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Late 20th Century Abstract Prints

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Period: Late 20th Century
Historic Galleria Lucio Amelio, Naples poster - rarely found collectors item
Located in New York, NY
Robert Rauschenberg Lucio Amelio Napoli poster, 1987 Offset lithograph poster Plate signed 39 × 21 inches Unframed This poster was published for the exh...
Category

Pop Art Late 20th Century Abstract Prints

Materials

Lithograph, Offset

Mario Radice, Marlborough Galleria D'Arte, Roma poster, scarce 1970s print
Located in New York, NY
Mario Radice Mario Radice, Marlborough Galleria D'Arte, Roma poster, ca. 1971 Scarce vintage European offset lithograph poster 39 × 26 inches Unframed, unsigned and unnumbered This...
Category

Abstract Geometric Late 20th Century Abstract Prints

Materials

Offset, Lithograph

Fattipuff, from Imaginary Places II
Located in Palm Desert, CA
A print by Frank Stella. “Fattipuff, from Imaginary Places II” is a lithograph, screenprint, etching, aquatint, and relief print in a palette of bright colors by American painter and...
Category

Abstract Late 20th Century Abstract Prints

Materials

Paper, Etching, Lithograph, Screen

Eve
Located in Vancouver, CA
Discover "EVE," a vivid and expressive screenprint by Helen Frankenthaler, exemplifying her abstract expressionist style. Created in 1995, this artist's proof (9/16) is beautifully r...
Category

Abstract Late 20th Century Abstract Prints

Materials

Handmade Paper, Screen

Eve
Eve
$28,500 Sale Price
25% Off
Arc Blau - Etching by Antoni Tapies - 1972
Located in Roma, IT
Arc Blau is an original contemporary artwork realized by Antoni Tapiès in 1972. Colored etching with carborundum on laid paper. Hand signed on the lower margin. Numbered. Edition ...
Category

Abstract Late 20th Century Abstract Prints

Materials

Etching

Lobster (Edition 20/100)
Located in New York, NY
Unknown/ Unidentified Artist, "Lobster" Edition 20/100, Abstract Animal Lithograph numbered and signed in Pencil, 16 x 22, Late 20th Century Colors: Red, Orange, Green, Yellow
Category

Abstract Late 20th Century Abstract Prints

Materials

Lithograph

The Darker Palette print, Hand signed twice and inscribed by Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Offset, Lithograph

Deadpan Pink - Monoprint EV on Paper
Located in Soquel, CA
Deadpan Pink - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Heavily textured in hues...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Paper, Monotype

In Space, Signed Abstract Etching by Hoi Lebadang
Located in Long Island City, NY
An Abstract etching by the artist Lebadang. The Minimalist composition uses only green, orange, and black to create a stark contrast of shapes. This piece is signed and numbered in p...
Category

Abstract Late 20th Century Abstract Prints

Materials

Etching

(Nana) from Nana Power color serigraphs on Arches vellum, Editions Essellier
Located in New York, NY
Color Serigraph on Arches paper from Nana Power (1970) collection publisehed by Editions Essellier, Liechtenstein. Niki de Saint Phalle (1930-2002) was born Catherine-Marie-Agnès-Br...
Category

Late 20th Century Abstract Prints

Materials

Lithograph

American Yachting Scene Salvador Dali Currier & Ives series lithograph 1971
Located in Paonia, CO
American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...
Category

Surrealist Late 20th Century Abstract Prints

Materials

Lithograph

Totems and Taboos of the Nine to Five Day, Pop Art Lithograph by Paolozzi
Located in Long Island City, NY
Eduardo Paolozzi, British (1924 - 2005) - Totems and Taboos of the Nine to Five Day, Portfolio: General Dynamic F.U.N. Portfolio, Year: 1970, Medium: Photolithograph, signed and numb...
Category

Pop Art Late 20th Century Abstract Prints

Materials

Lithograph

Rare offset lithograph poster (signed and inscribed to founder, Tallix Foundry)
Located in New York, NY
Nancy Graves Nancy Graves: A Survey 1969/1980 (Hand signed and inscribed to Dick Polich of Tallix), 1980 Offset lithograph poster (hand signed, dated and inscribed) signed, dated and...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Offset

