Items Similar to Imago Galleries exhibition poster, Palm Desert, CA (Hand Signed by Peter Halley)
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Peter HalleyImago Galleries exhibition poster, Palm Desert, CA (Hand Signed by Peter Halley)2006
2006
$1,000
£767.90
€880.91
CA$1,405.12
A$1,573.64
CHF 821.10
MX$19,221.37
NOK 10,446.79
SEK 9,847.36
DKK 6,574.10
About the Item
Peter Halley
Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006
Offset lithograph poster (hand signed by Peter Halley)
25 1/2 × 18 1/4 inches
Provenance; Acquired directly from the artist
Unframed
Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney.
PETER HALLEY BIOGRAPHY
Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era.
Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured.
In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas.
Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian.
A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier.
Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others.
More about Peter Halley
Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.
In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.
In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.
While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996.
In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day was installed in the Palazzo Bembo in Venice as a part of the exhibition Personal Structures during the Venice Biennale. Halley has taught at the School of Visual Arts, New York; the University of California, Los Angeles; and Columbia University. He subsequently served as the Director of Graduate Studies in Painting and Printmaking at the Yale University School of Art from 2002 to 2011. From 1996 to 2006 he also published index magazine. Halley lives and works in New York.
-Courtesy Guggenheim Museum
- Creator:Peter Halley (1953, American)
- Creation Year:2006
- Dimensions:Height: 25.5 in (64.77 cm)Width: 18.25 in (46.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Unframed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215023762
Peter Halley
Peter Halley is an American artist known for his distinctive geometric paintings that explore the intersection of technology, society, and architecture. Born in 1953 in New York City, Halley developed an early interest in art and went on to study at Yale University, where he received his Master of Fine Arts degree in 1978.Halley's work is characterized by vibrant, flat colors and repetitive, abstract forms, often resembling circuit boards or prison cells. His paintings reflect his fascination with the effects of technology on human interaction and the isolation of modern society. Halley coined the term "prison cells" to describe the confined spaces and social structures that he believes have been created by technology and urban architecture. Throughout his career, Halley has exhibited his work internationally, gaining recognition for his unique style and thought-provoking concepts. He has also been involved in art criticism and writing, contributing to various publications and expanding the discourse on contemporary art. Today, Peter Halley's art continues to captivate audiences, provoking discussions about the impact of technology on our lives and the nature of human connections in an increasingly digital world. His contributions have made him an influential figure in the field of contemporary art.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2007
1stDibs seller since 2022
444 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllPeter Halley at Sonnabend Gallery poster, New York (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley
Peter Halley, Sonnabend Gallery, New York (Hand Signed by Peter Halley), 1989
Offset lithograph poster (hand signed by Peter Halley)
28 × 26 inches
Unframed
Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1989 exhibition at the legendary Sonnabend Gallery in New York which the artist hand signed in black marker.
Scroll down for a photograph of our director Nadine Witkin with the artist.
Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney.
PETER HALLEY BIOGRAPHY
Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era.
Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured.
In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali...
Category
1980s Abstract Geometric Abstract Prints
Materials
Offset, Lithograph
Museum of Folkwang, Essen, Germany rare poster (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley
Museum of Folkwang, Essen, Germany (Hand Signed by Peter Halley), 1998
Offset lithograph poster (hand signed by Peter Halley)
33 × 24 inches
Unframed
Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998- exhibition at the Museum of Folkwang, Essen, Germany,which the artist hand signed in black marker. Shown here is a photograph of our director Nadine Witkin with the artist.
Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...
Category
1990s Abstract Geometric Abstract Prints
Materials
Lithograph, Offset
The Butler Institute of American Art poster (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley
New Works, The Butler Institute of American Art (Hand Signed), 1999
Offset lithograph poster (signed by Peter Halley)
38 × 21 1/2 inches
Boldly signed in black marker by...
Category
1990s Abstract Geometric Abstract Prints
Materials
Offset, Lithograph
Jablonka Galerie exhibition poster, Köln (Hand Signed by Peter Halley)
By Peter Halley
Located in New York, NY
Peter Halley, Jablonka Galerie, Köln (Hand Signed), 1993
Offset lithograph poster (hand signed by Peter Halley)
26 1/2 × 26 1/2 inches
Unframed
Alpha 137 Gallery is honored to offer ...
Category
1990s Abstract Geometric Abstract Prints
Materials
Offset, Lithograph
Peter Halley Paintings (Hand Signed by Peter Halley) rare European poster
By Peter Halley
Located in New York, NY
Peter Halley Paintings (Hand Signed), 1995
Offset lithograph poster (hand signed by Peter Halley)
28 1/2 × 18 3/4 inches
Hand signed in black marker on the front
Unframed
Alpha 137 G...
