Screen Abstract Prints

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father. At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours. In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988. Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987). In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan. The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988. In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production. In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France. Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine. In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented. In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland. In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children. In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors. In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania. In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs. In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni. In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings. In 2007 Laura was also invited to take part in Milan’s Cow Parade...

Leonardo Gotleyb (Argentina, 1958) 'Sinfonia urbana I', 2005 woodcut on paper Rives BFK 300 g. 30 x 22.1 in. (76 x 56 cm.) ID: GOT-307 Hand-signed by author

Andy Warhol (After) Warhol Unlimited, 2015 Silkscreen on thin linen canvas backing 63 × 47 inches Unframed This large, stunning silkscreen poster was published on the occasion of the...

Brian Nissen (England, 1939) 'Mariposa obsidiana 5', 1981 engraving on paper 27.6 x 21.3 in. (70 x 54 cm.) Unframed ID: NIS1331-006-000 Hand-signed by author ________________________...

Raymond Parker, American (1922 - 1990) - Untitled 7, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 33/70, Size: 22.75 x 30.25 in. (57.79 x 76.84 cm), Fra...

Leonardo Gotleyb (Argentina, 1958) 'Metropolis V', 2001 woodcut on paper Velin Arches 300 g. 28.4 x 33.9 in. (72 x 86 cm.) Edition of 25 ID: GOT-305 Hand-signed by author

Janler Méndez (Cuba, ) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-232 Hand-signed by author

Abstract Composition is an original serigraph artwork, realized by Marco Mengolini in 1976. Hand-signed, dated, numbered, edition number 37 of 100 prints. The state of preservation...

11 value silkscreen print Signed, dated, titled and numbered in pencil by the artist. Edition of 150, plus 20 AP's as is here AP XV/XX. Provenance: Estate of the Artist By dece...

A dynamic neon-yellow and black Mark Lancaster screen print combining calligraphic paint strokes, paint drips, and smooth, graphic yellow gradients characteristic of the artist's mos...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Mobius Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 80 Image Size: 18 x 26 inches Size: 22 x 30 in. (55.8...

Artist: David Milne Title: River Ring Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150, AP Image Size: 12 x 17 inches Size: 14 x 18 in. (35.56 x 45.72 cm) ...

Victor Guadalajara (Mexico, 1965) 'Nave', 2005 engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-105 Unframed

Enterieur (Outside) Screen print, 1973 Signed lower right in pencil (see photo) Edition: A.P., annotated lower left corner Published by Edition Ltd., Indianapolis Image size: 21 3/4 ...

The irremediable is a beautiful colored screen print on paper, realized by the Italian artist and pioneer of Abstract art  Mario Radice  (1898-1987), in the 1960s. Hand-signed and n...

Op art screenprint In a mesmerizing pattern of soft greens and mauves by Argentine artist Hugo Demarco. Title: Relations Couleur III Medium: Screenprint...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

Abstract composition - Lithograph signed Deplhos and numbered 62/100, bright colors Memphis style

The Red and Yellow Structures is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the...

Bold geometric screen print with purple and teal composition by an unknown artist (American, 20th Century). Texture has been added with impressions in the upper right corner. Present...

The visible of the invisible - Red composition is an original contemporary artwork realized by Italo Bressan in 1989. Mixed colored screen print. Hand ...

Artist: Larry Zox (1937-2006) Title: Two Square Composition Year: 1978 Edition: 13/20, plus proofs Medium: Silkscreen on japon paper Size: 18 3/4 x 26 inches Condition: Good Inscript...

there is a companion piece on a silver paper. A depiction of a ballet dancer, superimposed upon canceled dance class checks. Joanne Seltzer was born in Philadelphia, Pennsylvania a...

"Vicente Rojo (Mexico, 1932-2021) 'Nubes de fuego (Libro de artista)', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 12.6 x 21.3 in. (32 x 54 cm.) Edition of 50 ID: ROJ...

Brightly colored shapes bounce and collide on a vibrant yellow background. This lithograph is an example of Murray's mature work. This image was used to feature Lincoln Center's cele...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled (B/N vertical)', 2021 collagraph on paper Guarro Biblos 250g. 27.2 x 21.1 in. (69 x 53.5 cm.) Edition of 20 ID: NAA-112 Unframed

"Miguel Castro Leñero (Mexico, 1956) 'Fuera del Radar I', 2020 engraving on paper Intaglio 300 g. 63.6 x 39 in. (161.5 x 99 cm.) Edition of 30 ID: CAM-104"

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled Year: 1985 Medium: Silkscreen, signed and numbered in pencil Edition: 22/26 Image Size: 30 x 42 inches Size: 36 x 48 inches

Priscila Vergara (Mexico, 1974) 'Trazos de atardecer ', 2013 sugar aquatint on paper Guarro Biblos 250g. 22.5 x 21.3 in. (57 x 54 cm.) Edition of 75 ID: VER-101 Unframed

Victor Guadalajara (Mexico, 1965) 'Untitled', 2011 silkscreen on paper Velin Arches 300 g. 17 x 14.6 in. (43 x 36.9 cm.) Edition of 10 ID: GUA-108 Unframed

Artist: Josef Levi, American (1938 - ) Title: Karen Year: 1972 Medium: Serigraph, signed and numbered in pencil Edition: 150; AP XII Image Size: 12 x 12 inches Size: 14 x 18 in...

Damned Women  is a beautiful colored serigraph on paper, realized by the Italian artist and pioneer of Abstract art  Mario Radice  (1898-1987), published in 1964 by La Nuova Foglio. ...

