Early 2000s Abstract Prints

"Vicente Rojo (Mexico, 1932-2021) 'Nubes de fuego (Libro de artista)', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 12.6 x 21.3 in. (32 x 54 cm.) Edition of 50 ID: ROJ...

"Voices IV" Aquatint Etching Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/3 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Signed, titled and numbered from the edition of 6. The horizontal and vertical directional lines, and the use of black and white give Allirand’s prints their dynamic presence. Two ma...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego III', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-120 Unfra...

Hand signed and numbered. Edition of 260 prints. Excellent conditions. Francesco Clemente's oeuvre spans three decades and has achieved international acclaim. Throughout the 1970s h...

Bridget Riley: Reconnaissance (hand signed and inscribed by Bridget Riley), 2001 Hardback monograph with no dust jacket as issued (hand signed and inscri...

Signed and numbered from the edition of 12. RENAUD ALLIRAND was born in 1970, and currently lives and works in Paris. He is a prolific artist who has exhibited regularly since 1995....

Untitled, from the suite Olympic Games Beijing 2008, is a colored lithograph realized by Sandro Chia in 2008. Hand-Signed in pencil on the lower right margin. Hand-numbered in penc...

Christopher Wool 2004 CAMDEN ARTS CENTRE (Hand signed and dated by Christopher Wool), 2004 Softcover catalogue (Hand signed and dated by Christopher Wool) Hand signed and dated 2017 ...

"It becomes particularly desperate when the peace symbol is inverted and is really plunging in despair. I grew a little weary of my own despair and my own g...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black&white with addition of red. Title of this artwork is 'An Illusion'...

Abstract print with fall colors, from a series inspired by ground cover and vegetation. Signed, titled and numbered from the edition of 10. Charles Eckart was born in Oakland, Calif...

Image dimensions 70 x 70 cm. Villa Pisani is an incredible giclée print realized by the contemporary artist Dadodu in 2008. This original artwork represents green and black hypnoti...

Christine Ravaux created Peau d' Are which is signed by pencil. This impression is #2 of 15 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with ...

Vintage Exhibition Poster is a Offset print realized for the exhibition of Marco Tirelli in 2006. Good condition, no signature. The exhibition was held in Galerie de Meo in Paris i...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Signed, titled and numbered in pencil by the artist. Edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physic...

Sharron Bliss, S Rhythm 1, Digital Pigment Print, 15 x 15 ( 20 x 17.50 Full ), 2003 Colors: Brown, Green, Red, Blue

Gerhard Richter Abstract Painting (one plate) - artist authorized, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins. (Artist Authorized) Not signed, edition of 3433 12 1/2 × 16 1/2 inches Unframed This striking limited edition color plate, printed on GardaMatt Art 250 GSM paper with full margins, was published on the occasion of the major twin Richter exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting), and it depicts Richters 1999 Oil on Aluminum abstract picture, catalogue raisonne reference, 858-6. This print is unframed, unnumbered and in excellent condition. More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

Publisher GKM. Edition of 40 ex. Unframed. Carborundum engraving. Moulin de Larroque handmade paper. Free shipment worldwide. “With just a few strokes of his brush he conjures up an...

Lithograph realized by Yannis Kounellis in occasion of the Olympic Games of Beijing, China, in 2008. Hand signed and numbered, perfect condition. This work is from the portfolio Th...

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...

