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Peter Max
Blue Angel With Heart, Peter Max - SIGNED

2003

Price:$930.75
$1,095List Price

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Indiana, Composition (Sheehan 78), XXe Siècle (after)
By Robert Indiana
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, N° 41, 1973. Published and printed under the direction...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

Rosenquist, Composition, XXe Siècle (after)
By James Rosenquist
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, N° 44, 1975. Published and printed under the direction...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph

Rosenquist, Composition, XXe Siècle (after)
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Autoportrait 69 (Sheehan 78), Société internationale d'art XXe siècle
By Robert Indiana
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Sheehan, Susan, et al. Robert Indiana Print...
Category

1970s Pop Art Abstract Prints

Materials

Lithograph

Soulages, Composition, XXe Siècle (after)
By Pierre Soulages
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°34, 1970. Published and printed under the direction of Gualt...
Category

1970s Modern Figurative Prints

Materials

Lithograph

Braque, Papier collé, XXe Siècle (after)
By Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°6, 1956. Published and printed under the direct...
Category

1950s Modern Figurative Prints

Materials

Lithograph

Miró, Composition (Mourlot 457), Derrière le miroir (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...
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1960s Surrealist Figurative Prints

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Large Bus by Allen Jones classic British 1960s pop art in bright primary colors
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Located in New York, NY
This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...
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This print depicts the tangle of barbed wire encircling curling and twisting neon, with lengths of wood at the center. The dark paper sets off the electric blue, and captures the ori...
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Fun City, N.Y.C.
By Richard Lindner
Located in New York, NY
A very good impression of this color lithograph. Signed and numbered 125/175 in pencil, lower margin.
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Symbolic Self-Portrait with Equals
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A very good impression of this color offset lithograph on white, thick, smooth Louvain Supreme Vellum Bristol 150-pound paper. Signed and numbered 190/300 in pencil. Printed by Color...
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Expo 67 Mural--Firepole 33' x 17'
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