Green Shapes is a colored screen print realized by Renato Barisani in 1983 . Hand-signed and dated in pencil on the lower right. Numbered  in pencil on the lower left. Edition 99 pr...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego III', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-120 Unfra...

Ronald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...

Artist: Arthur Boden, American Title: Seasons 3 Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 75 Size: 25 in. x 24 in. (63.5 cm x 60.96 cm)

Chris Ofili R.I.P. Stephen Lawrence 1974 - 1993, 2013 Lithographic print in 4 colours with silkscreened glow-in-the-dark text 17 7/10 × 14 inches Edition of 100 Accompanied by a numb...

Joseph Beuys Blatt auf Karteikarte (from Columbus: In Search of a New Tomorrow), 1992 Color silkscreen on vellum parchment paper, held in original portfolio sleeve Signed by Eva Beuys, the Executor of the Beuys estate, in blue ink on the reverse and annotated P.P.; and bears publisher's blind stamp 30 × 22 3/4 inches Held in the original, removable portfolio sleeve (see photograph) Originally published by Domberger in collaboration with Artists Unlimited for Nature to support the conservation of the tropical rainforest. The text says: 1000 Stk. hh DIN A4 EVP 33,00 M This is one of five Printers Proofs aside from the regular edition of 100, signed by Eva Beuys, the Executor of the Beuys estate, and annotated PP on the front, with the publisher's blind stamp, from the original portfolio Columbus: In Search of a New Tomorrow, housed in the rarely seen original protective sleeve. The portfolio was created to raise funds to help save the rainforest. “Before the world is changed it would perhaps be more appropriate not to destroy it” - Paul Claudel This color silkscreen signed and annotated on the reverse by the artist's widow is Joseph Beuys contribution to the portfolio, "Columbus: in Search of a New Tomorrow" - to raise funds and awareness about saving the Rainforest. 35 artist from around the world were invited to contribute mainly silkscreens, but also photography, literature, drama and music. This ambitious project was sponsored by His Majesty King Juan Carlos of Spain and Mr. Hoet, manager of “documenta IX”. Besides Beuys, other artists who participated in this portfolio are: Kenny Scharf, Max Bill, Sandro Chia, Eduardo Chillida, Joe Cocker, Christo, Hanne Darboven...

Victor Vasarely (1906 – 1997) Composition Cinétique Serigraph in colors on wove paper, 1970 29 x...

Precise rectangular and square lines and shapes in tints of yellow, green, turquoise and mauve, are an interpretation of the brilliant summer sun in this silkscreen print on paper by...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Artist: Robert Indiana (1928-2018) Title: Indiana in Lewiston Year: 1991 Medium: Silkscreen on wove paper Edition: 150, plus proofs Size: 46.5 x 26.75 inches Condition: Excellent Ins...

Red Abstract Composition is a contemporary artwork realized by Salvatore Provino in 1991 Mixed media on paper Hand signed and numbered on the lower margin Edition of 75/100 Good ...

Laing was born in Newcastle upon Tyne. He grew up during World War II and experienced the Battle of Britain as young boy. He attended the Royal Military Academy Sandhurst and served...

Josef Levi, American (1938 - ) - K-GRBB, Year: 1971, Medium: Screenprint, signed, numbered, titled and dated, Edition: 1/2, Image Size: 28 x 28 inches, Size: 32 x 32 in. (81.28 x 81....

Maud Morgan "SSI" c.1970s Silkscreen on silver paper edition A/P 11.75"x15" framed silver frame 19.25"x1"x22.25" Signed in pencil lower left

Untitled is an artwork realized by Franco Giuli, in the 1970s.  Screen print, 70 x 50 cm.  Edition, 44/99.  Handsigned lower right margin.  Good conditions

Ilile D Screen print, 1990 Signed lower right (see photo) Numbered lower left (see photo) Edition: 300 plus 50 EA Published by Circle Art Gallery Reference: Benavides 1116 Condition:...

Time Will Tell Screen print 60 x 40 cm (23.6 x 15.7 in) Signed and numbered by the artist In support of CHOOSE LOVE Accompanied by a certificate by Always Art Materials 22-colour h...

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Silkscreen on Paper, signed and numbered in pencil Edition: 50 Paper Size: 20 ...

Artist: Paul Maxwell, American (1925 - 2015) Title: Untitled - Red and Blue Web Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 26 x 39 in. (66...

Mark Tobey, American (1890 - 1976) - Apparuit, Year: 1971, Medium: Screenprint on BFK Rives, signed, numbered and dated in pencil, Edition: 75, Image Size: 24 x 17 inches, Size: 30...

Robert Irwin Cacophonous (hand signed by Robert Irwin), 2015 Softback exhibition catalogue with stiff wraps (hand signed by Robert Irwin) Hand signed by Robert Irwin on the title pag...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°14, 1960. Published and printed under the direction of Gualt...

Valerie Jaudon Lincoln Center Information Center, 1986 Color silkscreen on wove paper Pencil signed, dated and numbered 45/72 on the front Published by the Lincoln Center print...

Colorful and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-201...

Menashe Kadishman Clothes 2, 1973 Silkscreen on wove paper Signed and numbered 31/70 on the front 23 1/4 × 32 1/2 inches Edition 31/70 Chris Prater of Kelpra Studio, Kentish Town, En...

A very good impression of this color screenprint on Rives BFK. Signed and numbered 26/175 in pencil by Chamberlain. Published by London Arts, Inc., Detroit, with the blind stamp lowe...