Late 20th Century Abstract Prints

Pierre SOULAGES Lithograph n°28 Original stone lithograph (3 colors- atelier Mourlot) Unsigned On liiht vellum 12 x 10" (31 x 24 cm) Excellent condition REFERENCES : Catalogue rai...

Lithograph on white Rives BFK paper Proofs: 10AP, 1BAT, 2CTP, 2PP, 4 publisher's proofs, 1 shop proof, 5TP Inscriptions: Signed and dated in pencil lower right, "Ed Ruscha 91", numbe...

Robert Motherwell Summer Light Series: Pauillac, No.2 1973 Lithograph, screenprint, pochoir, and collage, Edition of 55 91.4 x 45.7 cms (36 x 18 ins) RM12795

Abstract Composition is an original Screen Print realized by Max Bill in 1970s. Good conditions. The artwork is depicted harmonious colors in a well-balanced composition.

Grisha Bruskin Note D, 1991 Color silkscreen on Somerset paper 34 × 27 inches Edition 74/75 Boldly signed and numbered on front in graphite pencil. Published by Marlborough Graphics ...

A very good impression of this color offset lithograph on Arches. Signed and numbered 17/75 in pencil by Francis. Printed by Imprimerie Arte, Paris. Published by the Fondation Maeght...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

The painting is being offered with a work and authenticity certificate

Rare Keith Haring, original poster for the Kutztown Connection Benefit Performances, 1984 Silkscreen poster 14 × 9 inches Unframed, unsigned and unnumbered Literature/References: Kei...

Artist: Tom Wesselmann (1931 - 2004) Title: Olympische Spiele Muenchen (Foot) Year: 1972 Medium: Screenprint Poster mounted on linen Edition: 3000 Size: 40 in. x 25 in. (101.6 cm x 6...

La melodie acide. signed on the stone and numbered 384/1500 Edition of 1500 prints on Arches paper. and with the Artist´s signature on each of the plates Edited by Poligrafa in Barce...

Natvar Bhavsar (Indian/American, b. 1934), Cool Tones Color Field, Serigraph on Paper, 1970, blue, green, and ochre dots, numbered edition "15/50" and dated lower left, signed in pen...

FRANCISCO TOLEDO 1940-2019 Juchitán de Zaragoza 1940-2019 Oaxaca (Mexican) Title: Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88 Portfolio, 1988 Technique: Original Hand Signed and Numbered Lithograph in Colours on Arches Wove Paper Paper size: 56 x 38 cm. / 22 x 14.9 in. Additional Information: This original lithograph in colours is hand signed in pencil by the artist “Toledo” in the centre right of the image. It is also hand numbered in pencil from the edition of 100, next to the signature. There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. The paper bears a partial Arches watermark in the upper right corner. Note: The contributing artists were: Sergi Aguilar, Frederic Amat...

Richard Lindner Adults-Only, 1979 Offset lithograph poster Plate signature with date, right front Limite Edition of 500 (unnumbered) Frame Included: held in vintage 1970s metal perio...

Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...

Serigraph in colors on paper. From the Menorah series. Hand signed and numbered by the artist. Edition of 200. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...

Lithograph in colors on arches paper. Hand signed and numbered by Ivan Schwebel. Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed on May 10, 1978 to ...

Artist: Elba Alvarez, Venezuelan (1944 - ) Title: Prima I Year: circa 1975 Medium: Triptych of Screenprints on Panel, Signed, Titled, and Numbered in pencil Edition: 10/25 Image Size...

Kenneth Snelson New York State Council on the Arts vintage poster, 1971 Offset lithograph on wove paper Unsigned, Unnumbered 35 × 25 inches Unframed Scarce original 1970s offset lit...

Situation #2 Shlomo Cassos, Moroccan (1936) Date: circa 1980 Etching, signed and numbered in pencil Edition of 60/95 Image Size: 26 x 19 inches Size: 30 ...

Robert Rauschenberg Earth Day, 1970 Offset Lithograph Plate signed and dated on the front Publisher: Castelli Graphics 33 1/2 × 22 1/4 inches Unframed and affixed to thin board (must...

Anne Youkeles Persian Garden, ca. 1970 3D Color Silkscreen w/ Arches paper backing Hand-signed by artist in pencil, titled and numbered 37/100 on backing sheet of Arches paper. 23 x ...

Carole Seborovski Circle / Accumulation, 1992 Etching 7 x 7 inches (image) 16 1/2 x 13 3/4 inches (sheet) 18 1/2 x 15 3/4 inches (frame) AP 2 of 4 Signed

Artist: Kazuo Shiraga Title: Passionate Winner Year: 1988 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Image: 21.75 x 28.25 inches Paper Size: 27 x 35 inches

Michael David For Joe Wilfer, 1995 Wax over etching, monoprint 6 x 7 inches (sheet) 13 5/8 x 15 inches (frame) Signed and dated verso on frame

Silkscreen, metallic ink in colors on vélin paper. Paper size: 26.5 x 26.5 inches. Inscription: Hand signed and numbered 67/100, as issued. Notes: Published by London Arts Inc., Detr...