Jorg Immendorff (German, 1945-2007) Untitled, Germany, 2006 serigraph hand signed and dated lower right margin, numbered 20/27 lower left framed 74.5 x 48.75 inches (sight). 82.25 x 55.5 inches (frame). This work is number 20 from the edition of 27. Provenance: T. Kreuzer Gallery, Cologne, Friedman Benda Gallery, New York City Jörg Immendorff (1945–2007) was a German painter, sculptor, stage designer and art professor. He was a member of the art movement Neue Wilde. He worked as a painter, sculpture and print maker in steel, bronze, oil painting, lithography etching and serigraphy. Immendorff was born in Bleckede, Lower Saxony, near Lüneburg on the west bank of the Elbe. He attended the boarding School Ernst-Kalkuhl Gymnasium as a student. At the age of sixteen he had his first exhibition in a jazz hall cellar in Bonn. Beginning in 1963, Immendorff studied at the Art Academy in Düsseldorf (Kunstakademie Düsseldorf). Initially he studied for three terms with the theater designer Teo Otto. After Otto threw him out of his class for refusing to let one of his paintings serve as stage-set decoration, Immendorff was accepted as a student by Joseph Beuys. The academy expelled him because of some of his (left-wing) political activities and neo-dada actions. From 1969 to 1980, Immendorff worked as an art teacher at a public school, and then as a free artist, holding visiting professorships all over Europe. In 1989, he became professor at the Städelschule in Frankfurt am Main and in 1996 he became professor at the Art Academy in Düsseldorf—the same school that had dismissed him decades earlier as a student. Jörg Immendorff often worked in "grand cycles of paintings" that often lasted years at a time and were political in nature. Notable cycles include LIDL, Maoist Paintings, Cafè Deutschland , and The Rake's Progress. The first body of work that Immendorff gave a name to were his LIDL paintings, sculptures, performances, and documents, that he executed during 1968-1970. The name, "LIDL" was inspired by the sound of a child's rattle makes and much of his work from this period included the iconography of new beginnings and innocence. LIDL is comparable to Dadaist but unlike the Dada movement it never became an established group but rather consisted of a variety of artists (including James Lee Byars, Marcel Broodthaers, Nam June Paik, and Joseph Beuys) participating in actions and activities. In January 1968 he appeared in front of the West German Parliament in Bonn with a wood block labeled “Lidl” tethered to his ankle and painted in the colors of the German flag; he was subsequently arrested for defaming the flag. Best known is his Cafe Deutschland series of sixteen large paintings (1977–1984) that were inspired by Renato Guttuso Caffè Greco; in these crowded colorful pictures, Immendorff had disco-goers symbolize the conflict between East and West Germany. Since the 1970s, he worked closely with the painter A. R. Penck from Dresden (in East Germany). Immendorff created several stage designs, including two for the Salzburg Theater Festival. He designed sets for the operas Elektra and The Rake's Progress. The latter also inspired a series of paintings in which he cast himself as the rake. In 1984, Immendorff opened the bar La Paloma near the Reeperbahn in Hamburg St. Pauli and created a large bronze sculpture of Hans Albers there. He also contributed to the design of Andre Heller's avant-garde amusement park "Luna, Luna" in 1987. Immendorff created various sculptures; one spectacular example is a 25 m tall iron sculpture in the form of an oak tree trunk, erected in Riesa in 1999. In 2006, Immendorff selected 25 of his paintings for an illustrated Bible. In the foreword he described his belief in God. A major 2019 survey began at the Haus der Kunst in Munich and later traveled later to the Museo Reina Sofía in Madrid and the Fondazione Querini Stampalia in Venice, curated by Francesco Bonami. In 2000, Immendorff married his former student Oda Jaune. The have one daughter Ida Immendorff. He was a member of the Junge Wilde (German for "young wild ones") In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano...

Stephen Powers Everything is Shit Except You Love, 2008 17 Color silkscreen on 335 GSM Coventry rag paper. Hand signed and numbered on lower front. Also bears publishers blind stamp ...

Gary Hume Pink Nicola, Nicola as an Orchid, Brown, Brown, Silver and Brown 2005 Set of three screenprints on silver leaf "Pink Nicola": 49 1/4 x 38 1/8 inches; 125 x 97 cm "Nicola as...

Ravaux used the rule of threes to show 3 pieces of Christmas ivy floating below three sources of light. Christine Ravaux is a Belgian artist who uses nature in much of her work whic...

Irena Snarska (b. 1934, d. 2013) Irena Snarska was born in 1934 in Lviv. She studied at the Faculty of Interior Architecture at the Academy of Fine Arts in Warsaw. Between 1956 and 1...

GRAY AND BLACK ABSTRACT by the American painter and printmaker Will Barnet is an original hand drawn lithograph, printed using hand lithography on archival printmaking paper 100% aci...

Floor, 2007 Antony Gormley Lithograph, on 300g. Velin d’Arches paper Signed and numbered from the edition of 40 Published by Edition Copenhagen, Copenhagen Sheet: 69 × 100 cm (27.2...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black&white with addition of blue and red. Title of this artwork is 'Asy...