Geometric Abstraction, Ex-Bank of New York Collection Lithograph SIgned/N Framed
Located in New York, NY
Piero Dorazio Abstract Composition (Bank of New York Corporate Collection), 1971 Lithograph on wove paper Pencil signed, numbered 73/75 and dated on the front. The back bears a label...
Category

Abstract Geometric Late 20th Century Abstract Prints

Materials

Lithograph

Saturday Night on Planet X, Robert Bennett
Located in Fairfield, CT
Artist: Robert Bennett Title: Saturday Night on Planet X Year: 1979 Medium: Lithograph on Stonehenge paper Size: 22 x 30 inches Edition: 10/100, plus proofs Condition: Good Inscripti...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Lithograph

Los Angeles Olympic Games 1984 (hand signed with official Olympic Committee COA)
Located in New York, NY
Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately 200-250 remain) 21 × 34 1/2 inches Unframed This limited edition, pencil signed offset lithograph was published in a limited edition of 750, and printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” Printed and Published by Knapp Communications Corporation and includes Certificate of Authenticity from the publisher. This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming...
Category

Contemporary Late 20th Century Abstract Prints

Materials

Parchment Paper, Lithograph, Offset

A Paintings Retrospective: vintage LACMA Museum poster depicting her 1963 work
Located in New York, NY
Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Offset, Lithograph

Robert Kushner, abstraction for the Paris Review Lithograph hand signed 142//200
Located in New York, NY
Robert Kushner Paris Review, 1982 Lithograph with Deckled Edges. Hand signed and numbered 142/200 by the artist on the front 30 × 44 inches Unframed This work was part of a series o...
Category

Abstract Late 20th Century Abstract Prints

Materials

Lithograph

Continuity #1
Located in Kansas City, MO
Ibram Lassaw Continuity #1 1971 Screenprint Visible: 19.5 x 25.5 inches Framed: 27 x 32.5 x 1 inches Edition: 100 Signed, titled, dated and numbered in pencil along lower edge COA pr...
Category

Abstract Geometric Late 20th Century Abstract Prints

Materials

Screen

Mexican Japanese woman artist 1998 signed original engraving art proof 21x25in
Located in Miami, FL
Namiko Prado Arai (Mexico, 1963) 'Untitled 3 (Buril)', 1998 etching, aquatint on paper Deponte 400g. 20.9 x 24.5 in. (53 x 62 cm.) Unframed ID: PRA-305 Hand-signed by author
Category

Contemporary Late 20th Century Abstract Prints

Materials

Ink, Etching

Keith Haring Paris 1987 (Keith Haring Pompidou)
Located in NEW YORK, NY
Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...
Category

Pop Art Late 20th Century Abstract Prints

Materials

Plastic, Offset, Lithograph

Jules, Gretchen, Mark (state II)
Located in New York, NY
A very good impression of this lithograph with embossing on Arches. One of 4 numbered printer's proofs, aside from the edition of 30. Signed and dated in pencil, lower right, and ins...
Category

Contemporary Late 20th Century Abstract Prints

Materials

Lithograph

A Surrealist Composition - Etching by Henry Goetz - 1970s
Located in Roma, IT
Image dimensions: 27 x 34 cm. A Surrealist Composition is an original artwork realized by Henry Goetz in the 1970s. Colored etching on paper. The print i...
Category

Contemporary Late 20th Century Abstract Prints

Materials

Etching

Willem de Kooning rare 1970s Abstract Expressionist lithograph, pencil signed/N
Located in New York, NY
Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed & numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Signed a...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Lithograph, Offset

Folies-Bergères
Located in Westmount, QC
Alfred Pellan, Canadian, 1906-1988 Folies-Bergères, 1974 Serigraph 20.75 x 16 in ( image ) 52.7 x 40.6 cm signed, titled, dated 1974 and numbered (edition of 150) in the lower margi...
Category

Late 20th Century Abstract Prints

Materials

Lithograph

Sunrise
Located in San Francisco, CA
This artwork titled "Sunrise" c.1980, is an original colors screen print by noted American artist Arthur Secunda, 1927-2022. It is hand signed, titled and numbered 131/200 in white p...
Category

Abstract Late 20th Century Abstract Prints

Materials

Screen

III from the Aquarius Suite, Abstract Screenprint by Stanley William Hayter
Located in Long Island City, NY
Artist: Stanley Hayter, British (1901 - 1988) Title: III from the Aquarius Suite Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 150; AP XXX Paper Size: 27 x 23...
Category

