did not use, although it became increasingly popular for artists' prints, both in Europe and the United States, during the sixties. Several other silkscreens followed in the next few years: "Untitled" (cat no. 11), in 1967, and "Sun Corner" (cat. no. 12) by Tanglewood Press, New York, in 1968. - "What Red Lines Can Do" (cat. nos. 22-26) is a suite of silkscreens published by Multiples, Inc., at that time directed by Rosa Esman, in 1970. - (Harrison - page 19). Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...

Die Noten is a screen print realized by Paolo Minoli in 1992. Hand-signed and dated in pencil on the lower right. Numbered "Artist's proof" on the lower left, Edition 7/20 prints. ...

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

Structure N.1 is an original artwork realized by Carmelo Cappello in 1986. Colored screen print on cardboard. The print is Hand-signed and dated in pencil on the lower right. Numbe...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Vicente Rojo (Mexico, 1932-2021) 'Aforismo F', 2015 silkscreen on paper Deponte 300 g. 20.3 x 26.4 in. (51.5 x 67 cm.) Edition of 140 ID: ROJ-147 Unframed

Sister Mary Corita Kent Passion is the Very Fact of God in Man screenprint on Pellon rice paper 30 x40" edition of 50 1963 signed *Slight condition issues due to aging.

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Colour Silkscreen on PVC Year: 1991 Signed, numbered and ...

Green, Red, Silver and Black and White. Large Pop Art Silkscreen. Nicholas Krushenick (May 31, 1929 – February 5, 1999) was an American abstract painter whose artistic style straddled the line between Op Art, Pop Art, Abstract Expressionism, Minimalism and Color Field. He was active in the New York art scene in the 1960s and 1970s, before he withdrew and focused his time as a professor at the University of Maryland for almost thirty years until his death in 1999. Initially experimenting with a more Abstract Expressionist inspired style and cut paper collage, Krushenick is more well known for his paintings which use bold Liquitex colors and juxtaposing black lines, which fall under the category of pop abstraction. In fact, he is a singular figure within that style. Born in New York City in 1929, Krushenick dropped out of high school, served in World War II, worked on constructing the Major Deegan Expressway, and then returned to art school, with the help of the GI Bill. He attended the Art Students League of New York (1948–1950) and the Hans Hofmann School of Fine Art (1950–1951). In the early 1950s Krushenick supported himself and his family by designing window displays for department stores and working for the Whitney and Metropolitan museums and the Museum of Modern Art. In 1957, he and his brother, John Krushenick, opened a framing shop on Tenth Street, which quickly turned into an artists' cooperative called Brata Gallery. Artists such as Al Held, Ronald Bladen...

KAWS Oversized Limited Edition Beach Towel/Wall Hanging, 2016 Limited Edition Silkscreen on 100% Cotton with Original Tags attached LARGE: 67 × 35 1/2 × 3/10 inches when unfolded Ne...

Six Shaps in Space "A-fu" is an original contemporary artwork realized in 1974 by the Japanese artist Shu Takahashi. Beautiful four color silkscreen on polished metal plate. Hand s...

Fritz Scholder (United States, 1937-2005) 'Mystery portrait in Barcelona -1', 1982 engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-006-000 Unframed

