Early 2000s Abstract Prints

Park Seo-Bo Ecriture No. 1 - 06 ((2006). Edition 72/99 Print (casting with handmade paper), hand-coloring with acrylic Signed, titled, dated and numbered in pencil 76 x 55.5cm (shee...

Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front by Bridget Riley Unframed Signe...

ROBERT COTTINGHAM Art, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

Artist: Francis Bacon (1909-1992) Title: Portrait Isabel Rawsthorne Year: 2003 Medium: Offset Lithograph on premium paper Size: 39.25 x 27.5 inches Condition: Excellent Notes: Publis...

Published by edition GKM. Unframed. Edition: 15 ex. Signed by the artist. Free shipment worldwide. “With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Bright and bold screen print by Spanish artist Guido Lopez (Spain, 20th century). Titled "Poezia Marina", signed lower right "Guido Lopez', 12/150. Unframed. Image 22.5"H x 25"L, Mat...

Robert Cottingham Blues, from the American Signs Portfolio (hand signed by Robert Cottingham), 2009 Screenprint in colors on wove paper Pencil signed, numbered 66/100, dated, and tit...

"Lepidine" captures Damien Hirst’s fascination with creating beauty through structure. Part of his iconic "Spots" series, this shimmering grid of vibrant colors set against a silver ...

Lithograph, signed lower right, Number: 24/75 Alechinsky was born in Schaerbeek. In 1944 he attended the l'École nationale supérieure d'Architecture et des Arts décoratifs de La Cam...

Engraving with carborandum & collages, ed. 6/30 + white frame James Coignard (1925-2008) was a well known French artist/printmaker recognised for his colourful, geometric abstractio...

A very good impression of this Iris print. Signed and numbered 23/50 on verso by Ruff.

Color lithograph, Patron Impression. Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes ‘personal diaries’ of her life a...

Mottetti is an original Contemporary artwork realized by the Italian Contemporary artist Achille Perilli (Rome, b.1927) in 2002. Original etching on Arches Velin Blanc paper. Hand...

Etching realized by Fausto Maria Franchi in 2006. Edition of 23/200. Hand signed and numbered in pencil. Excellent condition.

Jorg Immendorff (German, 1945-2007) Untitled, Germany, 2006 serigraph hand signed and dated lower right margin, numbered 20/27 lower left framed 74.5 x 48.75 inches (sight). 82.25 x 55.5 inches (frame). This work is number 20 from the edition of 27. Provenance: T. Kreuzer Gallery, Cologne, Friedman Benda Gallery, New York City Jörg Immendorff (1945–2007) was a German painter, sculptor, stage designer and art professor. He was a member of the art movement Neue Wilde. He worked as a painter, sculpture and print maker in steel, bronze, oil painting, lithography etching and serigraphy. Immendorff was born in Bleckede, Lower Saxony, near Lüneburg on the west bank of the Elbe. He attended the boarding School Ernst-Kalkuhl Gymnasium as a student. At the age of sixteen he had his first exhibition in a jazz hall cellar in Bonn. Beginning in 1963, Immendorff studied at the Art Academy in Düsseldorf (Kunstakademie Düsseldorf). Initially he studied for three terms with the theater designer Teo Otto. After Otto threw him out of his class for refusing to let one of his paintings serve as stage-set decoration, Immendorff was accepted as a student by Joseph Beuys. The academy expelled him because of some of his (left-wing) political activities and neo-dada actions. From 1969 to 1980, Immendorff worked as an art teacher at a public school, and then as a free artist, holding visiting professorships all over Europe. In 1989, he became professor at the Städelschule in Frankfurt am Main and in 1996 he became professor at the Art Academy in Düsseldorf—the same school that had dismissed him decades earlier as a student. Jörg Immendorff often worked in "grand cycles of paintings" that often lasted years at a time and were political in nature. Notable cycles include LIDL, Maoist Paintings, Cafè Deutschland , and The Rake's Progress. The first body of work that Immendorff gave a name to were his LIDL paintings, sculptures, performances, and documents, that he executed during 1968-1970. The name, "LIDL" was inspired by the sound of a child's rattle makes and much of his work from this period included the iconography of new beginnings and innocence. LIDL is comparable to Dadaist but unlike the Dada movement it never became an established group but rather consisted of a variety of artists (including James Lee Byars, Marcel Broodthaers, Nam June Paik, and Joseph Beuys) participating in actions and activities. In January 1968 he appeared in front of the West German Parliament in Bonn with a wood block labeled “Lidl” tethered to his ankle and painted in the colors of the German flag; he was subsequently arrested for defaming the flag. Best known is his Cafe Deutschland series of sixteen large paintings (1977–1984) that were inspired by Renato Guttuso Caffè Greco; in these crowded colorful pictures, Immendorff had disco-goers symbolize the conflict between East and West Germany. Since the 1970s, he worked closely with the painter A. R. Penck from Dresden (in East Germany). Immendorff created several stage designs, including two for the Salzburg Theater Festival. He designed sets for the operas Elektra and The Rake's Progress. The latter also inspired a series of paintings in which he cast himself as the rake. In 1984, Immendorff opened the bar La Paloma near the Reeperbahn in Hamburg St. Pauli and created a large bronze sculpture of Hans Albers there. He also contributed to the design of Andre Heller's avant-garde amusement park "Luna, Luna" in 1987. Immendorff created various sculptures; one spectacular example is a 25 m tall iron sculpture in the form of an oak tree trunk, erected in Riesa in 1999. In 2006, Immendorff selected 25 of his paintings for an illustrated Bible. In the foreword he described his belief in God. A major 2019 survey began at the Haus der Kunst in Munich and later traveled later to the Museo Reina Sofía in Madrid and the Fondazione Querini Stampalia in Venice, curated by Francesco Bonami. In 2000, Immendorff married his former student Oda Jaune. The have one daughter Ida Immendorff. He was a member of the Junge Wilde (German for "young wild ones") In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano...

Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grim...

"Light on Water" is an original 13 color lithograph with pochoir from 4 aluminum plates and 1 mylar stencil. It was created by the artist Emmi Whitehors...

Artist: Hirst, Damien Title: Oh my God and for those really stubborn stains Series: In a Spin Volume 1 Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions...

A very good impression of this color lithograph on Arches Cover paper. Signed, titled, dated and numbered 35/50 in pencil. Printed and published by ULAE, West Islip.

A very good impression of this color lithograph on Somerset white wove paper. Signed, dated and numbered 2/90 in pencil by Baldessari. Printed by Derriere L'Etoile Studios, New York....

JOHN CHAMBERLAIN Untitled, 2006 Digital monoprint on canvas, mounted on wood. Unsigned. W 18” x H 90 1⁄2” Chamberlain began to explore photography in the late 1960s, but it wasn’...

Gerhard Richter Untitled Abstract Picture (one plate) - Artist Authorized, 2002 Limited Edition Artist Authorized Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition...

The painting is being offered with a work and authenticity certificate

Lithograph with hand-additions in blue crayon and watercolor, with extensive dedication in pencil, signed lower right, a unique HC (hors-commerce/not for sale) impression outside of ...

Albert Irvin Angel 2003 Screenprint signed and numbered by the artist Edition size: 125 Image size: 28.5 x 36cm Paper size: 45 x 54cm Framed size: 51 x 60 cm Albert Irvin (1922–2015...

JOHN CHAMBERLAIN Untitled, 2006 Digital monoprint on canvas, mounted on wood. Unsigned. W 18” x H 90 1⁄2” Chamberlain began to explore photography in the late 1960s, but it wasn’...

Artist: Marcel Mouly – French (1918 - 2008) Title: Petit Luberon II (Little Luberon II) Year: 2003 Medium: Lithograph Image Size: 27.5 x 19.25 inches Sheet Size: 30.5 x 22.25 inches ...

numbered and signed lower margin S&S Cat. no. 2007.01 edition 6/30 Published by Simmelink/Sukimoto Editions, Kingston, New York Associated with the Minimalist art movement of the 1...

"Incoming Tide" is an original woodblock print by Hiroki Morinoue. it is signed and dated in the lower right, titled lower center, and editioned (48/120) in the lower left. This prin...

Etching realized by Fausto Maria Franchi in 2003. Edition of 62/200. Hand signed and numbered in pencil. Excellent condition.

Etching and embossing realized by Fausto Maria Franchi in 2002. Edition of 62/200. Hand signed and numbered in pencil. Excellent condition.

Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), publis...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 17"h x 14"w. Rob...