Abstract Late 20th Century Abstract Prints

Materials

Screen

NIGHT GLOW
Located in Portland, ME
Adolph Gottlieb (1903-1974). NIGHT GLOW. Etching and aquatint in colors, 1971. Edition of 65. Signed and dated in pencil, numbered 17/65 in pencil. Published and printed by 2RC Edizi...
Category

Late 20th Century Abstract Prints

Materials

Etching, Aquatint

Composition, Heart of Darkness, Sean Scully
Located in Southampton, NY
Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...
Category

Contemporary Late 20th Century Abstract Prints

Materials

Etching

Composition - Original Woodcut by Luigi Spacal - 1970s
Located in Roma, IT
Composition is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut on cardboard. Good conditions. Image Dimensions: 14 x 12.5 cm Lojze Spacal, also known as Luigi Spacal, was born on the Trieste Karst, at the time of the Austro-Hungarian Empire, from a family of Slovenian nationality.In 1930 he was arrested on charges of anti-fascism and confined for some time to Accettura, in Basilicata. Here he discovered his artistic vocation. In 1934 he graduated in Venice. He began to exhibit his first works in 1937. In 1942 he was again sent to confinement, this time in Abruzzo and, later, assigned to a special working battalion in Forte dei Marmi. Nevertheless, he managed to continue to exhibit his works so much that, in 1944, he set up his first solo show. In 1948 he participated for the first time in the Venice biennial. In 1958 he won the International Grand Prix "for a draftsman and engraver" at the Venice Biennale. In 1959 he received the 2nd prize at the International Biennial of Graphic Art in Ljubljana. In 1974 he was awarded the Prešeren prize, the highest Slovenian artistic recognition, and the “San Giusto d'Oro” in 1977. In 1998 a museum was dedicated to him in the castle of San Daniele...
Category

Abstract Late 20th Century Abstract Prints

Materials

Woodcut

Gold Leaf and Mesh Lithograph
Located in Soquel, CA
Stunning horizontal abstracted mesh and gold-leaf lithograph on heavy bond paper with artist's protocol notes (for future projects) by Patricia A. Pearce (American, b. 1948). Unsigne...
Category

Abstract Late 20th Century Abstract Prints

Materials

Gold Leaf

Ring Taboo, Signed Abstract Expressionist Screenprint by Dan Christensen
Located in Long Island City, NY
Ring Taboo by Dan Christensen, American (1942–2007) Date: circa 1980 Screenprint, Signed and numbered in Pencil Edition Size: 160 Size: 29.5 x 43 in. (74.93 x 109.22 cm)
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Screen

Danny Edwards Abstract Black & White Etching C.1989
Located in San Francisco, CA
Danny Edwards Abstract Black & White Etching c.1989 Fine abstract etching by Danny Edwards. Pencil signed and numbered 2/2 by the artist. Plate dimensions 23.5 x 20. The frame mea...
Category

Abstract Late 20th Century Abstract Prints

Materials

Etching

Basquiat Gray 1980
Located in NEW YORK, NY
Jean-Michel Basquiat (untitled) Gray 1980: Basquiat illustrated & printed this exceptionally rare flyer for his band Gray in 1980. Executed similarly in the manner of his well-documented Anti-Product Cards of the period - Basquiat draws over a found image, then employs his famous William Burroughs style 'cut-up' technique; completing the piece by abstractly scrawling the word, 'Gray' above. Few known to have survived. Not to be passed upon. Literature: Jean-Michel Basquiat 1981: The Studio of the Street', (Deitch, Cortez, Vassell); Seeing Loud: Basquiat and Music (Buchhart, Bessières, Desmarais). Exhibited: Jean-Michel Basquiat 1981: The Studio of the Street: Jeffrey Deitch Gallery, New York, 2006; New York, New Music 1980-86: Museum of the City of New York (2021); Montreal Museum of Fine Arts: Seeing Loud: Basquiat and Music (2022); Basquiat Soundtracks: The Philharmonie de Paris, 2023 (The Paris Philharmonic). Further background as follows: Medium: Color Xerox on paper. 1980. Dimensions: 8.5 x 11 inches. Condition: Good overall vintage condition; scattered soiling marks; minor signs of handling & aging; typewriting on the reverse; minor corner bending in one or more places. Unsigned from an edition of unknown; few known to have survived. Provenance: Obtained directly from a prominent Basquiat Gray...
Category