Hans Haacke Mia San Mia (Hand signed by Hans Haacke), 2001 Hardback monograph (hand signed by Hans Haacke) Signed by Hans Haacke in black marker on the title page 10 × 8 × 1 inches Provenance Hand signed by Hans Haacke for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper) This exquisite European hardcover monograph with dust jacket was hand signed by Hans Haacke in black marker on the title page for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper). Highly collectible. Makes an excellent gift. Published by the Generali Foundation, Austria on the occasion of the eponymous exhibition. About the exhibition: Hans Haacke (born in 1936 in Cologne, GER, has lived in New York, USA, since 1965) focused on "a single problem area: how the country deals with its history and national identity. More than I care for, these questions stir up emotions both in Austria and Germany." Haacke had been originally concerned with physical and biological systems. Very early on, his artistic practice also included the analysis of and reflection on socio-political phenomena. Haacke's work deals with social and political themes. He considers the debates arising from his works - fierce at times - to be an integral part of them. "Mia san mia" (We Are Who We Are...

Mark Gonzales Untitled, ca. 2008 Silkscreen on paper Hand signed and numbered 2/50 on the front Unframed and affixed to matting Rare early print by the renowned skateboard artist Mark Gonzales, known as "The Gonz" He is considered to be the godfather of modern street skateboarding and was named the "Most Influential Skateboarder of All Time" by the Transworld Skateboarding magazine in December 2011. Gonzales famously collaborated with KAWS on a popular limited edition skateboard. This work is unframed but affixed to matting with beveled edges (as it had been previously framed) and ready to be re-framed Matting 15.5 inches x 12 inches Artwork 11 inches x 8.5 inches Mark GONZALES “If skateboarding had a Mount Rushmore, it features Tony Hawk, Rodney Mullen and two sculptures of Mark Gonzales. His influence and contributions to modern street skating can only be compared to what Michael Jordan did for basketball.” – TheBoardr Mark Gonzales’ skateboarding, personality and artwork has helped sculpt skateboarding into the internationally revered subculture it is today. Not only is he one of its most influential professional athletes, but his paintings have been featured in galleries across the world. Plus, his signature characters have appeared in collaborations with the likes of Tom Sachs, Harmony Korine and Spike Jonze...

Bright and bold screen print by Spanish artist Guido Lopez (Spain, 20th century). Titled "Poezia Marina", signed lower right "Guido Lopez', 12/150. Unframed. Image 22.5"H x 25"L, Mat...

Mark di Suvero Papillon, 2005 Digital fine art print on Hahnemuhle acid free photo rag paper. Hand signed, dated and numbered Accompanied by colophon page from Artist's Studio, with ...

Richard Nonas (hand signed by Richard Nonas), 2004 Softcover monograph (hand signed by Richard Nonas) Hand signed by Richard Nonas for the present owner ...

Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 2003 Signed, numbered a...

Edition of 260 prints, numbered and hand signed. Realized on occasion of the Olympic Games in Beijing, China, in 2008. Excellent conditions. Alexander de Cadenet b.1974 1992 Lincoln-Seligmann Art Prize 1996 Courtauld Institute of Art, London (B.A) (Thesis 1:1) Solo Art Shows, London 1993 Cadogan Gallery, ‘Black Circles’ 1996 The Mark (warehouse space on Kings Road, London), ‘Atmosphere’ 1997 Notting Hill Arts Club, ‘Interconnections’ 1998 Victoria & Albert Museum, ‘Models Skull Portraits’ 2000 30 Underwood Street Gallery (ex-Saatchi Gallery), ‘Celebrities Skull Portraits’ 2003 Courtauld Institute of Art, ‘British Spies Skull Portraits’ 2005 Aquarium Gallery, ‘Love You’ 2005 Aquarium Gallery, ‘Historical Subjects Skull Portraits: Adolf Hitler’ Solo International Shows 1999 “Erection of the Maasai Golgotha”, Kenya Group Shows 1994 Fete Worse Than Death, Hoxton Square, ‘Fame Killers’ 2000 Museum Of (Emotions), London WC1 February, ‘Religious Subjects Skull Portraits’ 2000 Polstar Art Programme @ Home, Leicester Square, ‘This is the end my friend, the end….’ 2000 VTO Gallery, London E3 December, ‘The Scream’ 2001 Museum of Modern Art, Ostend, “Between Heaven & Earth”, ‘Celebrity Skull Portraits’ 2001 Orion Gallery, Ostend. “What’s New from London”? 2004 Aquarium Gallery, ‘Pax Britannica’, ‘Skull Portraits of Jake and Dinos Chapman’ 2005 T1+T2 Gallery, ‘Religious Subjects Skull Portraits’ 2005 Port Elliot Literary Festival, ‘Hitler Skull Portrait’ 2006 Zoo Art Fair at Frieze 2006 Tate Britain, 'Open Evening' 2006 Chicago Art Fair with T1+2 Gallery 2006 V Project, Trafalgar Square 2007 Zoo Art Fair 2007 Toffee Armistace, Vanilla Sky...

