Late 20th Century Abstract Prints

Keith Haring Exhibition Poster for Tony Shafrazi Gallery, 1988 Offset color print 25 x 34 in. Framed: 29 1/8 x 38 1/4 x 1 in. Signed and dated in plate at bottom A Keith Haring exhi...

American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...

Silkscreen serigraph Op art print. Luitpold Domberger (1912-2005 ) was a pioneer of artistic screen printing in Germany. Luitpold (Poldi) Domberger...

Artist: Alexander Calder Title: Derriere Le Miroir No. 201, Untitled Single Lithograph from the Derriere le Miroir No. 201 publication. Unsigned and unnumbered from an edition of p...

Abstract Composition is an artwork realized by Salvatore Provino. Screen print on paper. Hand-signed on the lower right corner. Numbered on the lower left, edition of 75. Very go...

SUMMER RUSH is an original limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett (1938-2020), printed using hand lithography techniqu...

Sam Francis, American (1923 - 1994) - Untitled (SF-355), Portfolio: Papierski Portfolio, Year: 1992, Medium: Lithograph on BFK Rives, signed and numbered in pencil, Edition: 50...

Jean-Michel Basquiat, 1985 Limited Edition Artist's Book with Offset Lithographs. Hand signed and numbered by Jean-Michel Basquiat Hand signed and numb...

Untitled XXVI Piero Dorazio, Italian (1927–2005) Date: 1970 Screenprint, signed and numbered in pencil Edition of 37/80 Size: 28.5 x 38.5 in. (72.39 x 97.79 cm) Printer: Erker Presse...

Barbara Keidel Untitled (XX) (Abstract, Red, Grey) Linocut 1996 Edition: 3 Numbered and dated by hand in pencil Size: 9 x 8.25 inches (22.86 x 20.95 cm) COA provided Tags: Abstr...

Artist: Alexander Calder (1898-1976) Title: Friendship, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inc...

This exquisite lithograph by Andre Masson (1896–1987), titled Le depart (The Departure), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

Limited edition of 150 pieces, hand signed and numbered in pencil. Very good condition.

Screenprint Edition 16 of 120 75.8 x 62.3 cm (29.8 x 24.5 in) Signed, numbered, and dated on the front Condition Upon Request Publisher Okabe Tokuzo, Japan Kusama 182. 2

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.36 inches (49.5 x 69.5 cm) Edition: Unique COA provided *Condition: Sto...

Firmado a lápiz por el artista en la parte inferior y con el tiraje, este en concreto es un E/A (epreuve d'artiste) Se presenta enmarcado con su marco original de la época (he puest...

VICTOR VASARELY – "ZEBRES 1" ⚜ Serigraph ⚜ Hand Signed and Numbered ⚜ Edition of 120 VASARELY’S ICONIC ZEBRAS Created in 1976 and published by the Foundation Vasarely in an edition ...

Dan Christensen, American (1942 - 2007) - Micmac I, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 43/100, Image Size: 38.25 x 27 inches, ...

James Brooks James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster), 1972 Offset Lithograph poster Unsigned, unnumbe...

Artist: Calman Shemi, Argentine (1939 - ) Title: Untitled I Medium: Lithograph, signed and numbered in pencil Edition: HC 60/450 Size: 34.5 in. x 26 in. (87.63 cm x 66.04 cm)

Sonia Delaunay 1885–1979 Composition with Semicircles 1970 etching and aquatint in colors on Arches signed in pencil l.r. and numbered also in pencil 8/125 l.l. image: 19½ h × 15½...

RAZA Sayed Haider Tree, bindu and five elements, 2008 Original Lithograph Handsigned in pencil Numbered / 150 copies On vellum 22 x 43" (56 x 110 cm) Authenticated by the Editor sta...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

"Homage to the Square - P2, F19, I2 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints tha...

ED: 22/60 Work on paper Golden wooden frame with glass pane

Frank Stella Ceiling: Princess of Wales Theatre, 1996 Limited Edition Silkscreened Porcelain Plate in presentation box 12 inches diameter Edition 262/2000 Rarely found stateside - es...

Artist: Julian Stanczak (1928-2017) Title: Continual Year: 1979 Edition: 41/175, plus proofs Medium: Silkscreen on Somerset paper Size: 25 x 25 inches Condition: Good Inscription: Si...