Carlos Cruz Diez Composition pour les Jeux Olympique's, 1992 Lithograph Ed. 238 of 250 24 x 35 in

Joan Miró La Mélodie Acide - 4 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Pierre SOULAGES (1919-2022) Serigraph n°11, 1979 Original serigraph Signed in pencil Numbered 27/75 copies On Arches vellum 52 x 37 cm (c. 21 x 15 in) REFERENCE: Catalogue raisonné of the original prints of Pierre Soulages, BNF #103 INFORMATION: This serigraph is part of the series "On the wall opposite", published by Bernard Frize...

Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century Colors: Blue, Yellow, Red, Grey, White, Purple Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today. It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest. To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter. His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club. De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity." Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint." AWARDS Butler Institute of American Art Purchase Prize Oguniquit Art Center Knickerbocker Artist 1964 Audubon Artist, Grumbacher Purchase Prize National Arts Club of America Gold Medal Windsor-Newton Award of the National Arts Club ONE MAN MUSEUM EXHIBITIONS B'nai B'rith Museum - Washington D.C. Florida Gulf Coast Art...

Red Grooms Ruckus Manhattan (Hand signed), 1981 Historic Offset lithograph poster (hand signed by Red Grooms) 11 × 28 inches Hand signed by Red Grooms on the front Unframed The artis...

Astral Space is an original artwork realized in 1974 by Camilian Demetrescu. Screen print from the portfolio "Gli Spazi" realized in 1974. Origina...

Lithograph, 1987 Handsigned by the artist in pencil and numbered 123/200 Publisher : Erker Presse (St. Gallen) LCD4727

Joan Miró -- Lithograph I, Plate IV, 1972 Color Lithograph Publisher: Ediciones Poligrafa, S.A., Barcelona Catalogue: Mourlot 866 Size: 42.5 × 60 cm Unsigned FREE SHIPPING

Woman is a vintage Lithograph realized by Claude Garache in the 1975. Maeght Editor, France on the rear. Good conditions.

Les Caprices Pinces Princiers (Princely Pliers Caprices) from the  series Les Diners de Gala  by Salvador Dali is one of 12 photolithographs of orn...

Kazuhisa Honda Sleepless Night, 1981 Color mezzotint on Rives BFK watermarked paper Signed, dated, titled and numbered 18/50 on the front 14 × 19 inches Unframed Accompanied by COA i...

Letter Afrom the Alphabet series is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Artist proof, written in pencil on the lower...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, N° 41, 1973. Published and printed under the direction...

Thomas F. Meehan, American (1923 - ) - Snow Blossoms, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 150, AP, Size: 33.5 in. x 23 in. (85.09 cm x 58.42 cm)

Antoni Clave Guerrier, 1970 Etching with Aquatint, signed and numbered in pencil Edition: 73/75 lower left Signed lower right Size: 76 x 56 cm FREE SHIPPING

Reproduction of Alexander Calder's lithograph "La Grenouille et la Scie" ("The Frog and the Saw"), showcases his signature abstract style, employing bold colors and geometric shapes...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Une Étoile de Craie, seize lithographies originales par An...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Bijuts Shupan Sha, Tokyo; printed by La Polígrafa, Barcelona, 1...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró III Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition:...

Joseph Beuys Joseph Beuys, een konfrontatie, 137 Tekeningen 1945-1979, (Hand Signed), 1979 Silkscreen on velincarton (thin board) Catalogue raisonne reference: Weiss-Britsch 75 Boldl...

Joseph Beuys Blatt auf Karteikarte (from Columbus: In Search of a New Tomorrow), 1992 Color silkscreen on vellum parchment paper, held in original portfolio sleeve Signed by Eva Beuy...

Jim Dine Olympian Gestures (Hand Signed by Jim Dine), 1984 Limited Edition lithograph and offset lithograph poster Hand signed on the front 38 1/5 × 25 inches The limited edition, h...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition of 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar...

This original lithographic poster was created to accompany an exhibition of works by Achille Perilli at the prestigious Marlborough Gallery in Rome. A striking example of mid-20th-ce...

Silkscreen and relief collage Handsigned by the artist in pencil and annotated EA Edition : 30 ex. 61.00 cm. x 78.00 cm. 24.02 in. x 30.71 in. (paper) 61.00 cm. x 78.00 cm. 24.02 i...

Artist: Robert Rauschenberg Title: Sports Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in pencil S...

Edition of 60 71 x 79 cms (28 x 31 ins)

"Receiver I" is an abstract print of three diagonally placed lines. It is reminiscent of an early work by Georgia O'Keeffe, "Blue Lines X" in that both artists, Semivan and O'Keeffe, have achieved a beauty in the placement, width of, length and juxtapositions of simple lines to achieve a never ending balance and harmony for the viewer. Born in Detroit, Michigan, Douglas Semivan...

Martin Noel "Letchkov" Year: 1994 Color woodcut on handmade paper Size: 27.75 x 22.5 inches (70 x 60 cm) Signed by hand, lower center Publisher: Edition by Griffelkunst-Vereinigung, ...