Vintage Poster is an Offset realized for the exhibition by Michel Haas at Galerie Di Meo Paris in 2003. The artwork is represented in a well-balanced composition. Good condition, n...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Robert Cottingham Blues, from the American Signs Portfolio (hand signed by Robert Cottingham), 2009 Screenprint in colors on wove paper Pencil signed, numbered 66/100, dated, and tit...

East, Olympic Games Beijing 2008 is an original colored lithograph realized by Omar Galliani. This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 ...

Melissa Meyer Love Me Tender, 2003 Color etching on wove paper Pencil signed and numbered from the edition of 30 on the front 27 inches × 25 inches Edit...

Maya Lin: Systematic Landscapes poster (hand signed and dated), 2006 Offset lithograph poster Hand signed and dated 2006 in black marker by Maya Lin on the front 16 1/2 × 26 inches U...

Gary Hume Grey Leaves 2004 Screen print in 4 colours with one glaze, printed on 400gsm Somerset Tub Sheet: 28 x 23 inches; 71 x 59 cm Frame: 30 3/8 x 25 1/...

WE CAN ARRANGE FOR COST-EFFECTIVE SHIPPING (NOT $349 AS QUOTED BY THE SYSTEM!) Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction)...

A very good impression of this digital pigment print on white wove paper. The "Right to Print" proof, aside from the edition of 100. Signed, dated "7/30/01" and inscribed "RTP" in pe...

LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Art...

This beautiful monotype by Kirsten Stolle (1967-) is a simple, yet elegant composition with beautiful, harmonious colors. There is a wonderful warmth and richness to the surface; var...

Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on Hahnemühle Velvet Year: 20...

Abstract Flowers is an original colored esacolor print realized by Martine Goeyens in the 2000s. The artwork is hand-signed in pen by the artist on the lower right. Hand-retouched by the artist on the lower left margin. Embossed stamp of the "Fondazione Di Paolo" on the lower right margin. Very good conditions. Esacolor is a graphic technique applied on canvas and hand-retouched by the artist. The artwork represents an explosion of colors in an abstract composition, recalling flowers, hand-retouched by the artist with fluid colorful brushstrokes! Martine Goeyens (1953) is a Belgian artist who began her artistic training as a student of Master Lafaille, the greatest Belgian painter of the time. In this period, she learnt the technique "en plein air"; her talent and her spontaneous creativity would do the rest. In Martine Goeyens' painting, there is no human presence; nature predominates undisputed, sometimes enclosed in a vase of flowers, sometimes in a village scattered around houses. Her art is both archaic and modern. The colorful atmospheres transmit emotions. Today, her unique style is so appreciated internationally that she was awarded numerous prestigious prizes: Best Painter "en plein air" in Sainte Maxime...

This beautiful monotype by Kirsten Stolle (1967-) is a simple, yet elegant composition with beautiful, harmonious colors. There is a wonderful warmth and richness to the surface; var...

Olympic Games Beijing - Poster is a vintage offset print after a work by Alexander De Cadenet. Hand signed lower right. The poster was realized on the occasion of the Olympic Games...

Lithograph Handsigned by the artist in pencil and numbered 119/150 Printer : Frédéric Possot, Paris 54.00 cm. x 75.50 cm. 21.26 in. x 29.72 in. (paper) Certificate of authenticity L...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Il Albero Giovanne Year: 2002 Medium: Carborundum Etching on Hand-Made Paper, signed and numbered in marker Edition: 125, XXXV Pap...

Claes Oldenburg Chinati Foundation, Marfa Texas (Hand Signed), 2003 Offset Lithograph poster. Hand signed by Claes Oldenburg 23 1/2 × 13 1/2 inches Exceedingly rare when hand signed. This offset lithograph poster was created on the occasion of the Claes Oldenburg & Coosje van Bruggen...

Engraving, 2000 Handsigned by the artist in pencil and Annoted "EA" Edition : 99 ex. Publisher : Jacqueline de Champvallins (Paris) 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (pape...

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...