Michael Challenger

Lunar Tables, Signed Modern Screenprint by Michael Challenger

1969

His Black Eyes Snapped Shut by Michael Challenger, British (1939) Date: 1970 Screenprint, signed, numbered, dated, and titled in pencil Edition of 66/150 Size: 15 x 22.5 in. (38.1 x ...

Ends and Bends by Michael Challenger, British (1939) Date: 1979 Screenprint, signed and numbered in pencil Size: 28 in. x 25 in. (71.12 cm x 63.5 cm)

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. First Things First Artist: William Schw...

Full Volume by Michael Challenger, British (1939) Date: 1979 Screenprint, signed and numbered in pencil Edition of 300 Size: 29 x 23.5 in. (73.66 x 59.69 cm)

Michael Challenger Heaven Forbid - 1979 Print - Silkscreen 17.5'' x 25'' Edition: Signed in pencil, titled, dated and marked 291/300 Challenger's w...

Michael Challenger Not Yet - 1979 Print - Silkscreen   25'' x 25'' Edition: Signed in pencil, titled, dated and marked AP VIII Challenger's work is a powerful interplay of op-art an...

Challenger's work is a powerful interplay of op-art and constructivism. His graphic work evokes the counter- play of shapes, forms and color of his predecessors, including Albers an...

Jimmy Ernst  Plate II - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 24/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...