Pop Art Late 20th Century Abstract Prints

Materials

Offset, Lithograph

Josef Albers, Study to Homage to the Square, 1977
By (after) Josef Albers
Located in Torino, IT
JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square, Renewed Hope, 1977 (no. 5) Color d'après silkscreen, mm. 207x207. (from 1962 oil on masonite). Perfect copy, publis...
Category

Abstract Geometric Late 20th Century Abstract Prints

Materials

Screen

Black Sun
Located in New York, NY
A very good impression of this color lithograph with Chine applique. One of ten Roman numeral artist's proofs, aside from the edition of 50. Signed and numbered IX/X in pencil by Mot...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Color, Lithograph

Liberation, Abstract Expressionist Color Etching by Mark Tobey
Located in Long Island City, NY
Mark Tobey, American (1890 - 1976) - Liberation, Year: 1973, Medium: Color Etching on Richard de Bas, Image Size: 10.75 x 9.25 inches, Size: 26.25 x 20 in. (66.68 x 50.8 cm)
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Etching

Page ( Artist Proof )
Located in New York, NY
John Hardy ( American, 1923 - 2014 ), "Page", A/P, Abstract Portrait Lithograph, 30.25 x 22.25, Late 20th Century Colors: Black, Brown, White
Category

Abstract Late 20th Century Abstract Prints

Materials

Lithograph

Composition, Variations sur l'imaginaire, Leonor Fini
Located in Southampton, NY
Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...
Category

Surrealist Late 20th Century Abstract Prints

Materials

Lithograph

UNTITLED (From the ARTSOUNDS Collection)
Located in New York, NY
BURTON VAN DEUSEN Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Offset

Big Dipper-- Print, Aquatint, Art by Ed Ruscha
Located in London, GB
Big Dipper, 1982 Ed Ruscha Aquatint in indigo and black, on wove paper Signed, dated and inscribed 'A. P. 4' One of ten artist's proofs aside from the edition of 10 Published by C...
Category

Contemporary Late 20th Century Abstract Prints

Materials

Aquatint

A Muse (single print #11) by Dieter Roth abstract black and white lithograph
Located in New York, NY
This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...
Category

Abstract Late 20th Century Abstract Prints

Materials

Lithograph

Roy Lichtenstein "Figures" 1978 (From Surrealist Series) Gemini G.E.L. Printers
Located in Detroit, MI
SALE ONE WEEK ONLY Title: Figures Portfolio: 1978 Surrealist Medium: Lithograph on Arches 88 paper Edition: 38 Sheet Size: 31 7/16" x 23 1/2" Image Size: 23 1/2" x 15 1/4" Signature: Hand signed in pencil Reference: Corlett 156 Printed by Gemini G.E.L. printers out of Los Angeles. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...
Category

Pop Art Late 20th Century Abstract Prints

Materials

Lithograph

Computer City
By Bruno Zupan
Located in Paonia, CO
Computer City is a frenzy of colors and action. This is a city scene with stop lights, parking signs, directional signs, stop signs, digital time clock, buildings, streets and a mass...
Category

Expressionist Late 20th Century Abstract Prints

Materials

Screen

Judy Chicago poster (Hand signed and inscribed) feminist art
Located in New York, NY
Accidents, Injuries and other Calamities poster Judy Chicago (Hand signed and inscribed), 1988 Offset lithograph on thin board (signed and inscribed by Judy Chicago) 26 × 20 1/4 inch...
Category

Feminist Late 20th Century Abstract Prints

Materials

Lithograph, Offset, Pencil

Robert Indiana Parrot
Located in Washington, DC
Artist: Robert Indiana Title: Parrot Portfolio: 1997 The American Dream Medium: Original serigraph Year: 1997 Edition: 76/395 Frame Size...
Category

Late 20th Century Abstract Prints

Materials

Screen

Abstract Composition Color Engraving
By Najar Barsoumian Hratchaya
Located in Lake Worth Beach, FL
Abstract composition color engraving pencil signed limited edition 10/60, actual size 22"X29"5 framed 31"x39" under glass. Hratchaya Najar Barsoumian Born in 1939 in Alep, Syria, N...
Category