Category
1990s Abstract Geometric Abstract Prints
Materials
Offset, Lithograph
Peter Halley, Jablonka Galerie Köln rare abstract exhibition print (Hand Signed)
By Peter Halley
Located in New York, NY
Peter Halley
Jablonka Galerie, Köln (Hand Signed), 1990
Offset lithograph (Hand Signed by Peter Halley)
26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6)
Signed by Peter Halley ...
Category
1990s Abstract Geometric Abstract Prints
Materials
Lithograph, Offset, Permanent Marker
You May Also Like
"Elizabeth Stein Gallery" Lithograph Exhibition Poster
By Ilya Bolotowsky
Located in Milwaukee, WI
"Elizabeth Stein Gallery A/P" is a color lithograph poster. This piece features an abstract and geometric design in yellow.
Unsigned.
40" x 26"
Born in Russia in 1907, Ilya Bolotowsky left his native country in his early childhood. The family was forced to emigrate as a result of his parent’s anti-Communist sentiments. They traveled first to Constantinople, then settled in New York City in 1923. Bolotowsky enrolled at the National Academy of Design in 1924. He tried out many styles in this period, ranging from the representational and classical to the abstract and expressionistic. In the early 1930s he became a designer of textiles. In 1932 Bolotowsky spent ten months in Europe. Although he was already familiar with prevailing modernist movements, the opportunity to study a wide range of these works and to meet some of the artists who had made them affected Bolotowsky profoundly. As a result of this trip, Bolotowsky began to synthesize aspects of Cubism with the abstract Surrealism of artists like Miro and Arp. These softer, floating forms gave way to a rectilinear geometry as he became more influenced by the Constructivists and Mondrian. Upon his return to the United States, Bolotowsky married his fellow painter Esphyr Slobodkina...
Category
1970s Abstract Geometric Abstract Prints
Materials
Lithograph
Abstract Composition - Screen Print by Max Bill - 1970s
By Max Bill
Located in Roma, IT
Abstract Composition is an original Screen Print realized by Max Bill in 1970s.
Good conditions.
The artwork is depicted harmonious colors in a well-balanced composition.
Category
1970s Abstract Geometric Abstract Prints
Materials
Screen
Untitled from the On the Bowery portfolio, Screenprint by Charles Hinman
By Charles Hinman
Located in Long Island City, NY
Artist: Charles Hinman, American (1932 - )
Title: Untitled from the On the Bowery portfolio
Year: 1969
Medium: Screenprint, signed and numbered in pencil
Edition: AP V/XX
Size: 25.75...
Category
1960s Abstract Geometric Abstract Prints
Materials
Screen
Untitled I, Abstract Minimalist Screenprint on Arches by Robert Einbeck
By Robert Einbeck
Located in Long Island City, NY
Artist: Robert Einbeck, French (1944 - )
Title: Untitled I
Year: circa 1975
Medium: Screenprint on Arches, signed and numbered in pencil
Edition: 150
Image Size: 22 x 26 inches
Size:...
Category
1970s Abstract Geometric Abstract Prints
Materials
Screen
Neun Sergraphien 1, Abstract Geometric Screenprint by Georg Karl Pfahler
By Georg Karl Pfahler
Located in Long Island City, NY
Artist: Georg Karl Pfahler, German (1922 - 2002)
Title: from Neun Sergraphien 1
Year: 1968
Medium: Screenprint, signed and numbered in pencil, verso
Edition: 5/80
Paper Size: 25 x 25...
Category
1960s Abstract Geometric Abstract Prints
Materials
Screen
Geometric Composition - Original Lithograph
By Max Bill
Located in Paris, IDF
Max Bill
Geometric composition, 1975
Original lithograph
Unsigned and unnumbered as usual
Limited edition of 575 copies
On Arches vellum, size 35 x 27 cm (c. 14 x 10 in)
Excellent ...
Category
1970s Abstract Geometric Interior Prints
Materials
Lithograph
More Ways To Browse
German Exhibition Poster
Exhibition Posters Spain
Bordeaux Poster
New Orleans Poster
Ellsworth Kelly Squares
Friedrich Nietzsche
Gerhard Richter Poster
Henri Georges Adam
Luigi Palumbo
Marcel Mouly Signed Print
Sister Corita Prints
Sister Mary Corita Kent
Sol Lewitt Bands
Tiffany Iris
Tom Levine
Tony Caramanico Surf Journal
Ann Hamilton Print
Basquiat Anatomy