Eugenio Carmi is an Italian painter born in 1920 in Genoa. He studied in Turin in Felice Casorati’s studio. His experience as a graphic designer in the ‘50s, is decisive for his pictorial research, based on a rigorous geometrical structure and on a fine analysis of the perception of colors. He participated in the Venice Biennale in 1966. In 1967 he showed some electronic works in the Superlund exhibition organized by Pierre Restany in Lund, Sweden. In 1968, he introduced the “Carm-o-matic”, during the Cybernetic Serendipity show at the Institute of Contemporary Art in London. In 1973, he produced an entirely abstract 25-minute show for RAI’s Experimental Programs Service. The same year, he taught visual art seminars at the Rhode Island Institute of Design in the United States. In the ‘70s, he gave courses at the Accademia of Macerata and at the Accademia of Ravenna (Italy). He produced illustrations for three of Umberto Eco’s stories, published in Italy by Bompiani and in many other countries. The French Ministry of Education has selected them for libraries and schools in France. The most important retrospective of his work was organized by the Milan town hall in 1990, followed by a prestigious exhibition in Budapest, in the halls of the Royal Palace, in 1992. In 1991 he exhibited at the San Francisco Italian American Museum. In 1996 the “Carmi” book is published by Umberto Eco and Duncan Macmillan and presented at the Milan Triennial: a synthesis of his life. From 1957 to 1965 he will play the role of artistic director of Cornigliano's corporate magazine. During this time iron and steel are materials that Carmi meets every day and become a strong creative stimulus for him. In his first solo exhibition - presented by Gillo Dorfles in 1958 at the Galleria Numero di Firenze - the protagonists are the enamels on steel and since 1960 he made various iron and steel works welded and lithographed milk. Iron and steel is the work that in 1962 presented at Spoleto Sculpture exhibition in the city , organized by Giovanni Carandente under the V Festival of the Two Worlds . In this period, he is involved not only in the cultural politics of the Istallier ( Victor Vasarely , Umberto Eco , Max Bill , Konrad Wachsmann , Furio Colombo , Ugo Mulas , Kurt Blum , Emanuele Luzzati , Flavio Costantini ) , But also in the cultural activity of the Warehouse Gallery , which Carmi founded in Boccadasse in 1963. The Warehouse Gallery with multiples intends to propose a serial art accessible to a wider audience and is placed in international discussions on 'Multiplied Art, representing one of the most important examples. The friendship and mutual esteem that binds him to Umberto Eco has two very important fruits at this time: Children's Fables and Stripsody . In 1966 for the publishing house Bompiani came three Eco fables illustrated by Carmi and then re-introduced in 1988 with new Carmi illustrations and a fable more. Stripsody is a musical project on cartoon sound, designed and then interpreted by the genius singer Cathy Berberian, with Eco texts and illustrations by Carmi. Eugenio Carmi, who is always fascinated by the new technological possibilities in the 1960s and 1970s, is the author of experimental cinematic and audiovisual artwork and also realizes those who will call electrical imagery signals that will also be at the center of a provocative installation on the streets of the city of Caorle . It is at this stage that in 1966 he was at the XXXIII edition of the Venice Biennale with the electronic work SPCE (electronically controlled polycyclic structure), which is also the invitation of Pierre Restany to participate with electronic works at the SuperLund exhibition in Sweden. In 1971, he moved to Milan with his family, where he established his study. At this point, though with incursions in other parallel fields such as the realization of mirrors and stained glass, painting, and sporadically sculpture - which had approached the Istal period - is at the center of its activity. It is at the beginning of the seventies that it deepens the geometric language, already open with some previous experiences (accident prevention signs for the Italsider, some multiples for the Deposit and electrical imagery signals), replacing it with the informal one. In 1979 he produced a magazine - which will remain the same number - by the name of Res Publica , for which he receives the contributions of intellectuals and artists, including Umberto Eco, Antonio Porta , Gillo Dorfles , Richard Paul Lohse...

Mark Kostabi Plate for Rigatoni Alla Catanese - Da Ciro - New York, NY, 2001 Silkscreen on ceramic plate; Microwave and Dishwasher Safe 10 1/5 in diameter Artist signature fired into the plate on the underside and numbered from an edition of 510. Edition 36/510 Makes a wonderful gift! This beautiful, whimsical limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare, was designed by American artist Mark Kostabi. In 2000, Buon Ricordo America, Inc. commissioned famous American artists to design plates for their flagship US restaurants. In 2000-1, Kostabi designed the present work for the NY Italian restaurant...

Japanese Garden: Orange, 1996 Tom Baldwin created the series of inkjet prints "Japanese Gardens" in 1996 on his computer, using then-nascent graphics tech...

ROBINSON , Geoffrey (b.1945) Three Fishes c.2011 Silkscreen Print 35.0 × 56.0 cm 13 4/5 × 22 in Geoffrey Robinson trained at Bournemouth College of Art...

Modern Cubist Abstract in Primary Colors, A/P by Juan Quevedo "Linias Emocionales", a bold and bright cubist abstract artist proof screen print by Juan...

Carnivalesque composition is a colored screen print on paper, realized in the 1970s by the Italian artist Wladimiro Tulli. Hand-signed on the lower right and numbered in pencil on th...

Abstract Composition is a colored screen print realized by the contemporary artist Giulio Turcato in 1970s. Hand-signed in pencil on the lower right...

Serigraph on paper. Hand signed and numbered by the artist. Frame size approx 32 x 24 in. Artwork is in excellent condition. Edition of 125. Certificate of authenticity included. Al...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Signed lower right, in pencil, 'Ross Wetzel' (American, 1917 - 2013), titled lower left, 'E Pluribus Unum' and with number and limitation, '118/300'. Paper dimensions: 14 x 21 inches. Born in Chicago, Ross Wetzel was an avid art student through high school, and then enrolled- with his future wife and fellow artist, Janice- at the American Academy of Art in Chicago. He was soon working for Walt Disney Productions, taking lead production roles in the creation of such Disney classics as Pinocchio, Fantasia and Bambi. During the Second World War, he served with the Motion Picture Unit of the First Army Air Corp under Ronald Reagan, creating training films for fighter pilots and bombers and working beside actors including Alan Ladd and Clark Gable. After the War, Ross and Janice started a serigraphy business, which came to be known as Ross Wetzel Studios creating animated commercials and print advertisements for companies such as Kellogg's, Kleenex and Continental Airlines that featured such characters as Tony the Tiger and Toucan Sam. Ross was also hired to illustrate one of the first renderings of Smokey the Bear...