Abstract Late 20th Century Abstract Prints

Materials

Archival Paper, Engraving

UNTITLED
Located in New York, NY
multi color silscreen on paper, edition of 144 abstracted landscape with trees
Category

Abstract Late 20th Century Abstract Prints

Materials

Screen

Abstract Green Composition - Screen Print by Victor Debach - 1970s
Located in Roma, IT
Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...
Category

Op Art Late 20th Century Abstract Prints

Materials

Screen

Bee (Edition 87/100)
Located in New York, NY
Unknown/ Unidentified Artist, "Bee" Edition 87/100, Abstract Animal Lithograph numbered and signed in Pencil, 14 x 10.25, Late 20th Century Colors: Green, Orange, Purple, Blue
Category

Abstract Late 20th Century Abstract Prints

Materials

Lithograph

American Indian Theme VI
Located in Washington, DC
Artist: Roy Lichtenstein Title: American Indian Theme VI Medium: Woodcut on handmade Suzuki Paper Date: 1980 Edition: 24/50 Frame Size: 40" x 53" Sheet Size: 37 3/4" x 50 5/16" Image...
Category

Pop Art Late 20th Century Abstract Prints

Materials

Woodcut

James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster)
Located in New York, NY
James Brooks James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster), 1972 Offset Lithograph poster Unsigned, unnumbe...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Lithograph, Offset

Elegy, September 11, 2001, screenprint, signed/N, Framed abstract expressionist
Located in New York, NY
Jules Olitski Elegy, September 11, 2001, 2002 Silkscreen on wove paper Edition 103/108 Signed, titled and numbered in graphite pencil 103/108 on the front Framed Jules Olitski is hon...
Category

Abstract Expressionist Late 20th Century Abstract Prints

Materials

Screen

Peter Halley, CORE Geometric Abstraction Silkscreen & Lithograph Signed/N Framed
Located in New York, NY
Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Editions...
Category

Abstract Geometric Late 20th Century Abstract Prints

Materials

Lithograph, Screen

Untitled - Lithograph by Bram Van Velde - Mid-20th Century
Located in Roma, IT
Untitled is an artwork realized by BRAM VAN VELDE (1895-1981) Lithograph , cm 31x20 Signed in pencil on the front. Very good condition.
Category

Contemporary Late 20th Century Abstract Prints

Materials

Lithograph

Mujer fumando
Located in BARCELONA, ES
Fernando Botero ''Mujer fumando" 1985 lithograph, signed in lower right corner Numbered in Roman numerals in lower left corner num. XLVI/L, 40 x 33 cm.
Category

Realist Late 20th Century Abstract Prints

Materials

Lithograph

Mark TOBEY : Blue Composition, Original signed screenprint
Located in Paris, IDF
Mark TOBEY (1890-1976) Blue Composition, 1976 Original color screenprint Signed with the artist's stamp Numbered / 77 copies On Auvergne vellum 64.5 x 50.5 cm INFORMATION: Authenti...
Category

Abstract Late 20th Century Abstract Prints

Materials

Screen

Bodegon, 1979 Signed Abstract Still Life Etching by Juan Manuel Gomez-Quiroz
Located in Long Island City, NY
Bodegon by Juan Manuel Gomez-Quiroz, Chilean (1939–2021) Date: 1979 Etching, signed, titled, numbered and dated in pencil Edition of 65 Image Size: 29.5 x 23.5 inches Size: 35.75 x 2...
Category

Abstract Late 20th Century Abstract Prints

Materials

Etching

Abstract color lithograph 20th century poster
Located in Milwaukee, WI
"Galerie Maeght Miro" is an original color lithograph poster with art by Joan Miro. It was printed by Maeght Editeur Imprimeur in 1970. The poster showcase...
Category

Surrealist Late 20th Century Abstract Prints

Materials

Lithograph

Jean-Michel Basquiat, (1985 monograph, Hand signed and numbered by Basquiat)
Located in New York, NY
Jean-Michel Basquiat, 1985 Limited Edition Artist's Book with Offset Lithographs. Hand signed and numbered by Jean-Michel Basquiat Hand signed and numb...
Category

Pop Art Late 20th Century Abstract Prints

Materials

Offset, Lithograph

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