An Abstract etching by the artist Lebadang. The Minimalist composition uses only green, orange, and black to create a stark contrast of shapes. This piece is signed and numbered in p...

Robert Natkin monotype (unique) on paper signed in marker on the front Pencil signed, and inscribed with heart doodle: "For Dorothy and Arthur with my Love Natkin" Provenance: collec...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Artist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Rose Art Museum (Open Wall)" Year: 1981 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Li...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size: 14 x 18 in. (35.56 x 45....

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Size: 23 x 30 inches

Artist: Keith Haring Title: Untitled (Plate 1) Size: 24 x 36 in. (61 x 91.4 cm) Medium: Lithograph of Arches Paper Edition: 23 of 40 Year: 1982 Notes: From a suite of six prints. S...

Ed Ruscha America Needs Hart (Hand Signed), 1983 Offset lithograph (Hand signed by Ed Ruscha) 36 inches (vertical) x 24 inches (horizontal) Boldly signed in marker by Ed Ruscha on th...

Poster Size: 23.5 x 16.5 in. Vintage Gold Leaf Frame Size: 23.5 x 16.5 in. Signed and inscribed in gold marker, bottom right A poster for "The Winter Ball 1988" in Houston, Texas, p...

Keith Haring Stedelijk Museum 1986: Rare original, silkscreened Keith Haring Stedelijk Museum exhibition poster, 1986. Designed & illustrated by Haring on the occasion of: 'Keith Har...

Rare unopened Robert Rauschenberg designed Talking Heads Speaking in Tongues: In 1983, legendary pop artist Robert Rauschenberg designed the album cover for Talking Heads’ acclaimed...

Peter Beard The End of the Game (Hand Signed by Peter Beard), 1977 Offset Lithograph Poster (hand signed by Peter Beard and inscribed with a heart) Han...

Hand signed and numbered. Edition of 100 prints. On headed paper.

This artwork, Untitled #1 is an original color aquatint on Wove paper by noted Mexican artist Luis Lopez Loza, b.1939. It is hand signed and numbered 4/50 i...

Dan Christensen, American (1942 - 2007) - Latuka, Year: 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 131/140, Image Size: 20 x 38 inches, Size: 29....

This exquisite lithograph by Alexander Calder (1898–1976), titled Rouge et bleu sur jaune (Red and Blue on Yellow), originates from the historic 1973 folio Derriere le Miroir, No. 20...

Artist: Salvador Dali (1904-1989) Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid tornado bathtub, Imaginations a...

Francis Bacon (British, 1909-1992) Three Studies for Self Portrait, c. 1981 Lithograph in colors on Arches wove paper Edition 81/150 with Arabic numbering. There were also 25 H.C. (...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

Pierre Clerk African Suite #7 Monaco - 1980 Print - Silkscreen, on Arches archival paper 30.5'' x 19.5'' Edition: Signed in pencil, dated and marked 173/200 unframed The images of ...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 4 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 20 Size: 22 x 30 in. (55.88 x 76.2 cm)

This artwork "Abstract Composition 9" c.1970 in an original color lithograph on B.F,K. Rives paper by noted Polish artist Johnny Friedlaender, 1912-199...

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 (unnumbered) Hand signed b...

Artist: Josef Albers (German-American, 1888-1976) Title: "MMA-3 Variant" Series: MMA (Metropolitan Museum of Art) *Unsigned edition Year...

ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful e...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of ...

In No Thru Traffic, master printmaker Art Werger offers a striking aerial view of an archetypal suburban neighborhood, rendered with his characteristic precision and subtle wit. Curv...

Lithograph 70.00 cm. x 50.00 cm. 27.56 in. x 19.69 in. (paper) 60.00 cm. x 41.00 cm. 23.62 in. x 16.14 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD2873

“Cicada” is a color lithograph by American abstract expressionist artist, Jasper Johns from 1981. The work is edition 31/58 and signed lower right, "J J ’91” with framed dimensions o...

Salvador Dalí Un entré fracassant aux U.S.A (A shattering entrance to the U.S.A) from After 50 Years of Surrealism Original etching with hand coloring, hand signed in pencil 1974 Im...

Tapies Litografia original Work reproduced in the catalogue raisonné, image 286. Edited in 1971 TAPIES was the maximum representative of Spanish abstract art of the 20th century. ...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...