Abstract composition is a colored screen print realized by the contemporary artist Giulio Turcato (Mantova, 1912 - Roma, 1995) in 1973. Good conditions. Edition 14/100. Giulio Tur...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of abstract painters that radically defined Modern painting in Ameri...

Abstract Composition in Circles is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition ...

Edward Landon, 'Salient in February', color serigraph, 1945, edition 25, Ryan 166. Signed in pencil. Titled, dated, and annotated 'ED. 40' in pencil. A fine impression, with fresh colors, on cream, wove paper; with full margins (1 3/4 to 2 5/8 inches, top sheet edge deckle); in excellent condition. Image size 9 x 11 inches; sheet size 12 3/4 x 16 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of th...

Born in London, Robert Medley studied at the Byam Shaw School of Art, the Royal Academy and the Slade School of Art in the 1920s. As a student he met Rex Whistler...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz. Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city. Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life. As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde. Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s. In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985. As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris. Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...

Adan Paredes (Mexico, 1961) 'Untitled 5', 2020 collagraph on paper 42.6 x 29.2 in. (108 x 74 cm.) Edition of 40 ID: PAD-105 Unframed

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Albert Rafols Casamada (Spain, 1923-2009) 'Ritual de signos', 2008 silkscreen on paper Velin Arches 300 g. 11.3 x 15 in. (28.5 x 38 cm.) Edition of 60 Unframed

Screenprint

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...

Worldscape Domenick Turturro, American (1936–2002) Date: 1978 Screenprint, signed and numbered in pencil Edition of AP 18/30 Image Size: 30 inch diameter Size: 38 x 39 in. (96.52 x 9...

Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...

Adolph Gottlieb Signs, 1967 screenprint, ed. of 75 18 x 24 in. (45.7 x 61 cm)

“I am interested in art that suggests a narrative,” says artist Chadwick Tolley. While he uses his personal experience as a point of reference for his prints, drawings, and collages,...

Vicente Rojo (Mexico, 1932-2021) 'Novela', 2007 book, sugar aquatint on paper Guarro Biblos 250g. 4.8 x 4.4 in. (12 x 11 cm.) Edition of 50 ID: ROJ-124 Unframed

A very good impression of this color giclée print with screenprinted varnish on white wove paper. Signed, dated and numbered 23/50 in pencil.

Abstract Composition is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition of 21/50 pr...

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Wind White Leaves Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40 AP Image Size: 17 x...

Number 84 in an edition of 100 prints. Signed. Robert Gordy was an iconic New Orleans painter. He was part of the "Art and Decoration" movement that also ...

Abstract Composition is an original screenprint realized by Henry Miller in the late 1940s for the illustrated book "Into the Night Life" (published in 1947 by Miller himself and by Bezazel Schatz). Bon à...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Green Mandala Year: 1969 Medium: Screenprint on Scintilla paper, signed and numbered in pencil Edition: 75 Paper Size:...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Abstract composition is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered. edition 87/100. Good conditions. A...

’Shy Smile’ By Harvey Daniels Medium - Screen Print Signed - Yes Edition - 11/45 Size - 760mm x 560mm Condition - 10 Colour of print may not be accurate when viewed on a monitor. H...

Victor Guadalajara (Mexico, 1965) 'Untitled', 2011 silkscreen on paper Velin Arches 300 g. 17 x 14.6 in. (43 x 36.9 cm.) Edition of 10 ID: GUA-108 Unframed

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artists most important color and shape theories. A copy of the colophon bearing Albers’ hand-signature and the edition number is included with artwork. Biconjugate: Vice Versa...

Stanley Boxer, (1926–2000) Date: 1990 Screenprint, signed and dated verso in pencil Edition of 7/20 Size: 38.5 x 26 in. (97.79 x 66.04 cm)

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Creation II by Anna Harley [2020] Hand signed by the artist Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Ed...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 1974 Signed, numbered and dated by...

Victor Vasarely (1906-1997) Kinetic Composition Bi-Hexa, 1975 Original Screen Print Handsigned in pencil Numbered / 300 On Arches vellum 76 x 56 cm (c. 30 x 22 in) REFERENCE : C...

Hand signed and numbered. Edition of 100 prints. On headed paper. Image Dimensions : 40 x 57 cm