Gerhard Richter Abstract Painting (one plate) - artist authorized, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins. (Artist Authorized) Not signed, edition of 3433 12 1/2 × 16 1/2 inches Unframed This striking limited edition color plate, printed on GardaMatt Art 250 GSM paper with full margins, was published on the occasion of the major twin Richter exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting), and it depicts Richters 1999 Oil on Aluminum abstract picture, catalogue raisonne reference, 858-6. This print is unframed, unnumbered and in excellent condition. More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

the painting is being offered with a work and authenticity certificate

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 50. Paper size is 24"h x 30"w with an image size of 14.5"h x 19"w. R...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 17"h x 14"w. Rob...

Yinka Shonibare It's My Party and I'll Cry If I Want To, 2013 24ct gold leaf embellishment, hand applied dutch wax batik fabrics on 225gsm Somerset Enhanced Paper Boldly signed and n...

Abstract 3 Date: 2005 Monoprint on paper signed, numbered, and dated in pencil Edition of 1/1 Image Size: 12 x 9 inches Size: 16 x 12 in. (40.64 x 30.48 cm)

Lithograph realized in 2008. Hand signed and numbered. Edition of 260 prints. Belongs to the Suite "Olympc Games Beijing 2008". Excellent condition. Francesco Clemente's oeuvre s...

This reproduction of Ellsworth Kelly's iconic work "Red, Yellow and Blue" (originally created in 1963) exemplifies his mastery of color, form, and minimalist abstraction. Published b...

John Waters Visit Marfa, the Jonestown of Minimalism (Donald Judd, Carl Andre, John Chamberlain), 2003 Offset lithograph Pencil signed and numbered 9/100 on the back; there is a die-cut window in the back of the frame to reveal the signature and edition. Frame included Published by John Waters; Printed by Globe Poster...

Artist: Roberto Matta Title: La Dulce Aqua Vita Medium: Carborundum etching on handmade paper Signed: Hand Signed Size: 41 x 48 Inches Framed: 51 x 58 Inches Edition: 23/125 Year: 20...

Tracey Emin Beirut, 2006 Offset Lithograph printed in black 16 × 23 inches Edition 99/100 Pencil signed, dated and numbered on the front. Accompanied by a special card from Tracey Em...

Publisher GKM. Size: 112×44 cm. 2 x (56×44 cm). Edition of 60 ex. Unframed. Carborundum engraving. Moulin de Larroque handmade paper. Free shipment worldwide. “With just a few strok...

In this contemporary relief print on archival handmade paper, a circular, botanical mandala shape with petal-like edges in dark grey is dramatic and eye-catching against the brillian...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins (Artist Authorized) Not signed, edition of 3433 12 1...

Andy Goldsworthy Presentation print for Royal Mail Christmas Stamp Series, 2003 Color photogravure on handmade rag paper with deckled edges 15 × 20 1/4 inches hand signed lower right...

Original CHINA, United Airlines travel poster. Artist: Harvey Chan. Excellent condition, Grade A, ready to frame. A short biograp...

Thomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...

Tracey Emin BBC 4 textile (HAND SIGNED and dated by Tracey Emin), 2002 Limited edition screenprint on linen (uniquely signed and dated 2017 in pencil) Pencil signed and dated 2017 on...

Leonardo Gotleyb (Argentina, 1958) 'Solo en la ciudad', 2005 woodcut on paper Rives BFK 300 g. 28.4 x 33.9 in. (72 x 86 cm.) Edition of 25 ID: GOT-311 Hand-signed by author

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Christopher Wool (b. 1955) Untitled, 2006 Screenprint in colors on Rives BFK paper 30 x 22 inches (unframed) P.P. 2/4 (A printer's proof aside from an edition of 40) Signed, numbered...

Inkjet printed in colors on wove paper. Hand signed & numbered by Damien Hirst. Published by Other Criteria, London. Image size 19.75 by 26.625 inches. Sheet size 26.875 by 32...

Gabriela Arevalo (Mexico, 1964) 'El Caperucita movil', 2005 engraving on paper 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed ID: ARE-101 Hand-signed by author, COA (Certificate ...

Damien Hirst, Superstition (Framed), 2007 Offset lithograph on thick semi-gloss paper in colours Unframed size: 100 × 66 cm (39 2/5 × 26 in) Framed size: 105 × 71 cm (41.33 × 27.95...

Lithograph, 2006 Handsigned by the artist in pencil and numbered 2/20 56.00 cm. x 77.00 cm. 22.05 in. x 30.31 in. (paper) 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (image) On B...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Untitled - Nine Squares Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 12 x 12 in. (30.48 x 30.48 c...