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Robert MotherwellRobert Motherwell, Art Chicago, limited edition lithographic poster1981
1981
$700
£530.38
€608.57
CA$985.01
A$1,082.80
CHF 569.07
MX$13,149.14
NOK 7,099.01
SEK 6,725.81
DKK 4,541.93
About the Item
Robert Motherwell
Art Chicago, 1981
Offset lithograph on wove paper
Plate signed
39 × 27 1/2 inches
Unframed
This stunning ithographic poster was printed by Tyler Graphics Mt. Kisco, New York and published by Lakeside Group for the 1981 Chicago International Art Exposition. This is the original lithographic poster, on heavy wove paper, NOT a later reproduction. (You can tell by the quality of the paper). Provenance is superb as it was acquired directly from the publisher, the Lakeside Group in Chicago.
- Creator:Robert Motherwell (1915-1991, American)
- Creation Year:1981
- Dimensions:Height: 39 in (99.06 cm)Width: 29.5 in (74.93 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:very good vintage condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214818322
Robert Motherwell
The name of painter, printmaker and writer Robert Motherwell (1915–91) is often taken as synonymous with the New York School, whose name he coined. Motherwell was the youngest of this group of Abstract Expressionists working in art, dance, poetry and music in 1950s and '60s New York City, which included Jackson Pollock, Willem de Kooning, Philip Guston, Helen Frankenthaler and Mark Rothko.
Born in Aberdeen, Washington, in 1915, Motherwell had perhaps the broadest and best education of any of the New York School coterie, with an extensive background in philosophy, literature and art history. He earned a BA in philosophy in 1937 from Stanford University and was working toward a PhD in the subject at Harvard when he interrupted his studies for a yearlong trip to Europe, where he fell in love with European modernism.
After returning, in 1940 he enrolled Columbia to study art history. It was there that he met a group of exiled Parisian Surrealists, and encounter that proved influential on his style. Motherwell began to integrate the idea of “automatism” — unmediated gestures that reflect deeper psychological impulses — into his work, pioneering a new form of Abstract Expressionism that came to characterize the New York School.
Works like the 1967 Beside the Sea no. 45, an acrylic on canvas, and the 1966 lithograph New York International epitomize Motherwell’s use of simple shapes in boldly contrasting colors, executed in quick, gestural strokes that occasionally evoke figures, suggesting a latent narrative despite their obvious abstraction.
Throughout his career, Motherwell taught painting at Hunter College, in New York, and at Black Mountain College, in North Carolina, where his work influenced the likes of Cy Twombly, Robert Rauschenberg and Kenneth Noland. His influence as one of the founding fathers of American Abstract Expressionism remains profound.
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Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap No. 249, page 247; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 282; "Tyler Graphics - Catalogue Raisonné, 1974-1985" - Tyler No. 410:RM29, page 246
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GIA Gallery Poster Disclaimer:
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